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Chastelard, a Tragedy

Chapter 16: EXPLICIT
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About This Book

A tragedy traces a young poet's obsessive passion for a reigning queen and the jealous rivalries, courtly confidences, and religious tensions that surround them. Scenes move between private chambers and public squares, showing intimate confidantes, flirtations turned dangerous, and the poet's escalating intrusions that provoke scandal and political unease. Dialogue and songs reveal divided loyalties, competing affections, and anxieties about honor and power, while the interplay of worshipful adoration and moral censure drives events toward a catastrophic resolution. Themes include obsession, the corrosive effects of passion on reputation, and the clash between personal desire and public duty, all staged in formal verse and heightened dramatic rhetoric.

MURRAY.
  Your majesty hath power to respite men,
  As we well wot; no man saith otherwise.

QUEEN.
  What, is this true? 't is a thing wonderful—
  So great I cannot be well sure of it.
  Strange that a queen should find such grace as this
  At such lords' hands as ye be, such great lords:
  I pray you let me get assured again,
  Lest I take jest for truth and shame myself
  And make you mirth: to make your mirth of me,
  God wot it were small pains to you, my lords,
  But much less honor. I may send reprieve—
  With your sweet leaves I may?

MURRAY.
  Assuredly.

QUEEN.
  Lo, now, what grace is this I have of you!
  I had a will to respite Chastelard,
  And would not do it for very fear of you:
  Look you, I wist not ye were merciful.

  MORTON.
  Madam—

QUEEN.
  My lord, you have a word to me?
  Doth it displease you such a man should live?

MORTON.
  'T were a mad mercy in your majesty
  To lay no hand upon his second fault
  And let him thrice offend you.

QUEEN.
  Ay, my lord?

  MORTON.
  It were well done to muffle lewd men's mouths
  By casting of his head into their laps:
  It were much best.

QUEEN.
  Yea, truly were it so?
  But if I will not, yet I will not, sir,
  For all the mouths in Scotland. Now, by heaven,
  As I am pleased he shall not die but live,
  So shall ye be. There is no man shall die,
  Except it please me; and no man shall say,
  Except it please me, if I do ill or well.
  Which of you now will set his will to mine?
  Not you, nor you I think, nor none of you,
  Nor no man living that loves living well.
  Let one stand forth and smite me with his hand,
  Wring my crown off and cast it underfoot,
  And he shall get my respite back of me,
  And no man else: he shall bid live or die,
  And no man else; and he shall be my lord,
  And no man else. What, will not one be king?
  Will not one here lay hold upon my state?
  I am queen of you for all things come and gone.
  Nay, my chief lady, and no meaner one,
  The chiefest of my maidens, shall bear this
  And give it to my prisoner for a grace;
  Who shall deny me? who shall do me wrong?
  Bear greeting to the lord of Chastelard,
  And this withal for respite of his life,
  For by my head he shall die no such way:
  Nay, sweet, no words, but hence and back again.

[Exit MARY BEATON.]

  Farewell, dear lords; ye have shown grace to me,
  And some time I will thank you as I may;
  Till when think well of me and what is done.

END OF THE FOURTH ACT.

ACT V.

CHASTELARD.

SCENE I.-Before Holyrood. A crowd of people; among them Soldiers, Burgesses, a Preacher, &c.

1ST CITIZEN.
  They are not out yet. Have you seen the man?
  What manner of man?

2D CITIZEN.
  Shall he be hanged or no?
  There was a fellow hanged some three days gone
  Wept the whole way: think you this man shall die
  In better sort, now?

1ST CITIZEN.
  Eh, these shawm-players
  That walk before strange women and make songs!
  How should they die well?

3D CITIZEN.
  Is it sooth men say
  Our dame was wont to kiss him on the face
  In lewd folk's sight?

1ST CITIZEN.
  Yea, saith one, all day long
  He used to sit and jangle words in rhyme
  To suit with shakes of faint adulterous sound
  Some French lust in men's ears; she made songs too,
  Soft things to feed sin's amorous mouth upon—
  Delicate sounds for dancing at in hell.

4TH CITIZEN.
  Is it priest Black that he shall have by him
  When they do come?

3D CITIZEN.
  Ah! by God's leave, not so;
  If the knave show us his peeled onion's head
  And that damned flagging jowl of his—

2D CITIZEN.
  Nay, sirs,
  Take heed of words; moreover, please it you,
  This man hath no pope's part in him.

