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Bressant: A Novel

Chapter 63: FOUND.
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About This Book

A young man named Bressant becomes the pupil of the eccentric Professor Valeyon and is drawn into the rhythms of the professor's household, dominated by Cornelia and Sophie. The plot advances through domestic scenes, social encounters, and episodic incidents—a daguerreotype, a keepsake, secret confidences, and an episode of confinement—that reveal concealed identities, emotional debts, and moral dilemmas. Characters test loyalties and confront misunderstandings, alternating moments of tenderness, irritation, and revelation. The narrative balances intimate tableau and melodramatic turns to bring personal truths to light and steer relationships toward final reckonings.

"Hallo!" called the stranger; "you're Bressant, I guess, ain't you? I've got something for you." Here he drew up beneath the window. "You see, I was down to the depot getting some milk aboard the up-train, and Davis, the telegraph-man, came up and asked me, 'Bill Reynolds, are you going up to Abbie's? 'cause,' says he, 'here's a telegraph has come for the student up there—him that's going to marry Sophie Valeyon—and our boy he's down with the influenza,' says he. 'I'm you're man!' says I, 'let's have it!' and here 'tis," added Mr. Reynolds, producing a yellow envelope from the bottom of his overcoat pocket.

Bressant had heard little or nothing of the explanation volunteered by the bearer of the message, but he at once recognized the yellow telegraph-envelope, and comprehended the rest. But, ere he could leave the window to go down and receive it, he saw the fat servant-girl, who had witnessed the scene from the parlor, run down to the front-gate, sinking above her ankles at every step, take the envelope from Bill's mittened paw, exchange a word and a grin with him, and then return, carefully stepping into the holes she had made going out.

Bill gave a nod of good-will to Bressant's window—for Bressant was no longer there—whipped up his nag, and jingled off with his milk-cans. In another minute the fat servant-girl, after stamping the remains of the snow off her shoes upon the door-mat, opened the door, and introduced the dispatch and her own smiling physiognomy. Bressant snatched the former, and shut the door in the latter, before the hand-wiping and haranguing had time to begin.

Before opening the envelope, he stood up at his full height, and filled his lungs with a long, profound breath; then emitted it suddenly in a sort of deep, short growl, and took his seat at the table. He tore open the end of the envelope, pulled out the inclosure, which was an ordinary printed telegraph-blank, filled in with three lines of writing, as follows: "Been very ill come on at once at once must hear all no alternative" in the scrawly and unpunctuated chirography peculiar to written telegrams. The name signed was "M. Vauderp." Bressant read the message, and afterward carefully perused the printing, even down to the name of the printer's firm, which was given in very small type at the bottom of the paper. Then he glanced over the writing once more, and returned the paper to the envelope.

"At once, at once!" muttered he; "that's the only way of writing italics in telegraphy, I suppose. Well, I'll go at once; it's ten now; there's a train at half-past."

He unlocked a drawer in his table, and took from it a purse, which he put in his pocket. He buttoned a pea-jacket across his broad chest, pressed a round fur-cap on to his handsome head, took a pair of thick gloves from the mantel-piece, and walked away without giving one backward glance.

The snow blew and drifted through the open window into the empty room; the few remaining flowers were hustled from their stalks; the red eye of the stove grew dimmer and dimmer, and finally faded into darkness, and the colored drawing of the patent derrick broke loose at another corner, and flapped and fluttered against the wall in crazy exultation.


CHAPTER XXVII.

FACT AND FANCY.

The snow-storm continued all that afternoon. The customary hour for Bressant's visit to the Parsonage went by, and he did not appear. The professor smoked two extra pipes, and spent half an hour looking out across the valley trying to discern the open spot upon the top of the hill. Finally, the early twilight set in, and he returned to his chair, but felt no impulse to light a lamp and take up a book. He sat tilted back, pulling Shakespeare's nose with meditative fingers. A gloom gradually settled over the room, withdrawing one after another of the familiar objects around him from the old gentleman's sight; it even seemed to creep into his heart, and create a vague uneasiness there. He tried to shake it off, telling himself that he was the happiest and most fortunate old fellow alive; that every thing was coming out just as he had hoped and prayed it might; that one daughter, with the man of her choice, would be just far enough removed from his fireside to give piquancy to the frequent visits he should receive from her; while the other would still, for a time, continue to pour out sunshine in the house, and redouble her love for him by way of compensating for what he should miss in Sophie's absence. And then the professor built an airier and a fairer castle still: beneath it lay the heavy clouds of suffering, barren effort, and hope deferred; its sunlit walls were hewn of solid faith; the banner which floated over the battlements was woven with white threads of truth; over the arched entrance-gate was written "Constancy." Yet, fair and lofty as the castle was, the building-materials were taken from no less homely edifices than the village boarding-house and his own Parsonage!

By-and-by, however, the vision faded, or else the clouds upon which it was built rose up and hid it. The professor, returning to himself, found that he was now surrounded with thick darkness, and, strive as he would, he could paint no fancies upon it which did not partake more or less of the character of the background. Sophie seemed to have lost the steady cheer of her aspect; she was pale and fragile, and every moment took away yet more of earthly substance, till scarcely any thing but the faint lustre of her face and form remained. Then, all at once, the features which had heretofore been only sad, changed into an expression of horror and torture and despair; and, while the professor, himself aghast, strained his old eyes to make out more clearly the half-indistinguishable image, it vanished quite away. But, at the last moment, it had spoken—at least, the lips bad moved as if in speech, though no sound had reached the professor's ears; yet he fancied he had caught a glimmering of the purport. He pressed his hands over his forehead to shut out the thought, and wondered no longer at the expression upon Sophie's face.

Then Cornelia moved across the hollow blackness of the room. She was sunshiny no longer, but morose and stern; her eyebrows were drawn together; a secret defiance was in her tigerish eyes; her lips were set, yet seemed, ever and anon, as she turned her face aside, to tremble with a passionate yearning. As he gazed, she disappeared, but the professor had a feeling that she was still concealed somewhere in the darkness. And, at last, she came again—she, or something that looked like her. The old gentleman shivered and recoiled, as though a snow-drift had somehow blown into his warm, old heart. Was it his daughter who looked with those unmeaning eyes, encircled with dark rings, in which life and passion burned out had left the dull ashes of remorse and hopelessness? Where were the luminous cheeks and the queenly step of his proud and beautiful Cornelia?—What words were those? or was it only fancy?—Ah!—The professor started with a sharp exclamation: but he was alone in his dark study, and the phantom of Cornelia was gone.

He composed himself in his chair again, and, presently, a third figure grew into form and color before him. At first, as a stately young girl, with the arched feet and hot blood of the south, and her eyes dark and soft as a Spaniard's; but her beauty lasted but for a moment. A withering change came over face and figure: she was cold and hard; her youthful ardor, warmth, and freshness, had been shrivelled up or worn away. The rich black hair grew rusty, and the dark, delicate complexion became dull and lustreless. Nevertheless, the professor continued to look with hopeful expectation, confident that a further alteration would ensue, which, though, it would not restore the grace of youth, would give a peace and happiness yet more beautiful. And, indeed, it seemed, for a moment, as though his expectation would be gratified. The figure raised its head, and held forth its hands, and the professor's bright anticipation was reflected in its eyes. But, alas! the brightness faded almost before it could be affirmed to exist. The hands dropped to the sides, the head was averted, and the whole form shrank back, and sank to the ground. For the third time—the professor's imagination was certainly playing him strange tricks this evening—the ghost of spoken words appeared to fall upon his ears, and sink like molten lead into his heart. He groaned, and there was an oppression on his chest, so that he struggled for breath; but, in another moment, the crouching figure was gone, and the oppression with it; but drops of sweat stood upon the old man's broad forehead.

