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Bressant: A Novel

Chapter 28: CHAPTER XII.
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About This Book

A young man named Bressant becomes the pupil of the eccentric Professor Valeyon and is drawn into the rhythms of the professor's household, dominated by Cornelia and Sophie. The plot advances through domestic scenes, social encounters, and episodic incidents—a daguerreotype, a keepsake, secret confidences, and an episode of confinement—that reveal concealed identities, emotional debts, and moral dilemmas. Characters test loyalties and confront misunderstandings, alternating moments of tenderness, irritation, and revelation. The narrative balances intimate tableau and melodramatic turns to bring personal truths to light and steer relationships toward final reckonings.

CHAPTER IX.

THE DAGUERROTYPE.

Bressant occupied two adjoining rooms at Abbie's boarding-house; one contained his bed and the other was fitted up as his study. They were on the second floor of the house, and attainable through two turns in the lower entry, a winding flight of narrow stairs, and an uncertain, darkly erratic route above.

The study was some twelve feet by eight; the floor ornamented by a carpet which, to judge from the size of the pattern, must have been designed to grace some fifty-foot drawing-room. The furniture consisted of a deal table with a folding leaf, a chair, a stove—which, perhaps because it was so small, had been permitted to remain all summer—and a broad-seated lounge with squeaky springs, but quite roomy and comfortable, which monopolized a large portion of the room. The walls were papered with a bewildering diamond pattern, in blue and white. Upon the outside window-sill stood a pot of geraniums, and another of heliotrope.

A good many books were stowed away in various parts of the study; piled one upon another in the corner by the stove, ranged side by side beneath the lounge, carefully disposed upon the inner window-sill, and occupying as much space as could be spared to them on the table. There were few ornaments to be seen; no landscapes or hunting-scenes—no pictures of pretty women—no fancy pieces for the mantel—no wine either, nor cigars, for Bressant neither smoked nor drank. A beautifully-finished and colored drawing of a patent derrick, in plan and side elevation, was pinned to the wall opposite the window. Above the mantel-piece hung an ingeniously-contrived card almanac, by which the day of week and month could be told for a hundred years to come. Two small globes, terrestrial and astronomical, stood upon the table; on the mantel-piece was an ordinary kerosene-lamp, with a conical shade of enamelled green paper, arabesqued in black, and ornamented with three transparencies, representing (when the lamp was lighted) bloody and fiery scenes in the late war; but in the daytime appearing to be nothing more terrible than plain pieces of white tissue-paper.

For two weeks Bressant had done his studying and thinking in this room. He had enormous powers of application, naturally and by acquisition, and the first fortnight had seen them exerted to their full extent. This diligence, however, was practised not so much because the course of study marked out necessitated it, as by way of voluntary self-discipline. His first evening's experience in the Parsonage garden had given the young man a serious shock; a disturbing influence had obtained possession of him, of which he could understand no more than that it appeared to have some connection with Cornelia. It interfered, at unexpected moments, with his processes of thought; it distracted his schemes of argument; it wrote itself unintelligibly upon the page he was reading. It even followed him in his rough tramps up the hills and through the woods, and sometimes shook the hand which held the pen during his compositions.

Bressant knew not how best to combat his novel difficulty. Although called into existence by an extraneous circumstance, it seemed to have struck root in every faculty of his mind, and, what was more, into the inmost core of every faculty. He was possessed, not by seven devils, but by one devil in seven different forms. He felt that the only thing to be done, if he did not intend to make an entire surrender of himself, was to take stern and rigorous measures for deliverance. The best course that suggested itself was to study his sevenfold devil down; taking every precaution, of course, to keep out of the way of all additional contamination; and this course he adopted, and had conscientiously adhered to. It was with very pardonable satisfaction that he felt his malady gradually and surely give way before his unsparing regimen, until by the first of July he considered himself entirely whole and in working order, and beyond danger of relapse.

He sometimes wondered why the professor persisted in inviting him to take dinner, or stay to tea, or sit on the balcony in the evening, or go on a picnic into the woods. Why couldn't the old gentleman divine the cause of his invariable and unhesitating refusals? Leaving other considerations out of the question, would such things be likely to increase his knowledge of theology, or further the lofty schemes of his ambition? He would be glad when that daughter left the house! What was it about her that had so disturbed and beclouded the heretofore untroubled stream? Were other women like her, or was she alone in her dangerous capacity? If the first, with what assurance could he look forward to the intellectual mastery of the world! If the last, what a refinement of misfortune to have been so thrown with her! What if he should give up Professor Valeyon altogether? No, no! if he could not conquer his destiny here, he could not be sure of doing it anywhere. Let him only be self-controlled and prudent—keep carefully and systematically out of the woman's way. Or perhaps—for it was not gratifying or dignified thus to live in terror of a minister's daughter—perhaps he might ultimately learn to associate and hold intercourse with her, unharmed. That would be a triumph worth striving for! Indeed, how could he feel secure until it had been won? Again, did there at present exist any such risk as he had brought himself to imagine? Was not this first ordeal, and its effects, all that was to be apprehended? What if all his anxiety, and self-control, and prudence, had been wasting themselves upon nothing? Would it not be worth while to try the experiment? to prove whether he was still liable to this strange witchery and enchantment? even if so it should turn out, it was still well that the point should be settled once for all. Decided, then, that he should take the first opportunity to put himself to the test.

Thus did the young man argue around his instinct, ignorant that the poison was at that moment circulating in his blood, and prompting the very sophistries that his brain produced. He who is cured begets a wholesome aversion toward what has harmed him; he feels no curiosity to prove whether or no he be yet open to mischief from it. Bressant's poison was in fact an elixir, whose delicious intoxication he had experienced once, and which his whole nature secretly but urgently craved to taste again.

A result somewhat similar to this was doubtless what Professor Valeyon aimed at in his plan of developing the emotional and affectional elements of his pupil, albeit he was far from imagining what might be the cost and risk to every thing which he himself held most dear. Like many other men, of otherwise liberal mind and clear insight into character, he had certain convictions and principles, derived from contemplating the facts and results of his own life, which he believed must produce upon other people's mental and moral constitutions as good an effect as upon his own. And possibly, could we divest our regimen of life of all personal flavor and conformation, it might, other things being favorable, suit our friends very tolerably well. But, until we are able to throw off the fetters of our own individuality, the measure of our garments can never accurately fit anybody else.

On the morning of the 1st of July, Bressant sat at his table, with his books and papers about him. He was in an excellent humor, for he had just arrived at the conclusion that he might, and would, safely encounter his bugbear Cornelia. If the professor invited him to tea, and to spend the evening, he was resolved to accept; and, at that moment, he felt a hand laid upon his shoulder, and, turning quickly round, recognized the sombre figure of the boarding-house keeper.

Although he had lived with her two weeks, he had not as yet had other than the briefest communication with her. He probably thought ho had in hand many matters of more importance than the cultivation of his landlady's acquaintance; and she, whatever may have been her desire to carry out the promise she had made to the professor, had not found it possible to be other than indirectly observant of his welfare.

"I knocked, Mr. Bressant, but I couldn't make you hear. I came to ask you to do me a little favor, sir."

Bressant had risen to his feet, and stood leaning against the back of his chair. He nodded and smiled good-naturedly, his hand busy with his beard, and his eyes taking in, with mild curiosity, the plain and plainly-dressed woman before him. What favor could she expect him to do for her? He'd just as lief agree to any thing that wouldn't interfere in any way with his arrangements. Of course, she wouldn't ask any thing more. As long as he paid his board-bill, and created no disturbance, what obligations did he owe her?

