ON A CONE OF THE BIG TREES
(SEQUOIA GIGANTEA)
Brown foundling of the Western wood,
Babe of primeval wildernesses!
Long on my table thou hast stood
Encounters strange and rude caresses;
Perchance contented with thy lot,
Surroundings new, and curious faces,
As though ten centuries were not
Imprisoned in thy shining cases.
Thou bring'st me back the halcyon days
Of grateful rest, the week of leisure,
The journey lapped in autumn haze,
The sweet fatigue that seemed a pleasure,
The morning ride, the noonday halt,
The blazing slopes, the red dust rising,
And then the dim, brown, columned vault,
With its cool, damp, sepulchral spicing.
Once more I see the rocking masts
That scrape the sky, their only tenant
The jay-bird, that in frolic casts
From some high yard his broad blue pennant.
I see the Indian files that keep
Their places in the dusty heather,
Their red trunks standing ankle-deep
In moccasins of rusty leather.
I see all this, and marvel much
That thou, sweet woodland waif, art able
To keep the company of such
As throng thy friend's—the poet's—table:
The latest spawn the press hath cast,—
The "modern popes," "the later Byrons,"—
Why, e'en the best may not outlast
Thy poor relation—Sempervirens.
Thy sire saw the light that shone
On Mohammed's uplifted crescent,
On many a royal gilded throne
And deed forgotten in the present;
He saw the age of sacred trees
And Druid groves and mystic larches;
And saw from forest domes like these
The builder bring his Gothic arches.
And must thou, foundling, still forego
Thy heritage and high ambition,
To lie full lowly and full low,
Adjusted to thy new condition?
Not hidden in the drifted snows,
But under ink-drops idly spattered,
And leaves ephemeral as those
That on thy woodland tomb were scattered?
Yet lie thou there, O friend! and speak
The moral of thy simple story:
Though life is all that thou dost seek,
And age alone thy crown of glory,
Not thine the only germs that fail
The purpose of their high creation,
If their poor tenements avail
For worldly show and ostentation.
Brown foundling of the Western wood,
Babe of primeval wildernesses!
Long on my table thou hast stood
Encounters strange and rude caresses;
Perchance contented with thy lot,
Surroundings new, and curious faces,
As though ten centuries were not
Imprisoned in thy shining cases.
Thou bring'st me back the halcyon days
Of grateful rest, the week of leisure,
The journey lapped in autumn haze,
The sweet fatigue that seemed a pleasure,
The morning ride, the noonday halt,
The blazing slopes, the red dust rising,
And then the dim, brown, columned vault,
With its cool, damp, sepulchral spicing.
Once more I see the rocking masts
That scrape the sky, their only tenant
The jay-bird, that in frolic casts
From some high yard his broad blue pennant.
I see the Indian files that keep
Their places in the dusty heather,
Their red trunks standing ankle-deep
In moccasins of rusty leather.
I see all this, and marvel much
That thou, sweet woodland waif, art able
To keep the company of such
As throng thy friend's—the poet's—table:
The latest spawn the press hath cast,—
The "modern popes," "the later Byrons,"—
Why, e'en the best may not outlast
Thy poor relation—Sempervirens.
Thy sire saw the light that shone
On Mohammed's uplifted crescent,
On many a royal gilded throne
And deed forgotten in the present;
He saw the age of sacred trees
And Druid groves and mystic larches;
And saw from forest domes like these
The builder bring his Gothic arches.
And must thou, foundling, still forego
Thy heritage and high ambition,
To lie full lowly and full low,
Adjusted to thy new condition?
Not hidden in the drifted snows,
But under ink-drops idly spattered,
And leaves ephemeral as those
That on thy woodland tomb were scattered?
Yet lie thou there, O friend! and speak
The moral of thy simple story:
Though life is all that thou dost seek,
And age alone thy crown of glory,
Not thine the only germs that fail
The purpose of their high creation,
If their poor tenements avail
For worldly show and ostentation.
LONE MOUNTAIN
(CEMETERY, SAN FRANCISCO)
This is that hill of awe
That Persian Sindbad saw,—
The mount magnetic;
And on its seaward face,
Scattered along its base,
The wrecks prophetic.
Here come the argosies
Blown by each idle breeze,
To and fro shifting;
Yet to the hill of Fate
All drawing, soon or late,—
Day by day drifting;
Drifting forever here
Barks that for many a year
Braved wind and weather;
Shallops but yesterday
Launched on yon shining bay,—
Drawn all together.
This is the end of all:
Sun thyself by the wall,
O poorer Hindbad!
Envy not Sindbad's fame:
Here come alike the same
Hindbad and Sindbad.
This is that hill of awe
That Persian Sindbad saw,—
The mount magnetic;
And on its seaward face,
Scattered along its base,
The wrecks prophetic.
Here come the argosies
Blown by each idle breeze,
To and fro shifting;
Yet to the hill of Fate
All drawing, soon or late,—
Day by day drifting;
Drifting forever here
Barks that for many a year
Braved wind and weather;
Shallops but yesterday
Launched on yon shining bay,—
Drawn all together.
This is the end of all:
Sun thyself by the wall,
O poorer Hindbad!
Envy not Sindbad's fame:
Here come alike the same
Hindbad and Sindbad.
ALNASCHAR
Here's yer toy balloons! All sizes!
Twenty cents for that. It rises
Jest as quick as that 'ere, Miss,
Twice as big. Ye see it is
Some more fancy. Make it square
Fifty for 'em both. That's fair.
That's the sixth I've sold since noon.
Trade's reviving. Just as soon
As this lot's worked off, I'll take
Wholesale figgers. Make or break,—
That's my motto! Then I'll buy
In some first-class lottery
One half ticket, numbered right—
As I dreamed about last night.
That'll fetch it. Don't tell me!
When a man's in luck, you see,
All things help him. Every chance
Hits him like an avalanche.
Here's your toy balloons, Miss. Eh?
You won't turn your face this way?
Mebbe you'll be glad some day.
With that clear ten thousand prize
This 'yer trade I'll drop, and rise
Into wholesale. No! I'll take
Stocks in Wall Street. Make or break,—
That's my motto! With my luck,
Where's the chance of being stuck?
Call it sixty thousand, clear,
Made in Wall Street in one year.
Sixty thousand! Umph! Let's see!
Bond and mortgage'll do for me.
Good! That gal that passed me by
Scornful like—why, mebbe I
Some day'll hold in pawn—why not?—
All her father's prop. She'll spot
What's my little game, and see
What I'm after's HER. He! he!
He! he! When she comes to sue—
Let's see! What's the thing to do?
Kick her? No! There's the perliss!
Sorter throw her off like this.
Hello! Stop! Help! Murder! Hey!
There's my whole stock got away,
Kiting on the house-tops! Lost!
All a poor man's fortin! Cost?
Twenty dollars! Eh! What's this?
Fifty cents! God bless ye, Miss!
Twenty cents for that. It rises
Jest as quick as that 'ere, Miss,
Twice as big. Ye see it is
Some more fancy. Make it square
Fifty for 'em both. That's fair.
That's the sixth I've sold since noon.
Trade's reviving. Just as soon
As this lot's worked off, I'll take
Wholesale figgers. Make or break,—
That's my motto! Then I'll buy
In some first-class lottery
One half ticket, numbered right—
As I dreamed about last night.
That'll fetch it. Don't tell me!
When a man's in luck, you see,
All things help him. Every chance
Hits him like an avalanche.
Here's your toy balloons, Miss. Eh?
You won't turn your face this way?
Mebbe you'll be glad some day.
With that clear ten thousand prize
This 'yer trade I'll drop, and rise
Into wholesale. No! I'll take
Stocks in Wall Street. Make or break,—
That's my motto! With my luck,
Where's the chance of being stuck?