Still another vision awaits him, however, and he draws himself up sternly to encounter it, and a heavy frown lowers on his thick gray eyebrows. But the lofty form which confronts him, massive and stalwart, alike in mind and body, meets his gaze unflinchingly, and frowns back in angry defiance. The old professor pauses in his intended denunciation, being taken aback somewhat, at the unexpected counter-accusation which strikes out at him from the young man's eyes. Yet do his self-confidence and indignation become reconfirmed, for there, behind, the three former phantoms appear together, and seem to launch against the last a deadly shaft of bitter reproach and judgment. The professor watches it cleave a passage through the stalwart figure's heart, and he bows his head, and thinks—it is but justice! In the same instant, a cry of intensest pain and horror escapes him: the deadly arrow, additionally poisoned by the blood it has just shed, has passed quite through the spectre of his former pupil, and is buried up to the feather in Professor Valeyon's own vitals! This shock effectually wakened the old gentleman—for, after all, he had only been having an uneasy nap in his straight-backed chair!—and he started to his feet, and fumbled nervously for the match-box. Just then, Sophie appeared at the door with a lamp in her hand—the real Sophie, this time—no intangible shadow.

"Why, papa dear! What are you doing in here in the dark? Have you been asleep?"

"Come here, my dear!" said the professor, in a shaken voice, holding out his hand. He took her on his knee, and hugged her to him eagerly, passing his hand down her arm, and pressing her slender fingers. "Are you well and happy, Sophie?"

"Yes, papa," she answered, laying her head as usual on his shoulder.

"He—your—young man didn't come to-day?" continued the professor, with an attempt to be jocose. "He's getting very squeamish to be kept back by a snow-storm!" Sophie replied only by nestling closer to her father's shoulder.

"Where's Neelie?" inquired the professor, again breaking the silence.

"She's seeing about supper, I believe."

"Have you heard any thing about Abbie lately?" proceeded the other. He must have been either strangely anxious to keep up a conversation, or unusually inquisitive, this evening.

"Not very lately; I saw her about a week ago. She didn't look in very good spirits, it seemed to me."

"Not in good spirits, eh? not in good spirits? and that was a week ago! was she ill?"

"I don't think there was any thing the matter—with her health, I mean; she only looked very sad—as if something had almost broken her heart. But then she always is grave, you know."

"She has been of late years, that's certain," muttered the old man, gruffly; "and does she begin to be broken-hearted now!" he added, to himself. More thoughts, and angry ones, he might have had, but the memory of his untoward dream still hovered about him, and he suppressed them.

"What are you thinking of, papa?" demanded Sophie, with an inquietude of manner which attracted the professor's attention. He laid his finger on her pulse, and touched her forehead.

"You've taken cold, my dear," he said, with the most tender anxiety of tone. "What have you been doing? How have you exposed yourself?"

"I was out on the porch about an hour ago," replied she, languidly. "I wanted to—to see if he was coming, you know. The snow came on me a little, I believe, and I had on my slippers. But I didn't feel any thing—any cold. I was out only a moment."

Professor Valeyon turned his strong-featured face away from the lamp, so that the shadow covered his expression. He could feel the heat of Sophie's cheek through his coat, as she lay heavily on his shoulder; heavily, but not half so heavily there as upon his heart. But, with the physician's instinct, his voice was on that account all the more cheerful.

"Well, well, my little girl; it won't do to run any risks nowadays, remember! I shall make you drink a big cup of hot water, with a little tea and sugar in it, and go to bed early, with three or four extra blankets. Meanwhile, come! let's go and see whether Cornelia has got supper ready yet." So saying, the old gentleman gained his feet, offering his arm with a bow, took up the lamp with his other hand, and off they went, leaving Shakespeare's plaster bust placidly to face the darkness alone, as he had often done before.

The next morning the storm was over, and the sun came dazzling over the spotless fields, but Sophie kept her bed, with bright, restless eyes, and hot checks. The professor dreaded a return of the typhoid pneumonia, and paced his study incessantly, in a voiceless fever of anxiety; physically exhausting himself the better to affect quiet and unconcern when in her room. He mentioned his fears to no one—not even to Cornelia; besides, if care were taken, she might recover yet, without fatal, or even serious danger. To herself, therefore, and to all who inquired, he spoke of her attack as merely a cold, which must be nursed for prudence' sake. Meanwhile, no signs of Bressant. Sophie said not a word, but Cornelia showed uneasiness, and kept making suggestive remarks to her father, and hazarding unsatisfactory explanations of his absence. She never ventured to say any thing to her sister on the subject, however. There was a gulf between the two that widened like a river, hour by hour.

Toward evening a letter came from the boarding-house, directed to Professor Valeyon. It was in Abbie's handwriting, and must contain some news of Bressant. The old gentleman shut himself up in his room, the better to deal with the intelligence, and the paper rustled nervously in his fingers as he read; but the news amounted to little, after all.

"For fear dear Sophie and you should feel anxious about Mr. Bressant, I will tell you all I know of his absence," said the letter. "A telegram came for him yesterday morning about ten. Joanna, the servant, who took it up to him, says Mr. Reynolds told her it was from New York. So I suppose some friend there—you will probably be able to say who—has been taken very dangerously ill, or perhaps is dead. The summons must have been very urgent, for he left his room not ten minutes afterward, and took the half-past ten o'clock train down.

"I feel sure he will be back by to-morrow evening. Don't let your daughters fail to be here to meet him."

After reading this, and without pausing to indulge in casuistry, Professor Valeyon betook himself straight to Sophie's chamber.

"You've heard something!" said she, in a low, assured tone the moment he entered. "A letter? give it me—I would rather read it myself."

The professor gave it into her hand, with a smile; but Sophie's eyes were too deep and dark for any smile to glimmer through. As she opened it he turned his back upon her, and saw out of the window the sinking sun redden the snow-covered hill-top above the road.

"Yes, I'm sure he will be back to-morrow," said Sophie's quiet voice after a minute or two. She made no comment on his having allowed any thing to take him away at such a time—on the eve of his marriage—without first sending word to her; but gave Abbie's letter back into her father's keeping, and lay with closed eyes. He sat down in the chair by the bedside, and presently noticed that she lay more peacefully, and breathed inaudibly and easily, and that the feverish flush was leaving her cheeks. A slight moisture, too, made itself perceptible on her forehead.

"Her life is in this fellow's hand!" thought the professor, and he trembled to his very heart, but dared not ask himself wherefore.

"Do you really think it would hurt me to sew, dear papa?" said she, at length, looking up from her pillow.

"Better let sewing and every thing else alone for the present, my dear; it'll be enough work to get all well again by next Sunday."

Sophie sighed. "I did so want to finish my wedding-dress all myself," said she. "It needs only a few hours' work now, and Cornelia is so busy on her own account, it's hard to ask her. Oh, yes! dear papa, I know how glad she'd be to help me," she added quickly, seeing the old gentleman's eyebrows meet, and his forehead redden.

"I should hope she would! Must be very busy if she hasn't time to do so much as that!" growled he. "I'll send her up to you, my dear."

"Papa!" said Sophie, calling him back from the door; and it was not until she had possession of his hand and was holding it against her cheek that she went on. "Don't let the wedding be put off, if I shouldn't be able to sit up on Sunday. I'll be carried down into the guest-chamber, where he was ill for so long. Don't—papa, I know you won't think hardly of me; but I feel a kind of superstition about that particular day and hour: that if all is not done then, it never will be. Am not I foolish? But do let it be so, and never mind wisdom!"

