VI.
1844. AEt. 30. LETTER TO PARK BENJAMIN.—POLITICAL VIEWS AND FEELINGS.
A letter to Mr. Park Benjamin, dated December 17, 1844, which has been kindly lent me by Mrs. Mary Lanman Douw of Poughkeepsie, gives a very complete and spirited account of himself at this period. He begins with a quiet, but tender reference to the death of his younger brother, Preble, one of the most beautiful youths seen or remembered among us, "a great favorite," as he says, "in the family and in deed with every one who knew him." He mentions the fact that his friends and near connections, the Stackpoles, are in Washington, which place he considers as exceptionally odious at the time when he is writing. The election of Mr. Polk as the opponent of Henry Clay gives him a discouraged feeling about our institutions. The question, he thinks, is now settled that a statesman can never again be called to administer the government of the country. He is almost if not quite in despair "because it is now proved that a man, take him for all in all, better qualified by intellectual power, energy and purity of character, knowledge of men, a great combination of personal qualities, a frank, high-spirited, manly bearing, keen sense of honor, the power of attracting and winning men, united with a vast experience in affairs, such as no man (but John Quincy Adams) now living has had and no man in this country can ever have again,—I say it is proved that a man better qualified by an extraordinary combination of advantages to administer the government than any man now living, or any man we can ever produce again, can be beaten by anybody. . . . . It has taken forty years of public life to prepare such a man for the Presidency, and the result is that he can be beaten by anybody,—Mr. Polk is anybody,—he is Mr. Quelconque."
I do not venture to quote the most burning sentences of this impassioned letter. It shows that Motley had not only become interested most profoundly in the general movements of parties, but that he had followed the course of political events which resulted in the election of Mr. Polk with careful study, and that he was already looking forward to the revolt of the slave States which occurred sixteen years later. The letter is full of fiery eloquence, now and then extravagant and even violent in expression, but throbbing with a generous heat which shows the excitable spirit of a man who wishes to be proud of his country and does not wish to keep his temper when its acts make him ashamed of it. He is disgusted and indignant to the last degree at seeing "Mr. Quelconque" chosen over the illustrious statesman who was his favorite candidate. But all his indignation cannot repress a sense of humor which was one of his marked characteristics. After fatiguing his vocabulary with hard usage, after his unsparing denunciation of "the very dirty politics" which he finds mixed up with our popular institutions, he says,—it must be remembered that this was an offhand letter to one nearly connected with him,—
"All these things must in short, to use the energetic language of the Balm of Columbia advertisement, 'bring every generous thinking youth to that heavy sinking gloom which not even the loss of property can produce, but only the loss of hair, which brings on premature decay, causing many to shrink from being uncovered, and even to shun society, to avoid the jests and sneers of their acquaintances. The remainder of their lives is consequently spent in retirement.'"
He continues:—
"Before dropping the subject, and to show the perfect purity of my motives, I will add that I am not at all anxious about the legislation of the new government. I desired the election of Clay as a moral triumph, and because the administration of the country, at this moment of ten thousand times more importance than its legislation, would have been placed in pure, strong, and determined hands."
Then comes a dash of that satirical and somewhat cynical way of feeling which he had not as yet outgrown. He had been speaking about the general want of attachment to the Union and the absence of the sentiment of loyalty as bearing on the probable dissolution of the Union.
"I don't mean to express any opinions on these matters,—I haven't got any. It seems to me that the best way is to look at the hodge-podge, be good-natured if possible, and laugh,
'As from the height of contemplation
We view the feeble joints men totter on.'
I began a tremendous political career during the election, having made two stump speeches of an hour and a half each,—after you went away,—one in Dedham town-hall and one in Jamaica Plain, with such eminent success that many invitations came to me from the surrounding villages, and if I had continued in active political life I might have risen to be vote-distributor, or fence-viewer, or selectman, or hog-reeve, or something of the kind."
The letter from which the above passages are quoted gives the same portrait of the writer, only seen in profile, as it were, which we have already seen drawn in full face in the story of "Morton's Hope." It is charged with that 'saeva indignatio' which at times verges on misanthropic contempt for its objects, not unnatural to a high-spirited young man who sees his lofty ideals confronted with the ignoble facts which strew the highways of political life. But we can recognize real conviction and the deepest feeling beneath his scornful rhetoric and his bitter laugh. He was no more a mere dilettante than Swift himself, but now and then in the midst of his most serious thought some absurd or grotesque image will obtrude itself, and one is reminded of the lines on the monument of Gay rather than of the fierce epitaph of the Dean of Saint Patrick's.
VII.
1845-1847. AEt. 31-33.
