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Collected Poems: Volume One

Chapter 47: EARTH-BOUND
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About This Book

A diverse anthology of poems ranging from short lyrics to longer narrative and dramatic ballads, moving between contemplative meditations on time, love, mortality, and nature and vivid seafaring and travel imagery. The pieces employ mythic and classical allusion, wartime and patriotic reflection, and occasional playful or eerie sketches, using varied forms—odes, songs, ballads, and lyrical monologues—to shift tone from elegiac and mystical to energetic and rollicking. Recurring motifs include memory, artistic creation, and the passage of years, and the collection balances polished technical craft with a strong storytelling impulse and varied emotional range.

I am weary of disbelieving: why should I wound my love
To pleasure a sophist's pride in a graven image of truth?
I will go back to my home, with the clouds and the stars above,
And the heaven I used to know, and the God of my buried youth.
I will go back to the home where of old in my boyish pride
I pierced my father's heart with a murmur of unbelief.
He only looked in my face as I spoke, but his mute eyes cried
Night after night in my dreams; and he died in grief, in grief.
Books? I have read the books, the books that we write ourselves,
Extolling our love of an abstract truth and our pride of debate:
I will go back to the love of the cotter who sings as he delves,
To that childish infinite love and the God above fact and date.
To that ignorant infinite God who colours the meaningless flowers,
To that lawless infinite Poet who crowns the law with the crime;
To the Weaver who covers the world with a garment of wonderful hours,
And holds in His hand like threads the tales and the truths of time.
Is the faith of the cotter so simple and narrow as this? Ah, well,
It is hardly so narrow as yours who daub and plaster with dyes
The shining mirrors of heaven, the shadowy mirrors of hell,
And blot out the dark deep vision, if it seem to be framed with lies.
No faith I hurl against you, no fact to freeze your sneers.
Only the doubt you taught me to weld in the fires of youth
Leaps to my hand like the flaming sword of nineteen hundred years,
The sword of the high God's answer, O Pilate, what is truth?
Your laughter has killed more hearts than ever were pierced with swords,
Ever you daub new mirrors and turn the old to the wall;
And more than blood is lost in the weary battle of words;
For creeds are many; but God is One, and contains them all.
Ah, why should we strive or cry? Surely the end is close!
Hold by your little truths: deem your triumph complete!
But nothing is true or false in the infinite heart of the rose;
And the earth is a little dust that clings to our travelling feet.
I will go back to my home and look at the wayside flowers,
And hear from the wayside cabins the kind old hymns again,
Where Christ holds out His arms in the quiet evening hours,
And the light of the chapel porches broods on the peaceful lane.
And there I shall hear men praying the deep old foolish prayers,
And there I shall see, once more, the fond old faith confessed,
And the strange old light on their faces who hear as a blind man hears,—
Come unto Me, ye weary, and I will give you rest.
I will go back and believe in the deep old foolish tales,
And pray the simple prayers that I learned at my mother's knee,
Where the Sabbath tolls its peace thro' the breathless mountain-vales,
And the sunset's evening hymn hallows the listening sea.