Call it sixty thousand, clear,
Made in Wall Street in one year.
Sixty thousand! Umph! Let's see!
Bond and mortgage'll do for me.
Good! That gal that passed me by
Scornful like—why, mebbe I
Some day'll hold in pawn—why not?—
All her father's prop. She'll spot
What's my little game, and see
What I'm after's HER. He! he!
He! he! When she comes to sue—
Let's see! What's the thing to do?
Kick her? No! There's the perliss!
Sorter throw her off like this.
Hello! Stop! Help! Murder! Hey!
There's my whole stock got away,
Kiting on the house-tops! Lost!
All a poor man's fortin! Cost?
Twenty dollars! Eh! What's this?
Fifty cents! God bless ye, Miss!
THE TWO SHIPS
As I stand by the cross on the lone mountain's crest,
Looking over the ultimate sea,
In the gloom of the mountain a ship lies at rest,
And one sails away from the lea:
One spreads its white wings on a far-reaching track,
With pennant and sheet flowing free;
One hides in the shadow with sails laid aback,—
The ship that is waiting for me!
But lo! in the distance the clouds break away,
The Gate's glowing portals I see;
And I hear from the outgoing ship in the bay
The song of the sailors in glee.
So I think of the luminous footprints that bore
The comfort o'er dark Galilee,
And wait for the signal to go to the shore,
To the ship that is waiting for me.
Looking over the ultimate sea,
In the gloom of the mountain a ship lies at rest,
And one sails away from the lea:
One spreads its white wings on a far-reaching track,
With pennant and sheet flowing free;
One hides in the shadow with sails laid aback,—
The ship that is waiting for me!
But lo! in the distance the clouds break away,
The Gate's glowing portals I see;
And I hear from the outgoing ship in the bay
The song of the sailors in glee.
So I think of the luminous footprints that bore
The comfort o'er dark Galilee,
And wait for the signal to go to the shore,
To the ship that is waiting for me.
ADDRESS
(OPENING OF THE CALIFORNIA THEATRE, SAN FRANCISCO, JANUARY 19, 1870)
Brief words, when actions wait, are well:
The prompter's hand is on his bell;
The coming heroes, lovers, kings,
Are idly lounging at the wings;
Behind the curtain's mystic fold
The glowing future lies unrolled;
And yet, one moment for the Past,
One retrospect,—the first and last.
"The world's a stage," the Master said.
To-night a mightier truth is read:
Not in the shifting canvas screen,
The flash of gas or tinsel sheen;
Not in the skill whose signal calls
From empty boards baronial halls;
But, fronting sea and curving bay,
Behold the players and the play.
Ah, friends! beneath your real skies
The actor's short-lived triumph dies:
On that broad stage of empire won,
Whose footlights were the setting sun,
Whose flats a distant background rose
In trackless peaks of endless snows;
Here genius bows, and talent waits
To copy that but One creates.
Your shifting scenes: the league of sand,
An avenue by ocean spanned;
The narrow beach of straggling tents,
A mile of stately monuments;
Your standard, lo! a flag unfurled,
Whose clinging folds clasp half the world,—
This is your drama, built on facts,
With "twenty years between the acts."
One moment more: if here we raise
The oft-sung hymn of local praise,
Before the curtain facts must sway;
HERE waits the moral of your play.
Glassed in the poet's thought, you view
What money can, yet cannot do;
The faith that soars, the deeds that shine,
Above the gold that builds the shrine.
And oh! when others take our place,
And Earth's green curtain hides our face,
Ere on the stage, so silent now,
The last new hero makes his bow:
So may our deeds, recalled once more
In Memory's sweet but brief encore,
Down all the circling ages run,
With the world's plaudit of "Well done!"
Brief words, when actions wait, are well:
The prompter's hand is on his bell;
The coming heroes, lovers, kings,
Are idly lounging at the wings;
Behind the curtain's mystic fold
The glowing future lies unrolled;
And yet, one moment for the Past,
One retrospect,—the first and last.
"The world's a stage," the Master said.
To-night a mightier truth is read:
Not in the shifting canvas screen,
The flash of gas or tinsel sheen;
Not in the skill whose signal calls
From empty boards baronial halls;
But, fronting sea and curving bay,
Behold the players and the play.
Ah, friends! beneath your real skies
The actor's short-lived triumph dies:
On that broad stage of empire won,
Whose footlights were the setting sun,
Whose flats a distant background rose
In trackless peaks of endless snows;
Here genius bows, and talent waits
To copy that but One creates.
Your shifting scenes: the league of sand,
An avenue by ocean spanned;
The narrow beach of straggling tents,
A mile of stately monuments;
Your standard, lo! a flag unfurled,
Whose clinging folds clasp half the world,—
This is your drama, built on facts,
With "twenty years between the acts."
One moment more: if here we raise
The oft-sung hymn of local praise,
Before the curtain facts must sway;
HERE waits the moral of your play.
Glassed in the poet's thought, you view
What money can, yet cannot do;
The faith that soars, the deeds that shine,
Above the gold that builds the shrine.
And oh! when others take our place,
And Earth's green curtain hides our face,
Ere on the stage, so silent now,
The last new hero makes his bow:
So may our deeds, recalled once more
In Memory's sweet but brief encore,
Down all the circling ages run,
With the world's plaudit of "Well done!"
DOLLY VARDEN
Dear Dolly! who does not recall
The thrilling page that pictured all
Those charms that held our sense in thrall
Just as the artist caught her,—
As down that English lane she tripped,
In bowered chintz, hat sideways tipped,
Trim-bodiced, bright-eyed, roguish-lipped,—
The locksmith's pretty daughter?
Sweet fragment of the Master's art!
O simple faith! O rustic heart!
O maid that hath no counterpart
In life's dry, dog-eared pages!
Where shall we find thy like? Ah, stay!
Methinks I saw her yesterday
In chintz that flowered, as one might say,
Perennial for ages.
Her father's modest cot was stone,
Five stories high; in style and tone
Composite, and, I frankly own,
Within its walls revealing
Some certain novel, strange ideas:
A Gothic door with Roman piers,
And floors removed some thousand years,
From their Pompeian ceiling.
The small salon where she received
Was Louis Quatorze, and relieved
By Chinese cabinets, conceived
Grotesquely by the heathen;
The sofas were a classic sight,—
The Roman bench (sedilia hight);
The chairs were French in gold and white,
And one Elizabethan.
And she, the goddess of that shrine,
Two ringed fingers placed in mine,—
The stones were many carats fine,
And of the purest water,—
Then dropped a curtsy, far enough
To fairly fill her cretonne puff
And show the petticoat's rich stuff
That her fond parent bought her.
Her speech was simple as her dress,—
Not French the more, but English less,
She loved; yet sometimes, I confess,
I scarce could comprehend her.
Her manners were quite far from shy.
There was a quiet in her eye
Appalling to the Hugh who'd try
With rudeness to offend her.
"But whence," I cried, "this masquerade?
Some figure for to-night's charade,
A Watteau shepherdess or maid?"
She smiled and begged my pardon:
"Why, surely you must know the name,—
That woman who was Shakespeare's flame
Or Byron's,—well, it's all the same:
Why, Lord! I'm Dolly Varden!"
The thrilling page that pictured all
Those charms that held our sense in thrall
Just as the artist caught her,—
As down that English lane she tripped,
In bowered chintz, hat sideways tipped,
Trim-bodiced, bright-eyed, roguish-lipped,—
The locksmith's pretty daughter?
Sweet fragment of the Master's art!
O simple faith! O rustic heart!
O maid that hath no counterpart
In life's dry, dog-eared pages!
Where shall we find thy like? Ah, stay!
