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Browning's Shorter Poems

Chapter 34: Χαίρετε, νικωμεν°
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About This Book

A curated selection of Robert Browning's shorter verse presents dramatic monologues, narrative ballads, and concise lyrics that explore character, desire, and moral ambiguity. The poems move between lively storytelling and reflective meditation on art, love, faith, and mortality, often using historical or Italian settings to sharpen voice and perspective. Emphasis falls on psychological insight, varied meters and rhyme, and rhetorical intensity; the edition includes editorial notes intended to clarify language and assist younger readers in interpretation.








PHEIDIPPIDES°

Χαίρετε, νικωμεν°

First I salute this soil of the blessed, river and rock!
Gods of my birthplace, dæmons and heroes, honour to all!
Then I name thee, claim thee for our patron, co-equal in praise
°4—Ay, with Zeus° the Defender, with Her° of the ægis and spear!
°5Also, ye of the bow and the buskin,° praised be your peer,
Now, henceforth, and forever,—O latest to whom I upraise[page 31]
Hand and heart and voice! For Athens, leave pasture and flock!
°8Present to help, potent to save, Pan°—patron I call!

°9Archons° of Athens, topped by the tettix,° see, I return!
10See, 'tis myself here standing alive, no spectre that speaks!
Crowned with the myrtle, did you command me, Athens and you,
"Run, Pheidippides, run and race, reach Sparta for aid!
°13Persia has come,° we are here, where is She?" Your command I obeyed,
Ran and raced: like stubble, some field which a fire runs through,
Was the space between city and city: two days, two nights did I burn
Over the hills, under the dales, down pits and up peaks.

Into their midst I broke: breath served but for "Persia has come!
°18Persia bids Athens proffer slaves'-tribute, water and earth°;[page 32]
°19Razed to the ground is Eretria.°—but Athens? shall Athens, sink,
°20Drop into dust and die—the flower of Hellas° utterly die,
°21Die with the wide world spitting at Sparta, the stupid, the stander-by°?
Answer me quick,—what help, what hand do you stretch o'er destruction's brink?
How,—when? No care for my limbs!—there's lightning in all and some—
Fresh and fit your message to bear, once lips give it birth!"

O my Athens—Sparta love thee? did Sparta respond?
Every face of her leered in a furrow of envy, mistrust,
Malice,—each eye of her gave me its glitter of gratified hate!
Gravely they turned to take counsel, to cast for excuses. I stood
Quivering,—the limbs of me fretting as fire frets, an inch from dry wood:
30"Persia has come, Athens asks aid, and still they debate?
Thunder, thou Zeus! Athene, are Spartans a quarry beyond[page 33]
°32Swing of thy spear? Phoibos° and Artemis,° clang them 'Ye must'!"

°33No bolt launched from Olumpos°! Lo, their answer at last!
"Has Persia come,—does Athens ask aid,—may Sparta befriend?
Nowise precipitate judgment—too weighty the issue at stake!
Count we no time lost time which lags thro' respect to the Gods!
Ponder that precept of old, 'No warfare, whatever the odds
In your favour, so long as the moon, half-orbed, is unable to take
Full-circle her state in the sky!' Already she rounds to it fast:
40Athens must wait, patient as we—who judgment suspend."

Athens,—except for that sparkle,—thy name, I had mouldered to ash!
That sent a blaze thro' my blood; off, off and away was I back,[page 34]
—Not one word to waste, one look to lose on the false and the vile!
Yet "O Gods of my land!" I cried, as each hillock and plain,
Wood and stream, I knew, I named, rushing past them again,
"Have ye kept faith, proved mindful of honours we paid you erewhile?
Vain was the filleted victim, the fulsome libation! Too rash
Love in its choice, paid you so largely service so slack!

