CHAPTER XV
It was late on the afternoon of the day following when he turned up at Clarges Street and threw Dollops into a very transport of delight at the bare sight of him.
"Crumbs, Gov'nor, but I am glad to see you, sir!" said the boy, with a look of positive adoration. "A fish out o' water ain't a patch to wot I've felt like—Lord, no! Why, sir, it's the first time you've ever been away from me since you took me on; and the dreams I've had is enough to drive a body fair dotty. I've seen parties a-stickin' knives in your back and puttin' poison in your food and doin' the Lord knows wot not to you, sir; and every blessed nerve in my body has been a doin' of a constant shake—like a jelly-fish on a cold day."
Cleek laughed, and catching him by the shoulder whirled him round, looked at him, and then clapped him on the back.
"Look here, don't you get to worrying and to developing nerves, young man," he said, "or I shall have to ship you off somewhere for a long rest; and I'm just beginning to feel as if I couldn't do without you. What you want is a change; and what I want is the river, so, if there is no message from The Yard—"
"There isn't, sir."
"Good. Then 'phone through to Mr. Narkom and tell him that you and I are going for a few days up the river as far as Henley, and that we are going to break it on Wednesday to go to the Derby."
"Gov'nor! Gawd's truth, sir, you aren't never a-goin' to give me two sich treats as that? From now till Thursday with jist you—jist you, sir? I'll go balmy on the crumpet—I'll get to stickin' straws in my bloomin' 'air!"
"You 'get to' the telephone and send that message to The Yard, if you know when you're well off," said Cleek, laughing. "And, after that, out with the kit bag and in with such things as we shall need; and—Hullo! what's this thing?"
"A necktie and a rose bush wot I took the liberty of buyin' for you, sir, bein' as you give me ten shillin's for myself," said Dollops sheepishly. "I been a-keepin' of my eye on that rose bush and that necktie for a week past, sir. I 'ope you'll take 'em, Gov'nor, and not think me presumin', sir."
Cleek faced round and looked at him—a long look—without saying anything, then he screwed round on his heel and walked to the window.
"It is very nice and very thoughtful of you, Dollops," he said presently, his voice a little thick, his tones a little uneven. "But don't be silly and waste your money, my lad. Lay it by. You may need it one day. Now toddle on and get things ready for our outing." But afterwards—when the boy had gone and he was alone in the room—he walked back to the potted rose bush and touched its buds lovingly, and stood leaning over it and saying nothing for a long time. And though the necktie that hung on its branches was a harlequin thing of red and green and violent purple, when he came to dress for that promised outing he put it on and adjusted it as tenderly, wore it as proudly as ever knight of old wore the colours of his lady.
"You look a fair treat in it, sir," said Dollops, delightedly and admiringly, when he came in later and saw that he had it on. And if anything had been wanting to make him quite, quite happy, it was wanting no more. Or, if it had been, the night that came down and found them housed in a little old-world inn, with a shining river at its door and the hush and the odorous darkness of the country lanes about it, must of itself have supplied the omission; for when all the house was still and all the lights were out, he crept from his bed and curled up like a dog on the mat before Cleek's door, and would not have changed places with an emperor.
They were up and on the river, master and man, almost as soon as the dawn itself; taking their morning plunge under a sky that was but just changing the tints of rose to those of saffron before they merged into the actual light of day; and to the boy the man seemed almost a god in that dim light, which showed but an ivory shoulder lifting now and again as he struck outwards and deft his way through a yielding, yellow-grey waste that leaped in little lilac-hued ripples to his chin, and thence wavered off behind him in dancing lines of light. And once, when he heard him lift up his voice and sing as he swam, he felt sure that he must be a god—that that alone could explain why he had found him so different from other men, and cared for him as he had never cared for any human thing before.
From dawn to dark that day was one of unalloyed delight to him. Never before had the starved soul of him—fed, all his life, when it was fed at all, from the drippings of the flesh-pots and the "leavings" of the City—found any savour in the insipid offerings of the Country; never before had he known what charms lie on a river's breast, what spells of magic a blossoming hedge and the white "candles" of a horse-chestnut tree may weave, and never before had a meadow been anything to him but a simple grass-grown field. To-day Nature—through this man who was so essentially bred in the very womb of her—spoke to his understanding and found her words not lost on air. The dormant things within the boy had awakened. Life spoke; Hope sang; and between them all the world was changed. Yesterday, he had looked upon this day of idling in the country as a pleasant interlude, as a happy prologue to those greater delights that would come when he at last went to Epsom and really saw the famous race for the Derby. To-day, he was sorry that anything—even so great a thing as that—must come to disturb such placid happiness as this.
And yet, when the wondrous "Wednesday" came and he was actually on his way to Epsom Downs at last … Ah, well, Joy is elastic; Youth is a time of many dreams, and who blames a boy for being delighted that one of them is coming true at last?
Cleek did not, at all events. Indeed, Cleek aided and abetted him in all his boisterous outbursts from first to last; and was quite as excited as he when the event of the meeting—the great race for the famous Derby Stakes—was put up at last. Indeed, he was a bit wilder, if anything, than the boy himself when the flag fell and the whole field swept by in one thunderous rush, with Minnow in the lead and Black Riot far and away behind. Nor did his excitement abate when, as the whole cavalcade swung onwards over the green turf with the yelling thousands waving and shouting about it, Sir Henry Wilding's mare began to lessen that lead, and foot by foot to creep up towards the head.
He shouted then—as wildly as Dollops himself, as wildly as any man present. He jumped up on his seat and waved his hat; he thumped Dollops on the back and cried: "She's creeping up! She's creeping up! Stick to it, old chap, stick to it! Give her her head, you fool! She'll do it—by God, she'll do it! Hurrah! Hurrah!" And was shouted down, and even seized and pulled down by others whose view he obstructed, and whose interest and excitement were as great as his.
Onwards they flew, horses and riders, the whole pounding, mixing, ever-changing mass of them; jackets and caps of every hue flashing here and there—now in a huddled mass, now with this one in the lead, and again with that: a vast, ever-moving, ever-altering kaleidoscope that was, presently, hidden entirely from the main mass of the onlookers, by the surging crowd, the mass of drags and carriages of all sorts in the huge square of the central enclosure, and most of all by the people who stood up on seats and wheels and even the tops of the vehicles. Then, for a little time, the roars came from a distance only—from those in the enclosure who alone could see—then neared and neared and grew in volume, as the unseen racers pounded onward and came pelting up the long stretch toward Tattenham Corner. And by and bye they swung into view again—still a huddled mass, still so closely packed together that the positions of the individual horses was a matter of uncertainty—but always the roaring sound went on and always it came nearer and nearer, until a thousand voices took it up at the foot of the grand stand, and other thousands bellowed it up and up from tier to tier to the very roof.
For, of a sudden, that blaze of caps and jackets, that huddle of horses red and horses grey, horses black and horses roan, piebald, white—every colour that a horse may be—had come at last to Tattenham Corner and burst into the full view of everybody. Yet, as they came, a black mare, hugging the railed enclosure on the inner side of the sweep, arrowed forward with a sudden spurt, came like a rocket to the fore, and all the earth and all the sky seemed to ring with the cry: "Wilding! Wilding! Black Riot leads! Black Riot leads!"
She did—and kept it to the end!