There was a vein of strenuous earnestness only partly concealed beneath her words and manner, which the gruff old gentleman, who was as sensitive as a photographic plate, where his affections were concerned, did not fail to note. He kissed her on both cheeks—a fully sufficient answer to her request, and shuffled out of the room in his old slippers; which, thanks to Sophie's filial attentions, still held together with dying faith fulness.

The rest of the day the two sisters passed together—Cornelia working upon her sister's wedding-dress, and Sophie guiding her by directions and suggestions. Not since they first began to grow apart, had there been between them so great an appearance of sisterly love and cordiality. Yet, if Cornelia allowed herself to think at all, it must have seemed, in the light of her purpose regarding Bressant, as if she was preparing a shroud rather than a wedding-garment. Or, perhaps, as she observed the change which even so brief and light an illness had made in Sophie's delicate face, there may have lurked, in the secret places of her mind, a darker and guiltier thought than that. But let not our condemnation be too unconditional, lest the precedent come home, some day, to ourselves. It may astonish us, hereafter, to discover how many of our most respectable acquaintances are murderers—only in thought!

But Sophie's condition seemed steadily to improve, and, by the morning of the 30th, the professor apprehended no danger but from imprudence. That she should attend Abbie's party was, of course, out of the question; but there was no longer any obstacle in the way of Cornelia's availing herself of the entertainment, if she were so inclined.

Deadly and immitigable as woman's purpose is often represented to be, it may, especially before she becomes thoroughly hardened to crime, be swayed by shades of feeling or sentiment which would appear, to a man, ridiculously trifling, and which, indeed, she could not herself explain or calculate upon; and there is the more likelihood of this, in proportion to the depth to which her emotions and affections are involved in the affair. As to Cornelia, there are no means of determining whether she ever wavered in her designs against her sister's happiness, and her friend's constancy, or not; she, at any rate, decided to go to the ball, and even condescended to accept Mr. Reynolds's tender of his escort thither. There are a host of respectable motives always on hand for such occasions, and Cornelia might be going either from a curiosity to find out whether Bressant would return, and in order, if so, to bring her sister the latest news; or, to obtain relief from the monotony of home-life; or, to oblige Abbie, who counted upon her appearance; or, to display her ball-dress, cut after the latest New-York pattern; or, all these small matters may have been the wheels whereon rolled the invisible car, but for which they would not have existed.

As she was attiring herself, Sophie, who was seated in her deep invalid-chair, looking at her, was seized by an uncontrollable longing to put on her wedding-dress, and satisfy her mind as to its being a good fit. There it lay, upon the sofa, and nothing could be easier than just to slip into it. Cornelia, absorbed in her own crowded thoughts, never dreamed of opposing the idea, and lent all necessary assistance to carry it out. It was not until Mr. Reynolds had sent up word that the sleigh waited at the door, and, gathering up her cloak and tippet, she had kissed Sophie, left her, and was hurrying down-stairs with rustling skirts, that she realized that she had given her parting salute to one dressed as a bride!


CHAPTER XXVIII.

A DISAPPOINTMENT.

There could not have been a better night for sleighing. The temperature had risen considerably since the storm, and the snow, which had fallen to the depth of a foot, was already packed down hard upon the road, so that the runners seldom sank beneath the surface. Moreover, there was a full moon, just pushing its deep orange circumference above the horizon. It had chanced to come up just where a black skeleton forest stood out against the sky, encouraging the fancy that it had somehow got entangled in the branches, and had grown red in the face from struggling to get out. But, ere the young people reached the scene of the entertainment, the struggle was over; the perfect circle was calmly and radiantly uplifting itself above the world, far beyond the reach of the outstretched arms of the gnarled and black-limbed forest; yet did the dark earth benefit by its defeat, in the chaste illumination which descended upon its wintry countenance.

Mr. Reynolds was perfectly happy; it is pleasant to reflect how small an amount of bliss can overflow some souls. Cornelia was brief but kind in her answers to his turbid and confused pourings forth; not that she paid heed to any thing the poor fellow said—she was only occasionally aware of his presence. Her mind was revelling in dreams of heated and exalted imagination; she was filled with inspiration, as with the rich, palpitating blast of a mighty organ; but the tumultuous chorus of her thoughts produced upon her an effect of magnetism which found its expression in a gentle graciousness of words and manner.

She had made up her mind that the first person she should meet would be Bressant; and, so full did she feel of victorious power, it seemed as if, with scarcely a conscious effort, she could overbear and bring him to her feet. Yes, and dictate the terms upon which she would consent to receive his homage. What a pity that the key-notes of so few natures correspond, at the critical moment, with our own; and that Providence sees fit to forward, by even negative help, so small a proportion of our superbly-conceived plans!

It was half-past eight when they drew up at the boarding-house door. No sooner had Cornelia set foot within the threshold, and caught sight of Abbie's face, than it was borne in upon her that Bressant was not there; and the former, after questioning her about Sophie's non-appearance, confirmed her fear. He had not come, nor was it now probable that he would arrive before morning. It would have been useless to expect him by the late train, due at half-past ten, since, to avail himself of that, it would be necessary to make a difficult connection by walking two or three miles from one railway to another.

After climbing to such a height, it was terrible to fall. Cornelia had not allowed herself to anticipate the disaster, precisely because it was so crashing. In a moment the great, rainbow-tinted bubble of her hope and imagination had burst, leaving only a bitter and unpleasant sense of the paltry and unclean materials—the soap-suds and clay-pipe—wherewith it had been created.

Furthermore, the polite fictions which she had lubricated her conscience withal, regarding her desires and intentions, were shown up at precisely their true value, and a very discreditable spectacle they made. Nothing is more exasperating after a failure than to be stared out of countenance by the unworthy means we have employed. During her progress up-stairs to the dressing-room, and brief stay there, Cornelia had ample leisure to review her thoughts and deeds during the latter months of her life. What a waste of time, opportunity, and emotion! It was a tragedy of ridicule and a farce of profound pathos.

Her perception of these things was assisted by the depression which reacted upon her previous excitement: it had an embarrassing way of presenting, in the clearest colors, whatever in her conduct had been most unwise and indefensible. She could have borne it easily had there been as much as one stirring struggle for victory, even had the struggle resulted in defeat. Her state of mind might have borne analogy to his who, having deeply caroused overnight in celebration of some glorious triumph, learned, upon coming to his racked and tortured senses the next day, that it was a triumph for the other side.

Had the sense of despair been less overwhelming, had Cornelia been merely disappointed, rage would have taken the place of depression, and her thoughts would have run in far different channels. But there was no hope: this was her last chance of all: hereafter a rampart would be erected against her, which she neither was able nor dared to scale. There was no element in her position that could make it endurable, and yet there was no escape. She had not enough spirit of enterprise left to return home at once, but yielded herself with torpid insensibility to whoever chose to make a suggestion. She wonderingly speculated as to how she had ever been able to originate an idea herself.

The evening dragged its slow length along, and dragged Cornelia with it. To be where she was, was insupportable; but to go back to the Parsonage was worse still; and the thought of the solitary drive thither with the overflowing Mr. Reynolds filled her with a nauseating pain of anticipation.

It could not have been far from midnight when she awoke to a sense of being alone and not far from the side-door into the yard. Her partner—whoever he was—had gone to get her some ice-cream or a cup of coffee. Cornelia did not wait for his return, but walked quickly and unobserved to the door, which stood a few inches ajar, opened it, passed through, and stood in the unconfined air. The keen intensity of the tonic made her nostrils ache, and her uncovered bosom heave. She unbuttoned one of her gloves, and, taking some snow in her hand, pressed it to her warm temples, and then let it drop shivering into her breast.