3D CITIZEN.
  I say
  That if priest whore's friend with the lewd thief's cheek
  Show his foul blinking face to shame all ours,
  It goes back fouler; well, one day hell's fire
  Will burn him black indeed.

A WOMAN.
  What kind of man?
  'T is yet great pity of him if he be
  Goodly enow for this queen's paramour.
  A French lord overseas? what doth he here,
  With Scotch folk here?

1ST CITIZEN.
  Fair mistress, I think well
  He doth so at some times that I were fain
  To do as well.

THE WOMAN.
  Nay, then he will not die.

1ST CITIZEN.
  Why, see you, if one eat a piece of bread
  Baked as it were a certain prophet's way,
  Not upon coals, now—you shall apprehend—
  If defiled bread be given a man to eat,
  Being thrust into his mouth, why he shall eat,
  And with good hap shall eat; but if now, say,
  One steal this, bread and beastliness and all,
  When scarcely for pure hunger flesh and bone
  Cleave one to other—why, if he steal to eat,
  Be it even the filthiest feeding-though the man
  Be famine-flayed of flesh and skin, I say
  He shall be hanged.

3D CITIZEN.
  Nay, stolen said you, sir?
  See, God bade eat abominable bread,
  And freely was it eaten—for a sign
  This, for a sign—and doubtless as did God,
  So may the devil; bid one eat freely and live,
  Not for a sign.

2D CITIZEN.
  Will you think thus of her?
  But wherefore should they get this fellow slain
  If he be clear toward her?

3D CITIZEN.
  Sir, one must see
  The day comes when a woman sheds her sin
  As a bird moults; and she being shifted so,
  The old mate of her old feather pecks at her
  To get the right bird back; then she being stronger
  Picks out his eyes-eh?

2D CITIZEN.
  Like enough to be;
  But if it be—Is not one preaching there
  With certain folk about him?

1ST CITIZEN.
  Yea, the same
  Who preached a month since from Ezekiel
  Concerning these twain-this our queen that is
  And her that was, and is not now so much
  As queen over hell's worm.

3D CITIZEN.
  Ay, said he not,
  This was Aholah, the first one of these,
  Called sisters only for a type—being twain,
  Twain Maries, no whit Nazarine? the first
  Bred out of Egypt like the water-worm
  With sides in wet green places baked with slime
  And festered flesh that steams against the sun;
  A plague among all people, and a type
  Set as a flake upon a leper's fell.

1ST CITIZEN.
  Yea, said he, and unto her the men went in,
  The men of Pharaoh's, beautiful with red
  And with red gold, fair foreign-footed men,
  The bountiful fair men, the courteous men,
  The delicate men with delicate feet, that went
  Curling their small beards Agag-fashion, yea
  Pruning their mouths to nibble words behind
  With pecking at God's skirts-small broken oaths
  Fretted to shreds between most dainty lips,
  And underbreath some praise of Ashtaroth
  Sighed laughingly.

2D CITIZEN.
  Was he not under guard
  For the good word?

1ST CITIZEN.
  Yea, but now forth again.—
  And of the latter said he—there being two,
  The first Aholah, which interpreted—

3D CITIZEN.
  But, of this latter?

1ST CITIZEN.
  Well, of her he said
  How she made letters for Chaldean folk
  And men that came forth of the wilderness
  And all her sister's chosen men; yea, she
  Kept not her lip from any sin of hers
  But multiplied in whoredoms toward all these
  That hate God mightily; for these, he saith,
  These are the fair French people, and these her kin
  Sought out of England with her love-letters
  To bring them to her kiss of love; and thus
  With a prayer made that God would break such love
  Ended some while; then crying out for strong wrath
  Spake with a great voice after: This is she,
  Yea the lewd woman, yea the same woman
  That gat bruised breasts in Egypt, when strange men
  Swart from great suns, foot-burnt with angry soils
  And strewn with sand of gaunt Chaldean miles,
  Poured all their love upon her: she shall drink
  The Lord's cup of derision that is filled
  With drunkenness and sorrow, great of sides
  And deep to drink in till the dreg drips out:
  Yea, and herself with the twain shards thereof
  Pluck off her breasts; so said he.

4TH CITIZEN.
  See that stir—
  Are not they come?

3D CITIZEN.
  There wants an hour of them.
  Draw near and let us hearken; he will speak
  Surely some word of this.

2D CITIZEN.
  What saith he now?

THE PREACHER.
  The mercy of a harlot is a sword;
  And her mouth sharper than a flame of fire.

SCENE II.—In Prison.

