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Browning's Shorter Poems

Chapter 29: TRAY°
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About This Book

A curated selection of Robert Browning's shorter verse presents dramatic monologues, narrative ballads, and concise lyrics that explore character, desire, and moral ambiguity. The poems move between lively storytelling and reflective meditation on art, love, faith, and mortality, often using historical or Italian settings to sharpen voice and perspective. Emphasis falls on psychological insight, varied meters and rhyme, and rhetorical intensity; the edition includes editorial notes intended to clarify language and assist younger readers in interpretation.


... Browning has not cared for that poetic form which bestows perennial charm, or else he was incapable of it. He[page xxii] fails in beauty, in concentration of interest, in economy of language, in selection of the best from the common treasure of experience. In those works where he has been most indifferent, as in the Red Cotton Night-Cap Country, he has been merely whimsical and dull; in those works where the genius he possessed is most felt, as in Saul, A Toccata of Galuppi's, Rabbi Ben Ezra, The Flight of the Duchess, The Bishop Orders his Tomb in Saint Praxed's Church, Hervé Riel, Cavalier Tunes, Time's Revenges, and many more, he achieves beauty, or nobility, or fitness of phrase such as only a poet is capable of. It is in these last pieces and their like that his fame lies for the future. It was his lot to be strong as the thinker, the moralist, with "the accomplishment of verse," the scholar interested to rebuild the past of experience, the teacher with an explicit dogma in an intellectual form with examples from life, the anatomist of human passions, instincts, and impulses in all their gamut, the commentator on his own age; he was weak as the artist, often unnecessarily and by choice, in the repulsive form,—in the awkward, the obscure, the ugly. He belongs with Jonson, with Dryden, with the heirs of the masculine intellect, the men of power not unvisited by grace, but in whom mind is predominant. Upon the work of such poets time hesitates, conscious of their mental greatness, but also of their imperfect art, their heterogeneous matter; at last the good is sifted from that whence worth has departed.

     —From GEORGE EDWARD WOODBERRY'S Studies in Letters and Life.


When it is urged that for a poet the intellectual energies are too strong in Browning, that for poetry the play of[page xxiii] intellectual interests and activities is too great in his work, and that Browning often and at times ruthlessly sacrifices the requirements and effects of art for the expression of thought, that "though he refreshes the heart he tires the brain," we should admit this with regard to a good deal of the work of the third period. We should allow that this is the side to which he leans generally, but still hold that, though to many his intellectual quality and energy may well seem excessive, yet in great part of his work, and that of course, his best, the passion of the poet and his kind of imagination are just as fresh and powerful as the intellectual force and subtlety are keen and abundant.

     —JAMES FROTHINGHAM, Studies of the Mind and Art of Robert Browning.


Now dumb is he who waked the world to speak,
And voiceless hangs the world beside his bier,
Our words are sobs, our cry or praise a tear:
We are the smitten mortal, we the weak.
We see a spirit on earth's loftiest peak
Shine, and wing hence the way he makes more clear:
See a great Tree of Life that never sere
Dropped leaf for aught that age or storms might wreak;
Such ending is not death: such living shows
What wide illumination brightness sheds
From one big heart,—to conquer man's old foes:
The coward, and the tyrant, and the force
Of all those weedy monsters raising heads
When Song is muck from springs of turbid source.

GEORGE MEREDITH.