In half a minute her number was up, yelling thousands were tumbling out upon the field to cheer her, to cheer her rider, to cheer her proud owner when he came out to lead her to the paddock and the weighing room, and to feel in that moment the proudest and the happiest man in England; and of those, not the least excited and delighted was Cleek.
Carried away by enthusiasm, he had risen again in his seat and, with his hat held aloft upon a walking stick, was waving and stamping and shouting enthusiastically: "Black Riot wins! Black Riot! Black Riot! Bully boy! Bully boy!"
And so he was still shouting when he felt a hand touch him, and looking round saw Mr. Narkom.
"Ripping, wasn't it, old chap?" said the superintendent. "No wonder you are excited, considering what interest you have. Been looking for you, my dear fellow. Knew of course, from your telling me, that you would be here to-day, but shouldn't have been able to identify you but for the presence of young Dollops here. I say: you're not going to stop now that the great race is over, are you? The rest won't amount to anything."
"No, I shall not stop," said Cleek. "Why? Do you want me?"
"Yes. Lennard's outside with the limousine. Hop into it, will you, and meet me at the Fiddle and Horseshoe, between Shepherd's Bush and Acton? It's only half-past three and the limousine can cover the distance in less than no time. Can't go with you. Got to round up my men here, first. Join you shortly, however. McTavish has a sixty-horse-power Mercedes, and he'll rush me over almost on your heels. Let Dollops go home by train, and you meet me as I've asked, will you?"
"Yes," said Cleek.
And so the joyous holiday came to an unexpected end.
Parting from Dollops, and leaving the boy to journey on to Clarges Street alone, he fared forth to find Lennard and the red limousine, and was whirled away in record time to the inn of the Fiddle and Horseshoe.
CHAPTER XVI
It had but just gone five when Narkom walked into the little bar parlour and found him standing there, looking out on the quaint, old-fashioned bowling green that lay all steeped in sunshine and zoned with the froth of pear and apple blossoms thick piled above the time-stained bricks of an enclosing wall.
"What a model of punctuality you are, old chap," the superintendent said, nodding approvingly. "Wait a moment while I go and order tea, and then we will get down to business in real earnest. Shan't be long."
"Pray, don't hurry yourself on my account, Mr. Narkom," returned Cleek, "coming down to earth" out of a mental airship. "I could do with another hour of that"—nodding toward the view—"and still wonder where the time had gone. These quaint old inns, which the march of what we are pleased to call 'Progress' is steadily crowding off the face of the land, are always deeply interesting to me; I love them. What a day! What a picture! What a sky! As blue as what Dollops calls the 'Merry Geranium Sea.' I'd give a Jew's eye for a handful of those apple blossoms—they are divine!"
Narkom hastened from the room without replying. The strain of poetry underlying the character of this strange, inscrutable man, his amazing love of Nature, his moments of almost womanish weakness and sentiment, astonished and mystified him. It was as if a hawk had acquired the utterly useless trick of fluting like a nightingale, and being himself wholly without imagination, he could not comprehend it in the smallest degree.
When he returned a few minutes later, however, the idealist seemed to have simmered down into the materialist, the extraordinary to have become merged in the ordinary, for he found his famous ally no longer studying the beauties of Nature, but giving his whole attention to the sordid commonplaces of man, for he was standing before a glaringly printed bill one of many that were tacked upon the walls, which set forth in amazing pictures and double-leaded type the wonders that were to be seen daily and nightly at Olympia, where, for a month past, "Van Zant's Royal Belgian Circus and World-famed Menagerie" had been holding forth to "Crowded and delighted audiences." Much was made of two "star turns" upon this lurid bill: "Mademoiselle Marie de Zanoni, the beautiful and peerless bare-back equestrienne, the most daring lady rider in the universe," for the one; and for the other, "Chevalier Adrian di Roma, king of the animal world, with his great aggregation of savage and ferocious wild beasts, including the famous man-eating African lion, Nero, the largest and most ferocious animal of its species in captivity." And under this latter announcement there was a picture of a young and handsome man, literally smothered with medals, lying at full length, with his arms crossed and his head in the wide-open jaws of a snarling, wild-eyed lion.
"My dear chap, you really do make me believe that there actually is such a thing as instinct," said Narkom, as he came in. "Fancy your selecting that particular bill out of all the others in the room! What an abnormal individual you are!"
"Why? Has it anything to do with the case you have in hand?"
"Anything to do with it? My dear fellow, it is 'the case.' I can't imagine what drew your attention to it."
"Can't you?" said Cleek, with a half-smile. Then he stretched forth his hand and touched the word "Nero" with the tip of his forefinger. "That did. Things awaken a man's memory occasionally, Mr. Narkom, and—Tell me, isn't that the beast there was such a stir about in the newspapers a fortnight or so ago—the lion that crushed the head of a man in full view of the audience?"
"Yes," replied Narkom, with a slight shudder. "Awful thing, wasn't it? Gave me the creeps to read about it. The chap who was killed, poor beggar, was a mere boy, not twenty, son of the Chevalier di Roma himself. There was a great stir about it. Talk of the authorities forbidding the performance, and all that sort of thing. They never did, however, for on investigation—Ah, the tea at last, thank fortune. Come, sit down, my dear fellow, and we'll talk whilst we refresh ourselves. Landlady, see that we are not disturbed, will you, and that nobody is admitted but the parties I mentioned?"
"Clients?" queried Cleek, as the door closed and they were alone together.
"Yes. One, Mlle. Zelie, the 'chevalier's' only daughter, a slack-wire artist; the other, Signor Scarmelli, a trapeze performer, who is the lady's fiancé."
"Ah, then our friend the chevalier is not so young as the picture on the bill would have us believe he is."
"No, he is not. As a matter of fact, he is considerably past forty, and is—or, rather, was, up to six months ago, a widower with three children, two sons and a daughter."
"I suppose," said Cleek, helping himself to a buttered scone, "I am to infer from what you say that at the period you mentioned, six months ago, the intrepid gentleman showed his courage yet more forcibly by taking a second wife? Young or old?"
"Young," said Narkom in reply. "Very young, not yet four-and-twenty, in fact, and very, very beautiful. That is she who is 'featured' on the bill as the star of the equestrian part of the programme: 'Mlle. Marie de Zanoni.' So far as I have been able to gather, the affair was a love match. The lady, it appears, had no end of suitors, both in and out of the profession; it has even been hinted that she could, had she been so minded, have married an impressionable young Austrian nobleman of independent means who was madly in love with her; but she appears to have considered it preferable to become 'an old man's darling,' so to speak, and to have selected the middle-aged chevalier rather than someone whose age is nearer her own."
"Nothing new in that, Mr. Narkom. Young women before Mlle. Marie de Zanoni's day have been known to love elderly men sincerely: young Mrs. Bawdrey, in the case of 'The Nine-fingered Skeleton,' is an example of that. Still, such marriages are not common, I admit, so when they occur one naturally looks to see if there may not be 'other considerations' at the bottom of the attachment. Is the chevalier well-to-do? Has he expectations of any kind?"
"To the contrary; he has nothing but the salary he earns—which is by no means so large as the public imagines; and as he comes of a long line of circus performers, all of whom died early and poor, 'expectations,' as you put it, do not enter into the affair at all. Apparently the lady did marry him for love of him, as she professes and as he imagines; although, if what I hear is true, it would appear that she has lately outgrown that love; in short, that a Romeo more suitable to her age has recently joined the show in the person of a rider called Signor Antonio Martinelli; that he has fallen desperately in love with her, and that—"
He bit off his words short and rose to his feet. The door had opened suddenly to admit a young man and a young woman, who entered in a state of nervous excitement. "Ah, my dear Mr. Scarmelli, you and Miss Zelie are most welcome," continued the superintendent. "My friend and I were this moment talking about you."
