BOOKS FOR COLLECTORS

With Frontispieces and many Illustrations
Large Crown 8vo, cloth.

• CHATS ON ENGLISH CHINA.
  By Arthur Hayden.
• CHATS ON OLD FURNITURE.
  By Arthur Hayden.
• CHATS ON OLD PRINTS.
  (How to collect and value Old Engravings.)
  By Arthur Hayden.
• CHATS ON COSTUME.
  By G. Woolliscroft Rhead.
• CHATS ON OLD LACE AND NEEDLEWORK.
  By E. L. Lowes.
• CHATS ON ORIENTAL CHINA.
  By J. F. Blacker.
• CHATS ON OLD MINIATURES.
  By J. J. Foster, F.S.A.
• CHATS ON ENGLISH EARTHENWARE.
  (Companion volume to "Chats on English China.")
  By Arthur Hayden.
• CHATS ON AUTOGRAPHS.
  By A. M. Broadley.
• CHATS ON PEWTER.
  By H. J. L. J. Massé, M.A.
• CHATS ON POSTAGE STAMPS.
  By Fred. J. Melville.
• CHATS ON OLD JEWELLERY AND TRINKETS
  By MacIver Percival.
• CHATS ON COTTAGE AND FARMHOUSE FURNITURE.
  (Companion volume to "Chats on Old Furniture.")
  By Arthur Hayden.
• CHATS ON OLD COINS.
  By Fred. W. Burgess.
• CHATS ON OLD COPPER AND BRASS.
  By Fred. W. Burgess.
• CHATS ON HOUSEHOLD CURIOS.
  By Fred. W. Burgess.
• CHATS ON OLD SILVER.
  By Arthur Hayden.
• CHATS ON JAPANESE PRINTS.
  By Arthur Davison Ficke.
• CHATS ON MILITARY CURIOS.
  By Stanley C. Johnson.
• CHATS ON OLD CLOCKS AND WATCHES.
  By Arthur Hayden.

LONDON: T. FISHER UNWIN, LTD.,
NEW YORK: F. A. STOKES COMPANY.

DEDICATION

A.H.

PREFACE

A preface should be personal. An author who writes on such subjects as Old Furniture and Old China, with a view to educating public taste and attempting to show why certain objects should be regarded more lovingly than others, meets with a volume of correspondence from collectors. Threaded through such correspondence, extended over a long period, I find the constant demand for a volume dealing with old clocks in a popular manner.

There is no house without its clock or clocks, and few collectors of old furniture have excluded clocks from their hobby. I have been therefore blamed that I did not include some more detailed treatment of clocks in my volumes on "Old Furniture" and "Cottage and Farmhouse Furniture," my readers very justly advancing the argument that clocks form part of the study of domestic furniture as a whole.

This may be admitted. But in the endeavour to satisfy such a want on the part of my clients, I plead that the subject of clockmaking is one to which years of study must be devoted.

Since the first appearance of my Chats on Old Furniture in 1905, I have not been unmindful of the co-related subject of old clocks. Over ten years of study, running parallel with my other work on the evolution of ornament and decoration of the English home, has enabled me to gather a mass of material and to attempt to satisfy the request for a complementary volume to my Chats on Old Furniture and Chats on Cottage and Farmhouse Furniture.

To this end I have embodied in this present volume many facts relating to provincial styles as well as Scottish and Irish types, with lists of local makers not before published.

To the critics to whom I have hitherto been indebted for realizing the niche I desire to fill with my volumes, I preface this volume by stating that as far as possible the technicalities of clockmaking have been eliminated. The average reader and the average collector would be bored by such details, although some of us might like to see them included. I have not referred to foreign clockmaking, nor to famous church and turret clocks, nor to marvels of horology; I have advisedly limited my field to the English domestic clock. That such a treatment would appeal more to the collector is my personal opinion, and I trust my critics may incline to my view.

The illustrations in the volume have been chosen to illustrate the letterpress and to illuminate points I endeavour to make in regard to the evolution of the various types coming under my observation.

I have to express my indebtedness to the authorities of the British Museum for permission to include illustrations of examples in that collection, and I am similarly indebted to the authorities of the National Museum, Dublin.

By the courtesy of the Corporation of Nottingham I am reproducing a clock in their collection, and similarly by the courtesy of the Bristol Corporation I am including an example in their possession. The Corporation of Glasgow have afforded me permission to include a remarkable example of Scottish work, and the authorities of the Metropolitan Museum, New York, have accorded me a similar privilege in illustrating specimens in their collection.