CHRONOLOGICAL LIST OF BROWNING'S WORKS

1833. Pauline.
1835. Paracelsus.
1837. Strafford (A tragedy).
1840. Sordello.
1841. Bells and Pomegranates, No I., Pippa Passes.
1842. Bells and Pomegranates, No. II., King Victor and King Charles.
1842. Bells and Pomegranates, No. III., Dramatic Lyrics.
  Cavalier Tunes.
  Italy and France.
  Camp and Cloister.
  In a Gondola.
  Artemis Prologises.
  Waring.
  Queen Worship.
  Madhouse Cells.
  Through the Metidja.
  The Pied Piper of Hamelin.
1843. Bells and Pomegranates, No. IV., The Return of the Druses (A tragedy).
1843. Bells and Pomegranates, No. V., A Blot In the 'Scutcheon (A tragedy).
1844. Bells and Pomegranates, No. VI., Colombe's Birthday (A play).
1845. Bells and Pomegranates, No. VII. "How they Brought the Good News from Ghent to Aix."
  Pictor Ignotos.
  The Italian in England.
  The Lost Leader.
  The Lost Mistress.
  Home Thoughts from Abroad.
  The Bishop Orders his Tomb.[page xxv]
  Garden Fancies.
  The Laboratory.
  The Confessional.
  The Flight of the Duchess.
  Earth's Immortalities.
  Song: "Nay, but you,—who do not love her."
  The Boy and the Angel.
  Night and Morning.
  Claret and Tokay.
  Saul.
  Time's Revenges.
  The Glove.
1846. Bells and Pomegranates, No. VIII., Luria, and A Soul's Tragedy.
1850. Christmas Eve and Easterday.
1852. Introductory Essay to Shelley's Letters.
1855. Men and Women.
 
     VOLUME I.
  Love among the Ruins.
  A Lover's Quarrel.
  Evelyn Hope.
  Up at a Villa—Down in the City.
  A Woman's Last Word.
  Fra Lippo Lippi.
  A Toccata of Galuppi's.
  By the Fireside.
  Any Wife to Any Husband.
  An Epistle (Karshish).
  Mesmerism.
  A Serenade at the Villa.
  My Star.
  Instans Tyrannus.
  A Pretty Woman.
  "Childe Roland to the Dark Tower Came."
  Respectability.
  A Light Woman.
  The Statue and the Bust.
  Love in a Life.
  Life in a Love.
  How it Strikes a Contemporary.
  The Last Ride Together.
  The Patriot.
  Master Hugues of Saxe-Gotha.
  Bishop Blougram's Apology.
  Memorabilia.
 
     VOLUME II.
  Andrea del Sarto.
  Before and After.
  In Three Days.
  In a Year.
  Old Pictures in Florence.
  In a Balcony.
  Saul.
  "De Gustibus—."
  Women and Roses.
  Protus.[page xxvi]
  Holy-Cross Day.
  The Guardian Angel.
  Cleon.
  The Twins.
  Popularity.
  The Heretic's Tragedy.
  Two in the Campagna.
  A Grammarian's Funeral.
  One Way of Love.
  Another Way of Love.
  "Transcendentalism."
  Misconceptions.
  One Word More.
1864. Dramatis Personæ.
  James Lee.
  Gold Hair.
  The Worst of It.
  Dîs Aliter Visum.
  Too Late.
  Abt Vogler.
  Rabbi Ben Ezra.
  A Death in the Desert.
  Caliban upon Setebos.
  Confessions.
  May and Death.
  Prospice.
  Youth and Art.
  A Face.
  A Likeness.
  Mr. Sludge, "The Medium."
  Apparent Failure.
  Epilogue.
1868-69. The Ring and the Book.
1871. Balaustion's Adventure.
1871. Prince Hohenstiel-Schwangau.
1872. Fifine at the Fair.
1873. Red Cotton Night-Cap Country.
1875. Aristophanes' Apology.
l875. The Inn Album.
1876. Pacchiarotto, and other Poems (including Natural Magic and Hervé Riel).
1877. The Agamemnon of Æschylus.
1878. La Saisiaz, and The Two Poets of Croisic.
1879-80. Dramatic Idyls.
1883. Jocoseria.
1884. Ferishtah's Fancies.
1887. Parleyings with Certain People.
1890. Asolando.







