Chats on Royal Copenhagen Porcelain

INDEX

INDEX

• A as a mark, Copenhagen faience, 330
• Abildgaard, 107
• A.H. as a mark, 102
• Aluminia Company buys factory (in 1883), 205
• Aluminia mark on Art faience, 330
• Andersen, Hans, Princess and Swineherd, Tinder Box, figures illustrating, 269, 284
• Animal life, study of, at Copenhagen, 270, 339
• Antonibon, Pasqual, potter at Venice, 24
• Arentz, Johan, 109
• Arnoux, Report on Pottery at Paris Exhibition (1867), 24
• Art Faience, Copenhagen, 307-330
• B and G (as a mark), 283
• Bargains in porcelain, a regiment of dragoons exchanged for collection of porcelain, 32
• Battle of Copenhagen, 179
• Bowl commemorating, 184
• Bau, N., 109
• Baÿer, J. C., the painter of the Flora Danica service, 105
• Signature of, 103
• Berlin factory founded by Frederick the Great, 32
• Bing, M., collection of Oriental art at Paris, 215
• Bing and Gröndahl, Messrs., the factory of, at Copenhagen, 283
• Bird life, strongly represented in figures and painted work, 270, 339
• Biscuit figures, a high test of ceramic art, 266
• Biscuit figures of great size (Sèvres porcelain) (1900), 224
• Blue-and-white, early, underglaze painted, 157-76
• Painters of, 104, 110
• Table of marks, 174-6
• Boisgelin, Count Louis de, visits Copenhagen factory (1790), 76, 109
• his report quoted, 76-84, 150, 151
• Bornholm clay used at early period, 63, 78, 165
• Botanical character of Copenhagen, decoration in Flora Danica service, 148
• Böttger, Johann Fredrich, his discovery of hard porcelain, 22, 29
• his secret divulged throughout Europe, 30, 35
• Bowl in memory of Battle of Copenhagen, 184
• Brandstrup, gilding by, 195
• Brongniart discontinues making pâte tendre at Sèvres, 24
• Bushell, Stephen W., "Chinese Art," quoted, 23
• C7 (incised) as a mark, illustrated, 104
• Cadewitz, Martin, 107
• Camrath, Johan, junior, 110
• senior, 108
• Caroline Matilda (Queen of Denmark), her tragic history, 47
• Catherine II, Empress of Russia; her friendship with contemporary philosophers and scientists, 142
• Establishes a French theatre at St. Petersburg, 142
• Letter of Voltaire to, 143
• Great services made for— Flora Danica, 139
• Sèvres, 139
• Wedgwood, 140
• Characteristics of modern Copenhagen porcelain, 230, 233
• Charles XV of Sweden, present of Fournier Copenhagen service to, 39
• Child-life a feature in Copenhagen modelling, 274
• "Chinese Art," by Stephen W. Bushell, quoted, 23
• Chinese conventional underglaze blue-painted types, 233, 238
• Crackled glazes, 292
• Flambé glazes, 291
• Influence on Copenhagen at the outset of the modern period, 211
• Potter, the poetry of the, 95, 245
• Prototypes in underglaze painted porcelain, 233
• Subjects at Copenhagen, rare, 125
• Christian VII (of Denmark), the court of, 43-52
• Chronology (Queen Juliane Marie period) (1732-1780), 42
• Chronology (1780-1820), 74
• Classic movement the, in Europe, 191
• Classic ornament, avoidance of, in modern Copenhagen porcelain, 234
• used in Copenhagen decadent period, 196
• Clement, chemist at Copenhagen factory, produces first crystalline glaze in 1886, 219
• Clio, Hans, signature of, 101, 106
• Colour, combinations of rich, in Copenhagen art faience, 325
• Colours of underglaze painting, their limitation, 236, 268
• Colours invented by Müller, 64, 78
• Commemorative placques, 230, 243
• Commonplace development of underglaze painting avoided at Copenhagen, 234
• Contemporary criticism of Copenhagen factory (1790), quoted, 76
• Copenhagen Art Faience, 309-31
• Copenhagen factory compared with Meissen, 77-80, 126
• Copenhagen Factory Mark, its origin and symbolic meaning, 56
• Copenhagen porcelain, early (soft-paste), 37
• Copenhagen porcelain, characteristics of modern style, 230, 233
• Copyists of modern Copenhagen porcelain, 229, 295
• Costume subjects, weakness of, in china, 266