Among those who have generously augmented my researches and come to my aid in regard to local makers, I desire to express my obligation to George H. Hewitt, Esq., J.P., of Liverpool, who arranged the clocks in the exhibit at the Liverpool Tercentenary Exhibition in 1907, and to E. Rimbault Dibdin, Esq., of the Walker Art Gallery, Liverpool. To Basil Anderton, Esq., of the Public Libraries, Newcastle-upon-Tyne, and to T. Leo Reid, Esq., of Newcastle-upon-Tyne, I am especially grateful for solid help in regard to North Country makers. To H. Tapley-Soper, Esq., City Librarian, Exeter, I am indebted for names of West-Country makers, and to A. Bromley Sanders, Esq., of Exeter, I am obliged for information relating to local clocks coming under his purview for many years. James Davies, Esq., of Chester, and S. H. Hamer, Esq., of Halifax, have enlarged my horizon in regard to local makers. H. Wingent, Esq., of Rochester, an enthusiastic collector and connoisseur of old clocks, has kindly enabled me to reproduce one of his examples. To Herbert Bolton, Esq., of the Bristol Museum and Art Gallery, I am indebted for the inclusion of a fine specimen in that collection.

I desire especially to record the generous aid I have had from Percy Webster, Esq., of Great Portland Street, London, who is well known as a connoisseur of old clocks, and from his son, Malcolm R. Webster, Esq., who have given me practical assistance in regard to verifying facts from actual examples.

To Thomas Rennie, Esq., of the Glasgow Art Galleries and Museums, I desire to record thanks. To Edward Campbell, Esq., of Glasgow, who has enriched my volume with examples of Scottish work in his collection, I am indebted for information regarding Scottish makers embodied in this volume.

I am, by the kindness of John Smith, Esq., of Edinburgh, author of Old Scottish Clockmakers, and of his publisher, William J. Hay, Esq., John Knox's House, Edinburgh, enabled to produce names and dates of certain Scottish makers not recorded elsewhere. In this connection my friend William R. Miller, Esq., of Leith, has spared no time to help me to do justice to Scottish makers, and I am especially grateful to him for his kindly enthusiasm. He was there at the "chap o' the knok" when I asked his help.

Westropp Dudley, Esq., of the National Museum, Dublin, has extended to me his courtesy in enabling the inclusion of Irish makers coming under his research. To Arthur Deane, Esq., of the Public Art Gallery and Museum, Belfast, I am similarly obliged for data relative to old Belfast clockmakers.

To the many friends who have during an extended period generously supplemented my own studies by supplying me with data in regard to provincial makers and other hitherto unelucidated matters, I wish to offer my cordial thanks.

To my readers in general, whether they be collectors of old English china or earthenware, of furniture, or of prints, or of old silver, I desire to record my appreciation of their kindness in regard to my volumes on these subjects. I have honestly endeavoured to treat each sub-head concerning the evolution of design in the English home with sane reasoning, and I trust with ripe judgment. I have assiduously collected facts and studiously attempted to marshal them, each by each, according to relative value. Popular my volumes may be, but it is my hope that they may contribute something of permanent value to the subjects with which they deal.

ARTHUR HAYDEN.

CONTENTS

ILLUSTRATIONS

CHAPTER I

INTRODUCTORY NOTE

Time and its measurement—Day and night—Early mechanism—The domestic clock—The personal clock—Rapid phases of invention—The dawn of science—The great English masters of clockmaking—The several branches of a great art—What to value and what to collect—Hints for beginners.

The dictionary definition of "clock" is interesting. Clock.—A machine for measuring time, marking the time by the position of its hands upon the dial-plate, or by the striking of a hammer on a bell. Probably from old French or from Low Latin, cloca, clocca, a bell. Dutch, klok. German, glocke, a bell.

This is exact as far as it goes, but the thought seizes one, how did it come about that man attempted to measure time? He saw the sunrise and he watched the fading sunset till "Hesperus with the host of heaven came," and the night melted again into the dawn. Nature marked definitely the hours of light and hours of darkness. That was a law over which he had no control. Similarly he watched the seasons—the spring, the summer, the autumn, and the winter; this gave him the annual calendar. It becomes a matter of curious speculation how it came to pass that man divided the year into twelve months, and how he came to give a name to each day, and to determine seven as forming a week. Similarly one is curiously puzzled as to why he divided day and night into twenty-four parts, calling them hours.

These speculations lead us farther afield than the scope of this volume. An examination of Babylonian and Greek measurements of time is too abstruse to be included in a volume of this nature. Nor is it necessary, however interesting such may be, to record the astronomical observations at Bagdad of Ahmed ibn Abdullah.

We must commence with the known data that the earth revolves on its axis in twenty-four hours, or, to be more exact, in 23 hours 56 minutes 4 seconds. Astronomical clocks recording with scientific exactitude this phenomenon are on a plane apart, as are chronometers used by mariners. The astronomer uses a clock with numbers on its dial plate up to twenty-four; the common clock has only twelve hour numerals.

To come straight to modernity, it must be recognized that the measurement of time scientifically and the measurement of time according to civil law are two different things.

