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Chats on Violoncellos

Chapter 4: ILLUSTRATIONS
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About This Book

A series of illustrated essays surveys the origins, evolution, and cultural context of the violoncello and its bowed ancestors, examining ancient instruments such as the ravanastron and rabab, medieval and Renaissance developments, and the rise of the solo cello. The author combines museum studies, instrument descriptions, maker histories, and technical discussion of woods, construction, and performance practice, with anecdotes about notable instruments and players, including famous luthiers and celebrated cellists, and closes with profiles of historical female gambists and a prodigious young player from the past.

ILLUSTRATIONS

The Artist’s Wife. A Van DyckFrontispiece
Sir George Donaldson’s Duiffoproucart Viola da Gamba, sketched by D. Freeborn RobertsTo face page     74
“The King” Violoncello by Andreas Amati110
“The King,” Side View114
Back of the “Vaslin” Violoncello126
Back of Carved Violoncello by Galli176
Viola di Bordone from the South Kensington Museum, from a Painting by D. Freeborn Roberts184
Benjamin Hallet210
Ravanastron21
Ancient Egyptian Guitars22
Rabab29
Kemangeh à Gouze32
The Rebec44
Spanish Minstrel45
Figure from St Georges de Boscerville49
Bas-relief, Cologne Cathedral50
Nun playing Marine Trumpet. Sketch by Author58
Example from Simpson’s “Division-Viol”80

The Opening bars of the Chant of Ab’oo Zeyd