About This Book
A two-part study that first sketches the composer's life, temperament and key relationships, portraying an inwardly troubled artist whose personal experiences influenced his public habits and teaching; the second part offers close readings of his piano oeuvre, treating studies, preludes, impromptus, waltzes, nocturnes, ballades, polonaises and mazurkas in terms of form, mood, national character and expressive innovation. Critical anecdotes and interpretive observations on performance and style are interwoven with assessments of poetic and psychological aspects of the music, followed by bibliographic notes and guidance for listeners and pianists.
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