Several Voices
Eurylochus
Ulysses
Philemon
We thought you might tell us, sir, what the prospect showed when you stepped out yesterday and got the deer.
Phorbas
We’re hoping to sail away from here directly.
Ulysses
[As Ulysses pauses, some of the men, all of whom are looking to him intently, shake their heads or rock themselves to and fro, and faint groans are heard.]
[The men give utterance to loud sighs and groans.]
[The men manifest great perturbation; some gesticulating and shaking their heads; others rising to their knees and striking themselves. Mutterings and faint outcries escape them.]
Eurylochus
Ulysses
Eurylochus
Ulysses
[At a sign from Eurylochus men to the number of one-half the crew arise and group themselves around him on the Right. The rest remain seated nearer Ulysses. Eurylochus’ company includes Glaucus, Theron, Elpenor, and Phorbas.]
Ulysses
[All of the men are visibly disturbed and give increased and anxious attention.]
[Sensation among his hearers]
[Eurylochus with assistance from others finds upon the beach two small flat stones. These he scratches with his dagger, marking one with a V, the other with an E.]
[As he speaks Ulysses passes the helmet which he has hitherto held in his left hand to Glaucus. The two lots are thrown into the helmet; and Glaucus, standing in an open space and watched with intense expectation by all present, shakes it violently with a circular movement until one of the lots flies out and falls to the ground. The men strain their eyes toward the stone as it is picked up by Glaucus.]
Ulysses
Glaucus
[The announcement produces various effects upon the men. The party of Ulysses, seated upon the ground, strive not to show too plainly their sense of relief; while the standing company of Eurylochus are more openly affected. Phorbas in particular is in a highly nervous state, glancing now toward the hill, now toward the water. A few other timid ones in the same party demean themselves similarly.]
Ulysses
[To Eurylochus] Enough; make ready directly, and proceed with reasonable haste.
[The mate’s company move apart and make preparations, helped to some extent by the others. There is lively motion in both groups. They gather up things needful for an expedition, spears, staves, water-flasks, etc. Theron, a portly figure, does not change his cook’s garb, but buckles on a very broad belt with hanging straps, and whets his butcher’s cleaver with a stone. Shortly they are ready to start.]
Eurylochus
Ulysses
Eurylochus
[Eurylochus’ followers draw closer to their leader, apart from the others. All are serious. Individuals take leave of one another here and there with hand-shaking, etc.]
Ulysses
Xenias
[Seriously] Have an eye to Theron, Glaucus; let him not be too forward with that meat-knife of his!
Elpenor
[Taking hold of a strap at Theron’s belt] I shall hold him back.
Ulysses
Eurylochus
Several Voices on Both Sides
[The mate’s company go out at the Right and upward. Eurylochus himself is abreast of the foremost on their left. The vanguard consists of Glaucus, Theron (cleaver in hand), and Elpenor (a fragile, attenuated figure) behind the cook, holding at his belt. Phorbas and other timid ones bring up the rear. The drop-curtain falls as they move off while the rest watch them and wave their hands to them.]
IV
The same as Scene I. The front of Circe’s palace. No music or other sound is heard when the curtain rises. The fountain plays as before.—Enter at the Right by the main gateway Eurylochus and his party, the men grouped similarly as at the close of the last scene, but in the reverse order. In advance are Phorbas and the other timid ones; they enter hurriedly, casting glances of alarm behind them. The rest of the party immediately follow; Eurylochus, Glaucus, and Theron last. Elpenor is in front of Theron, who pushes him forward. The whole company quickly come to a standstill in a single close group with considerable space between them and the steps of the porch. They scan the building and its environs with looks of wonder, especially fascinated by the fountain with its changing hues.—Eurylochus stands apart from the rest, his demeanor indicating hesitation and perplexity. While the others are talking he walks slowly to and fro, occasionally pausing and scanning suspiciously the various features of the scene.
Theron
It’s a rum go so far! eh, Glaucus?
Glaucus
[Shrugging his shoulders] Rum’s the word! An outpost of tame tigers! It beats anything we’ve walked into yet. Cyclops’ cave wasn’t a circumstance.
Theron
I had a notion to crack the skull of that overgrown wolf-cub when he landed his dirty paws on my shoulders. But he looked sort o’ gentle like, and besides I thought the old chap who owns the menagerie might take a miff—whoever he is.
Glaucus
It’s some retired show-man or prize-fighter, I reckon.
Theron
He’s got a blue devil penned up in his fountain, sure! Just look at that, old man; hock first, and blue vitriol at the tail end of it! There’s bitters for you with a vengeance!—Blast me, but I’m thirsty as an oyster, whacking a way up through that pesky brush-wood! If there’s a chance to wet our whistles inside the house it’ll be worth the dog-show twice over.
