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Collected Poems 1901-1918 in Two Volumes. Volume II. cover

Collected Poems 1901-1918 in Two Volumes. Volume II.

Chapter 35: CAPTAIN LEAN
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About This Book

This collection gathers lyrical poems that range from playful childhood verses and lullabies to darker, uncanny pieces; many adopt a quiet, imagistic voice that dwells on sleep, dreams, fairies, domestic and rural scenes, and the mingling of wonder with subtle melancholy. Short, songlike stanzas, narrative vignettes, and mood pieces alternate, using delicate sensory detail and occasionally archaic diction to evoke pastoral evenings, haunted houses, and the inward life of children and solitary figures. Recurring motifs include night, music, birds, and memorials of loss, and the overall tone moves between tender nostalgia and gentle eeriness.

SLEEPING BEAUTY

The scent of bramble fills the air,
  Amid her folded sheets she lies,
The gold of evening in her hair,
  The blue of morn shut in her eyes.

How many a changing moon hath lit
  The unchanging roses of her face!
Her mirror ever broods on it
  In silver stillness of the days.

Oft flits the moth on filmy wings
  Into his solitary lair;
Shrill evensong the cricket sings
  From some still shadow in her hair.

In heat, in snow, in wind, in flood,
  She sleeps in lovely loneliness,
Half-folded like an April bud
  On winter-haunted trees.

THE HORN

Hark! is that a horn I hear,
  In cloudland winding sweet—
And bell-like clash of bridle-rein,
  And silver-shod light feet?

Is it the elfin laughter
  Of fairies riding faint and high,
Beneath the branches of the moon,
  Straying through the starry sky?

Is it in the globèd dew
  Such sweet melodies may fall?
Wood and valley—all are still,
  Hushed the shepherd's call.

CAPTAIN LEAN

Out of the East a hurricane
  Swept down on Captain Lean—
That mariner and gentleman
  Will never again be seen.

He sailed his ship against the foes
  Of his own country dear,
But now in the trough of the billows
  An aimless course doth steer.

Powder was violets to his nostrils,
  Sweet the din of the fighting-line,
Now he is flotsam on the seas,
  And his bones are bleached with brine.

The stars move up along the sky,
  The moon she shines so bright,
And in that solitude the foam
  Sparkles unearthly white.

This is the tomb of Captain Lean,
  Would a straiter please his soul?
I trow he sleeps in peace,
  Howsoever the billows roll!

THE PORTRAIT OF A WARRIOR

His brow is seamed with line and scar;
  His cheek is red and dark as wine;
The fires as of a Northern star
  Beneath his cap of sable shine.

His right hand, bared of leathern glove,
  Hangs open like an iron gin,
You stoop to see his pulses move,
  To hear the blood sweep out and in.

He looks some king, so solitary
  In earnest thought he seems to stand,
As if across a lonely sea
  He gazed impatient of the land.

Out of the noisy centuries
  The foolish and the fearful fade;
Yet burn unquenched these warrior eyes,
  Time hath not dimmed, nor death dismayed.

HAUNTED

From out the wood I watched them shine,—
  The windows of the haunted house,
Now ruddy as enchanted wine,
  Now dark as flittermouse.

There went a thin voice piping airs
  Along the grey and crooked walks,—
A garden of thistledown and tares,
  Bright leaves, and giant stalks.

The twilight rain shone at its gates,
  Where long-leaved grass in shadow grew;
And black in silence to her mates
  A voiceless raven flew.

Lichen and moss the lone stones greened,
  Green paths led lightly to its door,
Keen from her hair the spider leaned,
  And dusk to darkness wore.

Amidst the sedge a whisper ran,
  The West shut down a heavy eye,
And like last tapers, few and wan,
  The watch-stars kindled in the sky.

THE RAVEN'S TOMB

"Build me my tomb," the Raven said,
  "Within the dark yew-tree,
So in the Autumn yewberries
  Sad lamps may burn for me.
Summon the haunted beetle,
  From twilight bud and bloom,
To drone a gloomy dirge for me
  At dusk above my tomb.
Beseech ye too the glowworm
  To rear her cloudy flame,
Where the small, flickering bats resort,
  Whistling in tears my name.
Let the round dew a whisper make,
  Welling on twig and thorn;
And only the grey cock at night
  Call through his silver horn.
And you, dear sisters, don your black
  For ever and a day,
To show how true a raven
  In his tomb is laid away."

THE CHRISTENING

The bells chime clear,
Soon will the sun behind the hills sink down;
Come, little Ann, your baby brother dear
Lies in his christening-gown.

His godparents,
Are all across the fields stepped on before,
And wait beneath the crumbling monuments,
This side the old church door.

Your mammie dear
Leans frail and lovely on your daddie's arm;
Watching her chick, 'twixt happiness and fear,
Lest he should come to harm.

All to be blest
Full soon in the clear heavenly water, he
Sleeps on unwitting of it, his little breast
Heaving so tenderly.

I carried you,
My little Ann, long since on this same quest,
And from the painted windows a pale hue
Lit golden on your breast;

And then you woke,
Chill as the holy water trickled down,
And, weeping, cast the window a strange look,
Half smile, half infant frown.

I scarce could hear
The shrill larks singing in the green meadows,
'Twas summertide, and, budding far and near,
The hedges thick with rose.

And now you're grown
A little girl, and this same helpless mite
Is come like such another bud half-grown,
Out of the wintry night.

Time flies, time flies!
And yet, bless me! 'tis little changed am I;
May Jesu keep from tears those infant eyes,
Be love their lullaby!