• Costume subjects, respective claims of overglaze and underglaze painting, 268
• Costume subjects. Meissen vitiates Europe, 126
• Costume subjects in Meissen and Chelsea manner avoided at Copenhagen, 126, 129, 277
• Court scandal. Coup d'état of Crown Prince Frederik, 48
• Court scandal. The story of Queen Caroline Matilda, 47
• Crackled glazes, 292, 301
• Crown, use of, as a mark, 262
• Crystalline glazes, 289-303
• Crystalline glazes invented by Hr. Clement in 1886, the chemist at the Copenhagen factory, 219
• Dalgas, Frederik, his activity in upholding the traditions of the factory, 313
• his development of the Art Faience, 313
• Dannemand, Countess, presents a service of Copenhagen porcelain to Charles XV of Sweden, 39
• Danish and Japanese ceramic art compared, 247
• Danish heroes of the Battle of Copenhagen, 184
• "Danish" pattern, the, in blue and white, 159
• Dish, illustrated, 169
• Plate, illustrated, 249
• Decadence, the, at Copenhagen factory (1820-1880), 177-97
• Decoration, fitting, a true test of high ceramic art, 238
• Defects in firing in porcelain corrected by the painter, 265
• Delft and its origin, 309
• Denmark the arena of European conflicts, art impulses extinguished, 179
• Denmark, the first porcelain made in, 35
• Derby porcelain peacock compared with Copenhagen model, 288
• Diderot and Catherine II of Russia, 142
• Diversity of designs, Müller period, 81
• Dutch potters' imitation of Chinese porcelain, 309
• Eckersberg, Danish painter, 197
• Eighteenth century, outburst of enthusiasm for art of potter, 28
• Empire style, the so-called, 191
• Encyclopædia Britannica (1911), article on Ceramics (re Copenhagen) quoted, 282
• Engelhardt, Hr. V., chemist at Copenhagen factory, his crystalline glazes, 223, 296
• English factories, soft-paste, list of, 27
• Hard paste, 27
• English factories, slavish imitation of Oriental models and marks, 11, 281
• The short duration of the old, 202
• English factories, soft paste mainly produced at, 27
• English porcelain, its peculiar technique, 310
• English potters, clever technique of, 27
• Europe, establishment of china factories in, 21
• Secret of hard paste discovered, 29
• European ceramic art, a new note added by Copenhagen, 216
• European factories, hard-paste, origin of, 30
• F painted in forget-me-nots, 99
• F5, mark Fournier period, 36
• Factory marks, European, with royal and patrician cyphers, 28
• Factory Mark, not used from 1773-1775 at Copenhagen, 42, 56
• Factory Mark (Copenhagen), origin and meaning of the three blue lines, 56
• Factory, the old, closed down for want of fuel, 135
• Factory, the Royal Copenhagen, to-day, 333-45
• Art Faience and its future, 330
• Dalgas, Frederik, the modern spirit of, the artistic distinction achieved under his direction, 313
• Facilities for study of plant and animal life, 339
• Its artistic environment, 339
• Its modern equipment, its hygienic improvements, 340
• The studios (illustrated), 341
• Faience, Copenhagen Art, 309-31
• Faience, its technique, 321
• Falck, A., buys factory in 1867, 196
• Figure Subjects, early production of, at Copenhagen, 71
• National character of, 126, 274
• Figure Subjects and Groups (1780-1820), 111-36
• Classification of, 122
• Renaissance period, 263-88
• Figure Subjects, Thorvaldsen period, 196
• Fischer, Admiral, bowl in memory of, 184
• Fish modelled from nature, 273
• Flambé glazes of Chinese potters, 291
• Flora Danica service, the, 137-56
• Painters and modellers of, 105, 106, 108, 144, 155, 156
• Flora Russica, by Dr. P. S. Pallas, German naturalist, 153
• Florence, imitative porcelain made at, 23
• Foreign porcelain prohibited in Denmark, 114
• Foreign workmen and artists at Copenhagen—
• Baÿer, 83
• Cadewitz, 83
• from Meissen, 59
• Luplau, 60, 83, 121, 122
• Thomaschefsky, 83
• Form versus Colour, 265, 266
• Formal landscape, the, supplanted by modern Copenhagen, 234