BIBLIOGRAPHY

The Poetical Works of Robert Browning (The Macmillan Company, ten vols.).
Browning's Complete Poetical Works, Cambridge Edition (Houghton, Mifflin & Co., one vol.).
Selections from Browning (Crowell & Co., one vol.).
Life of Browning, by William Sharp.
Life of Browning, by Mrs. Sutherland Orr.
Introduction to Browning, by Hiram Corson.
Guide Book to Browning, by George Willis Cook.
Browning Cyclopædia, by Edward Berdoe.
Literary Studies, by Walter Bagehot.
Studies in Literature, by Edward Dowden.
Makers of Literature, by George Edward Woodberry (New York, 1901).
Boston Browning Society Papers.
A Handbook to the Works of Robert Browning, by Mrs Sutherland Orr.
Robert Browning: Personalia, by Edmund Gosse.
Life of the Spirit in Modern English Poets, by Vida D. Scudder.[page xxviii]
Victorian Poetry, by Edmund Clarence Stedman.
Studies of the Mind and Art of Robert Browning, by James Fotheringham.
Browning Society Papers.
Our Living Poets, by H. Buxton Forman.
Browning's Message to his Times, by Edward Berdoe (London, 1897).
Browning Studies, by Edward Berdoe (London, 1895).
The Poetry of Robert Browning, by Stopford Brooke (New York, 1902).
Browning, Poet and Man, by E.L. Cary (New York, 1899).
(An extensive bibliography, biographical and critical, is given in the
Appendix to Sharp's Life of Browning; London, Walter Scott, 1890.)









THE PIED PIPER OF HAMELIN°

A CHILD'S STORY

(Written for, and inscribed to W. M. the Younger)

I

   °1Hamelin° town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its walls on either side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

II

   10Rats!
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,[page 2]
And licked the soup from the cooks' own ladles,
Split open the kegs of salted sprats.
Made nests inside men's Sunday hats.
And even spoiled the women's chats
By drowning their speaking
With shrieking and squeaking
   20In fifty different sharps and flats.

III

At last the people in a body
To the Town Hall came flocking:
"'Tis clear," cried they, "our Mayor's a noddy;
And as for our Corporation, shocking
To think we buy gowns lined with ermine
For dolts that can't or won't determine
What's best to rid us of our vermin!
You hope, because you're old and obese,
To find in the furry civic robe ease!
   30Rouse up, sirs! give your brains a racking
To find the remedy we're lacking,
Or, sure as fate, we'll send you packing!"
At this the Mayor and Corporation
Quaked with a mighty consternation.

IV

An hour they sat in council;[page 3]
At length the Mayor broke silence:
"For a guilder I'd my ermine gown sell,
I wish I were a mile hence!
It's easy to bid one rack one's brain—
   40I'm sure my poor head aches again,
I've scratched it so, and all in vain.
Oh for a trap, a trap, a trap!"
Just as he said this, what should hap
At the chamber door but a gentle tap?
"Bless us," cried the Mayor, "what's that?"
(With the Corporation as he sat,
Looking little, though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
   50Save when at noon his paunch grew mutinous
For a plate of turtle, green and glutinous)
"Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!"

V

"Come in!"—the Mayor cried, looking bigger:[page 4]
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red,
And he himself was tall and thin,
   60With sharp blue eyes, each like a pin,
With light loose hair, yet swarthy skin,
No tuft on cheek, nor beard on chin,
But lips where smiles went out and in;
There was no guessing his kith and kin:
And nobody could enough admire
The tall man and his quaint attire.
Quoth one: "It's as my great grandsire,
Starting up at the Trump of Doom's tone,
Had walked his way from his painted tombstone!"

VI

   70He advanced to the council-table:
And, "Please your honors," said he, "I'm able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm[page 5]
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper."
   80(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of self-same cheque:
And at the scarf's end hung a pipe;
And his fingers, they noticed, were ever straying,
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
"Yet," said he, "poor piper as I am,
  °89In Tartary I freed the Cham,°
   90Last June, from his huge swarms of gnats;
  °91I eased in Asia the Nizam°
Of a monstrous brood of vampire-bats:
And as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?"
"One? fifty thousand!"—was the exclamation
Of the astonished Mayor and Corporation.

[page 6]

VII

Into the street the Piper stept,
Smiling first a little smile,
  100As if he knew what magic slept
In his quiet pipe the while:
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled,
Like a candle-flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered:
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
  110And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, gray rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
    Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
  120And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished![page 7]

—Save one, who, stout as Julius Cæsar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was: "At the first shrill notes of the pipe,
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
  130Into a cider press's gripe;
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks:
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out, 'Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
  140Breakfast, supper, dinner, luncheon!'
And just as a bulky sugar-puncheon,
Already staved, like a great sun shone
Glorious scarce an inch before me,
Just as methought it said, 'Come, bore me!'
—I found the Weser rolling o'er me."