Methinks I saw her yesterday
In chintz that flowered, as one might say,
Perennial for ages.
Her father's modest cot was stone,
Five stories high; in style and tone
Composite, and, I frankly own,
Within its walls revealing
Some certain novel, strange ideas:
A Gothic door with Roman piers,
And floors removed some thousand years,
From their Pompeian ceiling.
The small salon where she received
Was Louis Quatorze, and relieved
By Chinese cabinets, conceived
Grotesquely by the heathen;
The sofas were a classic sight,—
The Roman bench (sedilia hight);
The chairs were French in gold and white,
And one Elizabethan.
And she, the goddess of that shrine,
Two ringed fingers placed in mine,—
The stones were many carats fine,
And of the purest water,—
Then dropped a curtsy, far enough
To fairly fill her cretonne puff
And show the petticoat's rich stuff
That her fond parent bought her.
Her speech was simple as her dress,—
Not French the more, but English less,
She loved; yet sometimes, I confess,
I scarce could comprehend her.
Her manners were quite far from shy.
There was a quiet in her eye
Appalling to the Hugh who'd try
With rudeness to offend her.
"But whence," I cried, "this masquerade?
Some figure for to-night's charade,
A Watteau shepherdess or maid?"
She smiled and begged my pardon:
"Why, surely you must know the name,—
That woman who was Shakespeare's flame
Or Byron's,—well, it's all the same:
Why, Lord! I'm Dolly Varden!"
TELEMACHUS VERSUS MENTOR
Don't mind me, I beg you, old fellow,—I'll do very well here alone;
You must not be kept from your "German" because I've dropped in like
a stone.
Leave all ceremony behind you, leave all thought of aught but
yourself;
And leave, if you like, the Madeira, and a dozen cigars on the shelf.
As for me, you will say to your hostess—well, I scarcely need give
you a cue.
Chant my praise! All will list to Apollo, though Mercury pipe to a
few.
Say just what you please, my dear boy; there's more eloquence lies
in youth's rash
Outspoken heart-impulse than ever growled under this grizzling
mustache.
Go, don the dress coat of our tyrant,—youth's panoplied armor for
fight,—
And tie the white neckcloth that rumples, like pleasure, and lasts
but a night;
And pray the Nine Gods to avert you what time the Three Sisters
shall frown,
And you'll lose your high-comedy figure, and sit more at ease in
your gown.
He's off! There's his foot on the staircase. By Jove, what a bound!
Really now
Did I ever leap like this springald, with Love's chaplet green on my
brow?
Was I such an ass? No, I fancy. Indeed, I remember quite plain
A gravity mixed with my transports, a cheerfulness softened my pain.
He's gone! There's the slam of his cab door, there's the clatter
of hoofs and the wheels;
And while he the light toe is tripping, in this armchair I'll tilt
up my heels.
He's gone, and for what? For a tremor from a waist like a teetotum
spun;
For a rosebud that's crumpled by many before it is gathered by one.
Is there naught in the halo of youth but the glow of a passionate
race—'Midst the cheers and applause of a crowd—to the goal of a
beautiful face?
A race that is not to the swift, a prize that no merits enforce,
But is won by some faineant youth, who shall simply walk over the
course?
Poor boy! shall I shock his conceit? When he talks of her cheek's
loveliness,
Shall I say 'twas the air of the room, and was due to carbonic excess?
That when waltzing she drooped on his breast, and the veins of her
eyelids grew dim,
'Twas oxygen's absence she felt, but never the presence of him?
Shall I tell him first love is a fraud, a weakling that's strangled
in birth,
Recalled with perfunctory tears, but lost in unsanctified mirth?
Or shall I go bid him believe in all womankind's charm, and forget
In the light ringing laugh of the world the rattlesnake's gay
castanet?
Shall I tear out a leaf from my heart, from that book that forever
is shut
On the past? Shall I speak of my first love—Augusta—my Lalage?
But
I forget. Was it really Augusta? No. 'Twas Lucy! No. Mary!
No. Di!
Never mind! they were all first and faithless, and yet—I've forgotten
just why.
No, no! Let him dream on and ever. Alas! he will waken too soon;
And it doesn't look well for October to always be preaching at June.
Poor boy! All his fond foolish trophies pinned yonder—a bow from
HER hair,
A few billets-doux, invitations, and—what's this? My name, I
declare!
Humph! "You'll come, for I've got you a prize, with beauty and money
no end:
You know her, I think; 'twas on dit she once was engaged to your
friend;
But she says that's all over." Ah, is it? Sweet Ethel! incomparable
maid!
Or—what if the thing were a trick?—this letter so freely displayed!—
My opportune presence! No! nonsense! Will nobody answer the bell?
Call a cab! Half past ten. Not too late yet. Oh, Ethel! Why don't
you go? Well?
"Master said you would wait"— Hang your master! "Have I ever a
message to send?"
Yes, tell him I've gone to the German to dance with the friend of
his friend.
You must not be kept from your "German" because I've dropped in like
a stone.
Leave all ceremony behind you, leave all thought of aught but
yourself;
And leave, if you like, the Madeira, and a dozen cigars on the shelf.
As for me, you will say to your hostess—well, I scarcely need give
you a cue.
Chant my praise! All will list to Apollo, though Mercury pipe to a
few.
Say just what you please, my dear boy; there's more eloquence lies
in youth's rash
Outspoken heart-impulse than ever growled under this grizzling
mustache.
Go, don the dress coat of our tyrant,—youth's panoplied armor for
fight,—
And tie the white neckcloth that rumples, like pleasure, and lasts
but a night;
And pray the Nine Gods to avert you what time the Three Sisters
shall frown,
And you'll lose your high-comedy figure, and sit more at ease in
your gown.
He's off! There's his foot on the staircase. By Jove, what a bound!
Really now
Did I ever leap like this springald, with Love's chaplet green on my
brow?
Was I such an ass? No, I fancy. Indeed, I remember quite plain
A gravity mixed with my transports, a cheerfulness softened my pain.
He's gone! There's the slam of his cab door, there's the clatter
of hoofs and the wheels;
And while he the light toe is tripping, in this armchair I'll tilt
up my heels.
He's gone, and for what? For a tremor from a waist like a teetotum
spun;
For a rosebud that's crumpled by many before it is gathered by one.
Is there naught in the halo of youth but the glow of a passionate
race—'Midst the cheers and applause of a crowd—to the goal of a
beautiful face?
A race that is not to the swift, a prize that no merits enforce,
But is won by some faineant youth, who shall simply walk over the
course?
Poor boy! shall I shock his conceit? When he talks of her cheek's
loveliness,
Shall I say 'twas the air of the room, and was due to carbonic excess?
That when waltzing she drooped on his breast, and the veins of her
eyelids grew dim,
'Twas oxygen's absence she felt, but never the presence of him?
Shall I tell him first love is a fraud, a weakling that's strangled
in birth,
Recalled with perfunctory tears, but lost in unsanctified mirth?
Or shall I go bid him believe in all womankind's charm, and forget
In the light ringing laugh of the world the rattlesnake's gay
castanet?
Shall I tear out a leaf from my heart, from that book that forever
is shut
On the past? Shall I speak of my first love—Augusta—my Lalage?
But
I forget. Was it really Augusta? No. 'Twas Lucy! No. Mary!
No. Di!
Never mind! they were all first and faithless, and yet—I've forgotten
just why.
No, no! Let him dream on and ever. Alas! he will waken too soon;
And it doesn't look well for October to always be preaching at June.
Poor boy! All his fond foolish trophies pinned yonder—a bow from
HER hair,
A few billets-doux, invitations, and—what's this? My name, I
declare!