Cleek glanced across the room, and, as was customary with him, made up his mind instantly. The girl, despite her association with the arena, was a modest, unaffected little thing of about eighteen; the man was a straight-looking, clear-eyed, boyish-faced young fellow of about eight-and-twenty; well, but by no means flashily, dressed, and carrying himself with the air of one who respects himself and demands the respect of others. He was evidently an Englishman, despite his Italian nom de théâtre, and Cleek decided out of hand that he liked him.
"We can shelve 'George Headland' in this instance, Mr. Narkom," he said, as the superintendent led forward the pair for the purpose of introducing them, and suffered himself to be presented in the name of Cleek.
The effect of this was electrical; would, in fact, had he been a vain man, have been sufficient to gratify him to the fullest, for the girl, with a little "Oh!" of amazement, drew back and stood looking at him with a sort of awe that rounded her eyes and parted her lips, while the man leaned heavily upon the back of a convenient chair and looked and acted as one utterly overcome.
"Cleek!" he repeated, after a moment's despairful silence. "You, sir, are that great man? This is a misfortune, indeed."
"A misfortune, my friend? Why a 'misfortune,' pray? Do you think the riddle you have brought is beyond my powers?"
"Oh, no; not that—never that!" he made reply. "If there is any one man in the world who could get at the bottom of it, could solve the mystery of the lion's change, the lion's smile, you are that man, sir, you. That is the misfortune: that you could do it, and yet—I cannot expect it, cannot avail myself of this great opportunity. Look! I am doing it all on my own initiative, sir—all for the sake of Zelie and that dear, lovable old chap, her father. I have saved fifty-eight pounds, Mr. Cleek. I had hoped that that might tempt a clever detective to take up the case; but what is such a sum to such a man as you?"
"If that is all that stands in the way, don't let it worry you, my good fellow," said Cleek, with a smile. "Put your fifty-eight pounds in your pocket against your wedding-day, and—good luck to you. I'll take the case for nothing. Now then, what is it? What the dickens did you mean just now when you spoke about 'the lion's change' and 'the lion's smile'? What lion—Nero? Here, sit down and tell me all about it."
"There is little enough to tell, Heaven knows," said young Scarmelli, with a sigh, accepting the invitation after he had gratefully wrung Cleek's hand, and his fiancée, with a burst of happy tears, had caught it up as it slipped from his and had covered it with thankful kisses. "That, Mr. Cleek, is where the greatest difficulty lies—there is so little to explain that has any bearing upon the matter at all. It is only that the lion—Nero, that is, the chevalier's special pride and special pet—seems to have undergone some great and inexplicable change, as though he is at times under some evil spell, which lasts but a moment and yet makes that moment a tragical one. It began, no one knows why nor how, two weeks ago, when, without hint or warning, he killed the person he loved best in all the world—the chevalier's eldest son. Doubtless you have heard of that?"
"Yes," said Cleek. "But what you are now telling me sheds a new light upon the matter. Am I to understand, then, that all that talk, on the bills and in the newspapers, about the lion being a savage and a dangerous one is not true, and that he really is attached to his owner, and his owner's family?"
"That is the truth," replied Scarmelli; "Nero is, in fact, the gentlest, most docile, most intelligent beast of his kind living. In short, sir, there's not a 'bite' in him; and, added to that, he is over thirty years old. Zelie—Miss di Roma—will tell you that he was born in captivity; that from his earliest moment he has been the pet of her family; that he was, so to speak, raised with her and her brothers; that, as children, they often slept with him; that he will follow those he loves like any dog, fight for them, protect them, let them tweak his ears and pull his tail without showing the slightest resentment, even though they may actually hurt him. Indeed, he is so general a favourite, Mr. Cleek, that there isn't an attendant connected with the show who would not, and, indeed, has not at some time, put his head in the beast's mouth, just as the chevalier does in public, certain that no harm could possibly come of the act.
"You may judge, then, sir, what a shock, what a horrible surprise it was when the tragedy of two weeks ago occurred. Often, to add zest to the performance, the chevalier varies it by allowing his children to put their heads into Nero's mouth instead of doing so himself, merely making a fake of it that he has the lion under such control that he will respect any command given by him. That is what happened on that night. Young Henri was chosen to put his head into Nero's mouth, and did so without fear or hesitation. He took the beast's jaws and pulled them apart, and laid his head within them, as he had done a hundred times before; but of a sudden an appalling, an uncanny, thing happened. It was as though some supernatural power laid hold of the beast and made a thing of horror of what a moment before had been a noble-looking animal; for suddenly a strange hissing noise issued from its jaws, its lips curled upward until it smiled—smiled, Mr. Cleek!—oh, the ghastliest, most awful, most blood-curdling smile imaginable—and then, with a sort of mingled snarl and bark, it clamped its jaws together and crushed the boy's head as though it were an egg-shell!"
He put up his hands and covered his eyes as if to shut out some appalling vision, and for a moment or two nothing was heard but the low sobbing of the victim's sister.
"As suddenly as that change had come over the beast, Mr. Cleek," Scarmelli went on presently, "just so suddenly it passed, and it was the docile, affectionate animal it had been for years. It seemed to understand that some harm had befallen its favourite—for Henri was its favourite—and, curling itself up beside his body, it licked his hands and moaned disconsolately in a manner almost human. That's all there is to tell, sir, save that at times the horrid change, the appalling smile, repeat themselves when either the chevalier or his son bend to put a head within its jaws, and but for their watchfulness and quickness the tragedy of that other awful night would surely be repeated. Sir, it is not natural; I know now, as surely as if the lion itself had spoken, that someone is at the bottom of this ghastly thing, that some human agency is at work, some unknown enemy of the chevalier's is doing something, God alone knows what or why, to bring about his death as his son's was brought about."
And here, for the first time, the chevalier's daughter spoke.
"Ah, tell him all, Jim, tell him all," she said, in her pretty broken English. "Monsieur, may the good God in heaven forgive me, if I wrong her; but—but—Ah, Monsieur Cleek, sometimes I feel that she, my stepmother, and that man, that 'rider' who knows not how to ride as the artist should—monsieur, I cannot help it, but I feel that they are at the bottom of it."
"Yes, but why?" queried Cleek. "I have heard of your father's second marriage, mademoiselle, and of this Signor Antonio Martinelli, to whom you allude. Mr. Narkom has told me. But why should you connect these two persons with this inexplicable thing? Does your father do so, too?"
"Oh, no! Oh, no!" she answered excitedly. "He does not even know that we suspect, Jim and I. He loves her, monsieur. It would kill him to doubt her."
"Then why should you?"
"Because I cannot help it, monsieur. God knows, I would if I could, for I care for her dearly—I am grateful to her for making my father happy. My brothers, too, cared for her. We believed she loved him; we believed it was because of that she married him. And yet—and yet—Ah, monsieur, how can I fail to feel as I do when this change in the lion came with that man's coming? And she—ah, monsieur, she is always with him. Why does she curry favour of him and his rich friend?"
"He has a rich friend, then?"
