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Colombine

Chapter 2: PROLOGUE
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About This Book

Set on a windswept hill that hides ancient Roman traces and fairy rings, the fantasy play blends rustic vernacular and commedia dell'arte figures to stage scenes of memory, folklore, and romantic rivalry. A fairylike maid meets two country labourers, recounts the site's layered past, and foretells a comic, ritualized duel between Harlequin and Pierrot for her affection. Interwoven prologue poems and stage tableaux alternate lyrical reflections on time and place with light comedy, costume spectacle, and debates about love, fate, and the endurance of ritual. The piece balances pastoral atmosphere, nostalgia, and theatricality in brief, episodic scenes voiced in verse and colloquial dialogue.

PROLOGUE

There are circles of green upon Cissbury Hill,
Where the Pharisees dance—so they say;
Revelling merrily round it until
The dawn over Ditchling is gray.
And travellers lost upon Cissbury Hill—
(Pixy-led folk who stray)
Seated on toad-stools, with fairy folk sup,
But here, in Haymarket, the roadway is up.
There are circles of beech upon Cissbury Hill,
Where the leaves of a lifetime decay;
Hiding the memories, lingering still,
Of Rome’s indisputable sway.
And under the beech-leaves of Cissbury Hill,
Throbs the heart of the downland alway.
While dreaming of chieftains and warriors in woad,
You’re lighting your pipe in the Charing Cross Road.