THE FUNERAL

They dressed us up in black,
  Susan and Tom and me—
And, walking through the fields
  All beautiful to see,
With branches high in the air
  And daisy and buttercup,
We heard the lark in the clouds—
  In black dressed up.

They took us to the graves,
  Susan and Tom and me,
Where the long grasses grow
  And the funeral tree:
We stood and watched; and the wind
  Came softly out of the sky
And blew in Susan's hair,
  As I stood close by.

Back through the fields we came,
  Tom and Susan and me,
And we sat in the nursery together,
  And had our tea.
And, looking out of the window,
  I heard the thrushes sing;
But Tom fell asleep in his chair,
  He was so tired, poor thing.

THE MOTHER BIRD

Through the green twilight of a hedge
I peered, with cheek on the cool leaves pressed,
And spied a bird upon a nest:
Two eyes she had beseeching me
Meekly and brave, and her brown breast
Throbbed hot and quick above her heart;
And then she opened her dagger bill,—
'Twas not a chirp, as sparrows pipe
At break of day; 'twas not a trill,
As falters through the quiet even;
But one sharp solitary note,
One desperate, fierce, and vivid cry
Of valiant tears, and hopeless joy,
One passionate note of victory;
Off, like a fool afraid, I sneaked,
Smiling the smile the fool smiles best,
At the mother bird in the secret hedge
Patient upon her lonely nest.

THE CHILD IN THE STORY GOES TO BED

I prythee, Nurse, come smooth my hair,
  And prythee, Nurse, unloose my shoe,
And trimly turn my silken sheet
  Upon my quilt of gentle blue.

My pillow sweet of lavender
  Smooth with an amiable hand,
And may the dark pass peacefully by
  As in the hour-glass droops the sand.

Prepare my cornered manchet sweet,
  And in my little crystal cup
Pour out the blithe and flowering mead
  That forthwith I may sup.

Withdraw my curtains from the night,
  And let the crispèd crescent shine
Upon my eyelids while I sleep,
  And soothe me with her beams benign.

Dark looks the forest far-away;
  O, listen! through its empty dales
Rings from the solemn echoing boughs
  The music of its nightingales.

Now quench my silver lamp, prythee,
  And bid the harpers harp that tune
Fairies which haunt the meadowlands
  Sing clearly to the stars of June.

And bid them play, though I in dreams
  No longer heed their pining strains,
For I would not to silence wake
  When slumber o'er my senses wanes.

You Angels bright who me defend,
  Enshadow me with curvèd wing,
And keep me in the darksome night.
  Till dawn another day do bring.

THE LAMPLIGHTER

When the light of day declines,
And a swift angel through the sky
Kindles God's tapers clear,
With ashen staff the lamplighter
Passes along the darkling streets
To light our earthly lamps;

Lest, prowling in the darkness,
The thief should haunt with quiet tread,
Or men on evil errands set;
Or wayfarers be benighted;
Or neighbors, bent from house to house,
Should need a guiding torch.

He is like a needlewoman
Who deftly on a sable hem
Stitches in gleaming jewels;
Or, haply, he is like a hero,
Whose bright deeds on the long journey
Are beacons on our way.

And when in the East comes morning,
And the broad splendour of the sun,
Then, with the tune of little birds
Rings on high, the lamplighter
Passes by each quiet house,
And he puts out the lamps.

I MET AT EVE

I met at eve the Prince of Sleep,
  His was a still and lovely face,
He wandered through a valley steep,
  Lovely in a lonely place.

His garb was grey of lavender,
  About his brows a poppy-wreath
Burned like dim coals, and everywhere
  The air was sweeter for his breath.

His twilight feet no sandals wore,
  His eyes shone faint in their own flame,
Fair moths that gloomed his steps before
  Seemed letters of his lovely name.

His house is in the mountain ways,
  A phantom house of misty walls,
Whose golden flocks at evening graze,
  And witch the moon with muffled calls.

Upwelling from his shadowy springs
  Sweet waters shake a trembling sound,
There flit the hoot-owl's silent wings,
  There hath his web the silkworm wound.

Dark in his pools clear visions lurk,
  And rosy, as with morning buds,
Along his dales of broom and birk
  Dreams haunt his solitary woods.

I met at eve the Prince of Sleep,
  His was a still and lovely face,
He wandered through a valley steep,
  Lovely in a lonely place.

LULLABY

Sleep, sleep, lovely white soul;
The little mouse cheeps plaintively,
The night-bird in the chestnut-tree—
They sing together, bird and mouse,
In starlight, in darkness, lonely, sweet,
The wild notes and the faint notes meet—
  Sleep, sleep, lovely white soul.

Sleep, sleep, lovely white soul;
Amid the lilies floats the moth,
The mole along his galleries goeth
In the dark earth; the summer moon
Looks like a shepherd through the pane
Seeking his feeble lamp again—
  Sleep, sleep, lovely white soul.

Sleep, sleep, lovely white soul;
Time comes to keep night-watch with thee,
Nodding with roses; and the sea
Saith "Peace! Peace!" amid his foam.
"O be still!"
The wind cries up the whispering hill—
  Sleep, sleep, lovely white soul.

ENVOI

Child, do you love the flower
  Ashine with colour and dew
Lighting its transient hour?
    So I love you.

The lambs in the mead are at play,
  'Neath a hurdle the shepherd's asleep;
From height to height of the day
    The sunbeams sweep.

Evening will come. And alone
  The dreamer the dark will beguile;
All the world will be gone
    For a dream's brief while.

Then I shall be old; and away:
  And you, with sad joy in your eyes,
Will brood over children at play
    With as loveful surmise.

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