"Oak and olive and bay,—I bid you cease to en-wreathe
50Brows made bold by your leaf! Fade at the Persian's foot,
You that, our patrons were pledged, should never adorn a slave!
°52Rather I hail thee, Parnes,°—trust to thy wild waste tract!
Treeless, herbless, lifeless mountain! What matter if slacked
My speed may hardly be, for homage to crag and to cave[page 35]
No deity deigns to drape with verdure?—at least I can breathe,
Fear in thee no fraud from the blind, no lie from the mute!"

Such my cry as, rapid, I ran over Parnes' ridge;
Gully and gap I clambered and cleared till, sudden, a bar
Jutted, a stoppage of stone against me, blocking the way.
60Right! for I minded the hollow to traverse, the fissure across:
"Where I could enter, there I depart by! Night in the fosse?
°62Athens to aid? Tho' the dive were thro' Erebos,° thus I obey—
Out of the day dive, into the day as bravely arise! No bridge
Better!"—when—ha! what was it I came on, of wonders that are?

There, in the cool of a cleft, sat he—majestical Pan!
Ivy drooped wanton, kissed his head, moss cushioned his hoof;[page 36]
All the great God was good in the eyes grave-kindly—the curl
Carved on the bearded cheek, amused at a mortal's awe
As, under the human trunk, the goat-thighs grand I saw.
70"Halt, Pheidippides!"—halt I did, my brain of a whirl:
"Hither to me! Why pale in my presence?"! he gracious began:
"How is it,—Athens, only in Hellas, holds me aloof?

"Athens, she only, rears me no fane, makes me no feast!
Wherefore? Than I what godship to Athens more helpful of old?
Ay, and still, and forever her friend! Test Pan, trust me!
Go bid Athens take heart, laugh Persia to scorn, have faith
In the temples and tombs! Go, say to Athens, 'The Goat-God saith:
When Persia—so much as strews not the soil—Is cast in the sea,
Then praise Pan who fought in the ranks with your most and least,[page 37]
80Goat-thigh to greaved-thigh, made one cause with the free and the bold!'

"Say Pan saith: 'Let this, foreshowing the place, be the pledge!'"
(Gay, the liberal hand held out this herbage I bear
—Fennel,—I grasped it a-tremble with dew—whatever it bode),
"While, as for thee..." But enough! He was gone. If I ran hitherto—
Be sure that the rest of my journey, I ran no longer, but flew.
Parnes to Athens—earth no more, the air was my road;
Here am I back. Praise Pan, we stand no more on the razor's edge!
Pan for Athens, Pan for me! I too have a guerdon rare!


°89Then spoke Miltiades.° "And thee, best runner of Greece,
90Whose limbs did duty indeed,—what gift is promised thyself?
Tell it us straightway,—Athens the mother demands of her son!"[page 38]
Rosily blushed the youth: he paused: but, lifting at length
His eyes from the ground, it seemed as he gathered the rest of his strength
Into the utterance—"Pan spoke thus: 'For what thou hast done
Count on a worthy reward! Henceforth be allowed thee release
From the racer's toil, no vulgar reward in praise or in pelf!'

"I am bold to believe, Pan means reward the most to my mind!
Fight I shall, with our foremost, wherever this fennel may grow,—
Pound—Pan helping us—Persia to dust, and, under the deep,
100Whelm her away forever; and then,—no Athens to save,—
Marry a certain maid, I know keeps faith to the brave,—
Hie to my house and home: and, when my children shall creep
Close to my knees,—recount how the God was awful yet kind,[page 39]
Promised their sire reward to the full—rewarding him—so!"


Unforeseeing one! Yes, he fought on the Marathon day:
°106So, when Persia was dust, all cried "To Akropolis°!
Run, Pheidippides, one race more! the meed is thy due!
'Athens is saved, thank Pan,' go shout!" He flung down his shield,
°109Ran like fire once more: and the space 'twixt the Fennel-field°
110And Athens was stubble again, a field which a fire runs through,
Till in he broke: "Rejoice, we conquer!" Like wine thro' clay,
Joy in his blood bursting his heart, he died—the bliss!