"It must feel like that to die, I suppose," thought she. "If I were Sophie, now, that snow would be the death of me in two days: as it is, I shall only have a cold in the head to-morrow. There seems to be no reason in these things."

A dark figure turned the farther corner of the house, and came ploughing through the snow immediately under the eaves, dragging one hand along the clapboards as it came. The crunching of the snow caught Cornelia's ears, and she turned and recognized the figure in half a breath. The great height, the massive breadth, the easy, springing tread—it was Bressant from head to foot. He was buttoned up in a short pea-jacket, and there was a round fur cap on his head. As Cornelia turned upon him, he stopped a moment, standing quite motionless, with the fingers of one hand resting on the side of the house. Then he came close up to her and grasped her wrist with his gloved hand.

"Where is Sophie?" demanded he in his rapid, muffled voice.

"She's ill: she caught cold: she's at home," answered Cornelia, who, at the first recognition, had felt a kind of twang through all her nerves, and was now trying to control the effects of the shock. There was something queer in Bressant's manner—in the way he looked at her.

"But you came," rejoined he, stooping down and peering into her beautiful, troubled face. He broke into a laugh, which terrified Cornelia greatly, because he laughed so seldom. "One might know you'd come. You thought I'd be here: you came to see me, and here I am. Will Sophie get well?"

"Oh, yes! she was much better. When I left she had on her—wedding-dress."

Bressant drew in his breath hissingly between his teeth, and his fingers tightened a moment round Cornelia's wrist. The pain forced a sob from her and turned her lips pale. He paid no attention to her, presently dropped her wrist, and put his hands behind him, grinding the snow beneath his heel, and looking down.

"Whom is she going to marry?" was his next question, asked without raising his head.

"You!" exclaimed Cornelia, in astonishment and fear. The answer sprang to her lips without forethought or reflection, so much had the strange question startled her.

But he again stooped down and peered into her eyes, watching the effect of his words on her as he spoke them.

"No, no! I am not he who promised to marry her. She wouldn't have me, if I asked her: she don't know me. I'm going to marry some one else. She'll love me, no matter who I am. Shall I tell you her name?"

Cornelia could only shiver—shiver—with dry mouth and dilated eyes. Bressant put his hand on her shoulder, and drew her forward a step or two, so that the white moonlight fell upon her.

"Cornelia Valeyon is her name," said he, and then, as she remained rigid, he bent forward, with a whispered laugh, and kissed her on the face.

"There! now we belong to each other—a good match, aren't we? Quick! now; run into the house, and get your things on. You must walk home with me, and we'll arrange every thing. Go! I shall wait for you here."

She reentered the house, cold and dizzy, just as her partner arrived with the coffee. She explained—what scarcely needed to be told—that she felt faint: she must go up-stairs. In three minutes she had put her satin-slippered feet into a pair of water-proof overshoes, pinned up her trailing skirts, thrown on her long wadded mantle, with sleeves and hood, and had got down-stairs again before "assistance" could arrive. All the time, there was a burning and tingling where his lips had been, but she would not put up her hand to touch the spot, and relieve the sensation. It was, in a manner, sacred to her; albeit the sanctity was largely mingled with bewilderment, remorse, and fear. When she came out, Bressant was standing where she had left him, tossing a couple of snow-balls from one hand to another. He dropped them as she approached, and brushed the snow from his gloves. She took the arm he offered her—timidly, and yet feeling that it was all in the world she had to cling to. It was true—by that kiss she belonged to him, for it had made her a traitor to all else on whom she had hitherto had a claim. Yet upon how different a footing did they stand with one another from that which she had prefigured to herself! This was he whom she was to have brought vanquished to her feet! With one motion of his strong, masculine hand he had swept away all her fine-spun cobwebs of opportunity and method, and had laid his clutch upon the very marrow of her soul. But though she had lost the command, she was party, if not principal, to the guilt. It was he who had taken fire from her.

"You remember last summer," said he, "that night when an arch was in the sky? We didn't understand one another then, and I didn't understand myself. But, during the last day or two, I've been thinking it all over. I've had too good an opinion of myself all along."

"What is it that you've been thinking?" asked Cornelia, feeling repelled, and yet driven, by a piteous necessity, to know all the contents, good or bad, of this heart which was her only possession.

"Of all that had been said or done this last half-year. There's nothing you care for more than me, is there?" he demanded, concentrating the greatest emphasis into the question.

"If you care for me—if I can be every thing to you"—Cornelia's voice was broken and tossed upon the uncontrolled waves of fighting emotions, and she could give little care to the form and manner of her speech.

"I love you—of course I love you!—what else is there for me to do? But I've been all this time trying to find out what love was. I thought I loved Sophie, you know."

Bressant's strange words and altered manner dismayed Cornelia. What was the matter with him? She could not get it out of her head that some awful event must have happened, but she knew not how to frame inquiries. Bressant continued—a determined levity in his tone was yet occasionally broken down by a stroke of feeling terribly real:

"I was a great fool—you should have told me; you knew more about it than I did. It was my self-conceit—I thought nothing was too good for me. When I saw you I thought you were the flower of the world, so I wanted you. Well—you are—the flower of the world!"

"He does love me!" said Cornelia to herself, and she knew a momentary pang of bliss which no consideration of honor or rectitude had power to dull or diminish.

"But, afterward," he went on, his voice lowering for an instant, "I saw an angel—something above all the flowers of this world—and I was fool enough to imagine she would suit me better still. You never thought so, did you, Cornelia?" he added, with a half laugh; "well—you should have told me!"

How he dragged her up and down, and struck her where she was most defenseless! Did he do it on purpose, or unconsciously?

"I mistook worship for love—that was the trouble, I fancy. Luckily, I found out in time it won't do to love what is highest—it can only make one mad. Love what you can understand—that's the way! See how wise I've become."

Bressant's laugh affected Cornelia like a deadly drug. Her speech was fettered, and she moved without her own will or guidance.

"I found out—just in time—that I needed more body and less soul—less goodness and—more Cornelia!" he concluded, epigrammatically.

So this was her position. It could hardly be more humiliating. Yet how could she rebel? for was not the yoke of her own manufacture? Indeed, had she been put to it, she might have found it a difficult matter to distinguish between the actual relation now subsisting between Bressant and herself, and that which she had been, for months past, striving to effect. He had met her half-way, that was all.

But surely it was only during this absence that this idea of abandoning Sophie, and turning to herself, had occurred to him. Half as a question, half as an exclamation, the words found their way through Cornelia's twitching lips—

"What has happened to you since you went away?"

"Oh! since we love each other, there's no use talking about that at present. If I had any idea of marrying Sophie, now, I should have to go and tell her every thing. It's so convenient to be certain that nothing can change your love for me, Cornelia! No, no! I wouldn't be so suspicious of you as to tell you now."

"When am I to know, then?" she asked, fearful of she knew not what.

"After we're married, there shall be a clearing up of it all. You'll be much amused! By-the-way, I found out one queer thing—what my real name is!"

"Your real name!"

"Yes—who I am; you know I said I wasn't the same who was engaged to marry Sophie. Well, I'm not; he was a myth—there was no such person. I always thought 'Bressant' was an incognito, didn't you? But it turns out to be the only name I have! I hope you like it; do you think 'Mrs. Bressant' sounds well?"