CHASTELARD.
  So here my time shuts up; and the last light
  Has made the last shade in the world for me.
  The sunbeam that was narrow like a leaf
  Has turned a hand, and the hand stretched to an arm,
  And the arm has reached the dust on the floor, and made
  A maze of motes with paddling fingers. Well,
  I knew now that a man so sure to die
  Could care so little; a bride-night's lustiness
  Leaps in my veins as light fire under a wind:
  As if I felt a kindling beyond death
  Of some new joys far outside of me yet;
  Sweet sound, sweet smell and touch of things far out
  Sure to come soon. I wonder will death be
  Even all it seems now? or the talk of hell
  And wretched changes of the worn-out soul
  Nailed to decaying flesh, shall that be true?
  Or is this like the forethought of deep sleep
  Felt by a tired man? Sleep were good enough—
  Shall sleep be all? But I shall not forget
  For any sleep this love bound upon me—
  For any sleep or quiet ways of death.
  Ah, in my weary dusty space of sight
  Her face will float with heavy scents of hair
  And fire of subtle amorous eyes, and lips
  More hot than wine, full of sweet wicked words
  Babbled against mine own lips, and long hands
  Spread out, and pale bright throat and pale bright breasts,
  Fit to make all men mad. I do believe
  This fire shall never quite burn out to the ash
  And leave no heat and flame upon my dust
  For witness where a man's heart was burnt up.
  For all Christ's work this Venus is not quelled,
  But reddens at the mouth with blood of men,
  Sucking between small teeth the sap o' the veins,
  Dabbling with death her little tender lips—
  A bitter beauty, poisonous-pearled mouth.
  I am not fit to live but for love's sake,
  So I were best die shortly. Ah, fair love,
  Fair fearful Venus made of deadly foam,
  I shall escape you somehow with my death—
  Your splendid supple body and mouth on fire
  And Paphian breath that bites the lips with heat.
  I had best die.

[Enter MARY BEATON.]

  What, is my death's time come,
  And you the friend to make death kind to me?
  'T is sweetly done; for I was sick for this.

MARY BEATON.
  Nay, but see here; nay, for you shall not die:
  She has reprieved you; look, her name to that,
  A present respite; I was sure of her:
  You are quite safe: here, take it in your hands:
  I am faint with the end of pain. Read there.

CHASTELARD.
  Reprieve?
  Wherefore reprieve? Who has done this to me?

MARY BEATON.
  I never feared but God would have you live,
  Or I knew well God must have punished me;
  But I feared nothing, had no sort of fear.
  What makes you stare upon the seal so hard?
  Will you not read now?

CHASTELARD.
  A reprieve of life—
  Reprieving me from living. Nay, by God,
  I count one death a bitter thing enough.

MARY BEATON.
  See what she writes; you love; for love of you;
  Out of her love; a word to save your life:
  But I knew this too though you love me not:
  She is your love; I knew that: yea, by heaven.

CHASTELARD.
  You knew I had to live and be reprieved:
  Say I were bent to die now?

MARY BEATON.
  Do not die,
  For her sweet love's sake; not for pity of me,
  You would not bear with life for me one hour;
  But for hers only.

CHASTELARD.
  Nay, I love you well,
  I would not hurt you for more lives than one.
  But for this fair-faced paper of reprieve,
  We'll have no riddling to make death shift sides:
  Look, here ends one of us.

[Tearing it.]

  For her I love,
  She will not anger heaven with slaying me;
  For me, I am well quit of loving her;
  For you, I pray you be well comforted,
  Seeing in my life no man gat good by me
  And by my death no hurt is any man's.

MARY BEATON.
  And I that loved you? nay, I loved you; nay,
  Why should your like be pitied when they love?
  Her hard heart is not yet so hard as yours,
  Nor God's hard heart. I care not if you die.
  These bitter madmen are not fit to live.
  I will not have you touch me, speak to me,
  Nor take farewell of you. See you die well,
  Or death will play with shame for you, and win,
  And laugh you out of life. I am right glad
  I never am to see you any more,
  For I should come to hate you easily;
  I would not have you live.

[Exit.]