THE DEATH OF CHOPIN

Sing to me! Ah, remember how
Poor Heine here in Paris leant
Watching me play at the fall of day
And following where the music went,
Till that old cloud upon his brow
Was almost smoothed away.
"Do roses in the moonlight flame
Like this and this?" he said and smiled;
Then bent his head as o'er his dead
Brother might breathe some little child
The accustomed old half-jesting name,
With all its mockery fled,
Like summer lightnings, far away,
In heaven. O, what Bohemian nights
We passed down there for that brief year
When art revealed her last delights;
And then, that night, that night in May
When Hugo came to hear!
"Do roses in the moonlight glow
Like this and this?" I could not see
His eyes, and yet—they were quite wet,
Blinded, I think! What should I be
If in that hour I did not know
My own diviner debt?
For God has made this world of ours
Out of His own exceeding pain,
As here in art man's bleeding heart
Slow drop by drop completes the strain;
And dreams of death make sweet the flowers
Where lovers meet to part.
Recall, recall my little room
Where all the masters came that night,
Came just to hear me, Meyerbeer,
Lamartine, Balzac; and no light
But my two candles in the gloom;
Though she, she too was there,
George Sand. This music once unlocked
My heart, she took the gold she prized:
Her novel gleams no richer: dreams
Like mine are best unanalysed:
And she forgets her poor bemocked
Prince Karol, now, it seems.
I was Prince Karol; yes, and Liszt
Count Salvator Albani: she
My Floriani—all so far
Away!—My dreams are like the sea
That round Majorca sighed and kissed
Each softly mirrored star.
O, what a golden round of hours
Our island villa knew: we two
Alone with sky and sea, the sigh
Of waves, the warm unfathomed blue;
With what a chain of nights like flowers
We bound Love, she and I.
What music, what harmonious
Glad triumphs of the world's desire
Where passion yearns to God and burns
Earth's dross out with its own pure fire,
Or tolls like some deep angelus
Through Death's divine nocturnes.
"Do roses in the moonlight glow
Like this and this?" What did she think
Of him whose hands at Love's command
Made Life as honey o'er the brink
Of Death drip slow, darkling and slow?
Ah, did she understand?
She studied every sob she heard,
She watched each dying hope she found;
And yet she understood not one
Poor sorrow there that like a wound
Gaped, bleeding, pleading—for one word—
No? And the dream was done.
For her—I am "wrapped in incense gloom,
In drifting clouds and golden light;"
Once I was shod with fire and trod
Beethoven's path through storm and night:
It is too late now to resume
My monologue with God.
Well, my lost love, you were so kind
In those old days: ah, yes; you came
When I was ill! In dreams you still
Will come? (Do roses always flame
By moonlight, thus?) I, too, grow blind
With wondering if she will.
Yet, Floriani, what am I
To you, though love was life to me?
My life consumed like some perfumed
Pale altar-flame beside the sea:
You stood and smiled and watched it die!
You, you whom it illumed, Could you not feed it with your love?
Am I not starving here and now?
Sing, sing! I'd miss no smile or kiss—
No roses in Majorca glow
Like this and this—so death may prove
Best—ah, how sweet life is!

SONG

(AFTER THE FRENCH OF ROSTAND)

O, many a lover sighs
Beneath the summer skies
For black or hazel eyes
All day.
No light of hope can mar
My whiter brighter star;
I love a Princess far
Away.
Now you that haste to meet
Your love's returning feet
Must plead for every sweet
Caress;
But, day and night and day,
Without a prayer to pray,
I love my far away
Princess.

BUTTERFLIES

Sun-child, as you watched the rain
Beat the pane,
Saw the garden of your dreams
Where the clove carnation grows
And the rose
Veiled with shimmering shades and gleams, Mirrored colours, mystic gleams,
Fairy dreams,
Drifting in your radiant eyes
Half in earnest asked, that day,
Half in play,
Where were all the butterflies?
Where were all the butterflies
When the skies
Clouded and their bowers of clover
Bowed beneath the golden shower?
Every flower
Shook and the rose was brimming over.
Ah, the dog-rose trembling over
Thyme and clover,
How it glitters in the sun,
Now the hare-bells lift again
Bright with rain
After all the showers are done!
See, when all the showers are done,
How the sun
Softly smiling o'er the scene
Bids the white wings come and go
To and fro
Through the maze of gold and green.
Magic webs of gold and green
Rainbow sheen
Mesh the maze of flower and fern,
Cuckoo-grass and meadow-sweet,
And the wheat
Where the crimson poppies burn.
Ay; and where the poppies burn,
They return
All across the dreamy downs,
Little wings that flutter and beat
O'er the sweet
Bluffs the purple clover crowns.
Where the fairy clover crowns
Dreamy downs,
And amidst the golden grass
Buttercups and daisies blow
To and fro
When the shadowy billows pass;
Time has watched them pause and pass
Where Love was;
Ah, what fairy butterflies,
Little wild incarnate blisses,
Coloured kisses,
Floating under azure skies!
Under those eternal skies
See, they rise:
Mottled wings of moony sheen,
Wings in whitest star-shine dipped,
Orange tipped,
Eyed with black and veined with green.
They were fairies plumed with green
Rainbow-sheen
Ere Time bade their host begone
From that palace built of roses
Which still dozes
In the greenwood all alone.
In the greenwood all alone
And unknown:
Now they roam these mortal dells
Wondering where that happy glade is,
Painted Ladies,
Admirals, and Tortoise-shells,
O, Fritillaries, Admirals,
Tortoise-shells;
You, like fragments of the skies
Fringed with Autumn's richest hues,
Dainty blues
Patterned with mosaic dyes; Oh, and you whose peacock dyes
Gleam with eyes;
You, whose wings of burnished copper
Burn upon the sunburnt brae
Where all day
Whirrs the hot and grey grasshopper;
While the grey grasshopper whirrs
In the furze,
You that with your sulphur wings
Melt into the gold perfume
Of the broom
Where the linnet sits and sings;
You that, as a poet sings,
On your wings
Image forth the dreams of earth,
Quickening them in form and hue
To the new
Glory of a brighter birth;
You that bring to a brighter birth
Dust and earth,
Rapt to glory on your wings,
All transfigured in the white
Living light
Shed from out the soul of things;
Heralds of the soul of things,
You whose wings
Carry heaven through every glade;
Thus transfigured from the petals
Death unsettles,
Little souls of leaf and blade;
You that mimic bud and blade,
Light and shade;
Tinted souls of leaf and stone,
Flower and sunny bank of sand,
Fairyland
Calls her children to their own; Calls them back into their own
Great unknown;
Where the harmonies they cull
On their wings are made complete
As they beat
Through the Gate called Beautiful.