"You see, sir," proceeded Abbie, gently rattling the bunch of keys that hung at her belt, "we've been in the habit of giving a party here, three or four times a year, for the young folks to come and dance and enjoy themselves. There will be one next Thursday, the 4th of July. Will you come down, and join in?"

Bressant threw back his head, with one of his brief laughs. "Come to a dance? But I don't know how to dance! I never go into society. What should I do? Thank you for asking me!"

"I thought you might be interested to look on at one of our country hops," said Abbie, whose eyes observed the young man's manner, as he spoke, with a closeness that would have embarrassed most men. "There's a good deal to amuse yourself with besides dancing. The school-master will be there, and the minister that is now, and Professor Valeyon."

"Professor Valeyon?" repeated Bressant, leaning forward, with his hand to his ear, and the vivid, questioning expression on his face, which was peculiar to himself.

The movement appeared to produce a disproportionate effect upon Abbie. Her finger tremblingly sought her under lip; a quiver, as if from a sudden pain, passed across her forehead; there was a momentary unsteadiness in her eyes, and then they fastened, almost rigidly, upon the young man's face. So habitual was the woman's self-control, however, that these symptoms, whatever they betokened, were repressed and annulled, till none, save a particularly sharp-sighted person, would have noticed them. Bressant was thinking only of Professor Valeyon, and would scarcely have troubled himself, in any case, about the neuralgic spasms of his landlady.

"The professor and Miss Valeyon will both come," said Abbie, as soon as the neuralgia, if that it were, would allow her to speak. "Excuse me, sir—may I sit down a moment?" These words were uttered hurriedly, and, at the same moment, the woman made a sudden step to the lounge, and dropped down upon it so abruptly that the venerable springs creaked again.

"Beg your pardon, ma'am," said Bressant, rather awkwardly. "Must be an infirm old person," he added to himself. "She looks older, even, than when she came in!"

"Well, sir," said she, with rather a constrained air, rising, from the sofa in a way that confirmed the young man's opinion about her infirmity; "well, sir, shall I expect you on Thursday evening?"

"Yes; I'll come," said he, with an elastic inclination of his shoulders, and a smile. He thought himself fortunate in so good an opportunity to put his invulnerability to the proof.

Abbie bowed without speaking, and moved toward the door. Having opened it, she turned round, with her hands upon the latch: "Professor Valeyon tells me you're an orphan, sir?"

"My father died last month; I never knew my mother," returned Bressant, pushing his brown beard between his teeth, and biting it impatiently. He wished people would get through asking him about his deceased relatives.

"Never knew your mother! it must have been—have you never felt the need of her?"

"Oh, no! I was better without one," said he, quite provoked at his landlady's pertinacity. He turned about, and threw himself into his chair. The woman shrank back beyond the threshold.

"Good-day, sir, and thank you," she said. But Bressant could not be expected to hear the low, timid tone in which she spoke. Seeing that he made no response, she softly closed the door.

She went along the dark entry to her own room. On a little table in one corner stood an old-fashioned desk. She opened it, and, unlocking an inner drawer, took therefrom a small morocco case, lined with red velvet, and containing a daguerreotype much faded by age. She studied it long and earnestly, but seemingly without any very satisfactory result.

"But how can I expect it?" murmured she. "So long ago as this was taken! so sickly and unformed as he was then! But, oh! did they think I could be blind to that face, and form, and expression! and there is none other but he, now; the father is dead. Dead! Well, may God forgive him all the evil of his life! I'm sure I do. But what will this turn out to be, I wonder—a curse or a blessing? I must wait—it isn't for me to speak; I must wait, and the end may be happy, after all."


CHAPTER X.

ONLY FOR TO-NIGHT!

On the evening of the 4th of July, Professor Valeyon and Cornelia got into the wagon, and drove off, behind Dolly, to the boarding-house. It was a warm, breathless night, and the stars looked brighter and more numerous than usual.

The boarding-house was one of the largest buildings in town—an accidental sort of structure, painted white, green-blinded, and protected, from the two roads at whose intersection it stood, by a white-washed board-fence, deficient in several places. The house expanded into no less than four large bay-windows, affording an outlook to three small rooms upon the ground-floor. The four or five other larger apartments were forced to pass a gloomy existence behind a loop-hole or two apiece, which could not have measured over three feet in any direction.

The two largest rooms lay corner to corner, at right angles to one another, and communicating by a passage-way through their point of contact. Who the original genius was who discovered the admirable facilities this else preposterous arrangement afforded for dances will remain forever unknown; but the experiment once tried became an institution as permanent as Abbie herself.

The small triangle of space between the two rooms, which to utilize had theretofore been an unsolved problem, served admirably as a station for the band; they could be heard in either apartment equally well. The small boudoirs, nooks, and corners, which were scattered here and there with lavish hand, did excellent duty as flirtation-boxes for those of the dancers who needed that refreshment; the only drawback being that one was never quite sure of privacy, on account of the complicated system of doors and entries that prevailed.

But, in spite of all objections, a dance at Abbie's was the rallying-cry of the community. All the respectable people in town put on their newest clothes—and if they were new it did not so much matter what the style might be—and thronged, on foot or in wagon, to the boarding-house door. They came to have a good time, and they always succeeded in their object. What pigeon-wings were performed! what polkas perpetrated! what waltzes wrecked! How the long lines of the Virginia Reel, or "On the Road to Boston," extended through the hall from end to end, and how the couples twisted, whirled, and scooted between them! How the call-man, with his violin under his chin, stopped playing to vociferate his orders, or anathematize some bewildered pair! How the old folks, sitting on chairs and benches along the walls, nodded and smiled and mumbled to one another as the ruddy faces of their descendants passed and repassed before them, and spoke to one another of like scenes thirty, or forty, or fifty years ago! How happy everybody was, and what a jolly noise they made!

As Cornelia and her papa approached the house, every window was alight, above and below. The door was thrown hospitably open, and the lamplight streamed forth and ran down the steps, and lay in a long rectangular pool upon the road. Abbie stood near the entrance, directing the ladies one way and the gentlemen another. Punctuality at an affair of this kind being among the village virtues, the whole company was present within a surprisingly short time of the appointed hour.

"Good-evening, Professor Valeyon; good-evening, my dear; how well-you look! Step up-stairs—the first room on the right."

"My pupil is to be here to-night, isn't he?" inquired the professor, as his daughter vanished.

"Yes, he said he'd be down. He doesn't seem to be used to society. Miss Cornelia told me she thought it would do him good to begin, so I went up the other day and asked him."

"Oh! humph!" said the old gentleman, who had vainly endeavored to catch Abbie's eye while she was speaking. He stood silent a few moments, and then moved off to the gentlemen's dressing-room, taking a pair of white-kid gloves from his pocket as he went.

Cornelia, having removed her hood, put on her slippers, shaken out her skirt, touched her hair with the tips of her gloved fingers, and settled the ribbon at her throat, descended to the reception-room—as that part of the entrance-hall where Abbie stood was styled—and found her papa awaiting her. She was about to take his arm, when the hostess touched her on the shoulder.

"Wait a moment," said she, with a peculiar grave smile; "I'll bring you your protégé."