[page 8]

VIII

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
"Go," cried the Mayor, "and get long poles,
Poke out the nests and block up the holes!
  150Consult with carpenters and builders,
And leave in our town, not even a trace
Of the rats!"—when suddenly, up the face
Of the Piper perked in the market-place,
With a, "First, if you please, my thousand guilders!"

IX

A thousand guilders! The Mayor looked blue;
So did the Corporation, too.
For council dinners made rare havoc
 °158With Claret,° Moselle,° Vin-de-Grave,° Hock°;
And half the money would replenish
 °160Their cellar's biggest butt with Rhenish°.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
"Beside," quoth the Mayor, with a knowing wink,
"Our business was done at the river's brink;
We saw with our eyes the vermin sink,
And what's dead can't come to life, I think.
So, friend, we're not the folks to shrink[page 9]

From the duty of giving you something for drink,
And a matter of money to put in your poke;
  170But as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!"

X

The Piper's face fell, and he cried,
"No trifling! I can't wait! Beside,
I've promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head-Cook's pottage, all he's rich in,
 °179For having left, in the Caliph's° kitchen,
  180Of a nest of scorpions no survivor:
With him I proved no bargain-driver,
With you, don't think I'll bate a stiver!
And folks who put me in a passion
May find me pipe after another fashion."

XI

"How?" cried the Mayor, "d'ye think I brook
Being worse treated than a cook?
Insulted by a lazy ribald[page 10]
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst!
  190Blow your pipe there till you burst!"

XII

Once more he stept into the street,
    And to his lips again
Laid his long pipe of smooth straight cane;
    And ere he blew three notes (such sweet,
Soft notes as yet musician's cunning
    Never gave the enraptured air)
There was a rustling that seemed like a bustling
Of merry crowds justling at pitching and hustling;
Small feet were pattering, wooden shoes clattering,
  200Little hands clapping, and little tongues chattering,
And, like fowls in a farm-yard, when barley is scattering,
Out came the children running.
All the little boys and girls.
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

[page 11]

XIII

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood.
  210Unable to move a step, or cry
To the children merrily skipping by,
—Could only follow with the eye
That joyous crowd at the piper's back.
But how the Mayor was on the rack,
And the wretched Council's bosom beat,
As the Piper turned from the High Street
To where the Weser rolled its waters,
Right in the way of their sons and daughters!
However, he turned from South to West,
  220And to Koppelberg Hill his steps addressed,
And after him the children pressed:
Great was the joy in every breast.
"He never can cross that mighty top!
He's forced to let the piping drop,
And we shall see our children stop."
When lo, as they reached the mountain-side,
A wondrous portal opened wide,
As if a cavern were suddenly hollowed;
And the Piper advanced, and the children followed,
  230And when all were in, to the very last,
The door in the mountain-side shut fast.
Did I say all? No! One was lame,[page 12]
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
"It's dull in our town since my playmates left!
I can't forget that I'm bereft
Of all the pleasant sights they see,
Which the Piper also promised me.
  240For he led us, he said, to a joyous land.
Joining the town, and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new:
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer.
And honey-bees had lost their stings,
And horses were born with eagles' wings;
And just as I became assured,
  250My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the hill,
Left alone against my will,
To go now limping as before.
And never hear of that country more!"

[page 13]

XIV

Alas, alas for Hamelin!
    There came into many a burgher's pate
    A text which says that Heaven's gate
    Opes to the rich at as easy a rate
  260As the needle's eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
    Wherever it was men's lot to find him,
Silver and gold to his heart's content,
If he'd only return the way he went,
    And bring the children behind him.
But when they saw 'twas a lost endeavor,
And Piper and dancers were gone forever,
They made a decree that lawyers never
  270  Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
    "And so long after what happened here
    On the twenty-second of July,
Thirteen hundred and seventy-six;"
And the better in memory to fix
The place of the children's last retreat,
They called it the Pied Piper's Street—
Where any one playing on pipe or tabor
  280Was sure for the future to lose his labour.[page 14]
Nor suffered they hostelry or tavern
    To shock with mirth a street so solemn;
But opposite the place of the cavern
    They wrote the story on a column,
And on the great church window painted
The same, to make the world acquainted
How their children were stolen away.
And there it stands to this very day.
And I must not omit to say
  290That in Transylvania there's a tribe
Of alien people who ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don't understand.