SONG OF THE WOODEN-LEGGED FIDDLER

(PORTSMOUTH 1805)

I lived in a cottage adown in the West
When I was a boy, a boy;
But I knew no peace and I took no rest
Though the roses nigh smothered my snug little nest;
For the smell of the sea
Was much rarer to me,
And the life of a sailor was all my joy.
Chorus.The life of a sailor was all my joy!
My mother she wept, and she begged me to stay
Anchored for life to her apron-string,
And soon she would want me to help with the hay;
So I bided her time, then I flitted away
On a night of delight in the following spring,
With a pair of stout shoon
And a seafaring tune
And a bundle and stick in the light of the moon,
Down the long road
To Portsmouth I strode,
To fight like a sailor for country and king.
Chorus.To fight like a sailor for country and king.
And now that my feet are turned homeward again
My heart is still crying Ahoy! Ahoy!
And my thoughts are still out on the Spanish main
A-chasing the frigates of France and Spain,
For at heart an old sailor is always a boy; And his nose will still itch
For the powder and pitch
Till the days when he can't tell t'other from which,
Nor a grin o' the guns from a glint o' the sea,
Nor a skipper like Nelson from lubbers like me.
Chorus.Nor a skipper like Nelson from lubbers like me.
Ay! Now that I'm old I'm as bold as the best,
And the life of a sailor is all my joy;
Though I've swapped my leg
For a wooden peg
And my head is as bald as a new-laid egg,
The smell of the sea
Is like victuals to me,
And I think in the grave I'll be crying Ahoy!
For, though my old carcass is ready to rest,
At heart an old sailor is always a boy.
Chorus.At heart an old sailor is always a boy.

