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Cane

Chapter 10: SONG OF THE SON
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About This Book

The work assembles lyric sketches, poems, and short stories that move between the rural Black South and the urban North, rendering scenes of field labor, small-town intimacies, migration, and city struggle. Its language blends musical, imagistic poetry with prose vignettes, shifting tone from sensual celebration and folklore to psychological tension and spiritual searching. Structurally divided into three parts, it juxtaposes primitive southern evocations, a middle section of urban self-consciousness, and a return offering more meditative, symbolic pieces. Recurring themes include racial identity, desire, community, and the search for meaning through artistic and spiritual expression.

SONG OF THE SON

Pour O pour that parting soul in song,
O pour it in the sawdust glow of night,
Into the velvet pine-smoke air to-night,
And let the valley carry it along.
And let the valley carry it along.
O land and soil, red soil and sweet-gum tree,
So scant of grass, so profligate of pines,
Now just before an epoch’s sun declines
Thy son, in time, I have returned to thee,
Thy son, I have in time returned to thee.
In time, for though the sun is setting on
A song-lit race of slaves, it has not set;
Though late, O soil, it is not too late yet
To catch thy plaintive soul, leaving, soon gone,
Leaving, to catch thy plaintive soul soon gone.
O Negro slaves, dark purple ripened plums,
Squeezed, and bursting in the pine-wood air,
Passing, before they stripped the old tree bare
One plum was saved for me, one seed becomes
An everlasting song, a singing tree,
Caroling softly souls of slavery,
What they were, and what they are to me,
Caroling softly souls of slavery.