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Carlyle's laugh, and other surprises

Chapter 2: NOTE
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About This Book

A wide-ranging collection of essays and sketches that profiles writers, thinkers, and public figures through brief biographical portraits, manuscript studies, and personal recollections. The pieces move between literary criticism and memoir, describing mannerisms, authorial habits, and specific texts while reflecting on themes of temperament, creative process, and public reputation. Several essays focus on encounters and archival discoveries, others examine historical episodes or regional reminiscences, yielding a conversational compilation that privileges anecdote and character study over systematic analysis and offers varied, accessible glimpses into 19th-century literary life.

NOTE

The two papers in this volume which bear the titles “A Keats Manuscript” and “A Shelley Manuscript” are reprinted by permission from a work called “Book and Heart,” by Thomas Wentworth Higginson, copyright, 1897, by Harper and Brothers, with whose consent the essay entitled “One of Thackeray’s Women” also is published. Leave has been obtained to reprint the papers on Brown, Cooper, and Thoreau, from Carpenter’s “American Prose,” copyrighted by the Macmillan Company, 1898. My thanks are also due to the American Academy of Arts and Sciences for permission to reprint the papers on Scudder, Atkinson, and Cabot; to the proprietors of “Putnam’s Magazine” for the paper entitled “Emerson’s Foot-Note Person”; to the proprietors of the New York “Evening Post” for the article on George Bancroft from “The Nation”; to the editor of the “Harvard Graduates’ Magazine” for the paper on “Göttingen and Harvard”; and to the editors of the “Outlook” for the papers on Charles Eliot Norton, Julia Ward Howe, Edward Everett Hale, William J. Rolfe, and “Old Newport Days.” Most of the remaining sketches appeared originally in the “Atlantic Monthly.”

T. W. H.