Bressant was standing in the door-way of an inner room, leaning with the elbow of one arm in the hand of the other, as he pulled at his mustache and twisted the beard on his chin. He looked ill at ease, and as if he rather regretted his intrepidity in coming down. Had he been what is called a student of human nature, he might have been interested in the quaint people and customs which an occasion like this would bring to light. But he believed that all the traits and elements of mankind at large were comprised, in a superior form, within himself, and that, knowing himself, he would virtually know the world. This somewhat exclusive creed had, doubtless, been aided and abetted by his deafness, which, even had he been otherwise inclined by nature, must have thrown him back, in great measure, upon himself; or, possibly, the dogma may have been but an outgrowth of the physical defect: he fights hard and well, in this world, who counteracts the bias given by bodily infirmity. In any case, however, since such was the position of his mind, he could scarcely be expected to derive much entertainment from a social occasion like the present. It is even uncertain whether he would not actually have repented and taken to flight, had not Abbie come up at the critical moment, and carried him off to Cornelia.

"I wanted to have the pleasure of presenting Mr. Bressant to you myself," said she, with the same peculiar smile; and so left them together.

The young man stood confronting the young woman, who, besides being dressed with great taste, looked, owing to the whimsical circumstances in which she was placed, every bit of beauty she had. Bressant stared at her in astonishment.

One woman's beauty cannot be contrasted with another's; as well compare a summer valley with the white clouds sailing over it; each is to be enjoyed in its own way. But Cornelia's loveliness carried with it a peculiar quality, which not only gratified the eye, but went further, and seemed to touch a vital chord in the beholder, jarring throughout his being with a sweet distribution of effect, and causing heart and voice to vibrate. It made Bressant conscious in every fibre that he was man and she woman. Whence came the influence he could not tell, and meanwhile it gained ever stronger and deeper hold upon him. Was it from the eyes, a-sparkle with the essence of youth and health? or from the mouth, with its red warmth of full yet delicate curves? the gates of what sweetness of breath! or from the crisp, dark, lustreless luxuriance of the hair? or from the curved shadows melting on the cheeks, and nestling beneath the chin? He could trace it to no single one of these various elements—yet how lovely all were! Whence, then, was it? In a bottle of wine there are many drops, alike in color, shape, flavor, and sparkle; in which one, of all, lurks the intoxication? The only way to make sure of the drop is to drink the bottle; and, even then, though there will be no doubt about the intoxication, its precise origin may still be disputed.

As Bressant bowed to Cornelia, who courtesied grandly in return, the band struck up a waltz, which seemed to be at once reflected in her face and manner. She was particularly sensitive to musical impressions, and instinctively looked up to Bressant's face for sympathy, forgetting at the moment that his infirmity would probably debar him from sharing her enjoyment. However that might be, he was certainly not indifferent to the silent music of her beauty; he was gazing down upon her with an intensity which caused her to droop her eyes, and draw an uneven breath or two. There was in him all a man's fire, strangely mingled with the freshness of a boy.

"Take my arm," said he, offering it to her. After an instant's hesitation, more mental, however, than physical, she laid her graceful hand within it, and they moved toward the dancing-room.

But at the instant of contact an electric pulsation seemed to pass through Cornelia's blood, imbuing it with a powerful ichor, alien to herself, yet whose potency was delicious to her. She fancied, also, that she herself went out in the same way to her companion, establishing a magnetic interchange of personalities, so that each felt and shared the other's thoughts and emotions.

They now stood in the principal dancing-hall, where several couples, who had already taken the floor, were revolving with various degrees of awkwardness. The music had flowed into Cornelia's ears until she was full of the rhythmical harmony. She glanced up once more at her partner, this time with a lustrous look of confidence. Was it possible that he had become inspired through her? Certainly it seemed as if the feeling of the tune were discernible in his face as well as hers; it was even betokened by the lightsome pose of his figure, and a scarcely subdued buoyancy in his step. Moment by moment did the occult sympathy between one another and the cadence of the music grow more assured and complete; and at length—though precisely how it came about neither Cornelia nor Bressant could have told—they were conscious of floating through the room, mutually supporting and leading on each other, mind and motion pulsating with the beat of the tune, amid a bright, half-seen chaos of lights, faces, and forms, dancing a waltz!

Neither felt any surprise at what, but a few moments before, both would have deemed an impossibility. The easy, whirling sweep of the motion, not ending nor beginning, seemed, to Bressant as well as to Cornelia, the most natural thing in the world. Beautifully as she danced, he was no whit her inferior. They moved in complete accord. Years of practice could not have made the harmony more perfect.

The charm of dancing, although nothing is easier than to experience it, is something that eludes statement. It is the language of the body, graceful and significant. It has that in it which will make it live and be loved so long as men and women exist as such. The fascination of the motion, the magic of the music, the hour, the lights; the nearness, the touch of hands, the leaning, the support, the starting off in fresh bewilderments; the trilling down the gamut of the hall; the pauses and recommencements; even the little incidents of collision and escape; the trips, slips, and quick recoveries; the breathless words whispered in the ear, and the laughter; the dropped handkerchief, the crushed fan, the faithless hair-pin—these, and a thousand more such small elements, make dancing imperishable.

Presently—and it might have been after a minute or an hour, for all they could have told—Bressant and Cornelia awoke to a sense of four bare walls, papered with a pattern of abominable regularity, a floor of rough and unwaxed boards, a panting crowd of country girls and bumpkins. The music had ceased, and nothing remained in its place save a fiddle, a harp, and an inferior piano.

"Come out to the door!" said Bressant, "the air here is not fit for us to breathe."

They went, Cornelia leaning on his arm, silent; their minds inactive, conscious only of a pleasant, dreamy feeling of magnetic communion. Both felt impelled to keep together—to be in contact; the mere thought of separation would have made them shudder.

The door stood open, and they emerged through it on to the wooden steps. At first their eyes, dazzled by the noisy glare of the house, could distinguish nothing in the silent darkness without. But, by-and-by, a singular gentle radiance began to diffuse itself through the soft night air, as if a new moon had all at once arisen. They looked first at each other, and then upward at the sky. Cornelia pressed her companion's arm, and caught her breath.

From the north had uprisen a column of light, of about the apparent breadth of the Milky Way, but far more brilliant, and defined clearly at the edges. Higher and higher it rose, until it reached the zenith. Pausing a moment there, it then began to slide and lengthen down the southern slope of the sky, lower and lower, till its extreme limit seemed to mingle with the haze on the horizon. Having thus completed its stupendous sweep, it remained, brightening and paling by turns, for several minutes. Finally, it slowly and imperceptibly faded away, vanishing first at the loftiest point of all, and lingering downward on either side, till all was gone.

"What a glorious arch!" exclaimed Cornelia.

"It was put there for us, was it not?" rejoined Bressant.

Some of the other guests had come out in time to see the latter part of this spectacle, as it trembled athwart the heavens. They "Oh'd" and "Ah'd" in vast astonishment and admiration; and one of them humorously asserted that it had been engaged, at a huge expense, to celebrate the anniversary of American Independence. So the celestial arch vanished in the echo of a horse-laugh. But Bressant and Cornelia, as they stood silently arm-in-arm, felt as if it were rather the presage of an emancipation of their own selves. From, or to what, they did not ask; nor did the old superstition, that such signs foretell ruin and disaster, recur to their minds until long afterward.

Dancing was now recommenced, but, by an unuttered agreement, the two refrained from participating again. The enjoyment had been too entire to risk a repetition. They sat down in one of the small boudoirs, which, through a demoralized corridor, commanded a view of the extremity of one of the dancing-rooms.