CHASTELARD.
  She has cause enow.
  I would this wretched waiting had an end,
  For I wax feebler than I was: God knows
  I had a mind once to have saved this flesh
  And made life one with shame. It marvels me
  This girl that loves me should desire so much
  To have me sleep with shame for bedfellow
  A whole life's space; she would be glad to die
  To escape such life. It may be too her love
  Is but an amorous quarrel with herself,
  Not love of me but her own wilful soul;
  Then she will live and be more glad of this
  Than girls of their own will and their heart's love
  Before love mars them: so God go with her!
  For mine own love-I wonder will she come
  Sad at her mouth a little, with drawn cheeks
  And eyelids wrinkled up? or hot and quick
  To lean her head on mine and leave her lips
  Deep in my neck? For surely she must come;
  And I should fare the better to be sure
  What she will do. But as it please my sweet;
  For some sweet thing she must do if she come,
  Seeing how I have to die. Now three years since
  This had not seemed so good an end for me;
  But in some wise all things wear round betimes
  And wind up well. Yet doubtless she might take
  A will to come my way and hold my hands
  And kiss me some three kisses, throat, mouth, eyes,
  And say some soft three words to soften death:
  I do not see how this should break her ease.
  Nay, she will come to get her warrant back:
  By this no doubt she is sorely penitent,
  Her fit of angry mercy well blown out
  And her wits cool again. She must have chafed
  A great while through for anger to become
  So like pure pity; they must have fretted her
  Night mad for anger: or it may be mistrust,
  She is so false; yea, to my death I think
  She will not trust me; alas the hard sweet heart!
  As if my lips could hurt her any way
  But by too keenly kissing of her own.
  Ah false poor sweet fair lips that keep no faith,
  They shall not catch mine false or dangerous;
  They must needs kiss me one good time, albeit
  They love me not at all. Lo, here she comes,
  For the blood leaps and catches at my face;
  There go her feet and tread upon my heart;
  Now shall I see what way I am to die.

[Enter the QUEEN.]

QUEEN.
  What, is one here? Speak to me for God's sake:
  Where are you lain?

CHASTELARD.
  Here, madam, at your hand.

QUEEN.
  Sweet lord, what sore pain have I had for you
  And been most patient!—Nay, you are not bound.
  If you be gentle to me, take my hand.
  Do you not hold me the worst heart in the world?
  Nay, you must needs; but say not yet you do.
  I am worn so weak I know not how I live:
  Reach me your hand.

CHASTELARD.
  Take comfort and good heart;
  All will find end; this is some grief to you,
  But you shall overlive it. Come, fair love;
  Be of fair cheer: I say you have done no wrong.

QUEEN.
  I will not be of cheer: I have done a thing
  That will turn fire and burn me. Tell me not;
  If you will do me comfort, whet your sword.
  But if you hate me, tell me of soft things,
  For I hate these, and bitterly. Look up;
  Am I not mortal to be gazed upon?

CHASTELARD.
  Yea, mortal, and not hateful.

QUEEN.
  O lost heart!
  Give me some mean to die by.

CHASTELARD.
  Sweet, enough.
  You have made no fault; life is not worth a world
  That you should weep to take it: would mine were,
  And I might give you a world-worthier gift
  Than one poor head that love has made a spoil;
  Take it for jest, and weep not: let me go,
  And think I died of chance or malady.
  Nay, I die well; one dies not best abed.

QUEEN.
  My warrant to reprieve you—that you saw?
  That came between your hands?

CHASTELARD.
  Yea, not long since.
  It seems you have no will to let me die.

QUEEN.
  Alas, you know I wrote it with my heart,
  Out of pure love; and since you were in bonds
  I have had such grief for love's sake and my heart's—
  Yea, by my life I have—I could not choose
  But give love way a little. Take my hand;
  You know it would have pricked my heart's blood out
  To write reprieve with.

CHASTELARD.
  Sweet, your hands are kind;
  Lay them about my neck, upon my face,
  And tell me not of writing.

QUEEN.
  Nay, by heaven,
  I would have given you mine own blood to drink
  If that could heal you of your soul-sickness.
  Yea, they know that, they curse me for your sake,
  Rail at my love—would God their heads were lopped
  And we twain left together this side death!
  But look you, sweet, if this my warrant hold
  You are but dead and shamed; for you must die,
  And they will slay you shamefully by force
  Even in my sight.

CHASTELARD.
  Faith, I think so they will.

QUEEN.
  Nay, they would slay me too, cast stones at me,
  Drag me alive—they have eaten poisonous words,
  They are mad and have no shame.

CHASTELARD.
  Ay, like enough.

QUEEN.
  Would God my heart were greater; but God wot
  I have no heart to bear with fear and die.
  Yea, and I cannot help you: or I know
  I should be nobler, bear a better heart:
  But as this stands—I pray you for good love,
  As you hold honor a costlier thing than life—

CHASTELARD.
  Well?

QUEEN.
  Nay, I would not be denied for shame;
  In brief, I pray you give me that again.