Humph! "You'll come, for I've got you a prize, with beauty and money
no end:
You know her, I think; 'twas on dit she once was engaged to your
friend;
But she says that's all over." Ah, is it? Sweet Ethel! incomparable
maid!
Or—what if the thing were a trick?—this letter so freely displayed!—
My opportune presence! No! nonsense! Will nobody answer the bell?
Call a cab! Half past ten. Not too late yet. Oh, Ethel! Why don't
you go? Well?
"Master said you would wait"— Hang your master! "Have I ever a
message to send?"
Yes, tell him I've gone to the German to dance with the friend of
his friend.
WHAT THE WOLF REALLY SAID TO LITTLE RED RIDING-HOOD
Wondering maiden, so puzzled and fair,
Why dost thou murmur and ponder and stare?
"Why are my eyelids so open and wild?"
Only the better to see with, my child!
Only the better and clearer to view
Cheeks that are rosy and eyes that are blue.
Dost thou still wonder, and ask why these arms
Fill thy soft bosom with tender alarms,
Swaying so wickedly? Are they misplaced
Clasping or shielding some delicate waist?
Hands whose coarse sinews may fill you with fear
Only the better protect you, my dear!
Little Red Riding-Hood, when in the street,
Why do I press your small hand when we meet?
Why, when you timidly offered your cheek,
Why did I sigh, and why didn't I speak?
Why, well: you see—if the truth must appear—
I'm not your grandmother, Riding-Hood, dear!
Why dost thou murmur and ponder and stare?
"Why are my eyelids so open and wild?"
Only the better to see with, my child!
Only the better and clearer to view
Cheeks that are rosy and eyes that are blue.
Dost thou still wonder, and ask why these arms
Fill thy soft bosom with tender alarms,
Swaying so wickedly? Are they misplaced
Clasping or shielding some delicate waist?
Hands whose coarse sinews may fill you with fear
Only the better protect you, my dear!
Little Red Riding-Hood, when in the street,
Why do I press your small hand when we meet?
Why, when you timidly offered your cheek,
Why did I sigh, and why didn't I speak?
Why, well: you see—if the truth must appear—
I'm not your grandmother, Riding-Hood, dear!
HALF AN HOUR BEFORE SUPPER
"So she's here, your unknown Dulcinea, the lady you met on the train,
And you really believe she would know you if you were to meet her
again?"
"Of course," he replied, "she would know me; there never was
womankind yet
Forgot the effect she inspired. She excuses, but does not forget."
"Then you told her your love?" asked the elder. The younger looked
up with a smile:
"I sat by her side half an hour—what else was I doing the while?
"What, sit by the side of a woman as fair as the sun in the sky,
And look somewhere else lest the dazzle flash back from your own to
her eye?
"No, I hold that the speech of the tongue be as frank and as bold as
the look,
And I held up herself to herself,—that was more than she got from
her book."
"Young blood!" laughed the elder; "no doubt you are voicing the mode
of To-Day:
But then we old fogies at least gave the lady some chance for delay.
"There's my wife (you must know),—we first met on the journey from
Florence to Rome:
It took me three weeks to discover who was she and where was her home;
"Three more to be duly presented; three more ere I saw her again;
And a year ere my romance BEGAN where yours ended that day on the
train."
"Oh, that was the style of the stage-coach; we travel to-day by
express;
Forty miles to the hour," he answered, "won't admit of a passion
that's less."
"But what if you make a mistake?" quoth the elder. The younger half
sighed.
"What happens when signals are wrong or switches misplaced?" he
replied.
"Very well, I must bow to your wisdom," the elder returned, "but
submit
Your chances of winning this woman your boldness has bettered no whit.
"Why, you do not at best know her name. And what if I try your ideal
With something, if not quite so fair, at least more en regle and real?
"Let me find you a partner. Nay, come, I insist—you shall follow—
this way.
My dear, will you not add your grace to entreat Mr. Rapid to stay?
"My wife, Mr. Rapid— Eh, what! Why, he's gone—yet he said he
would come.
How rude! I don't wonder, my dear, you are properly crimson and
dumb!"
And you really believe she would know you if you were to meet her
again?"
"Of course," he replied, "she would know me; there never was
womankind yet
Forgot the effect she inspired. She excuses, but does not forget."
"Then you told her your love?" asked the elder. The younger looked
up with a smile:
"I sat by her side half an hour—what else was I doing the while?
"What, sit by the side of a woman as fair as the sun in the sky,
And look somewhere else lest the dazzle flash back from your own to
her eye?
"No, I hold that the speech of the tongue be as frank and as bold as
the look,
And I held up herself to herself,—that was more than she got from
her book."
"Young blood!" laughed the elder; "no doubt you are voicing the mode
of To-Day:
But then we old fogies at least gave the lady some chance for delay.
"There's my wife (you must know),—we first met on the journey from
Florence to Rome:
It took me three weeks to discover who was she and where was her home;
"Three more to be duly presented; three more ere I saw her again;
And a year ere my romance BEGAN where yours ended that day on the
train."
"Oh, that was the style of the stage-coach; we travel to-day by
express;
Forty miles to the hour," he answered, "won't admit of a passion
that's less."
"But what if you make a mistake?" quoth the elder. The younger half
sighed.
"What happens when signals are wrong or switches misplaced?" he
replied.
"Very well, I must bow to your wisdom," the elder returned, "but
submit
Your chances of winning this woman your boldness has bettered no whit.
"Why, you do not at best know her name. And what if I try your ideal
With something, if not quite so fair, at least more en regle and real?
"Let me find you a partner. Nay, come, I insist—you shall follow—
this way.
My dear, will you not add your grace to entreat Mr. Rapid to stay?
"My wife, Mr. Rapid— Eh, what! Why, he's gone—yet he said he
would come.
How rude! I don't wonder, my dear, you are properly crimson and
dumb!"
WHAT THE BULLET SANG
O joy of creation
To be!
O rapture to fly
And be free!
Be the battle lost or won,
Though its smoke shall hide the sun,
I shall find my love,—the one
Born for me!
I shall know him where he stands,
All alone,
With the power in his hands
Not o'erthrown;
I shall know him by his face,
By his godlike front and grace;
I shall hold him for a space,
All my own!
It is he—O my love!
So bold!
It is I—all thy love
Foretold!
It is I. O love! what bliss!
Dost thou answer to my kiss?
O sweetheart! what is this
Lieth there so cold?
To be!
O rapture to fly
And be free!
Be the battle lost or won,
Though its smoke shall hide the sun,
I shall find my love,—the one
Born for me!
I shall know him where he stands,
All alone,
With the power in his hands
Not o'erthrown;
I shall know him by his face,
By his godlike front and grace;
I shall hold him for a space,
All my own!
It is he—O my love!
So bold!
It is I—all thy love
Foretold!
It is I. O love! what bliss!
Dost thou answer to my kiss?
O sweetheart! what is this
Lieth there so cold?
THE OLD CAMP-FIRE
Now shift the blanket pad before your saddle back you fling,
And draw your cinch up tighter till the sweat drops from the ring:
We've a dozen miles to cover ere we reach the next divide.
Our limbs are stiffer now than when we first set out to ride,
And worse, the horses know it, and feel the leg-grip tire,
Since in the days when, long ago, we sought the old camp-fire.
Yes, twenty years! Lord! how we'd scent its incense down the trail,
Through balm of bay and spice of spruce, when eye and ear would fail,
And worn and faint from useless quest we crept, like this, to rest,
Or, flushed with luck and youthful hope, we rode, like this, abreast.
Ay! straighten up, old friend, and let the mustang think he's nigher,
Through looser rein and stirrup strain, the welcome old camp-fire.
