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Bread and Circuses

Chapter 26: THE WORSHIPPERS
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About This Book

A lyrical collection of short poems ranges from quiet country scenes and childhood memories to urban sketches and religious reflections. The poet renders streams, gardens, market sellers, and domestic interiors in close sensory detail while pairing everyday observation with moral and spiritual meditation. Animal vignettes and playful pieces for children sit alongside elegies, prayers, and ironic portraits of modern life, producing tones of humour, tenderness, and solemnity. Varied forms and concise portraits move between pastoral lanes, London streets, and intimate household moments while attending to time, sorrow, and faith.

THE WORSHIPPERS

When the young Spring in Betsey’s fingers sets The first white violets, And she hath reared them in her soft brown fist, Ev’n to my stooping mouth till they be kist:— Shall I allow my kiss more fainly lingers Among her baby fingers, Where (for all pride of perfume that they shed), The very violets be out-violetted?
Great is her portion whose auriferous mines Yield new-coin’d celandines, Her dowry hoarded in the hedge-row’s heart Till the March wind hath blown the buds apart; For her delight these gay-wrought tassels be By name Dog’s Mercury, For her delight I scour from wood to wood, Lured by one lode-star with her Babyhood.
Dare I avow then, Betsey, that your grove Hath not mine only love? Have we not quit a brave and bustling world For catkins and the cuckoo-pint uncurl’d? So, while your wind-blown cheek to mine you press, I know you’ll never guess Whereto my woodland incense I prefer— And that I worship you, dear worshipper.