So, to this day, when friend meets friend, the word of salute
Is still "Rejoice!"—his word which brought rejoicing indeed.
So is Pheidippides happy forever,—the noble strong man[page 40]
Who could race like a god, bear the face of a god, whom a god loved so well,
He saw the land saved he had helped to save, and was suffered to tell
Such tidings, yet never decline, but, gloriously as he began,
So to end gloriously—once to shout, thereafter be mute:
120"Athens is saved!"—Pheidippides dies in the shout for his meed.








MY STAR°

All that I know
    Of a certain star
Is, it can throw °4
    (Like the angled spar°)
Now a dart of red,
    Now a dart of blue;
Till my friends have said
    They would fain see, too,
My star that dartles the red and the blue!

10Then it stops like a bird; like a flower, hangs furled:[page 41]
°11They must solace themselves with the Saturn° above it.
What matter to me if their star is a world?
Mine has opened its soul to me; therefore I love it.








EVELYN HOPE°

Beautiful Evelyn Hope is dead!
    Sit and watch by her side an hour.
That is her book-shelf, this her bed;
    She plucked that piece of geranium-flower,
Beginning to die too, in the glass;
    Little has yet been changed, I think:
The shutters are shut, no light may pass
    Save two long rays thro' the hinge's chink.

Sixteen years old when she died! 10
    Perhaps she had scarcely heard my name;
It was not her time to love; beside,
    Her life had many a hope and aim,
Duties enough and little cares,
    And now was quiet, now astir,
Till God's hand beckoned unawares,—
    And the sweet white brow is all of her.

Is it too late then, Evelyn Hope?[page 42]
    What, your soul was pure and true,
The good stars met in your horoscope, 20
    Made you of spirit, fire and dew—
And just because I was thrice as old
    And our paths in the world diverged so wide,
Each was naught to each, must I be told?
    We were fellow mortals, naught beside?

No, indeed! for God above
    Is great to grant, as mighty to make,
And creates the love to reward the love:
    I claim you still, for my own love's sake!
Delayed it may be for more lives yet, 30
    Thro' worlds I shall traverse, not a few:
Much is to learn, much, to forget
    Ere the time be come for taking you.

But the time will come, at last it will,
    When, Evelyn Hope, what meant (I shall say)
In the lower earth in the years long still,
    That body and soul so pure and gay?
Why your hair was amber, I shall divine,
    And your mouth of your own geranium's red—
And what would you do with me, in fine, 40
    In the new life come in the old one's stead.

I have lived (I shall say) so much since then,[page 43]
    Given up myself so many times,
Gained me the gains of various men,
    Ransacked the ages, spoiled the climes;
Yet one thing, one, in my soul's full scope,
    Either I missed or itself missed me:
And I want and find you, Evelyn Hope!
    What is the issue? let us see!

I loved you, Evelyn, all the while! 50
    My heart seemed full as it could hold;
There was place and to spare for the frank young smile,
    And the red young mouth, and the hair's young gold.
So hush,—I will give you this leaf to keep:
    See, I shut it inside the sweet cold hand!
There, that is our secret: go to sleep!
    You will wake, and remember, and understand.








LOVE AMONG THE RUINS°

Where the quiet-coloured end of evening smiles
          Miles and miles
On the solitary pastures where our sheep
          Half-asleep
Tinkle homeward thro' the twilight, stray or stop[page 44]
          As they crop—
Was the site once of a city great and gay,
          (So they say)
Of our country's very capital, its prince 10
          Ages since
Held his court in, gathered councils, wielding far
          Peace or war.

Now,—the country does not even boast a tree,
          As you see,
To distinguish slopes of verdure, certain rills
          From the hills
Intersect and give a name to (else they run
          Into one),
Where the domed and daring palace shot its spires 20
          Up like fires
O'er the hundred-gated circuit of a wall
          Bounding all,
Made of marble, men might march on nor be pressed,
          Twelve abreast.