From this vantage-ground they could see the distinctive features of the assembly pass before their eyes. Girls who danced well striving to look graceful in the arms of men who danced ill, or floundering women bringing disgrace and misery upon embracing men. Dancers of the old school, whose forte lay in quadrilles and contra-dances, cutting strange capers, with faces of earnest gravity. People smiling whenever spoken to, and without hearing what was said; and on-lookers smiling, by a sort of photographic process, at fun in which they had no concern. Introductions, where the lady was self-possessed and bewitching, the gentleman monosyllabic and poker-like; others, where he was off-hand, ogling, and facetious; she, timid, credulous, and blushing. All kinds of costumes, from the solitary dress-coat, and low-necked ball-dress, worn respectively by Mr. and Mrs. Van Brueck from Albany, to the mixed tweed sack and trousers, and the checked gingham, adorning the Browne boy and girl.

"How foolish it all seems when you're not doing it yourself!" remarked Cornelia at last, laughing softly.

"But very wise when you are."

"How beautifully you danced! I didn't know you could."

"I never did before—I couldn't, with any one but you. As soon as we touched each other, I felt every thing through you."

"It was very strange, wasn't it? and yet I don't wonder at it, somehow."

"It would have been stranger not to have been so."

"Why, how have you been hearing what I said?" suddenly exclaimed Cornelia, looking at him in surprise; "I've been almost whispering all this time!"

"Have you? It sounded loud enough to me. But I could hear you think to-night, I believe. Will it be so to-morrow, do you suppose?"

"To-morrow!" repeated Cornelia. "Dear me! to-morrow is my last day here."

"The last day!" echoed Bressant, in a tone of dismay. "Shall we find one another the same as to-night when you come back?"

"Why not?" responded she, with a resumption of cheerfulness. "I sha'n't be gone but three months."

So the conversation lingered along, until gradually the greater part of it was supported by Bressant, while Cornelia sat quiet and listened—a thing she had never done before. But the young man's way of expressing himself was picturesque and piquant, keeping the attention thoroughly awake. His ideas and topics were original. He plunged into the midst of a subject and talked backward and forward at the same time, yet conveyed a marvelously clear idea of his meaning. Sometimes the last word was the key-note that rendered the whole intelligible. And he had the bearing of a man all unaccustomed to deal with women—ignorant of the traditional arts of entertainment which society practises upon itself. He talked to Cornelia as he might have done to a man, and yet his manner showed a subtle difference—a lack of assurance—a treading in a pleasant garden with fear of trespassing—the recognition of the woman. To Cornelia it had the effect of the most soothing and delicious flattery; had he been as worldly-wise as other men, he could not have been so delicate.

He, for his part, gave himself wholly up to be fascinated and absorbed by the lovely woman at his side. Did a thought of danger intrude, the whisper, "Only for to-night, only for to-night!" sufficed to banish it. Yet another day, and he would return to the old life once more.


CHAPTER XI.

EVERY LITTLE COUNTS.

Mr. William Reynolds arrived late, perhaps because he delayed too long over the niceties of his toilet. He was a country young man, fashioned upon a well-worn last. His occupation for several years past had been to attend to the furnishing and driving of a milk-cart, and, very likely, it was this which had hindered the proper development of his figure. At all events, he was stoutest where it is generally thought advisable to be lean, and narrow where popular prejudice demands breadth. His knees were more conspicuous than his legs, and his elbows than his arms. His face was striking, chiefly because an accident in early life had prostrated his nose; the expression, though lacking force, was in the main good-natured, the eyes were modestly veiled behind a pair of eye-glasses, which stayed on, as it were, by accident.

Mr. Reynolds was an admirer of Cornelia's; a fact which was the occasion of much pleasant remark and easy witticism. More serious consequences were not likely to ensue, for such men as he seldom attain to be other than indirectly useful or mildly obnoxious to their fellow-creatures. But the strongest instincts he had were social; and it was touching to observe the earnestness with which they urged him to lumber the path of fashion and gay life. He nearly broke his own heart, and unseated his instructor's reason, in his efforts to learn dancing; and, to secure elegant apparel for Sundays and parties, he would forswear the butcher's wagon for months at a time. Once in a while he would smoke an Havana cigar from the assortment to be found at the grocery-store on the corner, and sometimes, when a national holiday or the gloom of unrequited love rendered strong measures a necessity, he would become recklessly convivial over muddy whisky-and-water amid the spittoons and colored prints of the hotel bar-room.

On the present evening he arrived late, and came upon Cornelia and Bressant just as the latter was proposing to obtain the professor's consent to accompanying her home on foot.

Mr. Reynolds advanced, smiling; a polka was being played at the moment, and he playfully contorted his figure and balanced his head from side to side in time with the tune, while with his right forefinger he beckoned winningly to Miss Valeyon to join him in the dance. Bressant gave an involuntary shudder of disgust; it seemed to him a grisly caricature of the inspiration he himself had felt at the beginning of the evening. But Cornelia was equal to the emergency.

"If you'll go and ask papa now," said she, "I'll take care of this person meantime. He's known me so long, I don't want to be impolite to him."

A good deal of harm may be done in this world by what is called a reluctance to be uncivil. There is generally more selfishness than consideration about it. All sincere admiration, no matter from how low a source, is grateful to us. Cornelia knew that Bill Reynolds worshipped her with his whole small capacity, and she was unwilling to deny herself the miserable little incense, and give him plainly to understand that, though it was not distasteful to her, he was. And who could blame her for not wanting to hurt his feelings?

Bressant had no such delicate scruples, and would gladly have assisted poor Bill through the open bow-window. He departed on his errand, however, with nothing more than a look of intense dissatisfaction, which was entirely lost upon the infatuated Reynolds.

"How lovely you do look to-night, Miss Valeyon! I almost think sometimes it ain't fair anybody should look as lovely as you do. Elegant music they've got to-night, ain't it? Come, now—just one turn. What?"

Cornelia actually had danced with this young gentleman on one or two memorable occasions in the past, but was scarcely in the mood to do so this evening. As she looked at him, now, she wondered how she ever had. What a difference there is in men I and even more in the way we regard them at different times. Bressant, simply by being himself, had annihilated all such small claims to social life as Bill Reynolds ever possessed.

"I'm not dancing to-night, thank you," said Cornelia; but she smiled so as wellnigh to heal the wound her words inflicted. "What makes you so late?"

Now, the fact was that Mr. Reynolds had been weak enough to allow himself to be drawn into conversation with some friends near the entrance of the hotel possessing the bar-room with the spittoons and colored prints already alluded to; and, being the Fourth of July, which, like many other days, comes but once a year, and a "dry night," as his friends assured him, he had further given evidence of lack of stamina by accepting an invitation to "take a damp," When he had finally succeeded in making his escape, he was conscious that it was in a tolerably damp condition; and it had occurred to him, as a brilliant idea, to put his head beneath the pump by way of freshening up his wits. The effect had been, for the moment, undoubtedly clarifying, and he made his entrance into Abbie's with a great deal of confidence; more, perhaps, than was entirely warrantable; for the muddy whisky was still circulating in his blood, and the light, the close, hot air, and the excitement within-doors, were rapidly undoing the good work which the pump had accomplished. It was probably a dim suspicion that such was the case, which made him hesitate, and stick his hands in his pockets, and screw his boot-heel into the floor, when Cornelia asked him why he was so late. But the question had been asked in pure idleness, and not with any interest or purpose to elicit a reply. The next minute she relieved him from his embarrassment by speaking again.