• Fortia, de, Count Alphonse, his volume, 76
• Fournier, Louis, French potter at Copenhagen, 36
• Fournier, Louis, and his period (1760-1766), 35-9
• Mark used by, 36
• Frederick the Great carries off Meissen workmen to Berlin, 32
• Frederick the Great founds the Berlin factory, 32
• his ruse to stimulate interest in porcelain, 32
• Frederik V of Denmark, Sèvres service a present from Louis XV, 38
• Frederik V establishes a factory at Copenhagen, 35
• Frederik VI, his early training, 141
• Orders the Flora Danica to be made, 140
• Frederiksborg Castle, vases at, 125
• Fürstenberg, artist from, at Copenhagen, 71
• Fürstenberg, mark of, mistaken for early Copenhagen porcelain, 36
• Future triumphs, the supernatural yet unplumbed, 253
• Garmein, painter (1820-1825), 195
• Garnier, M. Edouard (of Sèvres Museum), quoted, 220, 223
• Genius independent of modern science, 67, 91
• George III demands release of his sister on pain of war being declared, 51
• Gilding of exquisite quality at Copenhagen, 91
• Ginger jar, the Chinese, of commerce, its beauty, 237
• Glaze—
• Overglaze decoration, 233
• Underglaze decoration, 214, 224, 236, 268
• Glazes—
• Chinese crackled, 292
• Chinese flambé, 291
• Crystalline (Copenhagen), 295
• Transmutation, 291, 301
• Gray, Thomas, student of nature, 153
• The first note of love of nature in English literature in his "Letters," 153
• Grimm and Catherine II of Russia, 142
• Gubbio, ruby lustre glaze of, 318
• Hald, Andreas, 109
• Signature of, 102
• Hamilton, Lady, Nelson's letters to, 187
• Hamlet, quoted, 192
• Hansen, Lars, painter, 106
• Hard paste—
• first made at Meissen, 22, 29
• Plymouth, Bristol, and New Hall, 27
• Sèvres, manufacture of, at, 24
• Heraldic placques designed by Arnold Krog, 230, 243
• Hetch, G., Director of Copenhagen factory, 191
• Highest work of Copenhagen, an attempt to indicate, 230, 233
• Hispano-Moresque ware, 318
• HM (incised) as a mark, illustrated, 104
• Holm (Privy Chancellor to Queen Juliane Marie), encourages Müller, 55
• Holm (potter), signature of, 103
• Holmskjold, the botanist, director of Copenhagen factory, 144
• Höyen, his lecture on the natural Scandinavian art, 196
• I as a mark, 195
• I. Holm, 103, 107
• Imitativeness of European potters, 11, 215, 281, 309, 314
• Imitators of modern Copenhagen porcelain, 229, 281
• Initials on Copenhagen porcelain (F), 99
• Inscription on Chinese vase, 95
• Copenhagen (bowl), 184
• (cup), 69, 99
• (plate), 87
• (cup and saucer), 99
• Staffordshire pottery, 96
• Italian Majolica, old masters of, 317
• J (mark of Jensen), 195
• Jacobsen, quoted, 251
• Japanese and Danish ceramic art compared, 247
• Japanese imitations of Copenhagen porcelain, 247, 281
• Japanese influence in Copenhagen at outset of modern period, 235
• Japanese ivory carver, his technique, 267, 329
• Jensen, mark of, 195
• Jews compelled by Frederick the Great to buy porcelain, 32
• Joachim, Christian, his art faience, 322, 325
• JS (incised) as a mark, 103
• Juliane Marie, Dowager Queen, patron of Müller, 55
• Part of, in overthrow of Struensee, 48
• Juliane Marie porcelain period—
• Part I (1775-1780), 41-71
• Part II (1780-1796), 73-110
• Excellence of modelling an ideal for modern work, 268
• Juliane Marie style revived, 233
• K (incised) as a mark, 175
• Kalleberg, G., the designer of fine subjects, 107, 118
• Kändler of Meissen and his style, 126
• Kaolin, definition of, 22
• Keith, Sir Robert Murray, British Minister at Copenhagen, 51
• Krog, Arnold, Art Director at Royal Copenhagen Factory (from 1885), 210
• his artistic impulses, 213
• his development of new style in underglaze painting, 214
• Traditional ornament discarded, 234
• Nature, the source of inspiration, 215
• Signatures of, 255
• Kronborg, Castle of, painted on a cup, 192
• Kroyer, Danish painter, 197