XV

  300So, Willy, let me and you be wipers
Of scores out with all men—especially pipers!
And, whether they pipe us free from rats or from mice,[page 15]
If we've promised them aught, let us keep our promise!








TRAY°

Sing me a hero! Quench my thirst
Of soul, ye bards!
                   Quoth Bard the first:
   °3"Sir Olaf,° the good knight, did don
His helm, and eke his habergeon ..."
Sir Olaf and his bard——!

   °6"That sin-scathed brow"° (quoth Bard the second),
"That eye wide ope as tho' Fate beckoned
My hero to some steep, beneath
Which precipice smiled tempting Death ..."
   10You too without your host have reckoned!

"A beggar-child" (let's hear this third!)
"Sat on a quay's edge: like a bird
Sang to herself at careless play,
And fell into the stream. 'Dismay!
Help, you the standers-by!' None stirred.

"Bystanders reason, think of wives[page 16]
And children ere they risk their lives.
Over the balustrade has bounced
A mere instinctive dog, and pounced
   20Plumb on the prize. 'How well he dives!

"'Up he comes with the child, see, tight
In mouth, alive too, clutched from quite
A depth of ten feet—twelve, I bet!
Good dog! What, off again? There's yet
Another child to save? All right!

"'How strange we saw no other fall!
It's instinct in the animal.
Good dog! But he's a long while under:
If he got drowned I should not wonder—
   30Strong current, that against the wall!

"'Here lie comes, holds in mouth this time
—What may the thing be? Well, that's prime!
Now, did you ever? Reason reigns
In man alone, since all Tray's pains
Have fished—the child's doll from the slime!'

"And so, amid the laughter gay,
Trotted my hero off,—old Tray,—
Till somebody, prerogatived
With reason, reasoned: 'Why he dived,[page 17]
   40His brain would show us, I should say.

"'John, go and catch—or, if needs be,
Purchase that animal for me!
By vivisection, at expense
Of half-an-hour and eighteen pence,
How brain secretes dog's soul, we'll see!'"








INCIDENT OF THE FRENCH CAMP°

°1You know, we French stormed Ratisbon°:
    A mile or so away
On a little mound, Napoleon
    Stood on our storming-day;
With neck out-thrust, you fancy how,
    Legs wide, arms locked behind,
As if to balance the prone brow
    Oppressive with its mind.

Just as perhaps he mused "My plans 10
    That soar, to earth may fall,
°11Let once my army-leader Lannes°
     Waver at yonder wall"—
Out 'twixt the battery-smokes there flew[page 18]
    A rider, bound on bound
Full-galloping; nor bridle drew
    Until he reached the mound,

Then off there flung in smiling joy,
    And held himself erect
By just his horse's mane, a boy: °20
     hardly could suspect°
(So tight he kept his lips compressed.
    Scarce any blood came through)
You looked twice ere you saw his breast
    Was all but shot in two.

"Well," cried he, "Emperor, by God's grace
    We've got you Ratisbon!
The Marshal's in the market-place,
    And you'll be there anon
To see your flag-bird flap his vans30
    Where I, to heart's desire,
Perched him!" The chief's eye flashed; his plans
    Soared up again like fire.

The chief's eye flashed; but presently
    Softened itself, as sheathes
A film the mother-eagle's eye[page 19]
    When her bruised eaglet breathes.
"You're wounded!" "Nay," the soldier's pride
    Touched to the quick, he said:
"I'm killed, Sire!" And his chief beside,     40
Smiling, the boy fell dead.








"HOW THEY BROUGHT THE GOOD NEWS°
FROM GHENT TO AIX"

[16—]

I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
"Good speed!" cried the watch, as the gate-bolts undrew;
"Speed!" echoed the wall to us galloping through;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.

Not a word to each other; we kept the great pace
Neck by neck, stride by stride, never changing our place;
I turned in my saddle and made its girths tight,
10Then shortened each stirrup, and set the pique right,[page 20]
Rebuckled the cheek-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.

