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Bread and Circuses

Chapter 45: THE WATER-MEADS OF MOTTISFONT
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About This Book

A lyrical collection of short poems ranges from quiet country scenes and childhood memories to urban sketches and religious reflections. The poet renders streams, gardens, market sellers, and domestic interiors in close sensory detail while pairing everyday observation with moral and spiritual meditation. Animal vignettes and playful pieces for children sit alongside elegies, prayers, and ironic portraits of modern life, producing tones of humour, tenderness, and solemnity. Varied forms and concise portraits move between pastoral lanes, London streets, and intimate household moments while attending to time, sorrow, and faith.

THE WATER-MEADS OF MOTTISFONT

On the painted bridge at Mottisfont above the Test I’ve stood Where the dab-chick from a rushy raft directs her little brood, Where fringed with sedge and willow-weed the waters spread about And linger in pellucid glooms the sleepy spotted trout.
I’ve seen the tawny tumult of the headlong Highland spate, And the ebb round Hair-brush Island (which the map calls Chiswick Ait) Where the withy bristles shimmer and the purple mud-banks gleam And the lights come out by Thornycroft’s and glisten in the stream.
’Twere good to be at Abergeirch: the little brook again Greets the brine among the shingle on the beetling coast of Lleyn,— O the shallows on the sand-banks where the dozing flat-fish lie And the heather surging inland till it breaks against the sky!
But the chalky scaurs of Compton hold the shadows; and between Lie the water-meads of Mottisfont enamelled with such green As discolours all I’ve looked upon in valleys far apart— For the water-meads of Mottisfont lie nearest to my heart.