Phorbas
I tell you it’ll pay to be cautious about the inside. Ugh! it did make my flesh creep, crossing that cordon of wild-cats! There’s no knowing what we’ll put our foot on if we go farther.
Elpenor
I put my foot on a snake.
Glaucus
They put an architect to work here that saw snakes, anyhow. Take a look at those water-spouts, boys! [Pointing to the gargoyles]
Eurylochus
[Approaching the group] Well, men; what’s the next step? The commander said go ahead if the people weren’t unfriendly. The wild beasts out there were friendly enough, you might say; but there’s an uncanny look to it all.
Theron
I vote to go ahead and knock up the owner. If he’s no worse than his own whelps we can stand it;—especially if he stands for the drinks.
Glaucus
There’s no two-legged craft within hail outside—nothing but four-footed gentry out here.
Eurylochus
We might mount the stairs, then, cautiously, and see how things look under the doorway yonder. [Shaking his head] But I fear enchantment.
[As they approach the steps the hum of the spinning-wheel begins to be heard. The men pause again, and look at each other a moment in silence. Eurylochus starts at the sound of the wheel, his features betraying heightened anxiety.]
Theron
[Slapping Glaucus on the shoulder] God-a-mercy, it’s womankind after all, Glauc! Come on! Ha, ha!
Elpenor
Maybe it’s a mountain.
[They all move toward the steps again. Theron, with Elpenor holding to his belt, and Glaucus are now in advance; Eurylochus is at one side; Phorbas and others are behind. As the first man sets foot on the steps the wheel stops humming and faint music strikes up as prelude to Circe’s song. Immediately a clear soprano voice is heard behind the scenes singing the air, the chorus of the song being performed by a quartette of women’s voices. The hearers are sensibly affected, showing their feelings by appropriate pantomime as they alternately pause and mount slowly higher and higher upon the stairs. Eurylochus alone exhibits symptoms of horror and repulsion; the others seem to be charmed and lured on by the song. All of them except the leader are gathered together upon the porch close to the doorway when the last stanza is sung.]
Glaucus
[Loudly, in a musical tone] Hola!—hola!
[Directly upon the utterance of this call the low, shaded recess of the doorway, which was dark before, grows bright with the same golden radiance that had shone intermittently upon the fountain; and the throng of visitors, excepting their leader, press swiftly forward and disappear through the opening. Again immediately the light in the doorway changes to blue, with electrical sparks. Eurylochus, who is directing his gaze toward the opening, shrinks back in alarm; and at the same moment the spray of the fountain becomes blue and remains of that color. Descending to a lower stair Eurylochus peers under the doorway, listening intently. No sound is heard. Then, his attention being drawn to the sombre hue of the fountain, while he is looking away from the entrance, a large serpent lets down its coils from the roof of the porch; and as the man turns again toward the entrance he is confronted with its wide-open jaws, forked tongue, and glittering eyes. As he retreats precipitately from the stairs the serpent draws itself up out of sight. Eurylochus stops once more in the foreground to watch and listen for some sign of his men within the palace; but as he turns toward the building, the head of a wolf with glowing eyes is protruded from a clump of shrubbery. Upon encountering this final apparition he flees in consternation from the scene.]
V
The Seashore again. The curtain rising discovers the men left behind at the camp sitting irregularly grouped near the fire-place. Ulysses stands apart from them by the ship, busied in inspecting his arms, the spear, bow, and sword, which hang near or lean against the vessel. When he unsheathes and sheathes the sword to examine it while his men are talking it is seen to have a brightly polished, rather broad, but not heavy blade. Most of the time he stands with face turned toward the water, his back to the Right.
First Sailor
Look here, lads; we can’t wait till noon for a bite! The commander ordered breakfast so rattling early this morning I’ve got a brand-new appetite already.
Xenias
Well, take a nibble on that pile of Theron’s charcoal cakes left over. They need a good appetite to make ’em slip down.
First Sailor
Maybe the mate or Glaucus’ll fetch in another stag or a wild goat on their way back.
Second Sailor
A wild goose more like; I wonder how far they’ve got anyway.
Philemon
They ought to turn up before noon. The commander said they might get up there and return in a couple of hours, as he judged—that is, if they scratched gravel lively.
Xenias
They’ve got Theron with ’em, remember; he can’t pass between two trees when they grow too near together.
First Sailor
No, but he can clear a path with his cleaver for two men—him and Elpy spindle-shanks.
Second Sailor
[In undertone] By the way, the commander’s pretty busy over there with his own cutlery. I wonder what he expects next.
