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Collected Poems: Volume One

Chapter 57: THE PARADOX
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About This Book

A diverse anthology of poems ranging from short lyrics to longer narrative and dramatic ballads, moving between contemplative meditations on time, love, mortality, and nature and vivid seafaring and travel imagery. The pieces employ mythic and classical allusion, wartime and patriotic reflection, and occasional playful or eerie sketches, using varied forms—odes, songs, ballads, and lyrical monologues—to shift tone from elegiac and mystical to energetic and rollicking. Recurring motifs include memory, artistic creation, and the passage of years, and the collection balances polished technical craft with a strong storytelling impulse and varied emotional range.

There's a barrel-organ carolling across a golden street
In the City as the sun sinks low;
And the music's not immortal; but the world has made it sweet
And fulfilled it with the sunset glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light;
And they've given it a glory and a part to play again
In the Symphony that rules the day and night.
And now it's marching onward through the realms of old romance,
And trolling out a fond familiar tune,
And now it's roaring cannon down to fight the King of France,
And now it's prattling softly to the moon,
And all around the organ there's a sea without a shore
Of human joys and wonders and regrets;
To remember and to recompense the music evermore
For what the cold machinery forgets....
Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass;
Dissects the common carnival
Of passions and regrets,
And gives the world a glimpse of all
The colours it forgets.
And there La Traviata sighs
Another sadder song;
And there Il Trovatore cries
A tale of deeper wrong;
And bolder knights to battle go
With sword and shield and lance,
Than ever here on earth below
Have whirled into—a dance—!
Go down to Kew in lilac-time, in lilac-time, in lilac-time;
Go down to Kew in lilac-time (it isn't far from London!)
And you shall wander hand in hand with love in summer's wonderland;
Go down to Kew in lilac-time (it isn't far from London!)
The cherry-trees are seas of bloom and soft perfume and sweet perfume,
The cherry-trees are seas of bloom (and oh, so near to London!)
And there they say, when dawn is high and all the world's a blaze of sky
The cuckoo, though he's very shy, will sing a song for London.
The Dorian nightingale is rare and yet they say you'll hear him there
At Kew, at Kew in lilac-time (and oh, so near to London!)
The linnet and the throstle, too, and after dark the long halloo
And golden-eyed tu-whit, tu-whoo of owls that ogle London.
For Noah hardly knew a bird of any kind that isn't heard
At Kew, at Kew in lilac-time (and oh, so near to London!)
And when the rose begins to pout and all the chestnut spires are out
You'll hear the rest without a doubt, all chorussing for London:—
Come down to Kew in lilac-time, in lilac-time, in lilac-time;
Come down to Kew in lilac-time (it isn't far from London!)
And you shall wander hand in hand with love in summer's wonderland;
Come down to Kew in lilac-time (it isn't far from London!)
And then the troubadour begins to thrill the golden street,
In the City as the sun sinks low;
And in all the gaudy busses there are scores of weary feet
Marking time, sweet time, with a dull mechanic beat,
And a thousand hearts are plunging to a love they'll never meet,
Through the meadows of the sunset, through the poppies and the wheat,
In the land where the dead dreams go.
Verdi, Verdi, when you wrote Il Trovatore did you dream
Of the City when the sun sinks low,
Of the organ and the monkey and the many-coloured stream
On the Piccadilly pavement, of the myriad eyes that seem
To be litten for a moment with a wild Italian gleam
As A che la morte parodies the world's eternal theme
And pulses with the sunset-glow.
There's a thief, perhaps, that listens with a face of frozen stone
In the City as the sun sinks low;
There's a portly man of business with a balance of his own,
There's a clerk and there's a butcher of a soft reposeful tone.
And they're all of them returning to the heavens they have known:
They are crammed and jammed in busses and—they're each of them alone
In the land where the dead dreams go.
There's a very modish woman and her smile is very bland
In the City as the sun sinks low;
And her hansom jingles onward, but her little jewelled hand
Is clenched a little tighter and she cannot understand
What she wants or why she wanders to that undiscovered land,
For the parties there are not at all the sort of thing she planned,
In the land where the dead dreams go.
There's a rowing man that listens and his heart is crying out
In the City as the sun sinks low;
For the barge, the eight, the Isis, and the coach's whoop and shout,
For the minute-gun, the counting and the long dishevelled rout,
For the howl along the tow-path and a fate that's still in doubt,
For a roughened oar to handle and a race to think about
In the land where the dead dreams go.
There's a labourer that listens to the voices of the dead
In the City as the sun sinks low;
And his hand begins to tremble and his face to smoulder red
As he sees a loafer watching him and—there he turns his head
And stares into the sunset where his April love is fled,
For he hears her softly singing and his lonely soul is led
Through the land where the dead dreams go.
There's an old and haggard demi-rep, it's ringing in her ears,
In the City as the sun sinks low;
With the wild and empty sorrow of the love that blights and sears,
Oh, and if she hurries onward, then be sure, be sure she hears,
Hears and bears the bitter burden of the unforgotten years,
And her laugh's a little harsher and her eyes are brimmed with tears
For the land where the dead dreams go.
There's a barrel-organ carolling across a golden street
In the City as the sun sinks low;
Though the music's only Verdi there's a world to make it sweet
Just as yonder yellow sunset where the earth and heaven meet
Mellows all the sooty City! Hark, a hundred thousand feet
Are marching on to glory through the poppies and the wheat
In the land where the dead dreams go.
So it's Jeremiah, Jeremiah,
What have you to say
When you meet the garland girls
Tripping on their way?
All around my gala hat
I wear a wreath of roses
(A long and lonely year it is
I've waited for the May!)
If any one should ask you,
The reason why I wear it is—
My own love, my true love
Is coming home to-day.
And it's buy a bunch of violets for the lady
(It's lilac-time in London; it's lilac-time in London!)
Buy a bunch of violets for the lady
While the sky burns blue above:
On the other side the street you'll find it shady
(It's lilac-time in London; it's lilac-time in London!)
But buy a bunch of violets for the lady,
And tell her she's your own true love.
There's a barrel-organ carolling across a golden street
In the City as the sun sinks glittering and slow;
And the music's not immortal; but the world has made it sweet
And enriched it with the harmonies that make a song complete
In the deeper heavens of music where the night and morning meet,
As it dies into the sunset-glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light,
And they've given it a glory and a part to play again
In the Symphony that rules the day and night.
And there, as the music changes,
The song runs round again.
Once more it turns and ranges
Through all its joy and pain,
Dissects the common carnival
Of passions and regrets;
And the wheeling world remembers all
The wheeling song forgets.
Once more La Traviata sighs
Another sadder song:
Once more Il Trovatore cries
A tale of deeper wrong;
Once more the knights to battle go
With sword and shield and lance
Till once, once more, the shattered foe
Has whirled into—a dance!
Come down to Kew in lilac-time, in lilac-time, in lilac-time;
Come down to Kew in lilac-time (it isn't far from London!)
And you shall wander hand in hand with love in summer's wonderland;
Come down to Kew in lilac-time (it isn't far from London!)