You know the shout that would ring out before us down the glade,
And start the blue jays like a flight of arrows through the shade,
And sift the thin pine needles down like slanting, shining rain,
And send the squirrels scampering back to their holes again,
Until we saw, blue-veiled and dim, or leaping like desire,
That flame of twenty years ago, which lit the old camp-fire.
And then that rest on Nature's breast, when talk had dropped, and slow
The night wind went from tree to tree with challenge soft and low!
We lay on lazy elbows propped, or stood to stir the flame,
Till up the soaring redwood's shaft our shadows danced and came,
As if to draw us with the sparks, high o'er its unseen spire,
To the five stars that kept their ward above the old camp-fire,—
Those picket stars whose tranquil watch half soothed, half shamed
our sleep.
What recked we then what beasts or men around might lurk or creep?
We lay and heard with listless ears the far-off panther's cry,
The near coyote's snarling snap, the grizzly's deep-drawn sigh,
The brown bear's blundering human tread, the gray wolves' yelping
choir
Beyond the magic circle drawn around the old camp-fire.
And then that morn! Was ever morn so filled with all things new?
The light that fell through long brown aisles from out the kindling
blue,
The creak and yawn of stretching boughs, the jay-bird's early call,
The rat-tat-tat of woodpecker that waked the woodland hall,
The fainter stir of lower life in fern and brake and brier,
Till flashing leaped the torch of Day from last night's old camp-fire!
Well, well! we'll see it once again; we should be near it now;
It's scarce a mile to where the trail strikes off to skirt the slough,
And then the dip to Indian Spring, the wooded rise, and—strange!
Yet here should stand the blasted pine that marked our farther range;
And here—what's this? A ragged swab of ruts and stumps and mire!
Sure this is not the sacred grove that hid the old camp-fire!
Yet here's the "blaze" I cut myself, and there's the stumbling ledge,
With quartz "outcrop" that lay atop, now leveled to its edge,
And mounds of moss-grown stumps beside the woodman's rotting chips,
And gashes in the hillside, that gape with dumb red lips.
And yet above the shattered wreck and ruin, curling higher—
Ah yes!—still lifts the smoke that marked the welcome old camp-fire!
Perhaps some friend of twenty years still lingers there to raise
To weary hearts and tired eyes that beacon of old days.
Perhaps but stay; 'tis gone! and yet once more it lifts as though
To meet our tardy blundering steps, and seems to MOVE, and lo!
Whirls by us in a rush of sound,—the vanished funeral pyre
Of hopes and fears that twenty years burned in the old camp-fire!
For see, beyond the prospect spreads, with chimney, spire, and roof,—
Two iron bands across the trail clank to our mustang's hoof;
Above them leap two blackened threads from limb-lopped tree to tree,
To where the whitewashed station speeds its message to the sea.
Rein in! Rein in! The quest is o'er. The goal of our desire
Is but the train whose track has lain across the old camp-fire!
And draw your cinch up tighter till the sweat drops from the ring:
We've a dozen miles to cover ere we reach the next divide.
Our limbs are stiffer now than when we first set out to ride,
And worse, the horses know it, and feel the leg-grip tire,
Since in the days when, long ago, we sought the old camp-fire.
Yes, twenty years! Lord! how we'd scent its incense down the trail,
Through balm of bay and spice of spruce, when eye and ear would fail,
And worn and faint from useless quest we crept, like this, to rest,
Or, flushed with luck and youthful hope, we rode, like this, abreast.
Ay! straighten up, old friend, and let the mustang think he's nigher,
Through looser rein and stirrup strain, the welcome old camp-fire.
You know the shout that would ring out before us down the glade,
And start the blue jays like a flight of arrows through the shade,
And sift the thin pine needles down like slanting, shining rain,
And send the squirrels scampering back to their holes again,
Until we saw, blue-veiled and dim, or leaping like desire,
That flame of twenty years ago, which lit the old camp-fire.
And then that rest on Nature's breast, when talk had dropped, and slow
The night wind went from tree to tree with challenge soft and low!
We lay on lazy elbows propped, or stood to stir the flame,
Till up the soaring redwood's shaft our shadows danced and came,
As if to draw us with the sparks, high o'er its unseen spire,
To the five stars that kept their ward above the old camp-fire,—
Those picket stars whose tranquil watch half soothed, half shamed
our sleep.
What recked we then what beasts or men around might lurk or creep?
We lay and heard with listless ears the far-off panther's cry,
The near coyote's snarling snap, the grizzly's deep-drawn sigh,
The brown bear's blundering human tread, the gray wolves' yelping
choir
Beyond the magic circle drawn around the old camp-fire.
And then that morn! Was ever morn so filled with all things new?
The light that fell through long brown aisles from out the kindling
blue,
The creak and yawn of stretching boughs, the jay-bird's early call,
The rat-tat-tat of woodpecker that waked the woodland hall,
The fainter stir of lower life in fern and brake and brier,
Till flashing leaped the torch of Day from last night's old camp-fire!
Well, well! we'll see it once again; we should be near it now;
It's scarce a mile to where the trail strikes off to skirt the slough,
And then the dip to Indian Spring, the wooded rise, and—strange!
Yet here should stand the blasted pine that marked our farther range;
And here—what's this? A ragged swab of ruts and stumps and mire!
Sure this is not the sacred grove that hid the old camp-fire!
Yet here's the "blaze" I cut myself, and there's the stumbling ledge,
With quartz "outcrop" that lay atop, now leveled to its edge,
And mounds of moss-grown stumps beside the woodman's rotting chips,
And gashes in the hillside, that gape with dumb red lips.
And yet above the shattered wreck and ruin, curling higher—
Ah yes!—still lifts the smoke that marked the welcome old camp-fire!
Perhaps some friend of twenty years still lingers there to raise
To weary hearts and tired eyes that beacon of old days.
Perhaps but stay; 'tis gone! and yet once more it lifts as though
To meet our tardy blundering steps, and seems to MOVE, and lo!
Whirls by us in a rush of sound,—the vanished funeral pyre
Of hopes and fears that twenty years burned in the old camp-fire!
For see, beyond the prospect spreads, with chimney, spire, and roof,—
Two iron bands across the trail clank to our mustang's hoof;
Above them leap two blackened threads from limb-lopped tree to tree,
To where the whitewashed station speeds its message to the sea.
Rein in! Rein in! The quest is o'er. The goal of our desire
Is but the train whose track has lain across the old camp-fire!
THE STATION-MASTER OF LONE PRAIRIE
An empty bench, a sky of grayest etching,
A bare, bleak shed in blackest silhouette,
Twelve years of platform, and before them stretching
Twelve miles of prairie glimmering through the wet.
North, south, east, west,—the same dull gray persistence,
The tattered vapors of a vanished train,
The narrowing rails that meet to pierce the distance,
Or break the columns of the far-off rain.
Naught but myself; nor form nor figure breaking
The long hushed level and stark shining waste;
Nothing that moves to fill the vision aching,
When the last shadow fled in sullen haste.
Nothing beyond. Ah yes! From out the station
A stiff, gaunt figure thrown against the sky,
Beckoning me with some wooden salutation
Caught from his signals as the train flashed by;
Yielding me place beside him with dumb gesture
Born of that reticence of sky and air.
We sit apart, yet wrapped in that one vesture
Of silence, sadness, and unspoken care:
Each following his own thought,—around us darkening
The rain-washed boundaries and stretching track,—
Each following those dim parallels and hearkening
For long-lost voices that will not come back.
Until, unasked,—I knew not why or wherefore,—
He yielded, bit by bit, his dreary past,
Like gathered clouds that seemed to thicken there for
Some dull down-dropping of their care at last.
Long had he lived there. As a boy had started
From the stacked corn the Indian's painted face;
Heard the wolves' howl the wearying waste that parted
His father's hut from the last camping-place.