CHASTELARD.
  What, my reprieve?

QUEEN.
  Even so; deny me not,
  For your sake mainly: yea, by God you know
  How fain I were to die in your death's stead.
  For your name's sake. This were no need to swear.
  Lest we be mocked to death with a reprieve,
  And so both die, being shamed. What, shall I swear?
  What, if I kiss you? must I pluck it out?
  You do not love me: no, nor honor. Come
  I know you have it about you: give it me.

CHASTELARD.
  I cannot yield you such a thing again;
  Not as I had it.

QUEEN.
  A coward? what shift now?
  Do such men make such cravens?

CHASTELARD.
  Chide me not:
  Pity me that I cannot help my heart.

QUEEN.
  Heaven mend mine eyes that took you for a man!
  What, is it sewn into your flesh? take heed—
  Nay, but for shame—what have you done with it?

CHASTELARD.
  Why, there it lies, torn up.

QUEEN.
  God help me, sir!
  Have you done this?

CHASTELARD.
  Yea, sweet; what should I do?
  Did I not know you to the bone, my sweet?
  God speed you well! you have a goodly lord.

QUEEN.
  My love, sweet love, you are more fair than he,
  Yea, fairer many times: I love you much,
  Sir, know you that.

CHASTELARD.
  I think I know that well.
  Sit here a little till I feel you through
  In all my breath and blood for some sweet while.
  O gracious body that mine arms have had,
  And hair my face has felt on it! grave eyes
  And low thick lids that keep since years agone
  In the blue sweet of each particular vein
  Some special print of me! I am right glad
  That I must never feel a bitterer thing
  Than your soft curled-up shoulder and amorous arms
  From this time forth; nothing can hap to me
  Less good than this for all my whole life through.
  I would not have some new pain after this
  Come spoil the savor. O, your round bird's throat,
  More soft than sleep or singing; your calm cheeks,
  Turned bright, turned wan with kisses hard and hot;
  The beautiful color of your deep curved hands,
  Made of a red rose that had changed to white;
  That mouth mine own holds half the sweetness of,
  Yea, my heart holds the sweetness of it, whence
  My life began in me; mine that ends here
  Because you have no mercy, nay you know
  You never could have mercy. My fair love,
  Kiss me again, God loves you not the less;
  Why should one woman have all goodly things?
  You have all beauty; let mean women's lips
  Be pitiful, and speak truth: they will not be
  Such perfect things as yours. Be not ashamed
  That hands not made like these that snare men's souls
  Should do men good, give alms, relieve men's pain;
  You have the better, being more fair than they,
  They are half foul, being rather good than fair;
  You are quite fair: to be quite fair is best.
  Why, two nights hence I dreamed that I could see
  In through your bosom under the left flower,
  And there was a round hollow, and at heart
  A little red snake sitting, without spot,
  That bit—like this, and sucked up sweet—like this,
  And curled its lithe light body right and left,
  And quivered like a woman in act to love.
  Then there was some low fluttered talk i' the lips,
  Faint sound of soft fierce words caressing them—
  Like a fair woman's when her love gets way.
  Ah, your old kiss—I know the ways of it:
  Let the lips cling a little. Take them off,
  And speak some word or I go mad with love.

QUEEN.
  Will you not have my chaplain come to you?

CHASTELARD.
  Some better thing of yours—some handkerchief,
  Some fringe of scarf to make confession to—
  You had some book about you that fell out—

QUEEN.
  A little written book of Ronsard's rhymes,
  His gift, I wear in there for love of him—
  See, here between our feet.

CHASTELARD.
  Ay, my old lord's—
  The sweet chief poet, my dear friend long since?
  Give me the book. Lo you, this verse of his:
  With coming lilies in late April came
  Her body, fashioned whiter for their shame;
  And roses, touched with blood since Adon bled,
  From her fair color filled their lips with red:
  A goodly praise: I could not praise you so.
  I read that while your marriage-feast went on.
  Leave me this book, I pray you: I would read
  The hymn of death here over ere I die;
  I shall know soon how much he knew of death
  When that was written. One thing I know now,
  I shall not die with half a heart at least,
  Nor shift my face, nor weep my fault alive,
  Nor swear if I might live and do new deeds
  I would do better. Let me keep the book.

QUEEN.
  Yea, keep it: as would God you had kept your life
  Out of mine eyes and hands. I am wrong to the heart:
  This hour feels dry and bitter in my mouth,
  As if its sorrow were my body's food
  More than my soul's. There are bad thoughts in me—
  Most bitter fancies biting me like birds
  That tear each other. Suppose you need not die?