"What does all this mean? What are you going to do with me? Are you making a sport of me?" cried Cornelia, clasping both hands over Bressant's arm, in a passion of helplessness. Much as she loved life, she would, at that moment, have died rather than feel that she was ridiculed and deserted by him.

They had come to the brow of the hill on which the village stood, overlooking the valley, which moon and snow together lit up into a sort of phantom daylight. The moon hung aloft, directly above their heads, and the narrow circumference of their shadows, lying close at their feet, were mingled indistinguishably together. Cornelia, in the energy of her appeal, had stopped walking, and the two stood, for a moment, looking at one another. Seen from a few yards' distance, they would have made a supremely beautiful and romantic picture.

The stately poise of Bressant's gigantic figure—the slight inclination of his head and shoulders toward Cornelia—presented an ideal model for a tender and protecting lover. She, in form and bearing, the incarnation of earthly grace and symmetry, her lovely upturned face revealed in deep, soft shadows and sweet, melting lights, her rounded fingers interlaced across his arm, her bosom lifting and letting fall irregularly the cloak that lay across it—what completer embodiment could there be of happy, self-surrendering, trusting, young womanhood? And what were the fitly-spoken words—the apples of gold in this picture of silver?

"Cornelia," said Bressant, throwing aside the levity, as well as the underlying passion, of his tone, and speaking with a slightly impatient coldness, "don't you begin to be a fool as soon as I leave it off. You may call what joins us together love, if you like, but it's not worth getting excited about. You take me because you were jealous of Sophie, and because you've compromised yourself. I take you because you're beautiful to look at, and—because nobody else would have me! We shall have plenty of money, which will help us along. But what is there in our relations to make us either enthusiastic or miserable?—Come along!"

This was the consummation of Cornelia's passionate hopes and torturing fears, of her dishonorable intriguing and reckless self-desecration. She became very calm all of a sudden, and, without making any rejoinder, she "came along" as he bade her, and they descended the hill.


CHAPTER XXIX.

FOUND.

Sophie, having carried her point regarding her wedding-dress, had nothing better to do after Cornelia had left her than to give herself up to reverie. She had a private purpose to sit up until her sister's return, that she might hear all about Bressant, and why he had stayed away so long and sent no word. That he had returned, expecting to meet her at the ball, she entertained not the slightest doubt; nor was there at this time any suspicion or misgiving in her mind about his fidelity and love.

Mankind's ignorance of the future is, beyond dispute, a blessing; yet we could wish, for Sophie, that so much presentiment of what was to come might be hers as to lead her to concentrate all possible happy thoughts into the few hours that remained wherein she might yet be happy. She had full scope and freedom to think what she would—no less than if a hundred years of earthly bliss had awaited her. Her life had been full of all manner of spiritual beauties and perfumes—a divine poem, though written upon clay. Let only the harmony of sweet music float about her now, and the shadow of what was to come be not cast over her.

She sat in her deep, soft easy-chair, with its high back, and square, roomy seat. An open-grate stove furnished light to the room, for Sophie had blown out her candle. As the flame rose or sank, the various objects round about stood visible, or vanished duskily away. Endymion, over the mantel-piece, still slept as peacefully as ever, and the smile, though forever upon his lips, seemed always to have but that moment alighted there. How tenderly the lustrous touch of the moon brightened on his white shoulder!

The golden letters of the Lord's Prayer gleamed ever and anon from the shadow above the bed, and sent the shining beauty of a sentence across to Sophie's eyes; and the face of the cherub, with his chin upon his hand, was turned upward in immortal adoration. Sophie's glance rested thoughtfully upon one and then the other. They were incorporated into her life. Would they have power to protect her from evil and suffering? Well, the words of the Prayer settle that question most wisely.

How silent the house was and how light it was out-doors! Sophie rose from her chair by the fire and walked slowly to the window. A board creaked beneath her quiet foot and a red coal fell with a gentle thud into the ash-receiver. Then, as Sophie leaned against the window, she heard the little ormolu clock, in the room below, faintly tinkle out the half-hour after eleven. Before long—in an hour, perhaps—Cornelia would be back, rosy with the cold, fresh, laughing, and full of news. Dear Neelie! How Sophie wished that she might find a love as deep and a happiness as perfect as had come to her. It hardly seemed fair that she should monopolize so much of the world's joy. True, God knows best; but Sophie, with her forehead against the cold window-pane, prayed that Cornelia might speedily become as blessed as herself. Then she turned to go back to her chair, casting a parting glance at the white road, with the glistening track of sleigh-runners visible as far as the bend. No moving thing was in sight. In stepping from the window her foot caught in the skirt of her wedding-dress, and she narrowly escaped falling. The loose board creaked again, dismally; but Sophie laughed at her clumsiness, and, recovering her balance, reached her chair and sat down in it. How warm and pleasant it was! The walls of the room seemed to draw up cozily around the stove, and nod to one another good-naturedly. They loved Sophie and would do all they could to make her comfortable and secure. She sat quite still, and perhaps fell into a light, half-waking slumber.

A while afterward, she suddenly started in her chair, her head raised, as if listening. The fire burnt as warmly as ever, but Sophie was trembling incontrollably, and her heart was beating most unmercifully. She walked quickly and blindly, with outstretched hands, to the window. This time the ominous board forbore to creak. Its omen was fulfilled.

Without hesitating, she threw up the window, and, unmindful of the tingling inrush of cold air, she leaned out, and looked down through the arched window of the porch. The bare vines that struggled across it afforded no interception to the view of the two figures standing within. Sophie gazed at them as a bird does at a snake; she could not take her eyes away; she could not move nor utter a sound. It was like the oppression and paralysis of a fearful dream. Was she dreaming?

It was a terribly vivid dream, at any rate. She seemed to see one of the figures—a woman—clasp the man's hand passionately in hers and speak. The voice was known to her; it was as familiar as her own; but the words it uttered made her sure she was asleep. Thank God! it wasn't real. She would wake up in a moment, and shudder to think how ugly a dream it had been. Oh, if she could only awaken before this conversation went any further! It was breaking her heart: it was killing her. She had heard of people who died in their sleep—was it from such dreams as this?

She seemed to have heard two voices—voices that she loved and knew as well as her own heart—talking a horrible, unholy jargon about some purpose—some plan—something that it was a sin even to listen to or imagine; but, as in a dream, she had no choice but to listen. She tried to shake off the delusion—to see, to prove that what she saw and heard was false. But still it lasted, and lasted. Still those wicked sentences kept creeping into her ears and deadening her heart. O God! would it never cease—would there never be an end?

At length the end seemed about to come. But, ah! the end was worst of all. Shame—shame to her that such sinful imaginings should visit her brain. She saw the figure of the man turn away as if to go; but the woman caught him by the arm, and lifted her beautiful, guilty face up toward his as if beseeching him for a parting kiss. She saw him stoop his dark, bearded head, with a half-impatient gesture, and kiss the beautiful woman's mouth, then motion her toward the house. "Make haste and put on your travelling dress," he seemed to say; "I'll walk up the road a little way and wait for you."

Sophie found power to slip down from the window after that, but she knew she was dreaming still. She heard a stealthy footstep on the stairs and along the entry; it seemed to pause, and hesitate a moment at her door; but then it went on and entered Cornelia's room. If she only could go to her lover, Sophie thought. If she only could speak to him and feel his arms around her. And why should she not? he had but just gone up the road. She would slip out and run after him. It was deadly cold: she was in her white wedding-dress. Yes; but then it was a dream—nothing but a dream—no harm could come of it.