"Would you mind doing me a favor, Bill?"

It seemed to Bill that, for the sake of hearing his Christian name from her lips, he would be willing to forswear all else that made life most dear—Havana cigars and muddy whisky included; and he was proceeding with impressive gravity to make a statement to that effect, when Cornelia once more interrupted him.

"Thank you; I was sure you would. You're always so kind! You see I'm obliged to go home now, but papa will want to stay to supper, probably, or to play backgammon, and, of course, I shall leave him the wagon. Now, I want you to promise to see that Dolly is properly harnessed before he starts—will you? You know that man they have here isn't always quite sober, especially when it's Fourth of July, or any thing of that sort; and papa is getting old."

"Yes, Miss Valeyon. I'll attend to it. I'll fix the old gentleman up, like he was my own father. And you're just right about that fellow that's around here; I wouldn't trust him. Why—" Bill was on the point of mentioning that he had made one of the convivial party that evening, but checked himself in time, and looked particularly profound.

Cornelia had probably had more than one motive in making her request of Bill Reynolds. She wanted to avoid being urged to dance, by keeping his mind otherwise employed; she enjoyed the amusement of making him imagine that he was of some consequence and importance to her; and, lastly, she was very willing that all this should concur with some possible benefit to her father. Of Bill's irresponsible condition she had of course no suspicion; indeed, he might have been far worse, with impunity, as far as she was concerned. It takes considerable practice to detect the effects of liquor, except when very excessive; and Cornelia had no such training.

"And," added she, as she saw Bressant making his way toward her, with unmistakable signs on his face of having been successful in his errand, "and suppose you go now, and find out when papa leaves, so as to be sure to be on hand."

It was very neatly managed, on the whole; and Cornelia, as she put on her shoes, and drew the hood around her face, congratulated herself on her tact and readiness. Yet she felt a little uneasiness, assignable to no particular cause, and upon no definite subject; it may have been nothing more than some slight qualms of conscience at having so deluded her unfortunate admirer. As she came down from the ladies' dressing-room, she felt a strong impulse to go and kiss her papa good-by; but reflecting that Bill would probably be with him, and that she would see him at any rate before she went to bed, she thought better of it; and, taking Bressant's arm—he was waiting her at the foot of the stairs—she signified her readiness to start.

"When did papa say he was coming?" asked she, as they moved through the passage-way to the door.

"He was playing backgammon; he said he should be through in ten minutes; he would probably overtake us before we got to the Parsonage," replied the young man.

"I hope he'll be all safe!" said Cornelia, half to herself, the vague feeling of uneasiness still working within her.

At the door they were met by Abbie, who bade them good-night, with the same expression upon her lips and in her eyes that she had worn when presenting them to one another early in the evening.

"Take good care of each other, my children," said she, as they passed out; but her tone was so low as to be audible to Cornelia alone.


CHAPTER XII.

DOLLY ACTS AN IMPORTANT PART.

The faintest of breezes wafted in the young people's faces as they descended the wooden steps of the boarding-house and passed along the dark, deserted sidewalk of the village street. The noisy dance was soon left at a distance; how extravagant and unnatural it seemed in comparison with the deep, sweet night in which they were losing themselves!

The brightness of the stars, and the wavering peaks and jagged edges of the northern lights, brought out the shadows of the uneven hills, and revealed the winding length of downy mist which kept the stream in the valley warm. Such was the stillness, and the subdued tone of the landscape, that it seemed unreal—the phantom of a world which had lost its sunshine, and was mourning for it in gentle melancholy.

The sense of the solitude around them brought the young man and woman closer to one another. For enjoyment to be, mortally speaking, perfect, it needs that a soft and dreamy element of sadness should be added to it; and this was given by the gracious influence of the night. The darkness, too, encouraged the germs of that mutual reliance, hopefulness, and trust, which combine to build up the more vital and profound relations of life. There is a magic mystery and power in it, which we can laugh at in the sunshine, but whose reality, at times, forces itself upon us mightily.

As Bressant trod onward, with the warm and lovely woman living and moving at his side, and clinging to his arm with a dainty pressure, just perceptible enough to make him wish it were a little closer—it entered his mind to marvel at the tender change that seemed to have come over familiar things.

"I've walked often in the night, before," observed he, looking around him, and then at Cornelia; "on the same road, too; but it never made me feel as now. It is beautiful." He used the word with a doubtful intonation, as if unaccustomed to it, and not quite sure whether he were applying it correctly.

"You speak as if you didn't know what you were talking about!" said Cornelia, with a round, melodious laugh. "Did you never see or care for any thing beautiful before this evening?"

"You remember that night in the garden?" asked Bressant, abruptly. "I've learned a great deal since then. I couldn't understand it at the moment; I wasn't prepared for it—understand? but I know now—it was beauty—I saw it and felt it—and it drove me out of myself."

Cornelia was thrilled, half with fear and half with delight. Bressant spoke with an almost fierce sincerity and earnestness of conviction, that quite overbore the shield of playful incredulity which woman instinctively raises on such occasions; they seemed to have crossed, at one step, the pale of conventionalities; and, sweet and alluring as the outer wilderness may be, it is wilderness still, and full of sudden precipices. Besides, the very energy and impetuosity which the young man showed, suggested the apprehension that the power of his newly-awakened emotions was greater than his ability to control and manage them.

But beauty, as he understood it, was something of deeper and wider significance than that generally accepted. It was all, in mankind and nature, that appeals to and gratifies the senses and sensuous emotions. Cornelia had been the door through which he had passed into a consciousness of its existence; the fragrant pass leading to the mighty valley. Unfortunately neither he nor she was in a position to comprehend this fact: she was no metaphysical casuist, and never imagined but that he would find the end, as well as the beginning of his newly-opened world in her; and he, dizzied by the tumult and novelty of the vision, was naturally disposed to attribute most value and importance to the only element in it of which he had as yet taken any real and definite cognizance.

"What a strange, one-sided life you must have had!" Cornelia remarked, after they had walked a little way in silence. "Don't you think you'll be happier for having found the other side out?"

Bressant started, and did not immediately reply. Thus far he had looked upon this unexpected enlargement of feeling as merely a temporary episode, after all; not any thing permanently to affect the predetermined course and conduct of his life. The idea that it was to round out and perfect his existence—that he was to find his highest happiness in it—had never for a moment occurred to him. He did not believe it possible that it could coexist with lofty aims and strenuous effort; it was a weakness—a delicious one—but still a weakness, and ultimately to be trampled under foot.

But Cornelia had taken the ground that it was the half of life—not only that, but the better and more desirable half. For the first time it dawned upon the young man, that he might be obliged to decide between following out the high and ascetic ambition which had guided his life thus far, and abandoning, or at least lowering it, to take in that other part of which Cornelia was the incarnation. The prospect drove the blood to his heart and left him pale. He would not entertain it yet. Had he not promised himself to let this one night go by?

"It would be a very sweet happiness, if I were sure of finding it," said he; and Cornelia, turning this answer over in her foolish heart, made a great deal out of it, and was thankful for the darkness that veiled her face. But Bressant was hardly far advanced enough in the art of affection to make a graceful use of double meanings; and most likely Cornelia might have spared herself the blush.

Nevertheless, the young man was more deeply involved than he suspected. That magnetic sympathy could not otherwise have existed between him and his companion. The music could not have sounded through her sense to his, nor her whisper have penetrated the barrier of his infirmity, unless something akin to love had been the interpreter and guide; and not a one-sided something, either.