And such plenty and perfection, see, of grass
          Never was!
Such a carpet as, this summer-time, o'erspreads
          And embeds
Every vestige of the city, guessed alone,[page 45]30
          Stock or stone—
Where a multitude of men breathed joy and woe
          Long ago;
Lust of glory pricked their hearts up, dread of shame
          Struck them tame;
And that glory and that shame alike, the gold
          Bought and sold.

Now,—the single little turret that remains
          On the plains,
By the caper overrooted, by the gourd 40
          Overscored,
While the patching houseleek's head of blossom winks
          Thro' the chinks—
Marks the basement whence a tower in ancient time
          Sprang sublime,
And a burning ring, all round, the chariots traced
          As they raced,
And the monarch and his minions and his dames
          Viewed the games.

And I know—while thus the quiet-coloured eve 50
          Smiles to leave
To their folding, all our many-tinkling fleece
          In such peace,
And the slopes and rills in undistinguished gray[page 46]
          Melt away—
That a girl with eager eyes and yellow hair
          Waits me there
In the turret whence the charioteers caught soul
          For the goal,
When the king looked, where she looks now, breathless, dumb 60
          Till I come,

But he looked upon the city, every side,
          Far and wide,
All the mountains topped with temples, all the glades'
          Colonnades,
All the causeys, bridges, aqueducts,—and then,
          All the men!
When I do come, she will speak not, she will stand,
          Either hand
On my shoulder, give her eyes the first embrace 70
          Of my face,
Ere we rush, ere we extinguish sight and speech
          Each on each.

In one year they sent a million fighters forth
          South and North,
And they built their gods a brazen pillar high[page 47]
          As the sky,
Yet reserved a thousand chariots in full force—
          Gold, of course.
Oh heart! oh blood that freezes, blood that burns! 80
          Earth's returns
For whole centuries of folly, noise, and sin!
          Shut them in,
With their triumphs and their glories and the rest!
          Love is best.








MISCONCEPTIONS°

This is a spray the bird clung to,
    Making it blossom with pleasure,
Ere the high tree-top she sprung to,
    Fit for her nest and her treasure.
    Oh, what a hope beyond measure
Was the poor spray's, which the flying feet hung to,—
So to be singled out, built in, and sung to!

This is a heart the Queen leant on,
    Thrilled in a minute erratic,
10Ere the true bosom she bent on, °11
    Meet for love's regal dalmatic°.[page 48]
    Oh, what a fancy ecstatic
Was the poor heart's, ere the wanderer went on—
Love to be saved for it, proffered to, spent on!








NATURAL MAGIC°

All I can say is—I saw it!
The room was as bare as your hand.
I locked in the swarth little lady,—I swear,
From the head to the foot of her—well, quite as bare!
°5"No Nautch° shall cheat me," said I, "taking my stand
At this bolt which I draw!" And this bolt—I withdraw it,
And there laughs the lady, not bare, but embowered
With—who knows what verdure, o'erfruited, o'erflowered?
Impossible! Only—I saw it!

10All I can sing is—I feel it!
This life was as blank as that room;
I let you pass in here. Precaution, indeed?
Walls, ceiling, and floor,—not a chance for a weed!
Wide opens the entrance: where's cold, now, where's gloom?
No May to sow seed here, no June to reveal it,[page 49]
Behold you enshrined in these blooms of your bringing,
These fruits of your bearing—nay, birds of your winging!
A fairy-tale! Only—I feel it!








APPARITIONS°

(Prologue to "The Two Poets of Croisic.")

Such a starved bank of moss
    Till, that May-morn,
Blue ran the flash across:
    Violets were born!

Sky—what a scowl of cloud
    Till, near and far,
Ray on ray split the shroud:
    Splendid, a star!

World—how it walled about
10    Life with disgrace,
Till God's own smile came out:
    That was thy face!