THE LITANY OF WAR

Sandalphon, whose white wings to heaven upbear
The weight of human prayer,
Stood silent in the still eternal Light
Of God, one dreadful night.
His wings were clogged with blood and foul with mire,
His body seared with fire.
"Hast thou no word for Me?" the Master said.
The angel sank his head:
"Word from the nations of the East and West,"
He moaned, "that blood is best.
The patriot prayers of either half of earth,
Hear Thou, and judge their worth.
Out of the obscene seas of slaughter, hear,
First, the first nation's prayer:
'O God, deliver Thy people. Let Thy sword
Destroy our enemies, Lord!'
"Pure as the first, as passionate in trust
That their own cause is just;
Puppets as fond in those dark hands of greed;
As fervent in their creed;
As blindly moved, as utterly betrayed,
As urgent for Thine aid;
Out of the obscene seas of slaughter, hear
The second nation's prayer:
'O God, deliver Thy people. Let Thy sword
Destroy our enemies, Lord.'
"Over their slaughtered children, one great cry
From either enemy!
From either host, thigh-deep in filth and shame,
One prayer, one and the same; Out of the obscene seas of slaughter, hear,
From East and West, one prayer:
'O God, deliver Thy people. Let Thy sword
Destroy our enemies, Lord.'"
Then, on the Cross of His creative pain,
God bowed His head again.
Then, East and West, over all seas and lands,
Out-stretched His piercèd hands.
"And yet," Sandalphon whispered, "men deny
The Eternal Calvary."