On they walked, with the feeling of intimacy and mutual contentment growing stronger at every moment. The ground was full of ruts and inequalities, and ever and anon a misstep or an overbalance would cause them involuntarily to tighten their hold upon each other; involuntarily, but with a secret sensation of pleasure that made them hope there were more rough places farther on. They did their best to keep up a desultory conversation, perhaps, because they wished to spare each other the embarrassment which silence would have caused, in leaving the pleasant condition of affairs without a veil. When this kind of thing first begins to be realized between young people, the enjoyment takes on a more delicate flavor from a pretended ignoring of it.

It is beautiful to imagine them thus placed in a situation to which both were strangers, knowing not what new delight the next moment might bring forth. There was an element of childlikeness and innocence about it, the more pleasing to behold in proportion as they were elevated in mind or organization above the average of mankind.

A woman who loves thinks first of the man who has her heart; while he, as a general rule, is primarily concerned with himself. If Bressant wished Cornelia to be happy and loving, it was in order that he himself might thereby be incited to greater love and happiness; but, had her pleasure been, independent of his own, he would not have troubled himself about it. To her, on the other hand, Bressant's well-being would have been paramount to her own, and to be preserved, if need were, at its sacrifice.

Even a perception, on her part, of this selfishness in him, would not have alienated her. Selfishness in him she loves does not chill, but augments, a woman's affection. Cornelia, already inclined to allow her companion every thing, would have seen nothing unbecoming in his being of the same mind himself. He could scarcely value himself so high as she.

Meanwhile Professor Valeyon, having won his game of backgammon, hunted up his hat, made his adieux, and went to the shed for his wagon. He perceived a figure apparently busy in buckling Dolly between the shafts, and, supposing it to be the ostler, called to him to know whether every thing was ready.

"All serene, Profess'r Valeyon," responded the voice of Mr. Reynolds, as he led Dolly—who seemed rather restive—out into the yard. "Here you are, all fixed! I done it for you, in style. Jump in, and I'll give you the reins."

"Is this the reason you were asking me what time I should start, Bill?" inquired the old gentleman, as he mounted to his seat. "Very kind of you: sure she's all right?"

"Well, I ought to know something about harnessing a mare by this time, I guess!" responded Bill, with a good deal of dignity, as he handed up the reins. "Well, well I no doubt—no doubt! I'm accustomed to oversee it myself, that's all.—Steady, Dolly! Good-night."

"Good-night, Profess'r Valeyon," said Bill, who, in harnessing the mare had managed, with intoxicated ingenuity, so to twist one of the buckles of the head-gear, that every time the reins were tightened, the sharp tongue was driven in under her jaw-bone. The wagon rattled off at an unusual speed; there was no need for a whip, and the professor congratulated himself upon the fine condition of his steed.

"Hasn't shown such speed for years," muttered he, admiringly. "If I'd only been a horse-jockey, now, I could have made a fortune out of her! Points all superb—only wants a little training."

They had now descended the hill on which stood the village, and were flying along the level stretch between the willow-trees. The wheels crunched swiftly and smoothly along the ruts, or, striking sharply against a stone, made the old wagon bounce and creak. Dolly was putting her best foot foremost, and her ears were laid back close to her head: though that, by reason of the darkness, Professor Valeyon could not see. He and Dolly had travelled this road in company so often, however, and every turn and dip was so well known to him, that it never would have occurred to him to feel any anxiety. Beyond keeping a firm hold of the reins, he let the mare have her own way.

In a few minutes the willow stretch was passed, and they began to stretch with vigorous swing up the slope. Dolly's haunches were visible, working below in the darkness, and occasionally a spark of fire was struck from the rock by her hoof. Really she was doing well to-night. As they topped the brow of the slope, the professor tightened the reins a little. It wouldn't do to let the old mare overwork herself. But, instead of slackening her pace, she sprang forward more swiftly than ever.

"That's odd!" murmured the old gentleman. "Can any thing be the matter, I wonder?" and he gave another steady pull on the reins. The wagon was jerked forward with such a wrench as almost to throw him backward. There was no doubt that something was the matter, now.

By this time they were within a quarter of a mile of the Parsonage, and rapidly approaching the sharp bend around the rocky spur of the hill. Dolly's skimming hind-legs spurned the road faster and faster, and the fences flickered by in a terrible hurry. They whisked around the curve with a sharp, grating sound of the wheels on the rock, and the Parsonage lay but a short distance ahead. Suddenly a white object seemed to rise out of the road not more than a hundred yards in advance. Dolly, with the bit caught vigorously between her teeth, stretched her neck and head out and ran. Professor Valeyon, bracing himself with his feet against the dash-board, leaned back with his whole weight and sawed the reins right and left. When within a few yards of the white object—which seemed to have fluttered back to one side of the road—his right rein broke: he lost his balance and fell over backward into the bottom of the waggon, while Dolly, quite unrestrained, dashed on madly.

The professor had just made up his mind that he stood very little chance of seeing Abbie or his daughters again, when he felt the onward rush suddenly modified. There were a pawing and snorting, an irregular jerk or two, and then a dead stop. The old gentleman picked himself up and descended to the ground uninjured beyond a few slight bruises.

Cornelia and Bressant had been pacing the latter part of their way slowly, there being a disinclination on both their parts to come to the end of it. But they had passed the bend, and were within a few rods of the Parsonage, before Cornelia pressed her companion's arm, paused, listened, and said:

"I think I hear him coming: yes! that's Dolly—but how fast she's going!"

As they stood, arm-in-arm, Bressant was between Cornelia and the approaching vehicle: but, when it swung around the corner, she stepped forward, thus bringing her white dress suddenly into view. At the same moment the velocity of the wagon was much increased, and, as it came upon them, both saw the figure on the seat, easily recognizable as the professor, fall over backward. Bressant, who had been busy freeing the guard of his watch, handed it to Cornelia, at the same time pressing her back to one side. He then stepped forward in silence, half facing up the road.

Cornelia remained motionless, her hands drawn up beneath her chin: and while she drew a single trembling breath, and the busy watch ticked away five seconds, the whole act passed before her eyes. She saw Bressant standing, lightly erect, near the centre of the road, could discern his darkly-clad, well-knit figure, seemingly gigantic in the gloom: his head turned toward the on-rushing mare, one foot a little advanced, his arms partly raised, and bent: remarked what a marvelous mingling of grace and power was in his form and bearing: as the watch ticked again, she saw him spring forward and upward, grasping and dragging down both reins in his hands: another tick—he was dashed against Dolly's shoulder, and his body swung around along the shaft, but without loosening his hold upon the reins: tick, tick, tick, the mare's headway was slackened; the dragging at the bit of that great weight was more than she could carry; tick, tick, tick, she staggered on a few paces, trailing Bressant along the road; tick, tick, she came to a panting, trembling stand-still; Bressant let go the reins, but, instead of rising to his feet, he dropped loosely to the earth and lay there; tick—the five seconds were up, and Cornelia drew her second breath.

By the time the professor had scrambled out of the wagon and got around to the scene of action, he found the mysterious white figure—his own daughter—kneeling in the road beside a prostrate something he knew must be Bressant.

"Father, is he dead?" she asked, in a broken, horror-stricken voice.