"Yes, monsieur. The company was in difficulties; Monsieur van Zant, the proprietor, could not make it pay, and it was upon the point of disbanding. But, suddenly, this indifferent performer, this rider who is, after all, but a poor amateur and not fit to appear with a company of trained artists, suddenly this Signor Martinelli comes to Monsieur van Zant to say that, if he will engage him, he has a rich friend—one Señor Sperati, a Brazilian coffee planter—who will 'back' the show with his money and buy a partnership in it. Of course, M. van Zant accepted; and since then this Señor Sperati has travelled everywhere with us, has had the entrée like one of us, and his friend, the bad rider, has fairly bewitched my stepmother, for she is ever with him, ever with them both, and—and—Ah, mon Dieu! the lion smiles, and my people die! Why does it 'smile' for no others? Why is it only they—my father, my brother—they alone?"
"Is that a fact?" said Cleek, turning to young Scarmelli. "You say that all connected with the circus have so little fear of the beast that even attendants sometimes do this foolhardy trick. Does the lion never 'smile' for any of those?"
"Never, Mr. Cleek—never under any circumstances. Nor does it always smile for the chevalier and his son. That is the mystery of it. One never knows when it is going to happen—one never knows why it does happen. But if you could see that uncanny smile—"
"I should like to," interposed Cleek. "That is, if it might happen without any tragical result. Hum-m-m! Nobody but the chevalier and the chevalier's son! And when does it happen in their case—during the course of the show, or when there is nobody about but those connected with it?"
"Oh, always during the course of the entertainment, sir. Indeed, it has never happened at any other time—never at all."
"Oho!" said Cleek. "Then it is only when they are dressed and made up for the performance, eh? Hum-m-m! I see." Then he relapsed into silence for a moment, and sat tracing circles on the floor with the toe of his boot. But, of a sudden: "You came here directly after the matinee, I suppose?" he queried, glancing up at young Scarmelli.
"Yes; in fact, before it was wholly over."
"I see. Then it is just possible that all the performers have not yet got into their civilian clothes. Couldn't manage to take me round behind the scenes, so to speak, if Mr. Narkom will lend us his motor to hurry us there? Could, eh? That's good. I think I'd like to have a look at that lion and, if you don't mind, an introduction to the parties concerned. No! don't fear; we won't startle anybody by revealing my identity or the cause of the visit. Let us say that I'm a vet, to whom you have appealed for an opinion, regarding Nero's queer conduct. All ready, Mr. Narkom? Thanks—then let's be off."
Two minutes later the red limousine was at the door, and, stepping into it with his two companions, he was whizzed away to Olympia and the first step towards the solution of the riddle.
CHAPTER XVII
As it is the custom of those connected with the world of the circus to eat, sleep, have their whole being, as it were, within the environment of the show, to the total exclusion of hotels, boarding-houses, or outside lodgings of any sort, he found on his arrival at his destination the entire company assembled in what was known as the "living-tent," chatting, laughing, reading, playing games, and killing time generally whilst waiting for the call to the "dining-tent," and this gave him an opportunity to meet all the persons connected with the "case," from the "chevalier" himself to the Brazilian coffee planter who was "backing" the show.
He found this latter individual a somewhat sullen and taciturn man of middle age, who had more the appearance of an Austrian than a Brazilian, and with a swinging gait and an uprightness of bearing which were not to be misunderstood.
"Humph! Known military training," was Cleek's mental comment as soon as he saw the man walk. "Got it in Germany, too; I know that peculiar 'swing.' What's his little game, I wonder? And what's a Brazilian doing in the army of the Kaiser? And, having been in it, what's he doing dropping into this line—backing a circus, and travelling with it like a Bohemian?"
But although these thoughts interested him, he did not put them into words nor take anybody into his confidence regarding them.
As for the other members of the company, he found "the indifferent rider," known as Signor Antonio Martinelli, an undoubted Irishman of about thirty years of age, extremely handsome, but with a certain "shiftiness" of the eye which was far from inspiring confidence, and with a trick of the tongue which suggested that his baptismal certificate probably bore the name of Anthony Martin. He found, too, that all he had heard regarding the youth and beauty of the chevalier's second wife was quite correct, and although she devoted herself a great deal to the Brazilian coffee planter and the Irish-Italian "Martinelli," she had a way of looking over at her middle-aged spouse, without his knowledge, that left no doubt in Cleek's mind regarding the real state of her feelings towards the man. And last, but not least by any means, he found the chevalier himself a frank, open-minded, open-hearted, lovable man who ought not, in the natural order of things, to have an enemy in the world. Despite his high-falutin' nom de théâtre, he was Belgian—a big, soft-hearted, easy-going, unsuspicious fellow, who worshipped his wife, adored his children, and loved every creature of the animal world.
How well that love was returned, Cleek saw when he went with him to that part of the building where his animals were kept, and watched them "nose" his hand or lick his cheek whenever the opportunity offered. But Nero, the lion, was perhaps the greatest surprise of all, for so tame, so docile, so little feared was the animal, that its cage-door was open, and they found one of the attendants squatting cross-legged inside and playing with it as though it were a kitten.
"There he is, doctor," said the chevalier, waving his hand towards the beast. "Ah, I will not believe that it was anything but an accident, sir. He loved my boy. He would hurt no one that is kind to him. Fetch him out, Tom, and let the doctor see him at close quarters."
Despite all these assurances of the animal's docility, Cleek could not but remember what the creature had done, and, in consequence, did not feel quite at ease when it came lumbering out of the cage with the attendant and ranged up alongside of him, rubbing its huge head against the chevalier's arm after the manner of an affectionate cat.
"Don't be frightened, sir," said Tom, noticing this. "Nothing more'n a big dog, sir. Had the care of him for eight years, I have—haven't I, chevalier?—and never a growl or scratch out of him. No 'smile' for your old Tom, is there, Nero, boy, eh? No fear! Ain't a thing as anybody does with him, sir, that I wouldn't do off-hand and feel quite safe."
"Even to putting your head in his mouth?" queried Cleek.
"Lord yes!" returned the man, with a laugh. "That's nothing. Done it many a day. Look here!" With that he pulled the massive jaws apart, and, bending down, laid his head within them. The lion stood perfectly passive, and did not offer to close his mouth until it was again empty. It was then that Cleek remembered and glanced round at young Scarmelli.
"He never 'smiles' for any but the chevalier and his son, I believe you said," he remarked. "I wonder if the chevalier himself would be as safe if he were to make a feint of doing that?" For the chevalier, like most of the other performers, had not changed his dress after the matinee, since the evening performance was soon to begin; and if, as Cleek had an idea, that the matter of costume and make-up had anything to do with the mystery of the thing, here, surely, was a chance to learn.
"Make a feint of it? Certainly I will, doctor," the chevalier replied.
"But why a feint? Why not the actual thing?"
"No, please—at least, not until I have seen how the beast is likely to take it. Just put your head down close to his muzzle, chevalier. Go slow, please, and keep your head at a safe distance."
The chevalier obeyed. Bringing his head down until it was on a level with the animal's own, he opened the ponderous jaws. The beast was as passive as before; and, finding no trace of the coming of the mysterious and dreaded "smile," he laid his face between the double row of gleaming teeth, held it there a moment, and then withdrew it uninjured. Cleek took his chin between his thumb and forefinger and pinched it hard. What he had just witnessed would seem to refute the idea of either costume or make-up having any bearing upon the case.
"Did you do that to-day at the matinee performance, chevalier?" he hazarded, after a moment's thoughtfulness.