• L as a mark (incised), 175
• (painted), 195
• Landscape subjects painted in underglaze colours, 237
• Lead glaze not used at Copenhagen, 340
• Lead-poisoning, no cases at Copenhagen, 340
• Lehmann, Peter Heinrich Benjamin,107
• Signature of, 101
• Living schools of decorative art, 345
• Lost arts, the technique of genius, 91
• Louis XV sends a Sèvres service to Frederik V of Denmark, 38
• Ludwigsberg factory, 31
• Lunbye, Johan Thomas, Danish painter, 197
• Luplau, comes to Copenhagen from Fürstenberg factory, 71, 105
• his limitations, 117
• Signature of, 101
• Lyngbe, L., mark of, 195
• M (incised) as a mark, 104
• Madsen, Professor Karl, quoted, 105
• Majolica, old masters of, 317
• Mark not used at Copenhagen (1773-1775), 104
• Marks (continental) with royal and patrician cyphers, 28
• (Copenhagen) art faience, 330
• Early blue-and-white porcelain, 174-6
• Fournier period (illustrated), 36
• Müller period (1775-1801), 100-4
• Peculiarities in position of (blue-and-white porcelain), 171
• Renaissance period, used by leading painters and modellers (from 1885), 255-62
• Similarity between early Copenhagen and Fürstenberg, 36
• Three blue lines, origin of the, 56
• (English) imitation of Oriental, Sèvres, and Meissen, 11, 281
• Mason's ironstone china, 310
• Meehl, Hans, mark of, 104
• Meissen—
• Establishment of factory at, 29
• Figure subjects of, compared with Copenhagen, 77, 126
• Marks copied by English potters, 11, 281
• Porcelain, authoritative history of, 29
• Secret of, divulged and spread throughout Europe, 30
• Workmen and materials carried off by Frederick the Great to Berlin, 32
• Workmen at Copenhagen, 59
• Mehlhorn, a potter from Saxony, comes to Copenhagen, 36
• Meyer, Elias, 109
• Panel painted by, 97
• Meyer, M., 109
• MII (incised) as a mark, 174
• ML (incised) as a mark, 174
• Modellers and painters, Müller period (1773-1801), list of, 105-10
• Modellers' and Painters' Marks (early blue-and-white), 174-6
• (Renaissance period), 255-62
• Modern ephemeral art movements unheeded at Copenhagen, 248
• Modern equipment of Copenhagen factory, 340
• Modern Renaissance at Copenhagen—
• Crystalline glazes, 289-303
• Early days, 201-19
• Figure subjects, 263-88
• Golden period, 219-54
• Moltke, Count, of Bregentved, Fournier porcelain in collection of (illustrated), 33
• Moore, Mr. Bernard, his examples of glazing, 292
• Moorish potters, arabesque designs of, 318
• Müller, Frantz Heinrich (1773-1801)—
• Discontent and misery contemporary with establishment of his factory, 39, 48
• his secret mission to other factories, 52, 84
• Portrait of, 41
• Range of his subjects and order of their production, 68
• Recognition of, in his lifetime, 64
• Scurvy treatment of, at factory, 80, 83
• Statue of him that was never erected, 64
• Successors of (1820-1880), 177-97
• Technique of, 63, 64
• Müller period, the, culminating point of, 71
• Mussel-blue painted, the great service, 172
• Mussel-blue painted, underglaze, the suggestive idea of modern developments, 234
• Napoleonic wars, 202
• National character of early Copenhagen porcelain, 130
• of Japanese ceramic art, 247
• National Museum (Stockholm), Copenhagen porcelain at, 38, 69, 115, 119
• National sentiment in Müller's designs, 95
• in modern Copenhagen porcelain, 235, 246
• National style created at Copenhagen, 84
• Nature, Danish, reflected in modern Copenhagen porcelain, 252, 253, 339
• Nature-study a dominant note at Copenhagen, 150, 339
• Nelson, Admiral Lord—
• Letters to Lady Hamilton, 187
• sends Copenhagen porcelain to Lady Hamilton, 188
• Nicolaj, Christian Faxoe, 108
• Numerals (1-7), painters' marks on early blue-and-white, 176
• Nymphenberg factory, 30
• Oeder, the originator of the Flora Danica, 149
• Old Copenhagen Factory described by contemporary eye-witnesses (1790), 76-84, 154
• Omar Khayyám, quoted, 96
