Campanalogia

Cambridg Delight. 2 and 4.

In this peal the two hindmost bells always dodg till the whole-hunt hinders them. When the whole-hunt leaves the thirds place hunting up, the two foremost bells dodg till the half-hunt hinders them, whose course is the same with the course of the half-hunt in Grandsire. There are two singles which are made by the same rule as in Grandsire.

Cambridg Delight, another way.
1 and 4.

In this peal the two hindmost bells always dodg till the whole-hunt hinders, as in the former Peal. When the half-hunt leaves the 3ds place hunting up, the two foremost bells dodg till the whole-hunt hinders. It differeth from the former peal in this; That whereas in that the bells always begin to dodg before when the whole-hunt leaves third’s place, and are parted by the half-hunt; in this they begin to dodg before when the half-hunt leaves the third’s place, and are parted as well before as behind by the whole-hunt. It differeth also, in that the half-hunt in this peal always bobbeth behind on the contrary stroke to what it doth in the former peal; there are two singles, which are made as in the former peal.

The Dream, upon five bells. 1 and 2.

In this peal the two hindmost bells always dodg till the whole-hunt hinders, except when the two Hunts are together before. Or it may be rang by making the two foremost bells dodg always, except the Hunts be together behind. There are six single changes which are all behind every other time the whole-hunt leads, the half-hunt at every single lying either in the 2d or 3ds places.

The Contention upon five bells. 1 and 2.

In this peal, the two hindmost bells dodg as in the former peal till the Hunts are together before for twenty changes; and then for the next twenty changes the two formost bells dodg, except the Hunts are together behind. There are six singles which are made as in the former peal.

The Cheat. 1 and 3.

In this peal the two hindmost bells always dodg ’till the whole-hunt hinders, and the two foremost bells dodg ’till either the whole or half-hunt hinders. Or on the contrary, the two foremost bells may dodg ’till the whole-hunt hinder, and the two hindmost ’till either the whole-hunt or half-hunt hinder. Or it may be rang a third way, by joining both these courses together, ringing twenty changes of it one way, and the next twenty changes the other way throughout the peal. There are six singles which are all made behind, every second time the whole-hunt leads; or at pleasure it may be rang with twelve singles, which are likewise all made behind.

Topsie-turvie. 1 and 2.

In this peal every change is a jumping change (in which one bell leaps over two bells at once,) except when the Treble is either behind or before, for then there is always a plain double change made, or else a single at the end of each sixty changes. Treble is a perfect Hunt; the two foremost bells always dodg until the Treble hinder. When the Treble is hunting up, the jumping changes are all made by the bell in the Tenor’s place, jumping into third’s, except only that one when Treble goeth out of second’s place into third’s; for then the bell in the 3ds place jumps into Trebles, where it dodgeth with the bell in the 2ds place till Treble hinder. When Treble is hunting down every jumping change is made by the bell in the 3ds place jumping into Tenor’s, except when it goeth out of third’s place into second’s, for then the bell in Treble’s place jumps into 3ds. And observe always, that when Treble is going to lead the first time, the bell in Tenor’s place jumps into third’s, and the next time the bell in the third’s place into Tenor’s throughout the peal. There are two singles which are made, as in Grandsire.

Jumping Doubles dodging behind.

In this peal Treble is a perfect Hunt, as in the former. The two hindmost bells always dodg till Treble hinders. When Treble is hunting up the bell in thirds place always jumps into Treble’s, excepting only when Treble goeth out of third’s place into fourth’s; for then the bell in Tenor’s place jumps into 3ds. And observe, that every second time the Treble goeth out of 4th into 5ths place, the bell in Treble’s place jumps into 3ds; whereas at other times at the same change the bell in 3ds place jumps into Treble’s. When Treble leaves the 5ths place hunting down, the bell in the 3ds place jumps into Treble’s; when she leaves 4ths place the bell in 3ds place jumps into Tenor’s. When she is either in the 2d or 3ds places hunting down, the bell in the Treble’s place jumps into 3ds. There are two singles made, as in the former Peal.

Symphonie, upon six bells. 1. 2. and 3.

In this peal are 720 changes, all doubles except twelve singles, which are made as in plain Trebles and Doubles on six bells. The two hindmost bells always dodg till the whole-hunt hinders them, except when a single is made in the 4th and 5th places. When the whole-hunt leaves the 4ths place hunting up, the two foremost bells dodg till it leaves the same place again hunting down: but it may be rang at pleasure to make the bells dodg perpetually before as well as behind, by making in every twelve changes two Trebles, one of them when the whole-hunt leaves the 3ds place hunting up, and the other when it leaves the 4ths place hunting down; so that there will be in the whole peal Sixscore Treble-changes. When the whole-hunt is behind, the four foremost bells dodg; when the whole-hunt is before, the four hindmost dodg.

Grandsire upon Symphonie. 1. 2. and 6.

This peal of Symphonie may be rang with but two single or two treble changes at the end of either Eighteenscore, by ringing it with single and double bobs as in Grandsire Bob. The rule for calling the bobs in this peal is the very same as in Grandsire Bob, but when the bob-changes are to be made, the Hunts do not lie in the same order as in Grandsire Bob; for in this peal at a single bob the whole-hunt leads, the half-hunt in the 5th place, and the quarter-hunt in the 4th place. And at the first bob of a double bob the half-huntis in Tenor’s place, and quarter-hunt in 2ds place; and at the later bob the half-hunt is in the 5th place, and quarter-hunt in 2ds place, just contrary to what it is in Grandsire Bob. I have prickt this peal with two Treble changes in every twelve; so that if you make two Trebles more at the end of either Eighteenscore (which must be made when the whole-hunt is going to lead just two changes sooner than if you should have made a single) there will then be in the whole 720 just Sixscore and two Treble changes.

This peal is taken out of the Dream upon five bells. Every time the whole-hunt is before, there being two changes of that peal made in this. Every bell is a perfect Hunt, when the whole-hunt is before dodg on the four hindmost, except the half-hunt be either in the 5th or Tenor’s place, then always bob as in Grandsire Bob, except the quarter-hunt lieth next to the half-hunt, for then it is always to be a dodg on the four hindmost. Every other time that the whole-hunt and half-hunt come together before, there is single which is always made behind.

A Twelvescore Trebles and Doubles. upon Six Bells.

In this peal the four foremost bells go a four and twenty Doubles and Singles, observing always, That for one Four and Twenty the bell in the Treble’s place is the hunting bell, and for the next the bell in the 4ths place throughout the peal, the two hindmost bells always dodging till the end of the Twenty Four; at which time there is a double made (if the bell in the Treble’s place was the Hunt in the Twenty Four) on the four middlemost; but if the bell in the 4ths place was the hunting bell, the double is to be made in Treble and 2d and 4th and 5th places.

Cambridg Bob.

The Treble hath a constant dodging course; and when it leaves the two hind bells, they dodg until it comes there again, except when the Treble dodgeth before, and then they lie still. The two middle bells always dodg until the Treble comes there. When the Treble leaves dodging before, every bell leads twice, except when the Treble lieth still behind, and then the two first bells make a dodg. Bobs are made as in Grandsire Bob, and the warning for them the same also with that.