A WALL°

O the old wall here! How I could pass
    Life in a long midsummer day,
My feet confined to a plot of grass,
    My eyes from a wall not once away!

And lush and lithe do the creepers clothe
    Yon wall I watch, with a wealth of green:
Its bald red bricks draped, nothing loath,
    In lappets of tangle they laugh between.

Now, what is it makes pulsate the robe?
10    Why tremble the sprays? What life o'erbrims
The body,—the house no eye can probe,—
    Divined, as beneath a robe, the limbs?

And there again! But my heart may guess
    Who tripped behind; and she sang, perhaps:
So the old wall throbbed, and it's life's excess
    Died out and away in the leafy wraps.

Wall upon wall are between us: life
    And song should away from heart to heart!
I—prison-bird, with a ruddy strife
20    At breast, and a lip whence storm-notes start—

Hold on, hope hard in the subtle thing
[page 51]     That's spirit: tho' cloistered fast, soar free;
Account as wood, brick, stone, this ring
    Of the rueful neighbours, and—forth to thee!








CONFESSIONS°

What is he buzzing in my ears?
    "Now that I come to die,
Do I view the world as a vale of tears?"
    Ah, reverend sir, not I!

What I viewed there once, what I view again
     Where the physic bottles stand
On the table's edge,—is a suburb lane,
    With a wall to my bedside hand.

That lane sloped, much as the bottles do,
10    From a house you could descry
O'er the garden-wall: is the curtain blue
    Or green to a healthy eye?

To mine, it serves for the old June weather
    Blue above lane and wall;
And that farthest bottle labelled "Ether"
[page 52]     Is the house o'er-topping all.

At a terrace, somewhere near the stopper,
    There watched for me, one June,
A girl: I know, sir, it's improper,
20    My poor mind's out of tune.

Only, there was a way ... you crept
    Close by the side, to dodge
Eyes in the house, two eyes except:
    They styled their house "The Lodge."

What right had a lounger up their lane?
    But, by creeping very close,
With the good wall's help,—their eyes might strain
    And stretch themselves to Oes,

Yet never catch her and me together,
30    As she left the attic, there,
By the rim of the bottle labelled "Ether,"
    And stole from stair to stair

And stood by the rose-wreathed gate. Alas,
    We loved, sir—used to meet;
How sad and bad and mad it was—
    But then, how it was sweet!








A WOMAN'S LAST WORD°

Let's contend no more, Love,
    Strive nor weep:
All be as before, Love,
    —Only sleep!

What so wild as words are?
    I and thou
In debate, as birds are,
    Hawk on bough!

See the creature stalking
10    While we speak!
Hush and hide the talking,
    Cheek on cheek.

What so false as truth is,
    False to thee?
Where the serpent's tooth is,
    Shun the tree—

Where the apple reddens,
    Never pry—
Lest we lose our Edens,
20    Eve and I.

Be a god and hold me
[page 54]     With a charm!
Be a man and fold me
    With thine arm!

Teach me, only teach, Love!
    As I ought
I will speak thy speech, Love,
    Think thy thought—

Meet, if thou require it,
30    Both demands,
Laying flesh and spirit
    In thy hands.

That shall be to-morrow,
    Not to-night:
I must bury sorrow
    Out of sight:

—Must a little weep, Love,
    (Foolish me!)
And so fall asleep, Love,
40    Loved by thee.








A PRETTY WOMAN°

That fawn-skin-dappled hair of hers,
        And the blue eye
        Dear and dewy,
And that infantine fresh air of hers!

To think men cannot take you, Sweet,
        And infold you,
        Ay, and hold you,
And so keep you what they make you, Sweet!

You like us for a glance, you know—
10        For a word's sake
        Or a sword's sake:
All's the same, whate'er the chance, you know.

And in turn we make you ours, we say—
        You and youth too,
        Eyes and mouth too,
All the face composed of flowers, we say.

All's our own, to make the most of, Sweet—
        Sing and say for,
        Watch and pray for,
20Keep a secret or go boast of, Sweet!