• Ondrup (1779-1787), signature of, 102
• Oriental prototypes of European porcelain, 215, 237, 281, 309
• Originality at Copenhagen factory, its avoidance of ephemeral art movements, 248
• of stereotyped styles, 234
• Outburst of activity in 1780, 75, 113
• Overglaze decoration, modern revival of old Copenhagen forms, 229
• Overglaze painters, Müller period, 105-10
• Painters, Müller period (1773-1818), list of, 105-10
• Painters' and Modellers' Marks (early blue-and-white), 174-6
• Painters, underglaze, early blue-and-white, 106, 110
• Pallas, Dr. P. S., the protégé of Catherine II of Russia, 153
• Paris Exhibition (1889), success of Copenhagen porcelain at, 220
• (1900), 223
• Pâte dure porcelain of Meissen and allied schools, 22
• Pâte tendre porcelain of Sèvres and allied schools, 22, 24
• Peasant life a feature in Copenhagen figures, 273
• Peasant types and contemporary character in figure subjects, 130, 273
• Peacock, figure of (Copenhagen), compared with Derby porcelain model, 287
• Peculiarities in marks (blue-and-white), 171
• Persian pottery, 318, 321
• Petuntse, definition of, 22
• Placques, heraldic commemorative, 230, 243
• Poetry and imagination, expression of, in modern Copenhagen work, 246
• Poetry of the potter's art, the, 95, 245
• Porcelain—
• First made in Europe (Böttger), 22, 29
• in Denmark, 34
• Hard-paste, schools of, 21
• Semi-porcelain, a term in English ceramics, 310
• Soft-paste, schools of, 21
• Portraits—
• Frederik, Crown Prince (vase), 49
• Juliane Marie, Queen Dowager (vase), 45
• Müller, Frantz Heinrich, (cup) 41
• Rabener, 92
• Pott, chemist at Berlin factory, 31
• Potter, Chinese, the poetic terms of the, 245
• Preus, Sören, modeller of flowers, 108
• Processes at old Copenhagen factory described, 63, 76-80, 91
• Rarity of old porcelain—
• Copenhagen (Fournier period), 36
• Florence (sixteenth century), 23
• Renaissance, modern, Copenhagen, 199-262
• Retail depot opened at Copenhagen, 60, 113
• Revival of overglaze painting, 229
• Rhodian pottery, 322
• Rhymes and mottoes on Copenhagen porcelain, 99
• on Staffordshire pottery, 96
• Ringler, a workman at Vienna, carries the secret of hard paste far and wide, 30
• Roscoe and Schorlemmer, Treatise on Chemistry, quoted, 31
• Rosenborg Castle—
• Flora Danica service at, 137-56
• Fournier porcelain at (illustrated), 25, 37
• Rousseau, Jean Jacques—
• his influence on Struensee, 47
• his naturalistic theories, 141
• Royal factory established at Copenhagen by Frederik V (1760), 35
• Royal patronage of potters—
• (in general), 28
• (in particular) Copenhagen:
• Christian VII, 104
• Frederik V, 35
• Juliane Marie and royal family shareholders in Müller's company, 56
• Crown Prince Frederik and the Flora Danica service, 140
• Berlin: Frederick the Great, 32
• Fürstenberg: Duke of Brunswick, 31
• Meissen: Frederick Augustus, Elector of Saxony, 29
• acquires porcelain in exchange for a regiment of dragoons, 32
• St. Petersburg: Emperor Paul, 28
• Empress Catherine II, 31
• Empress Elizabeth Petrowna, 31
• Vienna: Empress Maria Theresa, 30
• St. Cloud, factory (1695-1773), 21, 23
• Scandinavian Diana biscuit group in Sèvres porcelain, 224
• Schleswig-Holstein, war concerning the duchies of, fatal to Danish art, 205
• Schmidt, Jacob, 102
• Schou, Philip, pioneer of Modernity, 205
• Makes a European tour, visiting factories of Holland, Belgium, France, and England, 214
• Rebuilds factory at Frederiksberg—his genius, 205
• The triumph of his foresight, 213
• Copenhagen porcelain raised to a new plane, 216
• Schou, Philip, comparison between, and Müller, 210
• Schreiber, Lady Charlotte, letter from Francesco Antonibon to, 24
• Secret of hard-paste porcelain spreads throughout Europe, 30
• Secrets of craftsmen not dependent on scientific accuracy, 67
• Semi-porcelain peculiarly English, 310
• Sèvres, crystalline glazes at, 301