'Twas moonset at starting; but while we drew near
°14Lokeren°, the cocks crew and twilight dawned clear:
°15At Boom°, a great yellow star came out to see;
°16At Düffeld°, 'twas morning as plain as could be;
°17And from Mecheln° church-steeple we heard the half-chime,
So, Joris broke silence with, "Yet there is time!"

°19At Aershot° up leaped of a sudden the sun,
20And against him the cattle stood black every one,
To stare through the mist at us galloping past,
And I saw my stout galloper Roland, at last,
With resolute shoulders, each butting away
The haze, as some bluff river headland its spray:

And his low head and crest, just one sharp ear bent back
For my voice, and the other pricked out on his track;
And one eye's black intelligence,—ever that glance
O'er its white edge at me, his own master, askance!
And the thick heavy spume-flakes which aye and anon
30His fierce lips shook upwards in galloping on.

By Hasselt, Dirck groaned; and cried Joris, "Stay spur![page 21]
Your Roos galloped bravely, the fault's not in her,
We'll remember at Aix"—for one heard the quick wheeze
Of her chest, saw the stretched neck and staggering knees,
And sunk tail, and horrible heave of the flank,
As down on her haunches she shuddered and sank.

So, we were left galloping, Joris and I,
Past Looz and past Tongres, no cloud in the sky;
The broad sun above laughed a pitiless laugh,
40'Neath our feet broke the brittle bright stubble like chaff;
Till over by Dalhem a dome-spire sprang white,
And "Gallop," gasped Joris, "for Aix is in sight!"

"How they'll greet us!"—and all in a moment his roan
Rolled neck and croup over, lay dead as a stone;
And there was my Roland to bear the whole weight
Of the news which alone could save Aix from her fate,
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-sockets' rim.

Then I cast loose my buff-coat, each holster let fall,[page 22]
50Shook off both my jack-boots, let go belt and all,
Stood up in the stirrup, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer;
Clapped my hands, laughed and sang, any noise, bad or good,
Till at length, into Aix Roland galloped and stood.

And all I remember is,—friends flocking round
As I sat with his head 'twixt my knees on the ground;
And no voice but was praising this Roland of mine,
As I poured down his throat our last measure of wine,
Which (the burgesses voted by common consent)
60Was no more than his due who brought good news from Ghent.








HERVÉ RIEL°

On the sea and at the Hogue, sixteen hundred ninety two,
Did the English fight the French,—woe to France!
And, the thirty-first of May, helter-skelter thro' the blue.
Like a crowd of frightened porpoises a shoal of sharks pursue,[page 23]°5
    Came crowding ship on ship to St. Malo on the Rance,°
With the English fleet in view.

'Twas the squadron that escaped, with the victor in full chase;
    First and foremost of the drove, in his great ship, Damfreville;
        Close on him fled, great and small,10
        Twenty-two good ships in all;
And they signalled to the place
"Help the winners of a race!
    Get us guidance, give us harbor, take us quick—or, quicker still,
    Here's the English can and will!"

Then the pilots of the place put out brisk and leapt on board;
    "Why, what hope or chance have ships like these to pass?" laughed they:
"Rocks to starboard, rocks to port, all the passage scarred and scored,
Shall the 'Formidable' here, with her twelve and eighty guns[page 24]
    Think to make the river-mouth by the single narrow way,
20Trust to enter where 'tis ticklish for a craft of twenty tons,
        And with flow at full beside?
        Now 'tis slackest ebb of tide.
    Reach the mooring? Rather say,
While rock stands or water runs,
Not a ship will leave the bay!"

Then was called a council straight.
Brief and bitter the debate:
"Here's the English at our heels; would you have them take in tow
All that's left us of the fleet, linked together stern and bow,
30For a prize to Plymouth Sound?
Better run the ships aground!"
    (Ended Damfreville his speech).
Not a minute more to wait!
    "Let the Captains all and each
    Shove ashore, then blow up, burn the vessels on the beach!
France must undergo her fate.