CHASTELARD.
  You know I cannot live for two hours more.
  Our fate was made thus ere our days were made:
  Will you fight fortune for so small a grief?
  But for one thing I were full fain of death.

QUEEN.
  What thing is that?

CHASTELARD.
  No need to name the thing.
  Why, what can death do with me fit to fear?
  For if I sleep I shall not weep awake;
  Or if their saying be true of things to come,
  Though hell be sharp, in the worst ache of it
  I shall be eased so God will give me back
  Sometimes one golden gracious sight of you—
  The aureole woven flowerlike through your hair,
  And in your lips the little laugh as red
  As when it came upon a kiss and ceased,
  Touching my mouth.

QUEEN.
  As I do now, this way,
  With my heart after: would I could shed tears,
  Tears should not fail when the heart shudders so.
  But your bad thought?

CHASTELARD.
  Well, such a thought as this:
  It may be, long time after I am dead,
  For all you are, you may see bitter days;
  God may forget you or be wroth with you:
  Then shall you lack a little help of me,
  And I shall feel your sorrow touching you,
  A happy sorrow, though I may not touch:
  I that would fain be turned to flesh again,
  Fain get back life to give up life for you,
  To shed my blood for help, that long ago
  You shed and were not holpen: and your heart
  Will ache for help and comfort, yea for love,
  And find less love than mine—for I do think
  You never will be loved thus in your life.

QUEEN.
  It may be man will never love me more;
  For I am sure I shall not love man twice.

CHASTELARD.
  I know not: men must love you in life's spite;
  For you will always kill them; man by man
  Your lips will bite them dead; yea, though you would,
  You shall not spare one; all will die of you;
  I cannot tell what love shall do with these,
  But I for all my love shall have no might
  To help you more, mine arms and hands no power
  To fasten on you more. This cleaves my heart,
  That they shall never touch your body more.
  But for your grief—you will not have to grieve;
  For being in such poor eyes so beautiful
  It must needs be as God is more than I
  So much more love he hath of you than mine;
  Yea, God shall not be bitter with my love,
  Seeing she is so sweet.

QUEEN.
  Ah my sweet fool,
  Think you when God will ruin me for sin
  My face of color shall prevail so much
  With him, so soften the toothed iron's edge
  To save my throat a scar? nay, I am sure
  I shall die somehow sadly.

CHASTELARD.
  This is pure grief;
  The shadow of your pity for my death,
  Mere foolishness of pity: all sweet moods
  Throw out such little shadows of themselves,
  Leave such light fears behind. You, die like me?
  Stretch your throat out that I may kiss all round
  Where mine shall be cut through: suppose my mouth
  The axe-edge to bite so sweet a throat in twain
  With bitter iron, should not it turn soft
  As lip is soft to lip?

QUEEN.
  I am quite sure
  I shall die sadly some day, Chastelard;
  I am quite certain.

CHASTELARD.
  Do not think such things;
  Lest all my next world's memories of you be
  As heavy as this thought.

QUEEN.
  I will not grieve you;
  Forgive me that my thoughts were sick with grief.
  What can I do to give you ease at heart?
  Shall I kiss now? I pray you have no fear
  But that I love you.

CHASTELARD.
  Turn your face to me;
  I do not grudge your face this death of mine;
  It is too fair—by God, you are too fair.
  What noise is that?

QUEEN.
  Can the hour be through so soon?
  I bade them give me but a little hour.
  Ah! I do love you! such brief space for love!
  I am yours all through, do all your will with me;
  What if we lay and let them take us fast,
  Lips grasping lips? I dare do anything.

CHASTELARD.
  Show better cheer: let no man see you mazed;
  Make haste and kiss me; cover up your throat
  Lest one see tumbled lace and prate of it.

[Enter the Guard: MURRAY, DARNLEY, MARY
HAMILTON, MARY BEATON, and others with them.]

DARNLEY.
  Sirs, do your charge; let him not have much time.

MARY HAMILTON.
  Peace, lest you chafe the queen: look, her brows bend.

CHASTELARD.
  Lords, and all you come hither for my sake,
  If while my life was with me like a friend
  That I must now forget the friendship of,
  I have done a wrong to any man of you,
  As it may be by fault of mine I have;
  Of such an one I crave for courtesy
  He will now cast it from his mind and heed
  Like a dead thing; considering my dead fault
  Worth no remembrance further than my death.
  This for his gentle honor and goodwill
  I do beseech him, doubting not to find
  Such kindliness if he be nobly made
  And of his birth a courteous race of man.
  You, my Lord James, if you have aught toward me—
  Or you, Lord Darnley—I dare fear no jot,
  Whate'er this be wherein you were aggrieved,
  But you will pardon all for gentleness.