Nature had mocked him: thrice had claimed the reaping,
With scythe of fire, of lands she once had sown;
Sent the tornado, round his hearthstone heaping
Rafters, dead faces that were like his own.
Then came the War Time. When its shadow beckoned
He had walked dumbly where the flag had led
Through swamp and fen,—unknown, unpraised, unreckoned,—
To famine, fever, and a prison bed.
Till the storm passed, and the slow tide returning
Cast him, a wreck, beneath his native sky;
Here, at his watch, gave him the chance of earning
Scant means to live—who won the right to die.
All this I heard—or seemed to hear—half blending
With the low murmur of the coming breeze,
The call of some lost bird, and the unending
And tireless sobbing of those grassy seas.
Until at last the spell of desolation
Broke with a trembling star and far-off cry.
The coming train! I glanced around the station,
All was as empty as the upper sky!
Naught but myself; nor form nor figure waking
The long hushed level and stark shining waste;
Naught but myself, that cry, and the dull shaking
Of wheel and axle, stopped in breathless haste!
"Now, then—look sharp! Eh, what? The Station-Master?
THAR'S NONE! We stopped here of our own accord.
The man got killed in that down-train disaster
This time last evening. Right there! All aboard!"
A bare, bleak shed in blackest silhouette,
Twelve years of platform, and before them stretching
Twelve miles of prairie glimmering through the wet.
North, south, east, west,—the same dull gray persistence,
The tattered vapors of a vanished train,
The narrowing rails that meet to pierce the distance,
Or break the columns of the far-off rain.
Naught but myself; nor form nor figure breaking
The long hushed level and stark shining waste;
Nothing that moves to fill the vision aching,
When the last shadow fled in sullen haste.
Nothing beyond. Ah yes! From out the station
A stiff, gaunt figure thrown against the sky,
Beckoning me with some wooden salutation
Caught from his signals as the train flashed by;
Yielding me place beside him with dumb gesture
Born of that reticence of sky and air.
We sit apart, yet wrapped in that one vesture
Of silence, sadness, and unspoken care:
Each following his own thought,—around us darkening
The rain-washed boundaries and stretching track,—
Each following those dim parallels and hearkening
For long-lost voices that will not come back.
Until, unasked,—I knew not why or wherefore,—
He yielded, bit by bit, his dreary past,
Like gathered clouds that seemed to thicken there for
Some dull down-dropping of their care at last.
Long had he lived there. As a boy had started
From the stacked corn the Indian's painted face;
Heard the wolves' howl the wearying waste that parted
His father's hut from the last camping-place.
Nature had mocked him: thrice had claimed the reaping,
With scythe of fire, of lands she once had sown;
Sent the tornado, round his hearthstone heaping
Rafters, dead faces that were like his own.
Then came the War Time. When its shadow beckoned
He had walked dumbly where the flag had led
Through swamp and fen,—unknown, unpraised, unreckoned,—
To famine, fever, and a prison bed.
Till the storm passed, and the slow tide returning
Cast him, a wreck, beneath his native sky;
Here, at his watch, gave him the chance of earning
Scant means to live—who won the right to die.
All this I heard—or seemed to hear—half blending
With the low murmur of the coming breeze,
The call of some lost bird, and the unending
And tireless sobbing of those grassy seas.
Until at last the spell of desolation
Broke with a trembling star and far-off cry.
The coming train! I glanced around the station,
All was as empty as the upper sky!
Naught but myself; nor form nor figure waking
The long hushed level and stark shining waste;
Naught but myself, that cry, and the dull shaking
Of wheel and axle, stopped in breathless haste!
"Now, then—look sharp! Eh, what? The Station-Master?
THAR'S NONE! We stopped here of our own accord.
The man got killed in that down-train disaster
This time last evening. Right there! All aboard!"
THE MISSION BELLS OF MONTEREY
O bells that rang, O bells that sang
Above the martyrs' wilderness,
Till from that reddened coast-line sprang
The Gospel seed to cheer and bless,
What are your garnered sheaves to-day?
O Mission bells! Eleison bells!
O Mission bells of Monterey!
O bells that crash, O bells that clash
Above the chimney-crowded plain,
On wall and tower your voices dash,
But never with the old refrain;
In mart and temple gone astray!
Ye dangle bells! Ye jangle bells!
Ye wrangle bells of Monterey!
O bells that die, so far, so nigh,
Come back once more across the sea;
Not with the zealot's furious cry,
Not with the creed's austerity;
Come with His love alone to stay,
O Mission bells! Eleison bells!
O Mission bells of Monterey!
Above the martyrs' wilderness,
Till from that reddened coast-line sprang
The Gospel seed to cheer and bless,
What are your garnered sheaves to-day?
O Mission bells! Eleison bells!
O Mission bells of Monterey!
O bells that crash, O bells that clash
Above the chimney-crowded plain,
On wall and tower your voices dash,
But never with the old refrain;
In mart and temple gone astray!
Ye dangle bells! Ye jangle bells!
Ye wrangle bells of Monterey!
O bells that die, so far, so nigh,
Come back once more across the sea;
Not with the zealot's furious cry,
Not with the creed's austerity;
Come with His love alone to stay,
O Mission bells! Eleison bells!
O Mission bells of Monterey!
* This poem was set to music by Monsieur Charles Gounod.
"CROTALUS"
(RATTLESNAKE BAR, SIERRAS)
No life in earth, or air, or sky;
The sunbeams, broken silently,
On the bared rocks around me lie,—
Cold rocks with half-warmed lichens scarred,
And scales of moss; and scarce a yard
Away, one long strip, yellow-barred.
Lost in a cleft! 'Tis but a stride
To reach it, thrust its roots aside,
And lift it on thy stick astride!
Yet stay! That moment is thy grace!
For round thee, thrilling air and space,
A chattering terror fills the place!
A sound as of dry bones that stir
In the dead Valley! By yon fir
The locust stops its noonday whir!
The wild bird hears; smote with the sound,
As if by bullet brought to ground,
On broken wing, dips, wheeling round!
The hare, transfixed, with trembling lip,
Halts, breathless, on pulsating hip,
And palsied tread, and heels that slip.
Enough, old friend!—'tis thou. Forget
My heedless foot, nor longer fret
The peace with thy grim castanet!
I know thee! Yes! Thou mayst forego
That lifted crest; the measured blow
Beyond which thy pride scorns to go,
Or yet retract! For me no spell
Lights those slit orbs, where, some think, dwell
Machicolated fires of hell!
I only know thee humble, bold,
Haughty, with miseries untold,
And the old Curse that left thee cold,
And drove thee ever to the sun,
On blistering rocks; nor made thee shun
Our cabin's hearth, when day was done,
And the spent ashes warmed thee best;
We knew thee,—silent, joyless guest
Of our rude ingle. E'en thy quest
Of the rare milk-bowl seemed to be
Naught but a brother's poverty,
And Spartan taste that kept thee free
From lust and rapine. Thou! whose fame
Searchest the grass with tongue of flame,
Making all creatures seem thy game;
When the whole woods before thee run,
Asked but—when all was said and done—
To lie, untrodden, in the sun!
No life in earth, or air, or sky;
The sunbeams, broken silently,
On the bared rocks around me lie,—
Cold rocks with half-warmed lichens scarred,
And scales of moss; and scarce a yard
Away, one long strip, yellow-barred.
Lost in a cleft! 'Tis but a stride
To reach it, thrust its roots aside,
And lift it on thy stick astride!
Yet stay! That moment is thy grace!
For round thee, thrilling air and space,
A chattering terror fills the place!
A sound as of dry bones that stir
In the dead Valley! By yon fir
The locust stops its noonday whir!