She lifted herself softly from the floor, and moved toward the door. She passed the looking-glass on the dressing-table as she went, and cast a darkling glance into it. A haggard ghost seemed to stare back at her, with crazy eyes. A braid of brown, silky hair had become loosened, and was creeping down upon the spectre's shoulders.

Sophie stole along as noiselessly as a cat. She descended the staircase, glided down the passage, opened the outer door, and was on the frozen porch. The chill of the air passed through her as if she had been indeed but a spirit. The dream must surely be a dream of death. She ran down the icy path to the gate, and, looking along the road, saw that a tall figure had nearly reached the spur of the hill, around which the road turned. By hurrying she would yet be able to over-take him. She passed through the gate without causing a creak or a rattle, gathered up her light skirt, and started to run as speedily as she might.

The cold snow penetrated through her thin slippers and made her feet ache and sting. The breeze forced a cruel entrance through the bosom of her dress, as if to freeze the heart that was beating so. As she ran on, she began to pant so heavily it seemed as if every breath must be her last. The familiar road, the well-known outline of the hills, the stone-walls, the stretch of woods to the left, where she had walked so often last fall, all looked now ghastly and unreal—a world whose only sun was the moon—a fitting world for such a dream as this.

Still she staggered onward, slipping in the polished ruts of the sleigh-runners, plunging into the deep snow. Her body was cold as the winter itself, but her head was burning as if a fire were within it. She reached the bend, and her eyes strained wildly up the road. There! far ahead, marked black against the ghastly snow—there! still moving away—farther away. Would she ever reach him?

It was hopeless, and yet she kept on. Rather than let him go without having assured her it was all a wicked dream—without having hugged her in his arms, and given her her good-night kiss—without having called her his own, only Sophie, and promised he would always love her and no other—rather than give up all this, she would die in the pursuit, and it were well that she should die. So on she ran: her brain reeled, she could scarcely feel whether her limbs yet moved: there was a griping in her heart, and her breath came in short gasps of agony. The earth darkened and tipped before her eyes, but her resolve never faltered. To reach him, or die. Oh! how gladly she would die, if only she might reach him. Was not that he—there—only a short way on? Might not her voice reach him? Would not some good angel bear it to him? Even then she stumbled, and fell forward on her knees; but, ere she sank quite down, she threw forth a wild, piercing, despairing cry, giving to it her whole desolate soul—

"Bressant! Bressant!"

Then blackness obliterated every thing. But Bressant, as he walked heavily along, encompassed with bitter and miserable thoughts, suddenly halted, as if an iron hand had been laid upon his shoulder. Either he had actually heard a faint echo of that unearthly cry, or his spiritual ear had taken cognizance of the call of Sophie's soul. He turned himself about, with a quaking heart. There was the long white road, but no human being was visible upon it. Yet he knew that Sophie's voice had called him. She must be near. Slowly he began to walk back, half dreading to behold her image rise before him, with deep, reproachful eyes.

He had not gone twenty yards, when he started back, having almost set his foot upon something which lay face downward in the snow, clad in a dress almost as white. He would not have seen her but for her brown hair, which, falling loosely about, was caught and stirred by the inquisitive breeze. She herself lay quite still.

Bressant took her beneath the arms, and lifted her up. Crouching down, he supported her head against his shoulder, and brushed away the snow that had adhered to her face. There was a cut upon her chin, but the blood, after running a few moments, had congealed. Her eyes were not quite shut, but the lids were stiff and immovable. The mouth, too, was a little open. Was it the moonlight that gave her that death-like look? or was she dead indeed?

The young man broke out into a long, wavering cry. It was not weeping; it was not laughter; yet it bore a resemblance to both. It curdled his own blood, but he could not repress it. It was the voice of overstrained, unendurable emotion, and a horrible voice it was to hear. He feared he was losing his senses—looking in that white, motionless face, and uttering such a cry! At last, however, it died away, and there was silence. The silence was almost worse than the cry—the utter silence of a winter night.

"What shall I do?" he said to himself, helplessly.

The unearthly voice, and the discovery to which it had led, following the other events of the night, had made Bressant unfit to deal with this matter after his usual ready and practical style. But he would have found the problem an awkward one at his best. How could he appear at the Parsonage? What account could he give there of this lifeless body? What account could he give of it to himself? He was utterly bewildered and aghast. It seemed that the dead had risen from the grave, to drag him relentlessly back to the fullest glare of earthly ignominy—to the keenest experience of human suffering. And yet, did he quite deserve it? Was there no grain of leaven in his lump of sinfulness and weakness, if all were known? He is a hardened criminal, indeed, who can find no hope in the thought of appealing from human judgment to Divine!

Meanwhile, Mr. Reynolds had been luxuriating in a very unmistakable sense of injury. To some persons there are a positive relief and gratification in being really wronged: it raises their estimate of their own importance: by virtue of their title to feel angry, disappointed, or deceived, they can take their place in a higher than their ordinary rank. So Mr. Reynolds, finding himself qualified to plead a clear case of absolute and unwarrantable desertion, held up his head, and bore himself with becoming dignity.

His dignity did not, however, interfere with his seeking to drown his slight in the good, old-fashioned way. He solaced himself beyond prudence with the varied products of the hotel bar, and then settled himself solitary in his sleigh and jingled homeward. His road took him past the Parsonage, and he enlivened the lonely way by scraps of songs, reflections upon the perfidy of women, and portentous yawns at intervals of two or three minutes. In fact, by the time he had gone a mile the most predominant sensation he had was sleepiness, and half a mile more came very near making a second Endymion of him. From this, however, he was preserved by the very sudden stoppage of his sleigh, which threw him on his knees against the dasher, and forcibly knocked his eyes open. He rolled over to the ground, but, happening to light on his feet, he stood unsteadily erect, and asked a very tall and powerful man, who was holding his horse's head, when he was going to let that drop?

Receiving no intelligible answer, he stumbled in the powerful man's direction, perhaps contemplating the performance of some deed of desperate valor. Meanwhile the object of his hostility had relinquished his hold of the horse, and appeared kneeling on the ground, supporting the form of a woman, dressed in a tasteful white dress, with dark, disordered hair lying around her colorless face.


CHAPTER XXX.

LOST.

Mr. Reynolds immediately paused, and regarded this group for some moments with an air of singular sagacity and archness.

"I say, young fellow," ejaculated he, at length, with an evident effort to attain distinctness of utterance, "that sort of thing won't do, you know."

Bressant looked up and recognized the rustic bacchanalian for the first time. He had always had a peculiar antipathy to this young gentleman; but at this moment it was intensified into a loathing. How could he ask assistance from such a degraded creature as this?

The recognition had been mutual, and Mr. Reynolds, tacking unsteadily around, brought himself to bear in such a position as to catch a fair view of Sophie's face, with the spot of blood on her chin. The first glance so terrified him, that he utterly, forsook his footing, and came abruptly to the ground, never once taking his eyes from the face, all the way. But the shock of his fall, and the awful solemnity of what he saw, sobered him considerably. He turned to Bressant, and eyed him with anxious earnestness.

"Why, you're the fellow she's engaged to, ain't you? What on earth's been the row? She ain't dead, is she? How did she get here? In her wedding-rig, too, by golly!"

Bressant's frame vibrated with a savage impulse; but Mr. Reynolds, not being of a sensitive temperament, was not at all disconcerted.

"Well, say, I guess she'd better be fetched home, first thing," said he, bestirring himself to arise from the chilly seat he had taken. "Lucky I happened along, too. Guess you was hoping I might, wasn't you? Well, you hoist her under the arms, and I'll hang on by the feet—ain't that it? and we'll have her into the sleigh in no time."