"Oh, yes," he replied. "It was not my plan to do so, however. I alter my performance constantly to give variety. To-day I had arranged for my little son to do the trick; but somehow—Ah! I am a foolish man, monsieur; I have odd fancies, odd whims, sometimes odd fears, since—since that awful night. Something came over me at the last moment, just as my boy came into the cage to perform the trick I changed my mind. I would not let him do it. I thrust him aside and did the trick myself."
"Oho!" said Cleek. "Will the boy do it to-night, then, chevalier?"
"Perhaps," he made reply. "He is still dressed for it. Look, here he comes now, monsieur, and my wife, and some of our good friends with him. Ah, they are so interested, they are anxious to hear what report you make upon Nero's condition."
Cleek glanced round. Several members of the company were advancing towards them from the "living-tent." In the lead was the boy, a little fellow of about twelve years of age, fancifully dressed in tights and tunic. By his side was his stepmother, looking pale and anxious. But although both Signor Martinelli and the Brazilian coffee planter came to the edge of the tent and looked out, it was observable that they immediately withdrew, and allowed the rest of the party to proceed without them.
"Dearest, I have just heard from Tom that you and the doctor are experimenting with Nero," said the chevalier's wife, as she came up with the others and joined him. "Oh, do be careful, do! Much as I like the animal, doctor, I shall never feel safe until my husband parts with it or gives up that ghastly 'trick.'"
"My dearest, my dearest, how absurdly you talk!" interrupted her husband. "You know well that without that my act would be commonplace, that no manager would want either it or me. And how, pray, should we live if that were to happen?"
"There would always be my salary; we could make that do."
"As if I would consent to live upon your earnings and add nothing myself! No, no! I shall never do that—never. It is not as though that foolish dream of long ago had come true, and I might hope one day to retire. I am of the circus, and of it I shall always remain."
"I wish you might not; I wish the dream might come true, even yet," she made reply. "Why shouldn't it? Wilder ones have come true for other people; why should they not for you?"
Before her husband could make any response to this, the whole trend of the conversation was altered by the boy.
"Father," he said, "am I to do the trick to-night? Señor Sperati says it is silly of me to sit about all dressed and ready if I am to do nothing, like a little super, instead of a performer and an artist."
"Oh, but that is not kind of the señor to say that," his father replied, soothing his ruffled feelings. "You are an artist, of course; never super—no, never. But if you shall do the trick or not, I cannot say. It will depend, as it did at the matinee. If I feel it is right, you shall do it; but if I feel it is wrong, then it must be no. You see, doctor," catching Cleek's eye, "what a little enthusiast he is, and with how little fear."
"Yes, I do see, chevalier; but I wonder if he would be willing to humour me in something? As he is not afraid, I've an odd fancy to see how he'd go about the thing. Would you mind letting him make the feint you yourself made a few minutes ago? Only, I must insist that in this instance it be nothing more than a feint, chevalier. Don't let him go too near at the time of doing it. Don't let him open the lion's jaws with his own hands. You do that. Do you mind?"
"Of a certainty not, monsieur. Gustave, show the good doctor how you go about it when papa lets you do the trick. But you are not really to do it just yet, only to bend the head near to Nero's mouth. Now then, come, see."
As he spoke he divided the lion's jaws and signalled the child to bend. He obeyed. Very slowly the little head drooped nearer to the gaping, full-fanged mouth, very slowly and very carefully, for Cleek's hand was on the boy's shoulder, Cleek's eyes were on the lion's face. The huge brute was as meek and as undisturbed as before, and there was actual kindness in its fixed eyes. But of a sudden, when the child's head was on a level with those gaping jaws, the lips curled backward in a ghastly parody of a smile, a weird, uncanny sound whizzed through the bared teeth, the passive body bulked as with a shock, and Cleek had just time to snatch the boy back when the great jaws struck together with a snap that would have splintered a skull of iron had they closed upon it.
The hideous and mysterious "smile" had come again, and, brief though it was, its passing found the boy's sister lying on the ground in a dead faint, the boy's stepmother cowering back, with covered eyes and shrill, affrighted screams, and the boy's father leaning, shaken and white, against the empty case and nursing a bleeding hand.
In an instant the whole place was in an uproar. "It smiled again! It smiled again!" ran in broken gasps from lip to lip; but through it all Cleek stood there, clutching the frightened child close to him, but not saying one word, not making one sound. Across the dark arena came a rush of running footsteps, and presently Señor Sperati came panting up, breathless and pale with excitement.
"What's the matter? What's wrong?" he cried. "Is it the lion again? Is the boy killed? Speak up!"
"No," said Cleek very quietly, "nor will he be. The father will do the trick to-night, not the son. We've had a fright and a lesson, that's all." And, putting the sobbing child from him, he caught young Scarmelli's arm and hurried him away. "Take me somewhere that we can talk in safety," he said. "We are on the threshold of the end, Scarmelli, and I want your help."
"Oh, Mr. Cleek, have you any idea—any clue?"
"Yes, more than a clue. I know how, but I have not yet discovered why. Now, if you know, tell me what did the chevalier mean, what did his wife mean, when they spoke of a dream that might have come true, but didn't? Do you know? Have you any idea? Or, if you have not, do you think your fiancée has?"
"Why, yes," he made reply. "Zelie has told me about it often. It is of a fortune that was promised and never materialized. Oh, such a long time ago, when he was quite a young man, the chevalier saved the life of a very great man, a Prussian nobleman of great wealth. He was profuse in his thanks and his promises, that nobleman; swore that he would make him independent for life, and all that sort of thing."
"And didn't?"
"No, he didn't. After a dozen letters promising the chevalier things that almost turned his head, the man dropped him entirely. In the midst of his dreams of wealth a letter came from the old skinflint's steward enclosing him the sum of six hundred marks, and telling him that as his master had come to the conclusion that wealth would be more of a curse than a blessing to a man of his class and station, he had thought better of his rash promise. He begged to tender the enclosed as a proper and sufficient reward for the service rendered, and 'should not trouble the young man any further.' Of course, the chevalier didn't reply. Who would, after having been promised wealth, education, everything one had confessed that one most desired? Being young, high-spirited, and bitterly, bitterly disappointed, the chevalier bundled the six hundred marks back without a single word, and that was the last he ever heard of the Baron von Steinheid from that day to this."
"The Baron von Steinheid?" repeated Cleek, pulling himself up as though he had trodden upon something. "Do you mean to say that the man whose life he saved—Scarmelli—tell me something: Does it happen by any chance that the 'Chevalier di Roma's' real name is Peter Janssen Pullaine?"
"Yes," said Scarmelli, in reply. "That is his name. Why?"
"Nothing, but that it solves the riddle, and—the lion has smiled for the last time! No, don't ask me any questions; there isn't time to explain. Get me as quickly as you can to the place where we left Mr. Narkom's motor. Will this way lead me out? Thanks! Get back to the others, and look for me again in two hours' time; and—Scarmelli!"
"Yes, sir?"
"One last word—don't let that boy get out of your sight for one instant, and don't, no matter at what cost, let the chevalier do his turn to-night before I get back. Good-bye for a time. I'm off."
Then he moved like a fleetly-passing shadow round the angle of the building, and two minutes later he was with Narkom in the red limousine.
"To the German embassy as fast as we can fly," he said as he scrambled in. "I've something to tell you about that lion's smile, Mr. Narkom, and I'll tell it while we're on the wing."