FIRST HISTORICAL AND CRITICAL ESSAYS.—PETER THE GREAT.—NOVELS OF BALZAC.—POLITY OF THE PURITANS.
Mr. Motley's first serious effort in historical composition was an article of fifty pages in "The North American Review" for October, 1845. This was nominally a notice of two works, one on Russia, the other "A Memoir of the Life of Peter the Great." It is, however, a narrative rather than a criticism, a rapid, continuous, brilliant, almost dramatic narrative. If there had been any question as to whether the young novelist who had missed his first mark had in him the elements which might give him success as an author, this essay would have settled the question. It shows throughout that the writer has made a thorough study of his subject, but it is written with an easy and abundant, yet scholarly freedom, not as if he were surrounded by his authorities and picking out his material piece by piece, but rather as if it were the overflow of long-pursued and well-remembered studies recalled without effort and poured forth almost as a recreation.
As he betrayed or revealed his personality in his first novel, so in this first effort in another department of literature he showed in epitome his qualities as a historian and a biographer. The hero of his narrative makes his entrance at once in his character as the shipwright of Saardam, on the occasion of a visit of the great Duke of Marlborough. The portrait instantly arrests attention. His ideal personages had been drawn in such a sketchy way, they presented so many imperfectly harmonized features, that they never became real, with the exception, of course, of the story-teller himself. But the vigor with which the presentment of the imperial ship-carpenter, the sturdy, savage, eager, fiery Peter, was given in the few opening sentences, showed the movement of the hand, the glow of the color, that were in due time to display on a broader canvas the full-length portraits of William the Silent and of John of Barneveld. The style of the whole article is rich, fluent, picturesque, with light touches of humor here and there, and perhaps a trace or two of youthful jauntiness, not quite as yet outgrown. His illustrative poetical quotations are mostly from Shakespeare,—from Milton and Byron also in a passage or two,—and now and then one is reminded that he is not unfamiliar with Carlyle's "Sartor Resartus" and the "French Revolution" of the same unmistakable writer, more perhaps by the way in which phrases borrowed from other authorities are set in the text than by any more important evidence of unconscious imitation.
The readers who had shaken their heads over the unsuccessful story of "Morton's Hope" were startled by the appearance of this manly and scholarly essay. This young man, it seemed, had been studying,—studying with careful accuracy, with broad purpose. He could paint a character with the ruddy life-blood coloring it as warmly as it glows in the cheeks of one of Van der Helst's burgomasters. He could sweep the horizon in a wide general outlook, and manage his perspective and his lights and shadows so as to place and accent his special subject with its due relief and just relations. It was a sketch, or rather a study for a larger picture, but it betrayed the hand of a master. The feeling of many was that expressed in the words of Mr. Longfellow in his review of the "Twice-Told Tales" of the unknown young writer, Nathaniel Hawthorne: "When a new star rises in the heavens, people gaze after it for a season with the naked eye, and with such telescopes as they may find. . . . This star is but newly risen; and erelong the observation of numerous star-gazers, perched up on arm-chairs and editor's tables, will inform the world of its magnitude and its place in the heaven of"—not poetry in this instance, but that serene and unclouded region of the firmament where shine unchanging the names of Herodotus and Thucydides. Those who had always believed in their brilliant schoolmate and friend at last felt themselves justified in their faith. The artist that sent this unframed picture to be hung in a corner of the literary gallery was equal to larger tasks. There was but one voice in the circle that surrounded the young essayist. He must redeem his pledge, he can and will redeem it, if he will only follow the bent of his genius and grapple with the heroic labor of writing a great history.
And this was the achievement he was already meditating.
In the mean time he was studying history for its facts and principles, and fiction for its scenery and portraits. In "The North American Review" for July, 1847, is a long and characteristic article on Balzac, of whom he was an admirer, but with no blind worship. The readers of this great story-teller, who was so long in obtaining recognition, who "made twenty assaults upon fame and had forty books killed under him" before he achieved success, will find his genius fully appreciated and fairly weighed in this discriminating essay. A few brief extracts will show its quality.
"Balzac is an artist, and only an artist. In his tranquil, unimpassioned, remorseless diagnosis of morbid phenomena, in his cool method of treating the morbid anatomy of the heart, in his curiously accurate dissection of the passions, in the patient and painful attention with which, stethoscope in hand, finger on pulse, eye everywhere, you see him watching every symptom, alive to every sound and every breath, and in the scientific accuracy with which he portrays the phenomena which have been the subject of his investigation,—in all this calm and conscientious study of nature he often reminds us of Goethe. Balzac, however, is only an artist . . . He is neither moral nor immoral, but a calm and profound observer of human society and human passions, and a minute, patient, and powerful delineator of scenes and characters in the world before his eyes. His readers must moralize for themselves. . . . It is, perhaps, his defective style more than anything else which will prevent his becoming a classic, for style above all other qualities seems to embalm for posterity. As for his philosophy, his principles, moral, political, or social, we repeat that he seems to have none whatever. He looks for the picturesque and the striking. He studies sentiments and sensations from an artistic point of view. He is a physiognomist, a physiologist, a bit of an anatomist, a bit of a mesmerist, a bit of a geologist, a Flemish painter, an upholsterer, a micrological, misanthropical, sceptical philosopher; but he is no moralist, and certainly no reformer."