But for loving, why, you would not, Sweet,[page 56]
        Tho' we prayed you,
        Paid you, brayed you
In a mortar—for you could not, Sweet!

So, we leave the sweet face fondly there,
        Be its beauty
        Its sole duty!
Let all hope of grace beyond, lie there!

And while the face lies quiet there,
30        Who shall wonder
        That I ponder
A conclusion? I will try it there.

As,—why must one, for the love foregone
        Scout mere liking?
        Thunder-striking
Earth,—the heaven, we looked above for, gone!

Why, with beauty, needs there money be,
        Love with liking?
        Crush the fly-king
40In his gauze, because no honey-bee?

May not liking be so simple-sweet,[page 57]
        If love grew there
        'Twould undo there
All that breaks the cheek to dimples sweet?

Is the creature too imperfect, say?
        Would you mend it
        And so end it?
Since not all addition perfects aye!

Or is it of its kind, perhaps,
50        Just perfection—
        Whence, rejection
Of a grace not to its mind, perhaps?

Shall we burn up, tread that face at once
        Into tinder,
        And so hinder
Sparks from kindling all the place at once?

Or else kiss away one's soul on her?
        Your love-fancies!
        —A sick man sees
60Truer, when his hot eyes roll on her!

Thus the craftsman thinks to grace the rose,—[page 58]
        Plucks a mould-flower
        For his gold flower,
Uses fine things that efface the rose.

Rosy rubies make its cup more rose.
        Precious metals
        Ape the petals,—
Last, some old king locks it up, morose!

Then how grace a rose? I know a way!
70        Leave it, rather.
        Must you gather?
Smell, kiss, wear it—at last, throw away.








YOUTH AND ART°

It once might have been, once only:
    We lodged in a street together,
You, a sparrow on the housetop lonely,
    I, a lone she-bird of his feather.

Your trade was with sticks and clay,
    You thumbed, thrust, patted, and polished,
Then laughed "They will see some day,
    °8Smith made, and Gibson° demolished."

My business was song, song, song;[page 59]
10    I chirped, cheeped, trilled, and twittered,
"Kate Brown's on the boards ere long,
    °12And Grisi's° existence embittered!"

I earned no more by a warble
    Than you by a sketch in plaster;
You wanted a piece of marble,
    I needed a music-master.

We studied hard in our styles,
    °18Chipped each at a crust like Hindoos,°
For air, looked out on the tiles,
20    For fun, watched each other's windows.

You lounged, like a boy of the South,
    Cap and blouse—nay, a bit of beard too;
Or you got it, rubbing your mouth
    With fingers the clay adhered to.

And I—soon managed to find
    Weak points in the flower-fence facing,
Was forced to put up a blind
    And be safe in my corset-lacing.

No harm! It was not my fault
30    If you never turned your eye's tail up
As I shook upon E in alt,[page 60]
    Or ran the chromatic scale up:

For spring bade the sparrows pair.
    And the boys and girls gave guesses,
And stalls in our street looked rare
    With bulrush and watercresses.

Why did not you pinch a flower
    In a pellet of clay and fling it?
Why did not I put a power
40    Of thanks in a look or sing it?

I did look, sharp as a lynx,
    (And yet the memory rankles)
When models arrived, some minx
    Tripped up stairs, she and her ankles.

But I think I gave you as good!
    "That foreign fellow,—who can know
How she pays, in a playful mood,
    For his tuning her that piano?"

Could you say so, and never say
50    "Suppose we join hands and fortunes,
And I fetch her from over the way,
    Her, piano, and long tunes and short tunes?"

No, no: you would not be rash,[page 61]
    Nor I rasher and something over;
You've to settle yet Gibson's hash,
    And Grisi yet lives in clover.

But you meet the Prince at the Board,
    °58I'm queen myself at bals-parés,°
I've married a rich old lord,
60    And you're dubbed knight and an R.A.