DARNLEY.
  For my part—yea, well, if the thing stand thus,
  As you must die—one would not bear folk hard—
  And if the rest shall hold it honorable,
  Why, I do pardon you.

MURRAY.
  Sir, in all things
  We find no cause to speak of you but well:
  For all I see, save this your deadly fault,
  I hold you for a noble perfect man.

CHASTELARD.
  I thank you, fair lord, for your nobleness.
  You likewise, for the courtesy you have
  I give you thanks, sir; and to all these lords
  That have not heart to load me at my death.
  Last, I beseech of the best queen of men
  And royallest fair lady in the world
  To pardon me my grievous mortal sin
  Done in such great offence of her: for, sirs,
  If ever since I came between her eyes
  She hath beheld me other than I am
  Or shown her honor other than it is,
  Or, save in royal faultless courtesies,
  Used me with favor; if by speech or face,
  By salutation or by tender eyes,
  She hath made a way for my desire to live,
  Given ear to me or boldness to my breath;
  I pray God cast me forth before day cease
  Even to the heaviest place there is in hell.
  Yea, if she be not stainless toward all men,
  I pray this axe that I shall die upon
  May cut me off body and soul from heaven.
  Now for my soul's sake I dare pray to you;
  Forgive me, madam.

QUEEN.
  Yea, I do, fair sir:
  With all my heart in all I pardon you.

CHASTELARD.
  God thank you for great mercies. Lords, set hence;
  I am right loth to hold your patience here;
  I must not hold much longer any man's.
  Bring me my way and bid me fare well forth.

[As they pass out the QUEEN stays MARY BEATON.]

QUEEN.
  Hark hither, sweet. Get back to Holyrood
  And take Carmichael with you: go both up
  In some chief window whence the squares lie clear—
  Seem not to know what I shall do—mark that—
  And watch how things fare under. Have good cheer;
  You do not think now I can let him die?
  Nay, this were shameful madness if you did,
  And I should hate you.

MARY BEATON.
  Pray you love me, madam,
  And swear you love me and will let me live,
  That I may die the quicker.

QUEEN.
  Nay, sweet, see,
  Nay, you shall see, this must not seem devised;
  I will take any man with me, and go;
  Yea, for pure hate of them that hate him: yea,
  Lay hold upon the headsman and bid strike
  Here on my neck; if they will have him die,
  Why, I will die too: queens have died this way
  For less things than his love is. Nay, I know
  They want no blood; I will bring swords to boot
  For dear love's rescue though half earth were slain;
  What should men do with blood? Stand fast at watch;
  For I will be his ransom if I die.

[Exeunt.]

SCENE III.—The Upper Chamber in Holyrood.

MARY BEATON seated; MARY CARMICHAEL at a window.

MARY BEATON.
  Do you see nothing?

MARY CARMICHAEL.
  Nay, but swarms of men
  And talking women gathered in small space,
  Flapping their gowns and gaping with fools' eyes:
  And a thin ring round one that seems to speak,
  Holding his hands out eagerly; no more.

MARY BEATON.
  Why, I hear more, I hear men shout The Queen.

MARY CARMICHAEL.
  Nay, no cries yet.

MARY BEATON.
  Ah, they will cry out soon
  When she comes forth; they should cry out on her;
  I hear their crying in my heart. Nay, sweet,
  Do not you hate her? all men, if God please,
  Shall hate her one day; yea, one day no doubt
  I shall worse hate her.

MARY CARMICHAEL.
  Pray you, be at peace;
  You hurt yourself: she will be merciful;
  What, could you see a true man slain for you?
  I think I could not; it is not like our hearts
  To have such hard sides to them.

MARY BEATON.
  O, not you,
  And I could nowise; there's some blood in her
  That does not run to mercy as ours doth:
  That fair face and the cursed heart in her
  Made keener than a knife for manslaying
  Can bear strange things.

MARY CARMICHAEL.
  Peace, for the people come.
  Ah—Murray, hooded over half his face
  With plucked-down hat, few folk about him, eyes
  Like a man angered; Darnley after him,
  Holding our Hamilton above her wrist,
  His mouth put near her hair to whisper with—
  And she laughs softly, looking at her feet.