CHAPTER XVIII
It was nine o'clock and after. The great show at Olympia was at its height; the packed house was roaring with delight over the daring equestrianship of "Mlle. Marie de Zanoni," and the sound of the cheers rolled in to the huge dressing-tent, where the artists awaited their several turns, and the chevalier, in spangled trunks and tights, all ready for his call, sat hugging his child and shivering like a man with the ague.
"Come, come, buck up, man, and don't funk it like this," said Señor Sperati, who had graciously consented to assist him with his dressing because of the injury to his hand. "The idea of you losing your nerve, you of all men, and because of a little affair like that. You know very well that Nero is as safe as a kitten to-night, that he never has two smiling turns in the same week, much less the same day. Your act's the next on the programme. Buck up and go at it like a man."
"I can't, señor, I can't!" almost wailed the chevalier. "My nerve is gone. Never, if I live to be a thousand, shall I forget that awful moment, that appalling 'smile.' I tell you, there is wizardry in the thing; the beast is bewitched. My work in the arena is done—done for ever, señor. I shall never have courage to look into the beast's jaws again."
"Rot! You're not going to ruin the show, are you, and after all the money I've put into it? If you have no care for yourself, it's your duty to think about me. You can at least try. I tell you you must try! Here, take a sip of brandy, and see if that won't put a bit of courage into you. Hello!" as a burst of applause and the thud of a horse's hoofs down the passage to the stables came rolling in, "there's your wife's turn over at last; and there—listen! the ringmaster is announcing yours. Get up, man; get up and go out."
"I can't, señor—I can't! I can't!"
"But I tell you you must."
And just here an interruption came.
"Bad advice, my dear captain," said a voice—Cleek's voice—from the other end of the tent; and with a twist and a snarl the "señor" screwed round on his heel in time to see that other intruders were putting in an appearance as well as this unwelcome one.
"Who the deuce asked you for your opinion?" rapped out the "señor" savagely. "And what are you doing in here, anyhow? If we want the service of a vet., we're quite capable of getting one for ourselves without having him shove his presence upon us unasked."
"You are quite capable of doing a great many things, my dear captain, even making lions smile!" said Cleek serenely. "It would appear that the gallant Captain von Gossler, nephew, and, in the absence of one who has a better claim, heir to the late Baron von Steinheid—That's it, nab the beggar. Played, sir, played! Hustle him out and into the cab, with his precious confederate, the Irish-Italian 'signor,' and make a clean sweep of the pair of them. You'll find it a neck-stretching game, captain, I'm afraid, when the jury comes to hear of that poor boy's death and your beastly part in it."
By this time the tent was in an uproar, for the chevalier's wife had come hurrying in, the chevalier's daughter was on the verge of hysterics, and the chevalier's prospective son-in-law was alternately hugging the great beast-tamer and then shaking his hand and generally deporting himself like a respectable young man who had suddenly gone daft.
"Governor!" he cried, half laughing, half sobbing. "Bully old governor. It's over—it's over. Never any more danger, never any more hard times, never any more lion's smiles."
"No, never," said Cleek. "Come here, Madame Pullaine, and hear the good news with the rest. You married for love, and you've proved a brick. The dream's come true, and the life of ease and of luxury is yours at last, Mr. Pullaine."
"But, sir, I—I do not understand," stammered the chevalier. "What has happened? Why have you arrested the Señor Sperati? What has he done? I cannot comprehend."
"Can't you? Well, it so happens, chevalier, that the Baron von Steinheid died something like two months ago, leaving the sum of sixty thousand pounds sterling to one Peter Janssen Pullaine and the heirs of his body, and that a certain Captain von Gossler, son of the baron's only sister, meant to make sure that there was no Peter Janssen Pullaine and no heirs of his body to inherit one farthing of it."
"Sir! Dear God, can this be true?"
"Perfectly true, chevalier. The late baron's solicitors have been advertising for some time for news regarding the whereabouts of Peter Janssen Pullaine, and if you had not so successfully hidden your real name under that of your professional one, no doubt some of your colleagues would have put you in the way of finding it out long ago. The baron did not go back on his word and did not act ungratefully. His will, dated twenty-nine years ago, was never altered in a single particular. I rather suspect that that letter and that gift of money which came to you in the name of his steward, and was supposed to close the affair entirely, was the work of his nephew, the gentleman whose exit has just been made. A crafty individual that, chevalier, and he laid his plans cleverly and well. Who would be likely to connect him with the death of a beast-tamer in a circus, who had perished in what would appear an accident of his calling? Ah, yes, the lion's smile was a clever idea—he was a sharp rascal to think of it."
"Sir! You—you do not mean to tell me that he caused that? He never went near the beast—never—even once."
"Not necessary, chevalier. He kept near you and your children; that was all that he needed to do to carry out his plan. The lion was as much his victim as anybody else—you or your children. What it did it could not help doing. The very simplicity of the plan was its passport to success. All that was required was the unsuspected sifting of snuff on the hair of the person whose head was to be put in the beast's mouth. The lion's smile was not, properly speaking, a smile at all, chevalier; it was the torture which came of snuff getting into its nostrils, and when the beast made that uncanny noise and snapped its jaws together, it was simply the outcome of a sneeze. The thing would be farcical if it were not that tragedy hangs on the thread of it, and that a life, a useful human life, was destroyed by means of it. Yes, it was clever, it was diabolically clever; but you know what Bobby Burns says about the best laid schemes of mice and men. There's always a Power—higher up—that works the ruin of them."
With that he walked by, and, going to young Scarmelli, put out his hand.
"You're a good chap and you've got a good girl, so I expect you will be happy," he said; and then lowered his voice so that the rest might not reach the chevalier's ears. "You were wrong to suspect the little stepmother," he added. "She's true blue, Scarmelli. She was only playing up to those fellows because she was afraid the 'señor' would drop out and close the show if she didn't, and that she and her husband and the children would be thrown out of work. She loves her husband—that's certain—and she's a good little woman; and, Scarmelli!"
"Yes, Mr. Cleek?"
"There's nothing better than a good woman on this earth, my lad. Always remember that. I think you, too, have found one. I hope you have. I hope you'll be happy. What's that? Owe me? Not a rap, my boy. Or, if you feel that you must give me something, give me your prayers for equal luck, and—send me a slice of the wedding cake. Good-night!"
And twisted round on his heel and walked out; making his way out to the streets and facing the journey to Clarges Street afoot. For to be absolutely without envy of any sort is not given to anything born of woman; and the sight of this man's happiness, the knowledge of this man's reward, brought upon him a bitter recollection of how far he still was from his own.
Would he ever get that reward? he wondered. Would he ever be nearer to it than he was to-night? It hurt—yes, it hurt horribly, sometimes, this stone-cold silence, this walking always in shadowed paths without a ray of light, without the certainty of arriving anywhere, though he plod onward for a lifetime—and the old feeling of savage resentment, the old sense of self-pity—the surest thing on God's earth to blaze a trail for the oncoming of the worst that is in a man—bit at the soul of him and touched him on the raw again.
He knew what that boded; and he also knew the antidote.
"Dollops, they broke into our holiday—they did us out of a part of it, didn't they, old chap?" he said, when he reached home at last and found the boy anxiously awaiting him. "Well, we'll have a day for every hour they deprived us of, a whole day, bonny boy. Pack up again and we'll be off to the land as God made it, and where God's things still live; and we'll have a fortnight of it—a whole blessed fortnight, my boy, with the river and the fields and the flowers and the dreams that hide in trees."