THE ORIGIN OF LIFE

[Written in answer to certain scientific pronouncements]

I
In the beginning?—Slowly grope we back
Along the narrowing track,
Back to the deserts of the world's pale prime,
The mire, the clay, the slime;
And then ... what then? Surely to something less;
Back, back, to Nothingness!
II
You dare not halt upon that dwindling way!
There is no gulf to stay
Your footsteps to the last. Go back you must!
Far, far below the dust,
Descend, descend! Grade by dissolving grade,
We follow, unafraid!
Dissolve, dissolve this moving world of men
Into thin air—and then?
III
O pioneers, O warriors of the Light,
In that abysmal night,
Will you have courage, then, to rise and tell
Earth of this miracle?
Will you have courage, then, to bow the head,
And say, when all is said—
"Out of this Nothingness arose our thought!
This blank abysmal Nought
Woke, and brought forth that lighted City street,
Those towers, that armoured fleet?" ...
IV
When you have seen those vacant primal skies
Beyond the centuries.
Watched the pale mists across their darkness flow,
As in a lantern-show,
Weaving, by merest "chance," out of thin air,
Pageants of praise and prayer;
Watched the great hills like clouds arise and set,
And one—named Olivet;
When you have seen, as a shadow passing away,
One child clasp hands and pray;
When you have seen emerge from that dark mire
One martyr, ringed with fire;
Or, from that Nothingness, by special grace,
One woman's love-lit face, ...
V
Will you have courage, then, to front that law
(From which your sophists draw
Their only right to flout one human creed)
That nothing can proceed—
Not even thought, not even love—from less
Than its own nothingness?
The law is yours! But dare you waive your pride,
And kneel where you denied?
The law is yours! Dare you re-kindle, then,
One faith for faithless men,
And say you found, on that dark road you trod,
In the beginning—GOD?

THE LAST BATTLE

Kings of the earth, Kings of the earth, the trumpet rings for warning,
And like the golden swords that ray from out the setting sun
The shout goes out of the trumpet mouth across the hills of morning,
Wake; for the last great battle dawns and all the wars are done.
Now all the plains of Europe smoke with marching hooves of thunder,
And through each ragged mountain-gorge the guns begin to gleam;
And round a hundred cities where the women watch and wonder,
The tramp of passing armies aches and faints into a dream.
The King of Ind is drawing nigh: a hundred leagues are clouded
Along his loud earth-shaking march from east to western sea:
The King o' the Setting Sun is here and all the seas are shrouded
With sails that carry half the world to front Eternity.
Soon shall the darkness roll around the grappling of the nations,
A darkness lit with deadly gleams of blood and steel and fire;
Soon shall the last great pæan of earth's war-worn generations
Roar through the thunder-clouded air round War's red funeral pyre.
But here defeat and victory are both allied with heaven,
The enfolding sky makes every foe the centre of her dome,
Each fights for God and his own right, and unto each is given
The right to find the heart of heaven where'er he finds his home.
O, who shall win, and who shall lose, and who shall take the glory
Here at the meeting of the roads, where every cause is right?
O, who shall live, and who shall die, and who shall tell the story?
Each strikes for faith and fatherland in that immortal fight.
High on the grey old hills of Time the last immortal rally,
Under the storm of the last great tattered flag, shall laugh to see
The blood of Armageddon roll from every smoking valley,
Shall laugh aloud, then rush on death for God and chivalry.
Kings of the earth, Kings of the earth, O, which of you then shall inherit
The Kingdom, the Power and the Glory? for the world's old light grows dim
And the cry of you all goes up all night to the dark enfolding Spirit,
Each of you fights for God and home; but God, ah, what of Him?

THE PARADOX

"I Am that I Am"