"Don't touch her!" said the other, fiercely. "Let her alone, you drunken fool!"

"Now, look here, Mr. Bressant," rejoined Bill Reynolds, resting his hands on his knees, and looking intently in Bressant's face, "I may not be rich and a swell, like you are; but I guess I'm an honest man, any way, as much as ever you be; and I ain't insulting nobody by helping take home a poor frozen girl. I don't care if she is engaged to you. You don't mean to keep her here till morning do you? and seeing she ain't married yet, I guess the right place for her to be in, is her father's house."

Perhaps it was the moonlight, glinting on Bill's immovable eye-glasses, that gave extraordinary impressiveness to his words; or it may have been Bressant's reflection, that this young country bumpkin, sullied with drink, coarse and ignorant though he was, would have probably found his sense of equality in no way diminished, had he known more of the facts to which the present catastrophe was a sequel; at all events, he made no further objections. His manner changed to an almost submissive humbleness, and, without more words, he helped Bill to place the insensible woman in the sleigh.

"That's the talk," remarked Mr. Reynolds, as he drew the sleigh-robe over her. "Now, then, Mr. Bressant, just you jump in and hold on to her, and I'll lead the horse along. We'll be there in half a shake."

"No," replied Bressant, after a mental conflict as violent as it was brief; "I'll lead the horse myself." The only pleasure now left to this young man was to insult and torture himself to the utmost of his ingenuity. He had forfeited all right to protect or care for Sophie, and it was with a savage satisfaction that he resigned it to Bill Reynolds, as being the worthier and better man. It was the quixoticism of self-degradation, but was doubtless not without some wholesome influence.

In three minutes more they were at the Parsonage-gate. They made a stretcher of the sleigh-robe, and carried Sophie in on it. The gate, flapping-to behind them, sounded like a fretful and querulous complaint. As they mounted the porch-steps, which creaked and crackled beneath their weight, the door was opened by Cornelia, in her travelling-dress. Her face expressed so vividly the unspeakable horror which she felt as her eyes rested on her sister's half-opened lids, that Bressant, seeing it, was stricken anew with the perception of his own misery. As Cornelia looked up from the pure and innocent features—which never had worn an awful and forbidding expression until now, when all power of expression was gone—her glance and Bressant's met; but, after a moment's encounter, both dropped their eyes, with an involuntary shudder. Their trial and sentence were condensed into so seemingly brief a space.

But Bill Reynolds neither dealt in nor appreciated such refinements upon the good old ways of communicating sentiments.

"Good-evening, Miss Valeyon," exclaimed he. "I guess we didn't expect to see one another again to-night. Pray don't imagine, miss, that I bear you any grudge. At times like this personal considerations don't count—not with me. I'll shake hands with you, Miss Valeyon, first chance I get, and we'll be just as much friends as ever we was before. That's the right way, I guess."

The door of the guest-chamber stood open, and the sleigh-robe, with its burden, was laid upon the bed whereon Bressant had spent so many weary days. Then the voice of the professor, who had been awakened by the noise and the sound of feet, was heard from the top of the stairs, demanding to know what was the matter.

"Come down," said Bressant, stepping to the guest-chamber door. "Be quick!"

He spoke more slowly and deeply than was his wont. In spite—or perhaps in consequence—of his abasement, forlornness, and unworthiness, he showed a dignity and impressiveness which were novel in him. The boyishness, vivacity, and motion, had quite vanished. There were a depth and hollowness in his eyes which gave a singular power to his face. There must have been a vein of genuine strength and nobleness in the man, or he would have been too much crushed to show any thing but weak despair or brutal sullenness. Had Professor Valeyon's attention been directed to the point, he might have recognized his pupil as being now thoroughly grounded in the elements of emotional experience.

The old gentleman, in dressing-gown and slippers, came thumping hastily down-stairs, in response to Bressant's summons. The strange solemnity in the latter's tone, no less than the ominousness of the hour, probably gave him premonition of some disaster. He reached the threshold of the room, and paused a moment there, settling his spectacles with trembling fingers, and looking from one silent face to another. The room was lighted only by the declining moon, which shone coldly through the windows. The bed, and that which was on it, were in shadow. In an instant or two, however, the professor's eyes made the discovery to which none of those who stood about had had the nerve to help him. And then the old man proved himself to be the most stout-hearted of them all. He only said "Sophie" in a voice so profoundly indrawn as scarcely to be audible; then walked unfalteringly across the room, bent over the bed, and proceeded to examine whether there were yet life in his daughter or not. Even the moonlight seemed to wait and listen.

"Bring a candle," said be, presently, breaking the awful silence.

Cornelia brought it, and the warmer light inspired a sickly flicker of hope into the expectant faces. The little ormolu-clock on the mantel-piece whirred, and struck half-past one. As the ring of the last stroke faded away, Professor Valeyon raised himself, and turned his face toward the others. So strongly did his soul inform his harsh and deeply-lined features, that it seemed, for a moment, as if there were a majestic angel where he stood.

"Be of good cheer," quoth the old man—for no smaller words than those which Christ had spoken seemed adequate to clothe his thought; "she is not dead; we shall hear her speak again."

Bressant threw up his arms, as if about to shout aloud; but only gave utterance to a gasping breath, and, stepping backward, leaned heavily against the wall, near the door. Cornelia, standing in the centre of the room, broke into quivering, lingering sobs, opening and clinching her hands, which hung at her side. Bill Reynolds, however, being overcome with joy, at once gave intelligible manifestation of it.

"Good enough!" cried he, slapping his leg, and looking from one to another with a giggle of relief. "Bully for her! Bless you, I knew Sophie Valeyon warn't dead. Speak again! I believe you. She'll tell us what's the matter, I guess."

Professor Valeyon rapidly and collectedly gave his directions as to what steps were to be taken, and in a few minutes every thing was being done that skill could do. Snow was brought in to encourage back the life it had dismayed, and camphor and coffee awaited their turn to take part in the resuscitation. Slow and reluctant it was, like dragging a dead weight up from an unknown depth. More than another hour had passed away before Sophie's eyelids quivered, and a slight tremor moved her lips. By-and-by she opened her eyes, slowly and uncertainly, let them close again, and once more opened them; and, after several inaudible efforts, there came, like an echo from an immeasurable distance, one word, twice repeated:

"Bressant! Bressant!"

They looked around for him, but he was not in the room, nor in the house. Questioning among themselves, none could tell whether it were an hour or a minute since he had departed. When life began to take fresh hold on her he had so loved and wronged, his heart had failed him, and, without a word, he had gone out and away. But not to escape; for on no heart was the weight of sorrow and suffering so heavy as on his.


CHAPTER XXXI.

MOTHER AND SON.

The grand ball at Abbie's was still in progress, though showing signs of approaching dissolution, when Bressant entered the house quietly at a side-door, and crept up to his room. He wished not to be seen or heard by anybody; but it happened that Abbie saw him, and the sight partly alarmed and partly relieved her. She could now account for the mysterious disappearance of Cornelia some hours before. But why had Bressant returned so secretly? and why were his movements all so surreptitious? Something must be out of order, either at the Parsonage or elsewhere. She reflected and conjectured, and of course became momentarily more and more uneasy. Nor did a short visit to his door relieve her apprehensions: a confused and non-descript sound had proceeded from within, as if the young man were packing up. Whither could he be going, she asked herself, on the very eve of his marriage?