Dollops made no reply. He simply bolted for the kit-bag and began to pack at once. And the morrow, when it came, found these two—the servant who was still a boy, and the master who had discovered the way back to boyhood's secrets—forging up the shining river and seeking the Land of Nightingales again.
CHAPTER XIX
The spring had blossomed itself out and the summer had bloomed itself in. The holiday up the river was a thing of the past; the dreams of the Dreamer had given place to those sterner phases of life which must be coped with by the Realist; and Cleek was "back in harness" again.
A half-dozen more or less important cases had occupied his time since his return; but, although he had carried these to a successful issue and had again been lauded to the skies by the daily papers, the one word of praise from the one quarter whence he so earnestly desired to hear was never forthcoming.
Of Ailsa Lorne he had heard not a solitary thing, either directly or indirectly, since that day when he had put her into the taxicab at Charing Cross Station and saw her safely on her way to Hampstead before he went his own.
True, her silence was, as he had agreed, an admission that all was well with her and that she had secured the position in question; true it was also that it was not for her to take the initiative and break that silence; that he fully realised how impossible, for a girl born and bred as she had been, to voluntarily open up a correspondence with a man who was as yet little more than a mere acquaintance; but, all the same, he chafed under that silence and spent many a wakeful hour at night brooding on it.
In his heart he knew that if any advance was to be made, that advance was the man's duty, not the woman's; but the fear that she would think he was thrusting himself upon her, the dread that even yet the white soul of her could not but shrink from a closer association with him, kept him from taking one step towards breaking the silence he deplored.
The French have a proverb which says: "It is always the unexpected that happens." And it was the unexpected that happened in this case.
In the midst of his dejection, in the very depths of returning despair, there came to him this note from Mr. Narkom:
"My Dear Cleek,
"Kindly refrain from going out this evening. I shall call about nine o'clock, bringing with me Miss Ailsa Lorne, whom you doubtless remember, and her present patron, Angela, Countess Chepstow, the young widow of that ripping old warhorse, who, as you may recall, quelled that dangerous and fanatical rising of the Cingalese at Trincomalee. These ladies wish to see you with reference to a most extraordinary case, an inexplicable mystery, which both they and I believe no man but yourself can satisfactorily probe.
"Yours in haste,
"Maverick Narkom."
So, then, he was to see her again, to touch her hand, hear her voice, look into the eyes that had lighted him back from the path to destruction! Cleek's heart began to hammer and his pulses to drum. Needless to say, he took extraordinary care with his toilet that evening, with the result that when the ladies arrived there was nothing even vaguely suggestive of the detective about him.
"Oh, Mr. Cleek, do help us—please do," implored Ailsa, after the first greetings were over. "Lady Chepstow is almost beside herself with dread and anxiety over the inexplicable thing, and I have persuaded her that if anybody on earth can solve the mystery of it, avert the new and appalling danger of it, it is you! Oh, say that you will take the case, say that you will save little Lord Chepstow and put an end to this maddening mystery!"
"Little Lord Chepstow?" repeated Cleek, glancing over at the countess, who stood, a very Niobe in her grief and despair, holding out two imploring hands in silent supplication. "That is your ladyship's son, is it not?"
"Yes," she answered, with a sort of wail; "my only son—my only child.
All that I have to love—all that I have to live for in this world."
"And you think the little fellow is in peril?"
"Yes—in deadly peril."
"From what source? From whose hand?"
"I don't know—I don't know!" she answered, distractedly. "Sometimes I am wild enough to suspect even Captain Hawksley, unjust and unkind as it seems."
"Captain Hawksley? Who is he?"
"My late husband's cousin; heir, after my little son, to the title and estates. He is very poor, deeply in debt, and the inheritance would put an end to all his difficulties. But he is fond of my son; they seem almost to worship each other. I, too, am fond of him. But, for all that, I have to remember that he and he alone would benefit by Cedric's death, and—and—wicked as it seems—Oh, Mr. Cleek, help me! Direct me! Sometimes I doubt him. Sometimes I doubt everybody. Sometimes I think of those other days, that other mystery, that land which reeks of them; and then—and then—Oh, that horrible Ceylon! I wish I had never set foot in it in all my life!"
Her agitation and distress were so great as to make her utterances only half coherent; and Ailsa, realising that this sort of thing must only perplex Cleek, and leave him in the dark regarding the matter upon which they had come to consult him, gently interposed.
"Do try to calm yourself and to tell the story as briefly as possible, dear Lady Chepstow," she advised. Then, taking the initiative, added quietly, "It begins, Mr. Cleek, at a period when his little lordship, whose governess I have the honour to be, was but two years old, and at Trincomalee, where his late father was stationed with his regiment four years ago. Somebody, for some absurd reason, had set afoot a ridiculous rumour that the English had received orders from the Throne to stamp out every religion but their own—in short, if the British were not exterminated, dreadful desecrations would occur, as they were determined—"
"To loot all the temples erected to Buddha, destroy the images, and make a bonfire of all the sacred relics," finished Cleek himself. "I rarely forget history, Miss Lorne, especially when it is such recent history as that memorable Buddhist rising at Trincomalee. It began upon an utterly unfounded, ridiculous rumour; it terminated, if my memory serves me correctly, in something akin to the very thing it was supposed to avert. That is to say, during the outburst of fanaticism, that most sacred of all relics—the holy tooth of Buddha—disappeared mysteriously from the temple of Dambool, and in spite of the fact that many lacs of rupees were offered for its recovery, it has never, I believe, been found, or even traced, to this day, although a huge fortune awaits the restorer, and, with it, overpowering honours from the native princes. Those must have been trying times, Lady Chepstow, for the commandant's wife, the mother of the commandant's only child?"
"Horrible! horrible!" she answered, with a shudder, forgetting for an instant the dangers of the present in the recollection of the tragical past. "For a period, our lives were not safe; murder hid behind every bush, skulked in the shadow of every rock and tree, and we knew not at what minute the little garrison might be rushed under cover of the darkness and every soul slaughtered before the relief force could come to our assistance. I died a hundred deaths in a day in my anxiety for husband and child. And once the very zealousness of our comrades almost brought about the horror I feared. Oh!"—with a shudder of horrified recollection and a covering of the eyes, as if to shut out the memory of it—"Oh! that night—that horrible night! Unknown to any of us, my baby, rising from the bed where I had left him sleeping, whilst I went outside to stand by Lord Chepstow, wandered beyond the line of defence, and, before anybody realised it, was out in the open, alone and unprotected.
"Ferralt, the cook, saw him first; saw, too, the crouching figure of a native, armed with a gun, in the shadow of the undergrowth. Without hesitation the brave fellow rushed out, fell upon the native before he could dart away, wrenched the gun from him, and brained him with the butt. A cry of the utmost horror rang out upon the air, and, uttering it, another native bounded out from a hiding-place close to where the first had been killed, and flew zigzagging across the open, where Cedric was. Evidently he had no intention of molesting the little fellow, for he fled straight on past him, still shrieking after the accident occurred; but to Ferralt it seemed as if his intention were to murder the boy, and, clapping the gun to his shoulder, in a panic of excitement, he fired. If it had been one of the soldiers, someone—anyone—who understood marksmanship and was not likely to be in a nervous quake over the circumstances, the thing could not have happened, although the fugitive was careering along in a direct line with my precious little one. But, with Ferralt—Oh, Mr. Cleek, can you imagine my horror when I saw the flash of that shot, heard a shrill cry of pain, and saw my child drop to the ground?"