Each life unfulfilled, you see;
    It hangs still, patchy and scrappy:
We have not sighed deep, laughed free,
    Starved, feasted, despaired,—been happy

And nobody calls you a dunce,
    And people suppose me clever;
This could but have happened once,
    And we missed it, lost it forever.








A TALE°

(Epilogue to "The Two Poets of Croisic.")

What a pretty tale you told me
    Once upon a time
—Said you found it somewhere (scold me!)[page 62]
    Was it prose or was it rhyme,
Greek or Latin? Greek, you said,
While your shoulder propped my head.

Anyhow there's no forgetting
    This much if no more,
That a poet (pray, no petting!)
10    Yes, a bard, sir, famed of yore,
Went where suchlike used to go,
Singing for a prize, you know.

Well, he had to sing, nor merely
    Sing but play the lyre;
Playing was important clearly
    Quite as singing: I desire,
Sir, you keep the fact in mind
For a purpose that's behind.

There stood he, while deep attention
20    Held the judges round,
—Judges able, I should mention,
    To detect the slightest sound
Sung or played amiss: such ears
Had old judges, it appears!

None the less he sang out boldly,[page 63]
    Played in time and tune,
Till the judges, weighing coldly
    Each note's worth, seemed, late or soon,
Sure to smile "In vain one tries
30Picking faults out: take the prize!"

When, a mischief! Were they seven
    Strings the lyre possessed?
Oh, and afterwards eleven,
    Thank you! Well, sir,—who had guessed
Such ill luck in store?—it happed
One of those same seven strings snapped.

All was lost, then! No! a cricket
    (What "cicada"? Pooh!)
—Some mad thing that left its thicket
40    For mere love of music—flew
With its little heart on fire,
Lighted on the crippled lyre.

So that when (Ah joy!) our singer
    For his truant string
Feels with disconcerted finger,
    What does cricket else but fling
Fiery heart forth, sound the note[page 64]
Wanted by the throbbing throat?

Ay and, ever to the ending,
50    Cricket chirps at need,
Executes the hand's intending,
    Promptly, perfectly,—indeed
Saves the singer from defeat
With her chirrup low and sweet.

Till, at ending, all the judges
    Cry with one assent
"Take the prize—a prize who grudges
    Such a voice and instrument?
Why, we took your lyre for harp,
60So it shrilled us forth F sharp!"

Did the conqueror spurn the creature
    Once its service done?
That's no such uncommon feature
    In the case when Music's son
°65Finds his Lotte's° power too spent
For aiding soul development.

No! This other, on returning
    Homeward, prize in hand,
Satisfied his bosom's yearning:[page 65]
70    (Sir, I hope you understand!)
—Said "Some record there must be
Of this cricket's help to me!"

So, he made himself a statue:
    Marble stood, life size;
On the lyre, he pointed at you,
    Perched his partner in the prize;
Never more apart you found
Her, he throned, from him, she crowned.

That's the tale: its application?
80    Somebody I know
Hopes one day for reputation
        Thro' his poetry that's—Oh,
All so learned and so wise
And deserving of a prize!

If he gains one, will some ticket
        When his statue's built,
Tell the gazer "'Twas a cricket
        Helped my crippled lyre, whose lilt
Sweet and low, when strength usurped
90Softness' place i' the scale, she chirped?

"For as victory was nighest,[page 66]
        While I sang and played,—
With my lyre at lowest, highest,
        Right alike,—one string that made
'Love' sound soft was snapt in twain
Never to be heard again,—

"Had not a kind cricket fluttered,
        Perched upon the place
Vacant left, and duly uttered
100        'Love, Love, Love,' whene'er the bass
Asked the treble to atone
For its somewhat sombre drone."

But you don't know music! Wherefore
        Keep on casting pearls
To a—poet? All I care for
        Is—to tell him that a girl's
"Love" comes aptly in when gruff
Grows his singing, (There, enough!)