• Sèvres factory, date when hard paste first made at, 24
• Sèvres factory, marks of, copied by English potters, 11, 281
• Sèvres porcelain, its spirit reflecting northern ideas, 224
• Sèvres porcelain, Louis XV
• sends present of service to King of Denmark, 38
• Service made for Catherine II of Russia, 139
• Sèvres styles introduced at Copenhagen, 37
• Shakesperean subjects (Copenhagen), 326
• Signatures of artists, etc., in Copenhagen porcelain—
• Baÿer, 103
• Clio, 101
• Hald, 102
• Holm, 103
• Krog, 255
• Lehmann, 101
• Liisberg, 256
• Luplau, 101
• Meehl, 104
• Ondrup, 102
• Schmidt, 103
• Skovgaad, Peter Christian, Danish painter, 197
• Soft-paste porcelain, definition of, 23
• English, 27
• When made at Copenhagen, 36
• Sören Preus, 108
• Söroe, view of, painted on a cup, 195
• Spiritual outlook, the, of modern Copenhagen, 252
• Staffordshire figures stripped of their pigment, 266
• Staffordshire potters' fondness for rhymes, 96
• Stockholm, National Museum, specimens of porcelain at, 38, 69, 115, 119
• Fournier period, 38
• Juliane Marie period, 69, 119
• Struensee, John Frederick, his fatal influence at the Court of Christian VII, 47
• his overthrow by Queen Juliane Marie, 48
• his execution, 51
• Styles which modern Copenhagen wisely avoided, 234
• Subject, the apt choice of a fitting, the truest test of the highest ceramic art, 238
• Successors of Müller, 177-97
• Supernatural, the, untouched by Copenhagen, 253
• T (incised) as a mark, 175
• Table of leading painters and modellers, Müller period (1773-1810), 105-10
• Table of Marks, Müller period (1775-1810), 100-4
• Table of Marks, old blue-and-white porcelain, 174-6
• Tables of Marks, painters and modellers of Renaissance period from 1885, 255-62
• Technique—
• Copenhagen art faience, 317, 325
• Copenhagen porcelain (modern) imitated by many factories, 229, 247
• Copenhagen porcelain (old), processes described, 63, 268
• (Müller period) its triumph with primitive methods and impure materials, 67, 88, 91
• English porcelain, 310
• Figure subjects, the limitations of the potter obeyed, 267
• Modelling and its especial, 266, 267
• Modern schools of potters, 229, 247
• Underglaze decorated porcelain, 236, 237
• Underglaze painter, true ideal in, 214, 234, 242
• Thomaschefsky, Carl Fridrich, 110
• Thorvaldsen, figures after sculpture of, 196
• Three blue lines (Copenhagen mark), origin of, 56
• TI (incised) as a mark, 170
• Times (1801), quoted, 183
• Toby jugs stripped of their pigment, 266
• Transmutation glazes, 291, 301
• Tschirnhaus, Ehrenfried Walter von, 29
• Tuscany, Grand Duke of, patron of Florence factory, 23
• Tvede, Claus, modeller, 105
• Underglaze painted, early blue-and-white, 157-76
• Underglaze painting, new technique created, 214, 234, 242
• Underglaze painting succeeds overglaze painting in figure subjects, 268
• Unmarked Copenhagen porcelain (1773-1775), 42, 56
• Verses on Copenhagen porcelain, 87, 99
• Vincennes factory (1740), 23
• Voltaire, letter to Catherine II of Russia, 143
• W2 (incised) as a mark, 176
• Wedgwood exhibition, the, by Messrs. Josiah Wedgwood & Sons, London, 1909 (including service made for Catherine II, Empress of Russia), 140
• Wedgwood, his introduction of classicism into Staffordshire, 192, 278
• his jasper ware, its classification, 310
• Wedgwood service made for Catherine II of Russia, 140
• Wedgwood workmen apply in vain at Copenhagen, 122
• Wiedewelt, the sculptor, assists Fournier, 36
• Wilkins, W. H., A Queen of Tears. History of Caroline Matilda, Queen of Denmark, 47
• Winther, Christian, quoted, 251
• Worcester, its Oriental prototypes, 215, 237, 281
• Workmen, foreign, at Copenhagen, 59, 60, 83, 121, 122
• Workmen, foreign. English artisans from Wedgwood's factory apply in vain at Copenhagen, 122
• Zimmermann, Professor Ernst (Meissen porcelain), 29
• Zurich factory, 31