"Good heaven!" exclaimed Cleek, agitated in spite of himself. "Then the blunderer shot the child instead of the native?"
"Yes; and was so horrified by the mishap that, without waiting to learn the result, he rushed blindly to the brink of a deep ravine, and threw himself headlong to death. But the injury to Cedric was only a trifling one after all. The bullet seemed merely to have grazed him in passing, and, beyond a ragged gash in the fleshy part of the thigh, he was not harmed at all. That I myself dressed and bandaged, and in a couple of weeks it was quite healed. But it taught me a lesson, that night of horror, and I never let my baby out of my sight for one instant from that time until the rising was entirely quelled.
"As suddenly as it had started, the trouble subsided. Native priests came under a flag of truce to Lord Chepstow, and confessed their error, acknowledged that they had never any right to suspect the British of any design upon their gods, for the loot of the temple had actually taken place in the midst of the rising, and they knew that it could not have come from the hands of the soldiers, for they had had them under surveillance all the time, and not one person of the race had ventured within a mile of the temple.
"Yet the tooth of Buddha had been taken, the sacred tooth which is more holy to Buddhists than the statue of Gautama Buddha itself. Their remorse was very real, and after that, to the day of his death from fever, eighteen months afterward, they could never show enough honour to Lord Chepstow. And even then their favour continued. They transferred to the little son the homage they had done the father, but in a far, far greater degree. If he had been a king's son they could have shown him no greater honour. Native princes showered him with rich gifts; if he walked out, his path was strewn with flowers by bowing maidens; if he went into the market-place, the people prostrated themselves before him.
"When I questioned Buddhist women of this amazing homage to Cedric, they gave me a full explanation. My son was sacred, they said. Buddha had withdrawn his favour from his people because of the evil they had done in suspecting the father and of the innocent life—Ferralt's—which had been sacrificed, and they had been commanded of the priests to do homage to the child and thereby appease the offended god, who, doubtless, had himself spirited away the holy tooth, and would not restore it until full recompense was made to the sacred son of the sacred dead.
"When it became known that I had decided to return to England with my boy, native princes offered me fabulous sums to remain, and when they found that I could not be tempted to stay, the populace turned out in every town and village through which we passed on our way to the ship, and bowing multitudes followed us to the very last. Nor did it cease with that, for in all the years that have followed, even here in London, the homage and worship have continued. My son can go nowhere but that he is followed by Cingalese; can see no man or woman of the race, but he or she prostrates herself before him and murmurs, 'Holy, most holy!' And daily, almost hourly, rich gifts are showered upon him from unknown hands, and he is watched over and guarded constantly. I tell you all this, Mr. Cleek, that you may the better understand how appalling is the horror which now assails us, how frightful is the knowledge that someone now seeks his life, and is using every means to take it."
"In other words, my dear Cleek," put in Narkom, as her ladyship, overcome with emotion, broke down suddenly, "there appears to be a sudden and inexplicable change of front on the part of these fanatics, and they now seem as anxious to bring evil to his little lordship as they formerly were to protect and cherish him. At any rate, someone of their order has, upon three separate occasions within the last month, endeavoured to kidnap him, and, in one instance, even attempted to murder him."
"Is that a fact?" queried Cleek sharply, glancing over at Miss Lorne.
"You are certain it is not a fancy, but an absolute fact?"
"Yes; oh, yes!" she made answer, agitatedly. "Twice when I have gone into the Park with him, attempts have been made to separate us, to get him away from me; and once they did get him away—so swiftly, so adroitly, that he had vanished before I could turn round. But, although a bag had been thrown over his head to stifle his cries, he managed to make a very little one. I plunged screaming into the undergrowth from which that cry had come, and was just in time to save him. He was lying on the ground all bundled up in a bag, and his assailant, who must have heard me coming, had gone as if by magic. His little lordship, however, was able to tell me that the man was a Cingalese, and that he had 'tried to cut him with a knife.'"
"Cut him with a knife?" repeated Cleek in a reflective tone, and blew out a long, low whistle.
"Oh! but that is not the worst, Mr. Cleek," went on Ailsa. "Three days ago a woman—a very beautiful and distinguished-looking woman—called to see Lady Chepstow regarding the reference of a former servant, one Jane Catherboys, who used to be her ladyship's maid. After the caller left, a box of sugared violets was found lying temptingly open on a table in the main hall. Little Cedric is passionately fond of sugared violets, and, had he happened to pass that way before the box was discovered, he surely would have yielded to the temptation and eaten some. In removing the box the parlour-maid accidentally upset it, and before she could gather all the violets up her ladyship's little Pomeranian dog snapped up one and ate it. It was dead in six minutes' time! The sweets were simply loaded with prussic acid. When we came to inquire into the matter in the hope of tracing the mysterious caller, we found that Jane Catherboys was no longer in need of a position; that she had been married for eight months; that she knew nothing whatever of the woman, and had sent no one to inquire into her references."
"All of which shows, my dear Cleek," put in Narkom significantly, "that, whatever hand is directing these attempts, it belongs to one who knows more than a mere outsider possibly could: in short, to one who is aware of his little lordship's excessive fondness for sugared violets, and is aware that Lady Chepstow once did have a maid named Jane Catherboys."
"If," said Cleek, "you mean to suggest by that that this points suspiciously in Captain Hawksley's direction, Mr. Narkom, permit me to say that it does not necessarily follow. The clever people of the under-world do nothing by halves nor without careful inquiry beforehand; that is what makes the difference between the common pickpocket and the brilliant swindler." He turned to Ailsa. "Is that all, Miss Lorne, or am I right in supposing that there is even worse to come?"
"Oh, much worse—much, Mr. Cleek! The knowledge that these would-be murderers, whoever they are, whatever may be their mysterious motive, have grown desperate enough to invade the house itself has driven Lady Chepstow well-nigh frantic. Of course, orders were immediately given to the servants that no stranger, no matter how well dressed, how well seeming, nor what the plea, was, from that moment, to be allowed past the threshold. We felt secure in that, knowing that no servant of the household would betray his or her trust, and that all would be on the constant watch for any further attempt. The unknown enemy must have found out about these precautions, for no stranger came again to the door. But last night a thing we had never counted upon happened. In the dead of the night the unknown broke into the house—into the very nursery itself—and but that Lady Chepstow, impelled she does not know by what, only that she was nervous and wakeful, and felt the need of some companionship, rose and carried the sleeping child into her own bed, he would assuredly have been murdered. The nurse, awakened by a horrible suffocating sensation, opened her eyes to find a man bending over her with a chloroform-soaked cloth, which he was about to lay over her face. She shrieked and fainted, but not before she saw the man spring to the little bed on the other side of her own, hack furiously at it with a long, murderous knife, then dart to the window and vanish. In the darkness he had not, of course, been able to see that that little bed was empty, for its position kept it in deep shadow, and hearing the household stir at the sound of the nurse's shriek, he struck out blindly and flew to save himself from detection. The nurse states that he was undoubtedly a foreigner—a dark-skinned Asiatic—and her description of him tallies with that his little lordship gave of the man who attempted to kill him that day in the Park. There, Mr. Cleek," she concluded, "that's the whole story. Can't you do something to help us—something to lift this constant state of dread and to remove this terrible danger from little Lord Chepstow's life?"