The wild bird hears; smote with the sound,
As if by bullet brought to ground,
On broken wing, dips, wheeling round!
The hare, transfixed, with trembling lip,
Halts, breathless, on pulsating hip,
And palsied tread, and heels that slip.
Enough, old friend!—'tis thou. Forget
My heedless foot, nor longer fret
The peace with thy grim castanet!
I know thee! Yes! Thou mayst forego
That lifted crest; the measured blow
Beyond which thy pride scorns to go,
Or yet retract! For me no spell
Lights those slit orbs, where, some think, dwell
Machicolated fires of hell!
I only know thee humble, bold,
Haughty, with miseries untold,
And the old Curse that left thee cold,
And drove thee ever to the sun,
On blistering rocks; nor made thee shun
Our cabin's hearth, when day was done,
And the spent ashes warmed thee best;
We knew thee,—silent, joyless guest
Of our rude ingle. E'en thy quest
Of the rare milk-bowl seemed to be
Naught but a brother's poverty,
And Spartan taste that kept thee free
From lust and rapine. Thou! whose fame
Searchest the grass with tongue of flame,
Making all creatures seem thy game;
When the whole woods before thee run,
Asked but—when all was said and done—
To lie, untrodden, in the sun!
ON WILLIAM FRANCIS BARTLETT
DEAD AT PITTSFIELD, MASS., 1876
O poor Romancer—thou whose printed page,
Filled with rude speech and ruder forms of strife,
Was given to heroes in whose vulgar rage
No trace appears of gentler ways and life!—
Thou who wast wont of commoner clay to build
Some rough Achilles or some Ajax tall;
Thou whose free brush too oft was wont to gild
Some single virtue till it dazzled all;—
What right hast thou beside this laureled bier
Whereon all manhood lies—whereon the wreath
Of Harvard rests, the civic crown, and here
The starry flag, and sword and jeweled sheath?
Seest thou these hatchments? Knowest thou this blood
Nourished the heroes of Colonial days—
Sent to the dim and savage-haunted wood
Those sad-eyed Puritans with hymns of praise?
Look round thee! Everywhere is classic ground.
There Greylock rears. Beside yon silver "Bowl"
Great Hawthorne dwelt, and in its mirror found
Those quaint, strange shapes that filled his poet's soul.
Still silent, Stranger? Thou who now and then
Touched the too credulous ear with pathos, canst not speak?
Hast lost thy ready skill of tongue and pen?
What, Jester! Tears upon that painted cheek?
Pardon, good friends! I am not here to mar
His laureled wreaths with this poor tinseled crown—
This man who taught me how 'twas better far
To be the poem than to write it down.
I bring no lesson. Well have others preached
This sword that dealt full many a gallant blow;
I come once more to touch the hand that reached
Its knightly gauntlet to the vanquished foe.
O pale Aristocrat, that liest there,
So cold, so silent! Couldst thou not in grace
Have borne with us still longer, and so spare
The scorn we see in that proud, placid face?
"Hail and farewell!" So the proud Roman cried
O'er his dead hero. "Hail," but not "farewell."
With each high thought thou walkest side by side;
We feel thee, touch thee, know who wrought the spell!
O poor Romancer—thou whose printed page,
Filled with rude speech and ruder forms of strife,
Was given to heroes in whose vulgar rage
No trace appears of gentler ways and life!—
Thou who wast wont of commoner clay to build
Some rough Achilles or some Ajax tall;
Thou whose free brush too oft was wont to gild
Some single virtue till it dazzled all;—
What right hast thou beside this laureled bier
Whereon all manhood lies—whereon the wreath
Of Harvard rests, the civic crown, and here
The starry flag, and sword and jeweled sheath?
Seest thou these hatchments? Knowest thou this blood
Nourished the heroes of Colonial days—
Sent to the dim and savage-haunted wood
Those sad-eyed Puritans with hymns of praise?
Look round thee! Everywhere is classic ground.
There Greylock rears. Beside yon silver "Bowl"
Great Hawthorne dwelt, and in its mirror found
Those quaint, strange shapes that filled his poet's soul.
Still silent, Stranger? Thou who now and then
Touched the too credulous ear with pathos, canst not speak?
Hast lost thy ready skill of tongue and pen?
What, Jester! Tears upon that painted cheek?
Pardon, good friends! I am not here to mar
His laureled wreaths with this poor tinseled crown—
This man who taught me how 'twas better far
To be the poem than to write it down.
I bring no lesson. Well have others preached
This sword that dealt full many a gallant blow;
I come once more to touch the hand that reached
Its knightly gauntlet to the vanquished foe.
O pale Aristocrat, that liest there,
So cold, so silent! Couldst thou not in grace
Have borne with us still longer, and so spare
The scorn we see in that proud, placid face?
"Hail and farewell!" So the proud Roman cried
O'er his dead hero. "Hail," but not "farewell."
With each high thought thou walkest side by side;
We feel thee, touch thee, know who wrought the spell!
THE BIRDS OF CIRENCESTER
Did I ever tell you, my dears, the way
That the birds of Cisseter—"Cisseter!" eh?
Well "Ciren-cester"—one OUGHT to say,
From "Castra," or "Caster,"
As your Latin master
Will further explain to you some day;
Though even the wisest err,
And Shakespeare writes "Ci-cester,"
While every visitor
Who doesn't say "Cissiter"
Is in "Ciren-cester" considered astray.
A hundred miles from London town—
Where the river goes curving and broadening down
From tree-top to spire, and spire to mast,
Till it tumbles outright in the Channel at last—
A hundred miles from that flat foreshore
That the Danes and the Northmen haunt no more—
There's a little cup in the Cotswold hills
Which a spring in a meadow bubbles and fills,
Spanned by a heron's wing—crossed by a stride—
Calm and untroubled by dreams of pride,
Guiltless of Fame or ambition's aims,
That is the source of the lordly Thames!
Remark here again that custom contemns
Both "Tames" and Thames—you must SAY "Tems!"
But WHY? no matter!—from them you can see
Cirencester's tall spires loom up o'er the lea.
A. D. Five Hundred and Fifty-two,
The Saxon invaders—a terrible crew—
Had forced the lines of the Britons through;
And Cirencester, half mud and thatch,
Dry and crisp as a tinder match,
Was fiercely beleaguered by foes, who'd catch
At any device that could harry and rout
The folk that so boldly were holding out.
For the streets of the town—as you'll see to-day—
Were twisted and curved in a curious way
That kept the invaders still at bay;
And the longest bolt that a Saxon drew
Was stopped ere a dozen of yards it flew,
By a turn in the street, and a law so true
That even these robbers—of all laws scorners!—
Knew you couldn't shoot arrows AROUND street corners.
So they sat them down on a little knoll,
And each man scratched his Saxon poll,
And stared at the sky, where, clear and high,
The birds of that summer went singing by,
As if, in his glee, each motley jester
Were mocking the foes of Cirencester,
Till the jeering crow and the saucy linnet
Seemed all to be saying: "Ah! you're not in it!"
High o'er their heads the mavis flew,
And the "ouzel-cock so black of hue;"
And the "throstle," with his "note so true"
(You remember what Shakespeare says—HE knew);
And the soaring lark, that kept dropping through
Like a bucket spilling in wells of blue;
And the merlin—seen on heraldic panes—
With legs as vague as the Queen of Spain's;
And the dashing swift that would ricochet
From the tufts of grasses before them, yet—
Like bold Antaeus—would each time bring
New life from the earth, barely touched by his wing;
And the swallow and martlet that always knew
The straightest way home. Here a Saxon churl drew
His breath—tapped his forehead—an idea had got through!