The mean Solar day used in the ordinary reckoning of time, by most modern nations, begins at midnight. Its hours are numbered in two series from 1 to 12—the first series, called A.M. (ante meridian), before midday, and the second series, P.M. (post meridian), after midday. This is a clumsy arrangement and leads to confusion. The leading railways of the world are beginning to use the series of twenty-four.

Let it be granted that the day consists of twenty-four hours, which is the apparent Solar day; the starting-point was not always the same. The Babylonians began their day at sunrise, the Athenians and Jews at sunset, the ancient Egyptians and Romans at midnight.

In passing, it should be noted that the day is measured astronomically by recording the period of the revolution of the earth on its axis, determined by the interval of time between two successive transits of the sun, the moon, or a fixed star over the same meridian.

The Solar day is exactly 24 hours, the Lunar day is 24 hours 50 minutes, and the Sidereal day is 23 hours 56 minutes.

Apparent Solar Time is shown by the sundial, and therefore depends upon the motion of the sun. Mean Solar Time is shown by a correct clock. The difference between Mean Time and Apparent Time, that is, between the time shown by the clock and the sundial, is called the Equation of Time, and in the Nautical Almanack, a Government publication, there are tables showing these differences.

Day and Night.—Obviously the hours of darkness offered a greater problem to the horologist than the hours of light. His sundial was of no use at night and of little use on cloudy days. The hour-glass was not a piece of mechanism a man would wish to employ to record the night watches. Some other self-acting mechanism had to be devised.

The interval between sunset and sunset, or sunrise and sunrise, or noon and noon, was divided by the Babylonians, who had a love for the duodenary system, into twenty-four hours. It is curious to read that "until the eighteenth century in England the hour was commonly reckoned as the twelfth part of the time between sunrise and sunset, or between sunset and sunrise, and hence was of varying durations" (Webster's New International Dictionary, 1914).

The hour was further divided, also by the Babylonians, into periods of sixty minutes. It was the Babylonians who first divided the circle into 360 degrees, and Ptolemy followed this division.

The dial of a clock was at first termed the hour-plate, as only hours were engraved upon it and only one hand was employed. Later, another hand was added, the minute hand, which travelled a complete circuit while the hour hand was travelling between two hour numerals. Later, again, a new sub-dial was added, and a seconds hand recorded the sixty seconds which made the minute. The term "second" was at first called "second-minute," denoting that it was the second division of an hour by sixty. The learned John Wilkins, Bishop of Chester, that extraordinary old savant, writes in 1650: "Four flames of an equal magnitude will be kept alive the space of sixteen second-minutes, though one of these flames alone, in the same vessel, will not last at most above twenty-five or thirty seconds."

These dry facts may serve to whet the curiosity of the student in regard to the measurement of time and its origin. They add a piquancy to the clock dial as we now know it. Scientific it is, as one of man's most exact recorders of natural phenomena. That an exact timekeeper should be found in the pocket of every schoolboy would seem an astounding miracle to our ancestors two hundred years ago, or even less than a hundred years ago:

writes Pope in his Essay on Criticism in 1725.

This is a damning indictment of the accuracy of watches in the early eighteenth century, but Dickens in Dombey and Son suggests equally faulty mechanism not in true accord with the mean solar day:

"Wal'r ... a parting gift, my lad. Put it back half an hour every morning, and about another quarter towards the arternoon, and it's a watch that'll do you credit."

That the civil day has taken precedence of the solar day is shown by the recent legislation in regard to Summer Time. "The Sabbath was made for man and not man for the Sabbath," may be applied to the clock dial. By an Act of Parliament, in spite of science and the earth's revolution on its axis, the hands straightway mean something else. It is well that modern clocks have no wise saws and mottoes telling of the unalterable hand of Time; "Old Time, the clock-setter, that bald sexton, Time," as Shakespeare says in King John.

Early Mechanism.—The problem for the old clockmakers who wished to supplant the primitive measurement of time by candle, by the hour-glass, and later by the sundial, was to produce a piece of mechanism which would in twenty-four hours, the prescribed period of day and night, indicate the flight of time hour by hour.

In rapid survey we cannot pause to enter into details. The first clocks indicated the hour alone by a hand attached to the axis of a wheel. In the twelfth century a new mechanism was added to strike a bell with a hammer, showing the hours indicated by the hand. At first the motive power was a weight acting upon toothed wheels. In the fifteenth century a spiral spring placed in a barrel replaced the weight attached to a string as the motive power. This led to portable clocks of smaller dimensions being possible.

The sixteenth century is remarkable for the great advance by Italian, by Nuremberg, and by Augsburg clockmakers. Striking and alarum clocks, and intricate mechanism showing phases of the moon, the year, the day of the month, and the festivals of the Church, were produced. In the sixteenth century portable clocks received further attention in regard to minute mechanism, resulting in what we now know as the watch. The moment this point was reached, ornamentation of a rich and elaborate character was applied to such objects of art, then only in the possession of princes and nobles and the richest classes of society.