Philemon
He expects to be ready, whatever comes. You don’t catch him napping. Besides, who wants a speck of rust on a hanger like that? The war’s an old story now; and this salt air’s the devil’s own invention to make a blade stick to the scabbard.
Xenias
’Twas a pity he couldn’t draw it on that Cyclops hog. But if we’d let the blood out of him it wouldn’t have let us out of his pesky cave with a giant’s tomb-stone clapped up to the door!—[Whistling low as he looks up. Xenias sits facing the Right.] Whew!—What’s in the wind now?
[All turn quickly toward the point indicated by the speaker, not excepting Ulysses, whose attention has been attracted by the whistle. At the Right from above Eurylochus enters slowly and hesitatingly, looking pale and haggard, his clothing torn and disordered by the brambles. Observing that all eyes are directed upon him he stops as if afraid to approach the company. Most of the men rise to their feet and move toward him.]
Several Voices
Hi! hi!—what’s the good word?—News, news? Where’s Glauc? [Eurylochus responds only with deprecatory gestures.]
Ulysses
What? ho, Eurylochus! Hast tidings? Why alone?
What ails thee, mate? Speak out; tell us thy story!
[With gestures of dismay Eurylochus moves nearer to Ulysses, but does not speak. Ulysses regards him with an expression of deep concern. The other men gather more closely round the pair.]
Xenias
Wake up, man! What’s in your eye? We’re here to help; cheer up!
Philemon
[Patting Eurylochus on the shoulder] Out with it; out with it!—Go ahead; palaver!
Xenias
Open up, old fellow. You’re not dead, anyway. We’re used to funerals by this time. [Eurylochus remains in his despairing attitude and is still unable to speak.]
Ulysses
[Severely; taking a step nearer to Eurylochus, while the men fall back slightly.]
Eurylochus
[With effort; after further hesitation.]
[Immediately upon the conclusion of Eurylochus’ narrative Ulysses, who has listened intently, reaches for his sword near by; takes a quick look at the blade as he draws it partly out and then pushes it back into the scabbard; slings the weapon over his shoulder, puts on his helmet, and then turns to Eurylochus again. The latter exhibits fresh dismay at seeing Ulysses thus arm himself. The other men also are visibly affected by their commander’s movements.]
Ulysses
Eurylochus
[Falling at the feet of Ulysses and clasping his knees]
Ulysses
[Eurylochus retreats and cowers while Ulysses speaks, at the same time gradually rising to a standing posture with his face toward the speaker. He does not join the group of the other men. These have their eyes fixed on the commander, some of them moving anxiously toward him. With his last words Ulysses starts to go out at the Right. Eurylochus turns away and sits upon a stone near the ship and the water at the Left, covering his face.]
Philemon
Ulysses
Several Voices
[The curtain falls as Ulysses disappears, while the men stand following his footsteps with their eyes.]
VI
The same as Scene II. Circe’s banquet-hall.—As the curtain rises the party who entered the palace at the close of Scene IV are shown seated at the table on the Left, while Thermia and other nymphs serve them with food and wine. The cups are filled by pouring from tall slender pitchers of silver, and these in turn by dipping the wine with ladles from the punch-bowl on the sideboard. The Enchantress and her companions are in their usual places. Myrto turns her wheel slowly and intermittently without noticeable sound. Circe, seated as before at the head of the table on the Right, wears the same dress as in Scene II, but her black robe is not thrown off. The wand lies upon the table near her right hand, neither carelessly nor conspicuously placed. The throne at her left hand, behind which Philinna stands, is occupied by Mikkos, who wears a brightly polished collar.
The guests are all at the table farthest from Circe. The throne at its head, opposite her throne, is occupied by Elpenor. At his left, near the corner of the table, sits Phorbas, partaking freely of the banquet, but glancing nervously, now toward Mikkos and now toward the door behind the dais where they had entered. At the left of Phorbas sit some feasters with their backs to the audience. On the other side of the table, facing the audience, are Theron the cook (at Elpenor’s right) wearing his cap; Glaucus (the farthest in the direction toward Mikkos); and other men between Theron and Glaucus.
It is near the close of the entertainment. Appearances indicate that the banqueters have begun to feel the effects of the wine that is still poured freely. They are also partly dazed and partly exhilarated by the presence of the Enchantress and her elegant nymphs. The symptoms of intoxication and bewilderment on the part of the men become by degrees more manifest as the conversation proceeds. Glaucus preserves his dignity rather better than his companions; but he seems fascinated by Circe, to whom he is the nearest in his position at table; and he does not refrain from drinking copiously, nor show due caution or a disposition to remember the details of the mission with which Eurylochus had been entrusted.
Circe
Elpenor