PORTRAIT IN GEORGIA
Hair—braided chestnut, coiled like a lyncher’s rope,
Eyes—fagots,
Lips—old scars, or the first red blisters,
Breath—the last sweet scent of cane,
And her slim body, white as the ash of black flesh after flame.
About This Book
The work assembles lyric sketches, poems, and short stories that move between the rural Black South and the urban North, rendering scenes of field labor, small-town intimacies, migration, and city struggle. Its language blends musical, imagistic poetry with prose vignettes, shifting tone from sensual celebration and folklore to psychological tension and spiritual searching. Structurally divided into three parts, it juxtaposes primitive southern evocations, a middle section of urban self-consciousness, and a return offering more meditative, symbolic pieces. Recurring themes include racial identity, desire, community, and the search for meaning through artistic and spiritual expression.