I
All that is broken shall be mended;
All that is lost shall be found;
I will bind up every wound
When that which is begun shall be ended.
Not peace I brought among you but a sword
To divide the night from the day,
When I sent My worlds forth in their battle-array
To die and to live,
To give and to receive,
Saith the Lord.
II
Of old time they said none is good save our God;
But ye that have seen how the ages have shrunk from my rod,
And how red is the wine-press wherein at my bidding they trod,
Have answered and said that with Eden I fashioned the snake,
That I mould you of clay for a moment, then mar you and break,
And there is none evil but I, the supreme Evil, God.
Lo, I say unto both, I am neither;
But greater than either;
For meeting and mingling in Me they become neither evil nor good;
Their cycle is rounded, they know neither hunger nor food,
They need neither sickle nor seed-time, nor root nor fruit,
They are ultimate, infinite, absolute.
Therefore I say unto all that have sinned,
East and West and South and North
The wings of my measureless love go forth
To cover you all: they are free as the wings of the wind.
III
Consider the troubled waters of the sea
Which never rest;
As the wandering waves are ye;
Yet assuaged and appeased and forgiven,
As the seas are gathered together under the infinite glory of heaven,
I gather you all to my breast.
But the sins and the creeds and the sorrows that trouble the sea
Relapse and subside,
Chiming like chords in a world-wide symphony
As they cease to chide;
For they break and they are broken of sound and hue,
And they meet and they murmur and they mingle anew,
Interweaving, intervolving, like waves: they have no stay:
They are all made as one with the deep, when they sink and are vanished away; Yea, all is toned at a turn of the tide
To a calm and golden harmony;
But I—shall I wonder or greatly care,
For their depth or their height?
Shall it be more than a song in my sight
How many wandering waves there were,
Or how many colours and changes of light?
It is your eyes that see
And take heed of these things: they were fashioned for you, not for Me.
IV
With the stars and the clouds I have clothed Myself here for your eyes
To behold That which Is. I have set forth the strength of the skies
As one draweth a picture before you to make your hearts wise;
That the infinite souls I have fashioned may know as I know,
Visibly revealed
In the flowers of the field,
Yea, declared by the stars in their courses, the tides in their flow,
And the clash of the world's wide battle as it sways to and fro,
Flashing forth as a flame
The unnameable Name,
The ineffable Word,
I am the Lord.
V
I am the End to which the whole world strives:
Therefore are ye girdled with a wild desire and shod
With sorrow; for among you all no soul
Shall ever cease or sleep or reach its goal
Of union and communion with the Whole,
Or rest content with less than being God.
Still, as unending asymptotes, your lives
In all their myriad wandering ways
Approach Me with the progress of the golden days; Approach Me; for my love contrives
That ye should have the glory of this
For ever; yea, that life should blend
With life and only vanish away
From day to wider wealthier day,
Like still increasing spheres of light that melt and merge in wider spheres
Even as the infinite years of the past melt in the infinite future years.
Each new delight of sense,
Each hope, each love, each fear,
Widens, relumes and recreates each sphere,
From a new ring and nimbus of pre-eminence.
I am the Sphere without circumference:
I only and for ever comprehend
All others that within me meet and blend.
Death is but the blinding kiss
Of two finite infinities;
Two finite infinite orbs
The splendour of the greater of which absorbs
The less, though both like Love have no beginning and no end.
VI
Therefore is Love's own breath
Like Knowledge, a continual death;
And all his laughter and kisses and tears,
And woven wiles of peace and strife,
That ever widen thus your temporal spheres,
Are making of the memory of your former years
A very death in life.
VII
I am that I am;
Ye are evil and good;
With colour and glory and story and song ye are fed as with food:
The cold and the heat,
The bitter and the sweet,
The calm and the tempest fulfil my Word;
Yet will ye complain of my two-edged sword That has fashioned the finite and mortal and given you the sweetness of strife,
The blackness and whiteness,
The darkness and brightness,
Which sever your souls from the formless and void and hold you fast-fettered to life?
VIII
Behold now, is Life not good?
Yea, is it not also much more than the food,
More than the raiment, more than the breath?
Yet Strife is its name!
Say, which will ye cast out first from the furnace, the fuel or the flame?
Would ye all be as I am; and know neither evil nor good; neither life; neither death;
Or mix with the void and the formless till all were as one and the same?
IX
I am that I am; the Container of all things: kneel, lift up your hands
To the high Consummation of good and of evil which none understands;
The divine Paradox, the ineffable Word, in whose light the poor souls that ye trod
Underfoot as too vile for their fellows are at terrible union with God!
Am I not over both evil and good,
The righteous man and the shedder of blood?
Shall I save or slay?
I am neither the night nor the day,
Saith the Lord.
Judge not, oh ye that are round my footstool, judge not, ere the hour be born
That shall laugh you also to scorn.
X
Ah, yet I say unto all that have sinned,
East and West and South and North
The wings of my measureless love go forth
To cover you all: they are free as the wings of the wind.
XI
But one thing is needful; and ye shall be true
To yourselves and the goal and the God that ye seek;
Yea, the day and the night shall requite it to you
If ye love one another, if your love be not weak.
XII
Since I sent out my worlds in their battle-array
To die and to live,
To give and to receive,
Not peace, not peace, I have brought among you but a sword,
To divide the night from the day,
Saith the Lord;
Yet all that is broken shall be mended,
And all that is lost shall be found,
I will bind up every wound,
When that which is begun shall be ended.

THE PROGRESS OF LOVE

(A LYRICAL SYMPHONY)