THE FISHER-GIRL

Where the old grey churchyard slopes to the sea,
On the sunny side of a mossed headstone;
Watching the wild white butterflies pass
Through the fairy forests of grass,
Two little children with brown legs bare
Were merrily, merrily
Weaving a wonderful daisy-chain,
And chanting the rhyme that was graven there
Over and over and over again;
While the warm wind came and played with their hair
And laughed and was gone
Out, far out to the foam-flowered lea
Like an ocean-wandering memory.
Eighteen hundred and forty-three,
Dan Trevennick was lost at sea;
And, buried here at her husband's side
Lies the body of Joan, his bride,
Who, a little while after she lost him, died.
This was the rhyme that was graven there,
And the children chanted it quietly;
As the warm wind came and played with their hair,
And rustled the golden grasses against the stone,
And laughed and was gone
To waken the wild white flowers of the sea,
And sing a song of the days that were,
A song of memory, gay and blind
As the sun on the graves that it left behind;
For this, ah this, was the song of the wind.
I
She sat on the tarred old jetty, with a sailor's careless ease,
And the clear waves danced around her feet and kissed her tawny knees;
Her head was bare, and her thick black hair was coiled behind a throat
Chiselled as hard and bright and bold as the bow of a sailing boat.
II
Her eyes were blue, and her jersey was blue as the lapping, slapping seas,
And the rose in her cheek was painted red by the brisk Atlantic breeze;
And she sat and waited her father's craft, while Dan Trevennick's eyes
Were sheepishly watching her sunlit smiles and her soft contented sighs.
III
For he thought he would give up his good black pipe and his evening glasses of beer,
And blunder to chapel on Sundays again for a holy Christian year,
To hold that foot in his hard rough hand and kiss the least of its toes:
Then he swore at himself for a great damned fool; which he probably was, God knows.
IV
Often in summer twilights, too, he would sit on a coil of rope,
As the stars came out in their twinkling crowds to play with wonder and hope,
While he watched the side of her clear-cut face as she sat on the jetty and fished,
And even to help her coil her line was more than he hoped or wished.
V
But once or twice o'er the dark green tide he saw with a solemn delight,
Hooked and splashing after her line, a flash and a streak of white;
As hand over hand she hauled it up, a great black conger eel,
For Dan Trevennick to kill as it squirmed with its head beneath his heel.
VI
And at last, with a crash and a sunset cry from the low soft evening star,
A shadowy schooner suddenly loomed o'er the dark green oily bar;
With fairy-like spars and misty masts in the golden dusk of gloaming,
Where the last white seamew's wide-spread wings were wistfully westward roaming;
VII
Then the song of the foreign seamen rose in the magical evening air,
Faint and far away, as it seemed, but they knew it was, ah, so near;
Far away as her heart from Dan's as he sheepishly drew to her side,
And near as her heart when he kissed the lips of his newly promised bride.
VIII
And when they were riding away in the train on the night of their honeymoon,
What a whisper tingled against her cheek as it blushed like a rose in June;
For she said, "I am tired and ready for bed," and Dan said, "So am I;"
And she murmured, "Are you tired, too, poor Dan?" and he answered her, "No, dear, why?"
IX
It was never a problem-play, at least, and the end of it all is this;
They were drowned in the bliss of their ignorance and buried the rest in a kiss;
And they loved one another their whole life long, as lovers will often do;
For it never was only the fairy-tales that rang so royally true.
X
The rose in her cheek was painted red by the brisk Atlantic breeze;
Her eyes were blue, and her jersey was blue as the lapping, slapping seas;
Her head was bare, and her thick black hair was coiled behind a throat
Chiselled as hard and bright and bold as the bow of a sailing boat.
XI
Eighteen hundred and forty-three,
Dan Trevennick was lost at sea;
And, buried here at her husband's side
Lies the body of Joan, his bride,
Who, a little while after she lost him, died.

A SONG OF TWO BURDENS

The round brown sails were reefed and struggling home
Over the glitter and gloom of the angry deep:
Dark in the cottage she sang, "Soon, soon, he will come,
Dreamikin, Drowsy-head, sleep, my little one, sleep."
Over the glitter and gloom of the angry deep
Was it only a dream or a shadow that vanished away?
"Lullaby, little one, sleep, my little one, sleep."
She sang in a dream as the shadows covered the day.
Was it only a sail or a shadow that vanished away?
The boats come home: there is one that will never return;
But she sang in a dream as the shadows buried the day;
And she set the supper and begged the fire to burn.
The boats come home; but one will never return;
And a strangled cry went up from the struggling sea.
She sank on her knees and begged the fire to burn,
"Burn, oh burn, for my love is coming to me!"
A strangled cry went up from the struggling sea,
A cry where the ghastly surf to the moon-dawn rolled;
"Burn, oh burn; for my love is coming to me,
His hands will be scarred with the ropes and starved with the cold."
A strangled cry where the foam in the moonlight rolled,
A bitter cry from the heart of the ghastly sea;
"His hands will be frozen, the night is dark and cold,
Burn, oh burn, for my love is coming to me."
One cry to God from the soul of the shuddering sea,
One moment of stifling lips and struggling hands;
"Burn, oh burn; for my love is coming to me;
And oh, I think the little one understands."
One moment of stifling lips and struggling hands,
Then only the glitter and gloom of the angry deep;
"And oh, I think the little one understands;
Dreamikin, Drowsy-head, sleep, my little one, sleep."