MARY BEATON.
  She will not live long; God hath given her
  Few days and evil, full of hate and love,
  I see well now.

MARY CARMICHAEL.
  Hark, there's their cry—The Queen!
  Fair life and long, and good days to the Queen!

MARY BEATON.
  Yea, but God knows. I feel such patience here
  As I were sure in a brief while to die.

MARY CARMICHAEL.
  She bends and laughs a little, graciously,
  And turns half, talking to I know not whom—
  A big man with great shoulders; ah, the face,
  You get his face now—wide and duskish, yea
  The youth burnt out of it. A goodly man,
  Thewed mightily and sunburnt to the bone;
  Doubtless he was away in banishment,
  Or kept some march far off.

MARY BEATON.
  Still you see nothing?

MARY CARMICHAEL.
  Yea, now they bring him forth with a great noise,
  The folk all shouting and men thrust about
  Each way from him.

MARY BEATON.
  Ah, Lord God, bear with me,
  Help me to bear a little with my love
  For thine own love, or give me some quick death.
  Do not come down; I shall get strength again,
  Only my breath fails. Looks he sad or blithe?
  Not sad I doubt yet.

MARY CARMICHAEL.
  Nay, not sad a whit,
  But like a man who losing gold or lands
  Should lose a heavy sorrow; his face set,
  The eyes not curious to the right or left,
  And reading in a book, his hands unbound,
  With short fleet smiles. The whole place catches breath,
  Looking at him; she seems at point to speak:
  Now she lies back, and laughs, with her brows drawn
  And her lips drawn too. Now they read his crime—
  I see the laughter tightening her chin:
  Why do you bend your body and draw breath?
  They will not slay him in her sight; I am sure
  She will not have him slain.

MARY BEATON.
  Forth, and fear not:
  I was just praying to myself—one word,
  A prayer I have to say for her to God
  If he will mind it.

MARY CARMICHAEL.
  Now he looks her side;
  Something he says, if one could hear thus far:
  She leans out, lengthening her throat to hear
  And her eyes shining.

MARY BEATON.
  Ah, I had no hope:
  Yea thou God knowest that I had no hope.
  Let it end quickly.

MARY CARMICHAEL.
  Now his eyes are wide
  And his smile great; and like another smile
  The blood fills all his face. Her cheek and neck
  Work fast and hard; she must have pardoned him,
  He looks so merrily. Now he comes forth
  Out of that ring of people and kneels down;
  Ah, how the helve and edge of the great axe
  Turn in the sunlight as the man shifts hands—
  It must be for a show: because she sits
  And hardly moves her head this way—I see
  Her chin and lifted lips. Now she stands up,
  Puts out her hand, and they fall muttering;
  Ah!

MARY BEATON.
  Is it done now?

MARY CARMICHAEL.
  For God's love, stay there;
  Do not look out. Nay, he is dead by this;
  But gather up yourself from off the floor;
  Will she die too? I shut mine eyes and heard—
  Sweet, do not beat your face upon the ground.
  Nay, he is dead and slain.

MARY BEATON.
  What, slain indeed?
  I knew he would be slain. Ay, through the neck:
  I knew one must be smitten through the neck
  To die so quick: if one were stabbed to the heart,
  He would die slower.

MARY CARMICHAEL.
  Will you behold him dead?

MARY BEATON.
  Yea: must a dead man not be looked upon
  That living one was fain of? give me way.
  Lo you, what sort of hair this fellow had;
  The doomsman gathers it into his hand
  To grasp the head by for all men to see;
  I never did that.

MARY CARMICHAEL.
  For God's love, let me go.

MARY BEATON.
  I think sometimes she must have held it so,
  Holding his head back, see you, by the hair
  To kiss his face, still lying in his arms.
  Ay, go and weep: it must be pitiful
  If one could see it. What is this they say?
  So perish the Queen's traitors! Yea, but so
  Perish the Queen! God, do thus much to her
  For his sake only: yea, for pity's sake
  Do thus much with her.

MARY CARMICHAEL.
  Prithee come in with me:
  Nay, come at once.

MARY BEATON.
  If I should meet with her
  And spit upon her at her coming in—
  But if I live then shall I see one day
  When God will smite her lying harlot's mouth—
  Surely I shall. Come, I will go with you;
  We will sit down together face to face
  Now, and keep silence; for this life is hard,
  And the end of it is quietness at last.
  Come, let us go: here is no word to say.

  AN USHER.
  Make way there for the lord of Bothwell; room—
  Place for my lord of Bothwell next the queen.

EXPLICIT