The old gentleman was too much concerned to reply. Had this been a narrower nature he might have been aggrieved at Cornelia's ignoring his own late deadly peril in her anxiety for the young man. But he would have done her wrong; her heart had stood still for him till she had seen his safety assured; then it had gone out in gratitude, admiration, and tender solicitude, for the man who had shown unfaltering and desperate determination in saving him.

Having backed Dolly—who was standing, quite subdued, with hanging head and heaving sides—away from the body, Professor Valeyon stooped down to make an examination. He had begun life as a surgeon, and was well skilled in the science. He cautiously unbuttoned the closely-fitting coat.

"Stop! let me alone! let me alone!—will you?" growled Bressant, speaking thickly and disjointedly, like one just recovering from a fainting-fit, but with unmistakable signs of ill-temper.

"Thank God! you're alive, my boy," said the professor, too much relieved to notice the tone. "Cornelia, my dear, run to the house, and get Michael and the wheelbarrow.—Any bones broken, do you think?" he continued, carefully pursuing his investigations the while.

"No, nothing! can't you let me lie here alone?" was the sulky reply. But, as the other's hand happened to press lightly in the vicinity of the chest, Bressant drew a quick, gasping breath, and could not control a spasm of pain.

"Don't touch there—it's where the shaft struck me," said he, in a voice that was no more than a whisper, but as sullen as if he had been the victim of some unpardonable wrong. There was a trace of mortification in it, too, such as might have been caused by detection in a disgraceful act.

"Never saw any thing like this in him, before," said the professor to himself. "Badly injured, too, I'm afraid: collar-bone broken, at any rate. Ah! there's the wheelbarrow, and Neelie with some cushions. Now, Michael, take hold of him carefully, and help me lift him in." But Bressant, as he felt the first touch, opened wide his half-closed eyes, and looked around savagely.

"Keep your hands off me," whispered he, in a menacing tone; "if I must go into the house, I'll walk in myself."

"Nonsense! you're crazy! 'walk in?'" cried the professor.

Bressant said no more, but, with an effort that forced a groan, he rolled over on his face, and thence raised himself to a kneeling posture. He paused so a moment, and then, by another spasmodic movement, succeeded in gaining his feet. He had been twice kicked in his right leg, and the pain was wellnigh insupportable. He stood balancing himself unsteadily.

"Let me help you," said Cornelia, coming to his side. But he took no notice of her, not even turning his eyes upon her. He staggered blindly along the road to the gate; it gave way before him with a reluctant rattle, and closed with an ill-tempered clap as he passed through. Swaying from side to side of the marble walk, he at last reached the porch. In trying to ascend the steps, he stumbled, and pitched forward in a heavy fall.

"There!—confound his obstinacy! he's fainted," muttered the professor, with an awful frown, while the tears ran down his cheeks. "Here, Michael, help me carry him in before he comes to."


CHAPTER XIII.

A KEEPSAKE.

Bressant's collar-bone was broken; there were two severe bruises on his leg, though it had escaped fracture; his body in several places was marked with dark contusions, and there was a cut in the back of his head, where he had fallen against a stone. The professor set the collar-bone—a harrowing piece of work, there being no anesthetics at hand—and attended to the other hurts, the patient all the while preserving a dogged and moody silence, and avoiding the eyes of whoever looked at him.

"Can't understand it," said the old gentleman to himself; "the fellow acts like a wild-beast as regards his appreciation of human sympathy, in spite of his refined intellect and cultivation. A wounded animal has the same instinct to crawl away, and suffer in private."

When brought into the house, Bressant had been laid in the spare room adjoining the professor's study. After he had done all he could for his comfort, the warm-hearted old gentleman, being overcome with fatigue, retired to rest; the patient lay sullenly quiet, wishing it were day, and, again, wishing day would never come: at length the composing draught which had been given him took effect, and he sank heavily into sleep.

It was broad daylight when he awoke, and stared feverishly around him. The room was a pleasant one, facing the north and east, and the morning sun came cheerfully in through the open windows, slanting down the walls, and brightening on the carpet. It was a great improvement upon his rather gloomy room at the boarding-house, and he could not but feel it so. A small ormolu clock ticked rapidly upon the mantel-piece, the swing of the gilded pendulum being visible beneath. Bressant watched it with idle interest. He felt so weak, in mind and body, that the clock seemed company just fitted for his comprehension.

The door opened by-and-by, and Cornelia's smiling face peeped in, looking the sweeter for an expression of tender anxiety. Seeing that he was awake, her eyes took on an extra sparkle, and she advanced a step into the room, still clinging with one hand to the door-knob, however, as if afraid to lose its support.

"You feel a little better, don't you? Is that mattress comfortable? I'm going to bring you your breakfast in a few minutes."

Bressant only grew red and bit his mustache for answer. He would gladly have covered himself up out of sight, but he could not move hand or foot.

Cornelia had in her mind a little speech she meant to deliver to Bressant, on the subject of the previous night's event, but, at the critical moment, she felt her courage forsaking her. The topic was so weighty—and then she shrank from speaking out what was in her head, perhaps because her auditor was there as well as her sentiments. Still, she felt she ought to try.

"Mr. Bressant," began she, with a kindling look, "Mr. Bressant, I—" here her voice faltered; "oh! you don't know—I can never tell you—I can never forget what you did last night!" This was the end of the great speech.

Bressant became still more red and uncomfortable. "I made a fool of myself last night," said he, dejectedly. "I wish you hadn't been there; if I'd known what a piece of work—"

"But you saved my papa's life!" interrupted Cornelia, in a blaze.

The young man looked as if struck with a new idea. It seemed as if he had not before thought of looking upon the professor as an independent quantity in the affair. The whole episode had presented itself to him as a difficult problem which he was to solve. The accident to himself had been an imperfection in the solution, of which he was deeply ashamed. But he was somewhat consoled by the reflection that the old gentleman had really needed preservation on his own account.

"That does make it better," said he, half to himself, with the first approach to good-humor he had shown since his misfortune.

Cornelia still remained glowing in the door-way, turning the latch backward and forward, not knowing what more to say, and yet unwilling to say nothing more. She did not at all comprehend Bressant's attitude, and therefore admired him all the more. What she could not understand in him was, of course, beyond her scope.

"You may think nothing of it, but I know I—I know we do—I can't say what I want to, and I'm not going to try any more; but I'm sure you know—or, at least, you'll find out some time—in some other way, you know."

Bressant could not hear all this, nor would he have known what it meant, if he had; but he could see that Cornelia was kindly disposed toward him, and was conscious of great pleasure in looking at her, and thought, if she were to touch him, he would get well. He said nothing, however, and presently his bodily pain caused him to sigh and close his eyes wearily. Cornelia immediately kissed her soft fingers to him twice, and then vanished from the room, looking more like a blush than a tea rose. Before long she returned with the sick man's breakfast on a tray.

"Do you like to be nursed?" asked she, as she put the tray on a table, and moved it up to the bedside.

"No!" said Bressant, emphatically, and with an intonation of great surprise.

"Oh! why not?" faltered Cornelia, quite taken aback.

"I hate disabled people; they're monstrosities, and had better not be at all. I wouldn't nurse them."

"You think there's no pleasure in doing things for people who cannot help themselves?" demanded Cornelia, indignantly.

"There can be no pleasure in nursing," reiterated he. "It might be very pleasant to be nursed—by any one who is beautiful—if one did not need the nursing!"

Cornelia was becoming so accustomed to Bressant's undisguised manners that she forgot to be disturbed by this guileless compliment. Many hours afterward, when she was alone in her chamber, the words recurred to her, devoid of the version his manner had given them, and then they brought the blood gently to her cheeks.