EARTH-BOUND

Ghosts? Love would fain believe,
Earth being so fair, the dead might wish to return!
Is it so strange if, even in heaven, they yearn
For the May-time and the dreams it used to give?
Through dark abysms of Space,
From strange new spheres where Death has called them now
May they not, with a crown on every brow,
Still cry to the loved earth's lost familiar face?
We two, love, we should come
Seeking a little refuge from the light
Of the blinding terrible star-sown Infinite,
Seeking some sheltering roof, some four-walled home,
From that too high, too wide
Communion with the universe and God,
How glad to creep back to some lane we trod
Hemmed in with a hawthorn hedge on either side.
Fresh from death's boundless birth,
How fond the circled vision of the sea
Would seem to souls tired of Infinity,
How kind the soft blue boundaries of earth,
How rich the nodding spray
Of pale green leaves that made the sapphire deep
A background to the dreams of that brief sleep
We called our life when heaven was far away.
How strange would be the sight
Of the little towns and twisted streets again,
Where all the hurrying works and ways of men
Would seem a children's game for our delight.
What boundless heaven could give
This joy in the strait austere restraints of earth,
Whereof the dead have felt the immortal dearth
Who look upon God's face and cannot live?
Our ghosts would clutch at flowers
As drowning men at straws, for fear the sea
Should sweep them back to God's Eternity,
Still clinging to the day that once was ours.
No more with fevered brain
Plunging across the gulfs of Space and Time
Would we revisit this our earthly clime
We two, if we could ever come again;
Not as we came of old,
But reverencing the flesh we now despise
And gazing out with consecrated eyes,
Each of us glad of the other's hand to hold.
So we should wander nigh
Our mortal home, and see its little roof
Keeping the deep eternal night aloof
And yielding us a refuge from the sky.
We should steal in, once more,
Under the cloudy lilac at the gate,
Up the walled garden, then with hearts elate
Forget the stars and close our cottage door.
Oh then, as children use
To make themselves a little hiding-place,
We would rejoice in narrowness of space,
And God should give us nothing more to lose.
How good it all would seem
To souls that from the æonian ebb and flow
Came down to hear once more the to and fro
Swing o' the clock dictate its hourly theme.
How dear the strange recall
From vast antiphonies of joy and pain
Beyond the grave, to these old books again,
That cosy lamp, those pictures on the wall.
Home! Home! The old desire!
We would shut out the innumerable skies,
Draw close the curtains, then with patient eyes
Bend o'er the hearth; laugh at our memories,
Or watch them crumbling in the crimson fire.

ART, THE HERALD

"The voice of one crying in the wilderness"

I
Beyond; beyond; and yet again beyond!
What went ye out to seek, oh foolish-fond?
Is not the heart of all things here and now?
Is not the circle infinite, and the centre
Everywhere, if ye would but hear and enter?
Come; the porch bends and the great pillars bow.
II
Come; come and see the secret of the sun;
The sorrow that holds the warring worlds in one;
The pain that holds Eternity in an hour;
One God in every seed self-sacrificed,
One star-eyed, star-crowned universal Christ,
Re-crucified in every wayside flower.

THE OPTIMIST

Teach me to live and to forgive
The death that all must die
Who pass in slumber through this heaven
Of earth and sea and sky; Who live by grace of Time and Space
At which their peace is priced;
And cast their lots upon the robe
That wraps the cosmic Christ;
Who cannot see the world-wide Tree
Where Love lies bleeding still;
This universal cross of God
Our star-crowned Igdrasil.
Teach me to live; I do not ask
For length of earthly days,
Or that my heaven-appointed task
Should fall in pleasant ways;
If in this hour of warmth and light
The last great knell were knolled;
If Death should close mine eyes to-night
And all the tale be told;
While I have lips to speak or sing
And power to draw this breath,
Shall I not praise my Lord and King
Above all else, for death?
When on a golden eve he drove
His keenest sorrow deep
Deep in my heart, and called it love;
I did not wince or weep.
A wild Hosanna shook the world
And wakened all the sky,
As through a white and burning light
Her passionate face went by.
When on a golden dawn he called
My best beloved away,
I did not shrink or stand appalled
Before the hopeless day.
The joy of that triumphant dearth
And anguish cannot die;
The joy that casts aside this earth
For immortality.
I would not change one word of doom
Upon the dreadful scroll,
That gave her body to the tomb
And freed her fettered soul.
For now each idle breeze can bring
The kiss I never seek;
The nightingale has heard her sing,
The rose caressed her cheek.
And every pang of every grief
That ruled my soul an hour,
Has given new splendours to the leaf,
New glories to the flower;
And melting earth into the heaven
Whose inmost heart is pain,
Has drawn the veils apart and given
Her soul to mine again.

