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Color mixing guide / For artists, painters, decorators, printing pressmen, show card writers, sign painters, color mixers. Gives color mixtures by parts cover

Color mixing guide / For artists, painters, decorators, printing pressmen, show card writers, sign painters, color mixers. Gives color mixtures by parts

Chapter 5: ART OF COLOR MIXING
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About This Book

The manual explains color as an effect of light and presents yellow, red and blue as primary pigments from which secondary and tertiary hues are produced. It provides practical mixing rules and proportions for obtaining tints, shades, warm and cool variations, and advises how to lighten, deepen or neutralize colors using white, black and complementary tones. The text distinguishes organic and inorganic pigments, discusses sources and the role of mordants, and offers selection guidance for applied trades. It notes color-blindness as an occupational consideration and highlights color harmony, recommending nature as a model for balanced combinations.

ART OF COLOR MIXING

Mixing colors is an art in itself. With a combination of the chief colors—red, yellow, blue (and black and white), thousands of shades and hues may be produced.

Mixed in various proportions, either in twos, or all three together, these three colors produce every hue in nature or in art, every tint that is physically possible.

The primary colors are yellow, red and blue.

The secondary colors are orange, violet and green.

The tertiary colors are citron, russet and olive.

The secondary colors are made as follows: Yellow and red make orange, red and blue make violet, yellow and blue make green.

The tertiary colors are mixed from the secondary colors as follows: Orange and violet make russet, violet and green make olive, orange and green make citron.

Black, white and gray are natural tones in which no color is apparent: White pales but does not brighten any color. Yellow is the brightening color and always stands out strong and advancing; to deepen a color, use its complementary color; to deepen yellow add purple; to deepen red add blue; to deepen blue add burnt sienna, then you will have purity of color.