So they brought them some nets, which straightway they filled
With the swallows and martlets—the sweet birds who build
In the houses of man—all that innocent guild
Who sing at their labor on eaves and in thatch—
And they stuck on their feathers a rude lighted match
Made of resin and tow. Then they let them all go
To be free! As a child-like diversion? Ah, no!
To work Cirencester's red ruin and woe.
For straight to each nest they flew, in wild quest
Of their homes and their fledgelings—that they loved the best;
And straighter than arrow of Saxon e'er sped
They shot o'er the curving streets, high overhead,
Bringing fire and terror to roof tree and bed,
Till the town broke in flame, wherever they came,
To the Briton's red ruin—the Saxon's red shame!
Yet they're all gone together! To-day you'll dig up
From "mound" or from "barrow" some arrow or cup.
Their fame is forgotten—their story is ended—
'Neath the feet of the race they have mixed with and blended.
But the birds are unchanged—the ouzel-cock sings,
Still gold on his crest and still black on his wings;
And the lark chants on high, as he mounts to the sky,
Still brown in his coat and still dim in his eye;
While the swallow or martlet is still a free nester
In the eaves and the roofs of thrice-built Cirencester.
That the birds of Cisseter—"Cisseter!" eh?
Well "Ciren-cester"—one OUGHT to say,
From "Castra," or "Caster,"
As your Latin master
Will further explain to you some day;
Though even the wisest err,
And Shakespeare writes "Ci-cester,"
While every visitor
Who doesn't say "Cissiter"
Is in "Ciren-cester" considered astray.
A hundred miles from London town—
Where the river goes curving and broadening down
From tree-top to spire, and spire to mast,
Till it tumbles outright in the Channel at last—
A hundred miles from that flat foreshore
That the Danes and the Northmen haunt no more—
There's a little cup in the Cotswold hills
Which a spring in a meadow bubbles and fills,
Spanned by a heron's wing—crossed by a stride—
Calm and untroubled by dreams of pride,
Guiltless of Fame or ambition's aims,
That is the source of the lordly Thames!
Remark here again that custom contemns
Both "Tames" and Thames—you must SAY "Tems!"
But WHY? no matter!—from them you can see
Cirencester's tall spires loom up o'er the lea.
A. D. Five Hundred and Fifty-two,
The Saxon invaders—a terrible crew—
Had forced the lines of the Britons through;
And Cirencester, half mud and thatch,
Dry and crisp as a tinder match,
Was fiercely beleaguered by foes, who'd catch
At any device that could harry and rout
The folk that so boldly were holding out.
For the streets of the town—as you'll see to-day—
Were twisted and curved in a curious way
That kept the invaders still at bay;
And the longest bolt that a Saxon drew
Was stopped ere a dozen of yards it flew,
By a turn in the street, and a law so true
That even these robbers—of all laws scorners!—
Knew you couldn't shoot arrows AROUND street corners.
So they sat them down on a little knoll,
And each man scratched his Saxon poll,
And stared at the sky, where, clear and high,
The birds of that summer went singing by,
As if, in his glee, each motley jester
Were mocking the foes of Cirencester,
Till the jeering crow and the saucy linnet
Seemed all to be saying: "Ah! you're not in it!"
High o'er their heads the mavis flew,
And the "ouzel-cock so black of hue;"
And the "throstle," with his "note so true"
(You remember what Shakespeare says—HE knew);
And the soaring lark, that kept dropping through
Like a bucket spilling in wells of blue;
And the merlin—seen on heraldic panes—
With legs as vague as the Queen of Spain's;
And the dashing swift that would ricochet
From the tufts of grasses before them, yet—
Like bold Antaeus—would each time bring
New life from the earth, barely touched by his wing;
And the swallow and martlet that always knew
The straightest way home. Here a Saxon churl drew
His breath—tapped his forehead—an idea had got through!
So they brought them some nets, which straightway they filled
With the swallows and martlets—the sweet birds who build
In the houses of man—all that innocent guild
Who sing at their labor on eaves and in thatch—
And they stuck on their feathers a rude lighted match
Made of resin and tow. Then they let them all go
To be free! As a child-like diversion? Ah, no!
To work Cirencester's red ruin and woe.
For straight to each nest they flew, in wild quest
Of their homes and their fledgelings—that they loved the best;
And straighter than arrow of Saxon e'er sped
They shot o'er the curving streets, high overhead,
Bringing fire and terror to roof tree and bed,
Till the town broke in flame, wherever they came,
To the Briton's red ruin—the Saxon's red shame!
Yet they're all gone together! To-day you'll dig up
From "mound" or from "barrow" some arrow or cup.
Their fame is forgotten—their story is ended—
'Neath the feet of the race they have mixed with and blended.
But the birds are unchanged—the ouzel-cock sings,
Still gold on his crest and still black on his wings;
And the lark chants on high, as he mounts to the sky,
Still brown in his coat and still dim in his eye;
While the swallow or martlet is still a free nester
In the eaves and the roofs of thrice-built Cirencester.
LINES TO A PORTRAIT, BY A SUPERIOR PERSON
When I bought you for a song,
Years ago—Lord knows how long!—
I was struck—I may be wrong—
By your features,
And—a something in your air
That I couldn't quite compare
To my other plain or fair
Fellow creatures.
In your simple, oval frame
You were not well known to fame,
But to me—'twas all the same—
Whoe'er drew you;
For your face I can't forget,
Though I oftentimes regret
That, somehow, I never yet
Saw quite through you.
Yet each morning, when I rise,
I go first to greet your eyes;
And, in turn, YOU scrutinize
My presentment.
And when shades of evening fall,
As you hang upon my wall,
You're the last thing I recall
With contentment.
It is weakness, yet I know
That I never turned to go
Anywhere, for weal or woe,
But I lingered
For one parting, thrilling flash
From your eyes, to give that dash
To the curl of my mustache,
That I fingered.
If to some you may seem plain,
And when people glance again
Where you hang, their lips refrain.
From confession;
Yet they turn in stealth aside,
And I note, they try to hide
How much they are satisfied
In expression.
Other faces I have seen;
Other forms have come between;
Other things I have, I ween,
Done and dared for!
But OUR ties they cannot sever,
And, though I should say it never,
You're the only one I ever
Really cared for!
And you'll still be hanging there
When we're both the worse for wear,
And the silver's on my hair
And off your backing;
Yet my faith shall never pass
In my dear old shaving-glass,
Till my face and yours, alas!
Both are lacking!
Years ago—Lord knows how long!—
I was struck—I may be wrong—
By your features,
And—a something in your air
That I couldn't quite compare
To my other plain or fair
Fellow creatures.
In your simple, oval frame
You were not well known to fame,
But to me—'twas all the same—
Whoe'er drew you;
For your face I can't forget,
Though I oftentimes regret
That, somehow, I never yet
Saw quite through you.
Yet each morning, when I rise,
I go first to greet your eyes;
And, in turn, YOU scrutinize
My presentment.
And when shades of evening fall,
As you hang upon my wall,
You're the last thing I recall
With contentment.
It is weakness, yet I know
That I never turned to go
Anywhere, for weal or woe,
But I lingered
For one parting, thrilling flash
From your eyes, to give that dash
To the curl of my mustache,
That I fingered.
If to some you may seem plain,
And when people glance again
Where you hang, their lips refrain.
From confession;
Yet they turn in stealth aside,
And I note, they try to hide
How much they are satisfied
In expression.
Other faces I have seen;
Other forms have come between;
Other things I have, I ween,
Done and dared for!
But OUR ties they cannot sever,
And, though I should say it never,
You're the only one I ever
Really cared for!
And you'll still be hanging there
When we're both the worse for wear,
And the silver's on my hair
And off your backing;
Yet my faith shall never pass
In my dear old shaving-glass,
Till my face and yours, alas!
Both are lacking!