* Alford, Lady, Needlework as Art.
* Barber, Mary, Some Drawings of Ancient Embroidery.
* Bock, Dr., Geschichte der Liturgischen Gewänder.
Braun, Die Priestlichen Gewänder, &c.
Clausse, G., Les Monuments du Christianisme, &c.
Chambers, Divine Worship in England in Thirteenth Century, &c.
Crane, Walter, Line and Form (and others).
* Davenport, English Embroidered Bookbindings.
Day, Lewis, Several Handbooks on Design.
* Day, Lewis, and Mary Buckle, Art in Needlework.
* Dolby, Anastasia, Church Embroidery.
Dolby, Anastasia, Church Vestments.
* Farcy, Louis de, La Broderie du XIIIᵉ Siècle, &c.
Jameson, Mrs., Sacred and Legendary Art.
Jones, Owen, Grammar of Ornament.
Jones, Owen, Principles, an Attempt to Define, &c.
* Kendrick, A. F., English Embroidery.
* Lefébure, E., Embroidery and Lace.
Legg, J. Wickham, Notes on the History of Liturgical Colours.
Marriott, Vestiarium Christianum.
* Pugin, Glossary of Ecclesiastical Ornament.
* Rock, Dr. Daniel, Textiles, Introduction to.
Rock, Dr. Daniel, Church of our Fathers.
Semper, Der Stil.
* Townsend, W. G. P., Embroidery: or the Craft of the Needle.
Ward, Historic Ornament.
* Wilton, Countess of, The Art of Needlework.
Magazines.
* The Art Workers’ Quarterly.
* Burlington.
* Home Art Work.
* Studio.
Transactions of St. Paul’s Ecclesiological Society. Vols. I. and II. especially.
INDEX
- Albe, an ancient, 86
- apparels of, 86
- how to make, 86
- insertion on old, 87
- modern, 87-88
- origin of, 85
- symbolism of, 53
- Almsbags, 67
- Altar, keynote of decoration, 39-40
- linen required for, 79
- Altar-cloth band, 79-80
- fair linen, 79
- Altar-frontal, 39
- early English, 40
- to make up, 40-47
- Amice, apparel of, 88
- of St. Thomas of Canterbury, 88
- origin of, 88
- symbolism of, 53
- Apparels, 57
- of albe, 86
- of amice, 88
- of dalmatic, 24, 57
- Appliqué, 21
- examples of, 22-24
- method of cutting, 26
- to prepare, 25
- uses of, 25
- Apron necessary, 16
- Back-stitching, 76
- Banners, 65
- appliqué suitable for, 25
- design for, 64
- Basket-stitch, 12
- Book-covers, 67
- Book-markers, 68
- Books, care of, 84
- Brocade, 3
- Burse, 58, 62
- to make, 58, 61
- Buttonhole-filling, 75
- Buttonhole-stitch, 74
- Canvas-stitch, 77
- Chain-stitch, 27
- Chalice-veil (linen), 83
- (silk), 58
- design for, 83
- specimen of, 63
- Chasuble, early English examples, 55
- from Harleian MSS., 55
- how to make, 56
- of St. Ignatius of Loyola, 54
- of St. Thomas of Canterbury, 58
- origin of, 55
- ornament of, ‘flower,’ 56, 59
- symbolism of, 53
- Cherub, early English, 45
- Cingulum or girdle, 53, 85
- Clavi, 57
- Cloth, linen and woollen, 3
- of gold, 3, 9
- Colours, 2
- isolation of, 21
- liturgical, 39
- modification of, 10
- washing, 16
- Cope, measurements of, &c., 49
- the, 49
- to make up, 50
- Coptic embroidery, 28
- Corporals, case or burse, 58-62
- pair of, 83
- Couching (gold), 9
- (silk), 15
- compared with laid-work, 15, 19
- Counter-change, 26
- Credence cloth, 85
- Crewel-stitch, 20
- Cross-stitch, 76-77
- like Lacis, 77
- Curtains, principles to be observed in hanging, 40
- Cut-linen, 82
- Dalmatic, 57
- apparels of, 24, 57
- Clavi, 57
- diagram of, 61
- Damask, 3
- Darning, 20, 21
- on drawn-thread, 79, 82
- Decoration, futile, 2
- of ancient copes, usual arrangement of, 50
- some principles of, 2
- Design, colour-scheme in, 2
- Designers for ecclesiastical art, 2
- Designs, to transfer, 6-7
- D’or nué, 34, 36
- Drawing necessary for figure-work, 29
- Emblems, 96
- Embroidery, definition of, 1
- English, 1
- in gold, 9-13
- in linen, 72-77
- in silks, 15
- paste, 25
- ‘Eye’ of a curve, 74
- ‘Fair-linen Cloth,’ 79
- Fanon or maniple, 53
- Feather-stitch, 75
- Figure-embroidery, 28-37
- Florentine, 35
- from frontal of St. Thomas (à Becket) of Canterbury, Salisbury, 33
- from Syon cope, 31
- imitation of, 91
- three methods of, 34