It is never difficult to find cause for anxiety; but it seemed to Abbie that the misgivings she entertained were reasonable and logical. Bressant had made up his mind to desert Sophie, because the fortune which he had all his life considered his own turned out to belong to another, on whose generosity he was too proud or too suspicious to depend. He was going off, either to struggle through poverty to a fortune of his own making, or, giving himself up to his misfortune, to remain all his life in want and misery; or, perhaps—Abbie did not openly admit this alternative, but still, knowing what she thought she did of his nature and the circumstances, the suspicion had existence—perhaps, in conjunction with a certain evil-disposed person in New York, he contemplated fraudulently absconding.

Now, Abbie imagined that the key whereby alone all these difficulties could be unlocked, lay in her own hands. It was a key of which, so long as her own interest alone had been concerned, she had refused to avail herself; but, when the welfare of those she loved was called into question, she made up her mind (in spite of pride—her strongest passion next to love) to make use of it without hesitation.

When the last guests had taken their departure, Abbie went to her room, and looked at herself in the glass, by the light of a kerosene-lamp. She was dressed plainly, though becomingly enough, in black silk; a lace cap rested on her gray hair; her face was worn and wrinkled, but had a fine expression about it, that would have recalled former beauty to the memory of any one who had known her in early life. She was deeply excited, without being at all nervous, the excitement being so profoundly rooted as to be really a part of herself.

"Why am I happy?" she asked herself. "No, not because I've buried all my pride. Because I've found a reason to justify me in burying it: that's why!"

She went, for the third time that night, to Bressant's door, and this time turned the latch and pushed it open. He was sitting at his table, with his head on his arms. His trunk and a large iron-bound box lay packed and strapped beneath the window, which was thrown wide open. The rush of air between that and the door roused the young man: he got slowly to his feet, and came forward.

"I don't want to see you," said he, with a heavy utterance. "I warn you to go away. You and I had better have nothing to say to each other."

"We must; the time to speak has come!" she returned. "I've come to you, because you could not bring yourself to rely on me. It's your own want of faith—"

"You'd better not go on," interrupted Bressant, with a strange smile. "I had more faith than you imagine. But there are some mountains that faith can't move."

"Why do you still keep me off?" cried Abbie, in a tone which might have made his heart bleed, except that of late it had been stabbed so often. "Good God! am I so repulsive to you that, for the sake of being happy and comfortable all your life, you can't bring yourself to recognize my existence? Don't imagine I want to buy your love or toleration with this money of mine. I want nothing in exchange—nothing! I can't help the knowledge that I shall have made you rich, and so put happiness in your power; but I ask no acknowledgment—no return. Take every thing and go! Leave me here and believe that I am dead! Is that enough?"

"A great deal too much! You'll be sorry you've said all this. If you knew what you were talking about, you wouldn't have said a word of it."

"Oh, you are hard to please, indeed!" exclaimed Abbie, gazing at him and shuddering. "I pray God your heart is so cold to no one else as to me! Poor Sophie! She would die at one such word."

"Don't speak her name," said Bressant, in a tone so stern as to be equivalent to a threat.

He held his eyes down, so that the ugly gleam in them was hidden. Abbie had no thought of fearing him as yet, and she would have her say.

"Do you think I don't know you're going to leave her? If it's because you don't love her, I can say no more. You are beyond any help in this world. But if you do, let me save her, even if I must oblige you in doing it! You know little of her love, though, if you think she can be happier with you rich than poor. Oh! are you so cold yourself as to believe you are acting generously to her in this? Go back to her, or she will die!"

The old woman took fire as she spoke, and many of the signs of age were for the time obliterated. Some of the power and brilliancy of her youth shone again in her eyes; her form seemed to acquire a different and statelier contour. In the earnestness of her speech, involuntary gestures accompanied her words; free from all exaggeration, and so truly and gracefully fitted to her meaning as to be virtually invisible. But Bressant was not won by it: his expression grew more ugly and repellent with every successive sentence.

"You fool!" said he, coming one heavy step nearer, and frowning down upon her; "I warned you away; I told you to be silent. You've meddled with what was no concern of yours; you've thrust yourself where you had no right to come—"

"No right!" she interrupted, with an intensity of indignant emphasis that seemed adequate to smite to the ground the towering figure that faced her. Then, clasping her hands, and in a voice of yearning, ineffable tenderness, she added, "Oh, I have prayed for you, and wept for you, and loved you so! For your own sake, my darling, do not use such words to me!" Here she held out her arms, and tears ran hot down her faded cheeks. "Am I not your mother? Are you not my son?"

"No!" answered Bressant.

He threw so tremendous a weight of malignant energy into the utterance of this single word, although not raising his voice higher than his usual tone, that the moral effect upon the woman was as if he had dealt her a furious blow on the breast. Completely stunned at first, she stood as if dead, except that her body, upright and rigid, vibrated slightly from side to side, like a column about to fall. So sudden, too, had been the shock, that her arms still remained outstretched, and the track of her tears still glistened upon her cheeks, tears shed so utterly in vain as to acquire a trait of ghastly absurdity.

As sense and reflection began to dawn again, the first instinctive defence she attempted was that of incredulity. It was to gain breathing-space rather than from any hope in its efficacy. But afterward, following the ability to hear and the capacity to comprehend, the grim reality settled darkly down. Her life for the last twenty-five years, then, had been a miserable blunder; her love, hopes, and fears wasted, and turned to ridicule; her self-sacrifice, a wretched self-deception, a throwing of all possibilities of happiness into the bottomless pit, whence no return could ever come to her; every thought, aspiration, and desire, which had visited her heart had been a mockery—meaningless and empty. This was the reality to which she was awakened. And, lest this should not be sufficient, here stood one before whom she had abased and humbled herself, whose insolence she had borne meekly and lovingly, whose feet she had set upon her neck. Here he stood, insolent and unfeeling still; a false impostor, whom might God refuse to pardon!

And who and what was he? Oh, what punishment was terrible enough for him? Surely—surely God would not allow him to escape! What was he?

These thoughts must have written themselves in the woman's eyes, which were now awful to behold—eager, questioning, and malevolent. Bressant forced a harsh laugh, as men will when they find themselves opposed by impotent rage. Certainly Abbie had no other claim to be considered an amusing spectacle. Had not her revengeful rage upheld her, she must have swooned. But it was a hideous kind of vitality, unwholesome to contemplate. Bressant laughed by main strength.

"You can't solace yourself even with that," said he, shaking his head. "Up to three days ago I was as much in ignorance as you. It was no fault and no concern of mine; you and Professor Valeyon chose to deceive yourselves, and me. Nobody can be more innocent than I! Nobody can regret more, on some accounts, that our relationship is no closer!".

In this last sentence the tone of mockery he had assumed was somewhat overstrained; a suspicion of underlying sincerity grated through it.

"Don't say you didn't know!" said Abbie, in a guttural voice, clasping and wringing her hands, and turning her head from one side to another; "don't dare to say it! No—no! you did—you did! You did know it, and God will punish you—God will condemn you! He must—He will!" She could not endure to believe that, having been defrauded in her love, she was to be defrauded also in her hate and thirst for revenge. She could live by either; but to be deprived of both was death!

Bressant made no reply to her uncanny petition, and a silence followed. Abbie stood wringing her hands, waving her head, and drawing her breath sobbingly between her teeth. Was she the same woman—stately, and almost beautiful—who had spoken so loftily and tenderly but a few minutes before? Are human generosity and affection founded on no securer basis? Her appearance was now revolting. Suddenly a thought struck her.

"Ah! but she—she can't escape," she broke forth, seizing upon the idea with a grisly eagerness of exultation. "You can't get her away from me; I know her, oh! I know her, and I condemn her, I hate her—God! how I hate her. She shall never be forgiven—never, never. You can never cheat me out of her, for I know her."