In the middle of the seventeenth century Huygens, the celebrated Dutch astronomer and mathematician, brought great modification in the art of clockmaking by applying the pendulum to clocks in order to regulate the movement, "and adapting, some years later, to the balance of watches a spring, which produced upon this balance the same effect as that of the weight upon the pendulum" (Labarte, Arts of the Middle Ages).

In old clocks there is a verge escapement with a cross-bar balanced by weights. This was in the top portion of the clock.

When the pendulum was introduced it was first placed in front of the clock and swung backwards and forwards across the face of the dial, being only some six inches in length, and more frequently it is found at the back of the clock, outside the case. See illustration (p. 51) of examples.

As it was easy safely to convert the old form of balance into pendulum form, with hanging weight or weights, this was frequently done. So frequently, in fact, that very few of the old balance movements remain. See illustration (p. 57) of lantern clock with weights and pendulum.

With the advent of the "royal" or long pendulum, the domestic clock came into being.

We now arrive at the first period of the English domestic clock, and from this point a fairly definite record of styles and changes can be made.

The Domestic Clock.—This may be said to be the clock in use in a great house, apart from the cathedral or church clock, the turret clock, or the more public clock common to the gaze of everybody. The nobility employed, on the Continent and in this country, great clockmakers to produce these new scientific timekeepers for use in their private apartments. But there came another phase when the clock visible to the dependent was supplanted by more delicate mechanism of greater value and of richer ornamentation.

The Personal Clock.—This was the watch. It was carried on the person. It was the gift of a lover to his mistress. It was a rich and rare jewel of scientific construction, set in crystal, embellished with enamel and other rich decoration. In a measure it supplanted the clock and drove it on to a lower plane.

It demanded craftsmanship of the highest character to create these masterpieces of horology, and the art has been continued in a separate stream to that of clockmaking up to the present day. The watch is not the small clock, nor is the clock the large watch. Whatever may have been their common origin, each has developed on lines essentially proper for the technique. As the clock has developed in mechanical perfection, so the watch has similarly kept in parallel progress towards the same ideal, that of the perfect timekeeper.

A long succession of mechanical inventions is attached to the clock, and similarly the watch has demanded equal genius till both arrive at modernity.

The Dawn of Science.—The mid-seventeenth century the post-Bacon period, when Newton became President of the Royal Society, may be said to be the dawn of science in this country. The Aristotelian method of analysis and the practical experiment set men's minds into scientific channels. The scientific clockmaker was the product of this period of restless activity. Science was in leading-strings. Prince Rupert's Drops, so familiar now, were a scientific wonder. Bishop Wilkins and Evelyn, Locke and Dr. Harvey, were all, from different points, attempting to unravel the secrets of nature. The Tudor Age had opened the New World; the next century was left to discover the untravelled paths of science and mechanism. Invention was being suckled by Curiosity. Invention only came to manhood in the nineteenth century.

The Great English Masters of Clockmaking.—There is the mythical claim for Richard Harris, who is said to have invented the first pendulum clock in Europe, fixed in the turret of St. Paul's, Covent Garden, in 1640 or earlier. The Huygens pendulum was hung by a silken cord, and the arc described by the bob or weight at its end was a segment of a circle. Dr. Hooke invented the thin, flexible steel support of the pendulum, producing more scientific accuracy. In 1658 he invented the anchor escapement, which, together with his spring to the pendulum, is still used, although the "dead-beat" escapement invented by George Graham has supplanted the "anchor" in timekeepers requiring greater exactitude.

In regard to Robert Hooke and his claim to being the inventor of the balance spring for watches, an invention claimed by Christopher Huygens de Zulichem, there is an acrimonious dispute and lengthy correspondence thereon. The Royal Society had published in their Philosophical Transactions for March 25th, 1675, the discovery of Huygens, who visited England in 1661 and was made a Fellow of the Royal Society. Dr. Hooke protested. It appears that one of the "ballance double watches" was presented to Charles II and was inscribed "Robert Hooke inven. 1658. T. Tompion fecit 1675." There is the record that George Graham declared that he "had heard Tompion say he was employed three months that year by Mr. Hooke in making some parts of these watches before he let him know for what use they were designed, and that Tompion was used to say he thought the first invention of them was owing to Mr. Hooke." [1]

To come to the great masters of the art of English clockmaking. In the transactions of the Worshipful Company of Clockmakers it is recorded that "in July 1704 it was by the Master reported that certain persons at Amsterdam are in the habit of putting the names of Tompion, Windmills, Quare, Cabrier, Lamb, and other well-known makers on their works and selling them as English." [2] A committee was appointed to put an end to such abuses.