A POST-IMPRESSION

I
He sat with his foolish mouth agape at the golden glare of the sea,
And his wizened and wintry flaxen locks fluttered around his ears,
And his foolish infinite eyes were full of the sky's own glitter and glee,
As he dandled an old Dutch Doll on his knee and sang the song of the spheres.
II
Blue and red and yellow and green they are melting away in the white;
Hey! but the wise old world was wrong and my idiot heart was right;
Yes; and the merry-go-round of the stars rolls to my cracked old tune,
Hey! diddle, diddle, the cat and the fiddle, the cow jumped over the moon.
III
Then he cradled his doll on his crooning heart and cried as a sea-bird cries;
And the hot sun reeled like a drunken god through the violent violet vault:
And the hillside cottage that danced to the deep debauch of the perfumed skies
Grew palsied and white in the purple heath as a pillar of Dead Sea salt.
IV
There were three gaunt sun-flowers nigh his chair: they were yellow as death and tall;
And they threw their sharp blue shadowy stars on the blind white wizard wall;
And they nodded their heads to the weird old hymn that daunted the light of the noon,
Hey! diddle, diddle, the cat and the fiddle, the cow jumped over the moon.
V
The little dog laughed and leered with the white of his eye as he sidled away
To stare at the dwarfish hunchback waves that crawled to the foot of the hill,
For his master's infinite mind was wide to the wealth of the night and the day;
The walls were down: it was one with the Deep that only a God can fill.
VI
Then a tiny maiden of ten sweet summers arrived with a song and a smile,
And she swung on the elfin garden-gate and sung to the sea for a while,
And a phantom face went weeping by and a ghost began to croon
Hey! diddle, diddle, the cat and the fiddle, the cow jumped over the moon.
VII
And she followed a butterfly up to his chair; and the moon-calf caught at her hand
And stared at her wide blue startled eyes and muttered, "My dear, I have been,
In fact, I am there at this moment, I think, in a wonderful fairy-land:"
And he bent and he whispered it low in her ear—"I know why the grass is green.
VIII
"I know why the daisy is white, my dear, I know why the seas are blue;
I know that the world is a dream, my dear, and I know that the dream is true;
I know why the rose and the toad-stool grow, as a curse and a crimson boon,
Hey! diddle, diddle, the cat and the fiddle, the cow jumped over the moon.
IX
"If I gaze at a rose, do you know, it grows till it overshadows the earth,
Like a wonderful Tree of Knowledge, my dear, the Tree of our evil and good;
But I dare not tell you the terrible vision that gave the toad-stool birth,
The dream of a heart that breaks, my dear, and a Tree that is bitter with blood.
X
"Oh, Love may wander wide as the wind that blows from sea to sea,
But a wooden dream, for me, my dear, and a painted memory;
For the God that has bidden the toad-stool grow has writ in his cosmic rune,
Hey! diddle, diddle, the cat and the fiddle, the cow jumped over the moon."
XI
Then he stared at the child and he laughed aloud, and she suddenly screamed and fled,
As he dreamed of enticing her out thro' the ferns to a quarry that gapped the hill,
To hurtle her down and grin as her gold hair scattered around her head
Far, far below, like a sunflower disk, so crimson-spattered and still.
XII
"Ah, hush!" he cried; and his dark old eyes were wet with a sacred love
As he kissed the wooden face of his doll and winked at the skies above,
"I know, I know why the toad-stools grow, and the rest of the world will, soon;
Hey! diddle, diddle, the cat and the fiddle, the cow jumped over the moon."
XIII
"Blue and red and yellow and green they are all mixed up in the white;
Hey! but the wise old world was wrong and my idiot heart was right;
Yes; and the merry-go-round of the stars rolls to my cracked old tune,
Hey! diddle, diddle, the cat and the fiddle, the cow jumped over the moon."

THE BARREL-ORGAN