"You're very foolish," said she, as she poured out some tea, and cut up a mutton-chop into mouthfuls. "Now, you have to drink this tea, though you wouldn't the last time I poured you out a cup; and I'll give you your chop. Open your mouth."

So the athlete of the day before was obliged to submit to having his tea-cup carried to his lips and tipped for him by a woman, and the chop administered bit by bit on a fork. It was very degrading; but once in a while Cornelia accidentally touched him, or her face, lit up by interest in her occupation, came so near his own that he felt warm and thrilled, and went near to admit it was worth all the broken bones in the world, and the sacrifice of pride accompanying them.

Ere breakfast was over, Professor Valeyon entered with his slippers, his pipe, and a remarkably benevolent expression for one of such impending eyebrows.

"Well, my boy," said he—ever since the accident he had addressed Bressant thus—"you look in a better humor with yourself this morning. You'll be well used to this room before you leave it," he continued, with kindly gravity, as he felt his patient's pulse. "You'll know all about the number and relative position of the bars and bunches of flowers on the wall-paper opposite, and how many feet and inches it is from the window-frame to the room-corner, and which pane of glass is the crookedest, and how much higher one post of your bedstead is than the other; and plenty more things of that kind. And, to tell you the truth, my boy, I don't believe a course of such studies, by way of variety, will do you any harm. Now, let's look at this collar-bone of yours.—O Cornelia! you'd better be finishing your packing, hadn't you?" he added, to his daughter, who was leaning on the back of his chair, sympathizing with the sick man to her heart's content. She walked obediently to the door, but, before she disappeared, turned and sent back a smile charged with all the warmth of her ardent, womanly nature. Bressant got the whole benefit of it; and it lingered with him most of the morning.

"How long must I be here?" inquired he, after Cornelia was gone.

"Three months at least," replied the surgeon; "more if you worry yourself about it."

"Three months!" repeated the young man, aghast. "What's to become of my studies? I can't hold a book; I can't write; I had to have my breakfast fed to me this morning," continued he, biting his mustache and looking away. The professor smiled thoughtfully.

"I have hopes," said he, "that you'll know more about Divinity when you come out of this room than you did before you went into it. We'll see when the time comes."

"I've found out already that my bones are like other men's," remarked Bressant, with a sigh.

"So much the better," returned the old man. "You never would have learned that out of your Hebrew Lexicon. The best way to reach this young fellow's soul is through his body," declared he, silently, to the bandage he was preparing for the broken head. "This is nothing but a blessing in disguise." But he had too much tact to carry the conversation further, and presently left his patient alone to digest his breakfast and the lesson it had inculcated.

This was Cornelia's last day at home; she was to take the eight-o'clock train next morning to the city. The young lady's mood was unequal: sometimes she drooped; anon would break forth into much talk and merriment, which would evaporate almost as quickly as the froth of champagne. This was her first departure from home, and the ease, freedom, and beloved old ways of home-life, assumed more of their true value in her eyes. She had acquired a sentiment of awe for Aunt Margaret's grandeur. She would be obliged to sleep in corsets and high-heeled shoes; everybody would be going through the figures of a stately minuet all day long.

Then she began to feel in advance the wrench of separating from those with whom her life had been spent, and from one other in whose company she had lived more—so it seemed to her—than in all the years since she ceased to be a child. Bressant was very prominent in her thoughts; nor could she be blamed for this, for the short acquaintance bad been emphasized by a disproportional number of memorable events: First, there was the thunder-storm evening by the fountain; afterward, the dance at Abbie's; and, following in quick succession, the celestial arch, the walk homeward, and the catastrophe in which he had borne the chief part. Besides, he was so different from common men.

"So perfectly natural and unaffected," she argued to herself. "He means all he says; of course I shouldn't let him say such things to me as he does if it weren't so; but it would be affectation in me to object to it as it is!"—a most plausible deduction, by-the-way, but dangerous to act upon. To persuade herself that, because he was an exceptional sort of person, his plain way of talking to her was justifiable, was to establish a secret understanding between him and herself, which placed her at a disadvantage to begin with; and unreservedly to accept compliments, even ingenuous ones, was to indulge in a luxury that must ultimately render callous her moral sensitiveness and refinement.

On the other hand, her toleration would be almost certain to have a bad effect upon Bressant, no matter how sincere and well-meaning he might be at the outset. A man is apt to know when he has power over a woman; and, although he may have no expectation of it, nor wish to use it, yet, as time goes on and accustoms him to the idea, he must have strong principles or cold blood who does not finally yield to temptation. Plain speaking, where pleasant things are said, is smelling poisonous flowers for both parties.

A steady fall of rain set in during the night, and made the morning of departure gray. Blurred clouds rested helplessly on the backs of the hills, and wept themselves into the wet valley without seeming to grow less lugubrious for the indulgence. There was no wind; trees and plants stood up and were soaked in passive resignation. The weather-beaten boards of the barn were drenched black, except a small place right under the eaves, which looked as if it had been painted a light gray. When the covered wagon was brought around to the gate, it speedily acquired a brilliant coat of varnish; Dolly's bay suit was streaked and discolored, and the reins, thrown over her back, got all wet and uncomfortable.

Michael now came for Cornelia's trunk—a ponderous structure packed within an inch of its existence. Cornelia stood at the head of the stairs and saw it go thump! thump! thump! down to the bottom, and then scrape unwillingly over the oil-cloth to the door. Such a heavy-hearted old trunk as it was! Then she walked to the hall-window, and watched its further journey along the glistening marble causeway, which dimly reflected its square ponderosity, and the tugging Michael behind it.

Now the gate had to be pulled open; the rasp of its rattle and sharpness of its flap were somewhat impaired by the wet, but it managed to give the trunk a parting kick as it went out, as much as to say the house was well rid of it.

"Cornelia!" called the Professor from down-stairs, "you've just five minutes to say good-by in. Get through and come along!"

She passed through Sophie's open door; her sister held out her arms, her eyes overflowing with tears, but smiling with the strange perversity that possesses some people on these occasions. Cornelia was troubled with no such misplaced self-dental; she threw herself impatiently down by Sophie, and sobbed with all her might. Possibly it was more than one regret that found utterance then.

"You'll be all well and walking about when I come back, won't you dear?" said she, at last, in a shaking voice.

"I shall get well thinking what a splendid time you're having, darling."

"Sophie—will you be quite the same to me when I come back?"

"Why, Neelie, dear, what a question! I shall always be the same to you."

"But I feel as if there were going to be something—that something was going to come between us;" and Cornelia began to droop like a flower under an icy wind. "You never could hate me, could you, Sophie?"

"Hate you! Neelie! What makes you speak so, dear? I have no misgivings."

"Oh! I don't know—I don't know! it must be because I'm wicked!"

"You wicked, my darling sister! Come," said Sophie, with an earnest smile, "think only of how much we love each other; let the misgivings go."

"Yes, we do love each other now, don't we? Whatever happens we'll always remember that. Good-by, Sophie!" said Cornelia, with a strong hug and a long kiss.

"Good-by, dear Neelie!"

Cornelia ran down-stairs; her papa had just gone out to the wagon; she went into Bressant's room, and walked quickly up to the bedside.

"Here's your watch," said she. "I've kept it all safe, and wound it up and every thing." She had also slept with it under her pillow, and worn it all day in her bosom, but that she did not mention. She laid it down on the table as she spoke.