- Filling, buttonhole, 75
- chain-stitch, 27
- stitches suitable for, 74-76
- Floss-silk, embroidery in, 15-20
- how to use, 16
- Flower, ornament called the, 59
- Flowers, early English conventional, 42-44
- Frames, altar-frontals stretched on, 47
- embroidery, 4-6
- how to mount for embroidery, 6
- making up, 41
- position of worker at, 5
- French knots, 27
- Fringe, importance of, 46
- washing of, 82
- Frontal, altar-, 39
- early English, 40
- how to make up, 40-47
- keynote as to colour, &c., 39
- size, 40
- Garments in embroidery, treatment of, 29, 30, 32, 91
- liturgical, 53
- Girdle of silk at Sarum, 85
- the, use and symbolism of, 53
- Gold, cloth of, 3, 9
- d’or nué, 34, 36
- embroidery, 9-13
- raised work, 12
- stitches useful for, 10, 11
- thread, different kinds of, 3-4
- Hands, special care of the, 16
- Hangings, various, 40
- Herring-bone-stitch, 75
- close, 76
- Swiss, 76
- Herse-cloth or pall, 66, 67, 71
- colour of, 67
- History of embroidery, 1
- Houseling-cloth, 84
- Imitations condemned, 2, 91
- Inlay, 26
- Insertion, 86, 87
- Kneelers, 68
- Lace suitable for linen, 82
- Lacis, 77
- Laid-work, 15-19
- compared with couching, 15, 19
- Lavabo towels, 84
- Light, arrangement of, 5
- Linen, altar, 79
- coloured, 3
- coloured embroidery on white, 80
- corporal, 83
- ‘cut,’ 82
- drawn-thread, 79-82
- embroidery, principal stitches, 73-77
- fringe, to wash, 82
- vestments, 85
- Linen-work, materials for, 73
- sampler, 72
- Lines, ‘Sympathetic,’ 76
- Long- and short-stitch, 17
- Maniple, origin and symbolism of, 53
- shape and size of, 53-55
- the, 53
- Materials for backgrounds, 3
- for embroidery, 3-5
- for linen-work, 73
- Mitre, 51-52
- of St. Thomas of Canterbury, 51
- Needles, 4
- to improve, 4
- ‘Opus Anglicanum,’ 32
- Outline, 21
- principle of, 21
- secondary, 23
- Padding in gold-work, 12
- in linen-work, 74
- Pall or herse-cloth, 66, 67
- linen, 83-84
- Parchment, use of, 12, 52
- Paste, embroidery, to make, 25
- Plate, 13
- Plumage-stitch, 17
- Principles, a few—
- of colour, 21
- of decoration, 2
- of embroidery as art, 1
- of proportion, 47, 66
- Pulpit-hanging, 70
- Purificators, 84
- Radiation, principle of, 17
- Relief, high, 12, 74
- exaggerated, 30
- Rochet, 89
- Saint Ignatius of Loyola, 54
- Thomas of Canterbury’s amice, 88
- apparel, 88
- chasuble, 58
- mitre, 51
- Sampler for gold-work, 8
- for linen-work, 72
- for silk-work, 14
- Shades of floss-silk, 2-15
- in old work, 36
- Shading, 15, 16
- Silk and satin, 3
- embroidery, 15
- embroidery compared with linen, 74
- Silks, embroidery, 4
- Soap, carbolic, &c., to avoid, 16
- Stitches—Back-stitch, 76
- basket-stitch, 12
- buttonhole, 74
- canvas or cushion, 77
- chain, 27
- couching, 9, 10, 11, 15, 61
- cross, 76
- drawn-thread, 81
- feather, 75
- French knots, 27
- herring-bone, 75
- laid-stitch, 15-19
- nué (d’or), 34, 36
- open-worked cross-stitch, 77
- satin, 16, 17, 18
- linen, 74
- short, 17, 34
- slanting, 20
- split-stitch, 18, 29, 30, 32, 36
- Stole, origin and symbolism of the, 53
- shape and design, 55
- size of the, 53
- Stuffing-cotton, 12
- Sudaries, 84
- Super-frontal or frontlet, 46
- Surplice, ancient, 89
- diagram, 90
- Dr. Rock’s pattern, 90
- how to make, 89
- modern, 89
- Symbols, 96
- ‘Sympathetic lines,’ 76
- Syon cope, arrangement of design, 32
- background of, 37
- colours of, 32
- figure from the, 31
- gold-work of, 36
- method of work, 36
- Toga, Roman, 49
- Towels, Lavabo, 84
- Trabea, 49
- Tunicle, 57
- Veil, chalice (silk), 58, 63
- (linen), 83
- humeral, 84
- offertory, 84
- Velvet, 3
- Vestments, Eucharistic, 53
- colours of, 39, 53
- symbolism of, 53
- linen, 85-90
- of Walter de Cantelupe, fragments of, 30
- ‘white shining,’ 85
- White linen, decoration of, 73, 74
- Worcester, bishop’s tomb at, 56
- fragment of vestments, 30
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