"Give the word!" But no such word[page 25]
Was ever spoke or heard;
    For up stood, for out stepped, for in struck amid all these
40—A Captain? A Lieutenant? A Mate—first, second, third?
    No such man of mark, and meet
    With his betters to compete!°43
    But a simple Breton sailor pressed° by Tourville for the fleet,
°44A poor coasting-pilot he, Hervé Riel the Croisickese.°

And, "What mockery or malice have we here?" cries Hervé Riel:°46
    "Are you mad, you Malouins?° Are you cowards, fools, or rogues?
Talk to me of rocks and shoals, me who took the soundings, tell
On my fingers every bank, every shallow, every swell
    'Twixt the offing here and Grève where the river disembogues?
50Are you bought by English gold? Is it love the lying's for?
         Morn and eve, night and day,
         Have I piloted your bay,
Entered free and anchored fast at the foot of Solidor.[page 26]
    Burn, the fleet and ruin France? That were worse than fifty Hogues!
        Sirs, they know I speak the truth! Sirs, believe me there's a way!
Only let me lead the line,
    Have the biggest ship to steer,
    Get this 'Formidable' clear,
Make the others follow mine,
60And I lead them, most and least, by a passage I know well,
    Right to Solidor past Grève,
        And there lay them safe and sound;
    And if one ship misbehave,
        —Keel so much as grate the ground.
Why, I've nothing but my life,—here's my head!" cries Hervé Riel.

Not a minute more to wait.
"Steer us in then, small and great!
    Take the helm, lead the line, save the squadron!" cried its chief.
Captains, give the sailor place! 70
    He is Admiral, in brief.

Still the north-wind, by God's grace![page 27]
See the noble fellow's face
As the big ship, with a bound,
Clears the entry like a hound,
Keeps the passage as its inch of way were the wide sea's profound!
    See, safe thro' shoal and rock,
    How they follow in a flock,
Not a ship that misbehaves, not a keel that grates the ground,
    Not a spar that comes to grief!
80The peril, see, is past,
All are harboured to the last,
And just as Hervé Kiel hollas "Anchor!"—sure as fate
Up the English come, too late!

So, the storm subsides to calm:
    They see the green trees wave
    On the heights o'erlooking Grève.
Hearts that bled are staunched with balm.
    "Just our rapture to enhance,
    Let the English rake the bay,
90Gnash their teeth and glare askance
    As they cannonade away!
'Neath rampired Solidor pleasant riding on the Rance!"[page 28]
How hope succeeds despair on each Captain's countenance!
Out burst all with one accord,
    "This is Paradise for Hell!
        Let France, let France's King
        Thank the man that did the thing!"
What a shout, and all one word,
        "Hervé Riel!"
100As he stepped in front once more,
    Not a symptom of surprise
    In the frank blue Breton eyes,
Just the same man as before.

Then said Damfreville, "My friend,
I must speak out at the end,
    Tho' I find the speaking hard.
Praise is deeper than the lips:
You have saved the King his ships,
    You must name your own reward,
110'Faith our sun was near eclipse!
Demand whate'er you will,
France remains your debtor still.
Ask to heart's content and have! or my name's not Damfreville."

Then a beam of fun outbroke[page 29]
On the bearded mouth that spoke,
As the honest heart laughed through
Those frank eyes of Breton blue:
"Since I needs must say my say,
    Since on board the duty's done, 120
    And from Malo Roads to Croisic Point, what is it but a run?—
Since 'tis ask and have, I may—
Since the others go ashore—
Come! A good whole holiday!
    Leave to go and see my wife, whom I call the Belle Aurore!"
That he asked and that he got,—nothing more.

Name and deed alike are lost:
Not a pillar nor a post
    In his Croisic keeps alive the feat as it befell;
Not a head in white and black
130On a single fishing smack,
In memory of the man but for whom had gone to wrack
    All that France saved from the fight whence England bore the bell.
Go to Paris: rank on rank.
    Search, the heroes flung pell-mell[page 30]
°135On the Louvre,° face and flank!
    You shall look long enough ere you come to Hervé Riel.
So, for better and for worse,
Hervé Riel, accept my verse!
In my verse, Hervé Riel, do thou once more
140Save the squadron, honour France, love thy wife the Belle Aurore!