Another article contributed by Mr. Motley to "The North American Review" is to be found in the number for October, 1849. It is nominally a review of Talvi's (Mrs. Robinson's) "Geschichte der Colonisation von New England," but in reality an essay on the Polity of the Puritans,—an historical disquisition on the principles of self-government evolved in New England, broad in its views, eloquent in its language. Its spirit is thoroughly American, and its estimate of the Puritan character is not narrowed by the nearsighted liberalism which sees the past in the pitiless light of the present,—which looks around at high noon and finds fault with early dawn for its long and dark shadows. Here is a sentence or two from the article:—
"With all the faults of the system devised by the Puritans, it was a practical system. With all their foibles, with all their teasing, tyrannical, and arbitrary notions, the Pilgrims were lovers of liberty as well as sticklers for authority. . . . Nowhere can a better description of liberty be found than that given by Winthrop, in his defence of himself before the General Court on a charge of arbitrary conduct. 'Nor would I have you mistake your own liberty,' he says. 'There is a freedom of doing what we list, without regard to law or justice; this liberty is indeed inconsistent with authority; but civil, moral, and federal liberty consists in every man's enjoying his property and having the benefit of the laws of his country; which is very consistent with a due subjection to the civil magistrate.' . . .
"We enjoy an inestimable advantage in America. One can be a republican, a democrat, without being a radical. A radical, one who would uproot, is a man whose trade is dangerous to society. Here is but little to uproot. The trade cannot flourish. All classes are conservative by necessity, for none can wish to change the structure of our polity. . .
"The country without a past cannot be intoxicated by visions of the past of other lands. Upon this absence of the past it seems to us that much of the security of our institutions depends. Nothing interferes with the development of what is now felt to be the true principle of government, the will of the people legitimately expressed. To establish that great truth, nothing was to be torn down, nothing to be uprooted. It grew up in New England out of the seed unconsciously planted by the first Pilgrims, was not crushed out by the weight of a thousand years of error spread over the whole continent, and the Revolution was proclaimed and recognized."
VIII.
1847-1849. AEt. 33-35.
JOSEPH LEWIS STACKPOLE, THE FRIEND OF MOTLEY. HIS SUDDEN DEATH.—MOTLEY IN THE MASSACHUSETTS HOUSE OF REPRESENTATIVES.—SECOND NOVEL, "MERRY-MOUNT, A ROMANCE OF THE MASSACHUSETTS COLONY."
The intimate friendships of early manhood are not very often kept up among our people. The eager pursuit of fortune, position, office, separates young friends, and the indoor home life imprisons them in the domestic circle so generally that it is quite exceptional to find two grown men who are like brothers,—or rather unlike most brothers, in being constantly found together. An exceptional instance of such a more than fraternal relation was seen in the friendship of Mr. Motley and Mr. Joseph Lewis Stackpole. Mr. William Amory, who knew them both well, has kindly furnished me with some recollections, which I cannot improve by changing his own language.
"Their intimacy began in Europe, and they returned to this country in 1835. In 1837 they married sisters, and this cemented their intimacy, which continued to Stackpole's death in 1847. The contrast in the temperament of the two friends—the one sensitive and irritable, and the other always cool and good-natured—only increased their mutual attachment to each other, and Motley's dependence upon Stackpole. Never were two friends more constantly together or more affectionately fond of each other. As Stackpole was about eight years older than Motley, and much less impulsive and more discreet, his death was to his friend irreparable, and at the time an overwhelming blow."
Mr. Stackpole was a man of great intelligence, of remarkable personal attractions, and amiable character. His death was a loss to Motley even greater than he knew, for he needed just such a friend, older, calmer, more experienced in the ways of the world, and above all capable of thoroughly understanding him and exercising a wholesome influence over his excitable nature without the seeming of a Mentor preaching to a Telemachus. Mr. Stackpole was killed by a railroad accident on the 20th of July, 1847.
In the same letter Mr. Amory refers to a very different experience in Mr.
Motley's life,—his one year of service as a member of the Massachusetts
House of Representatives, 1849.
"In respect to the one term during which he was a member of the Massachusetts House of Representatives, I can recall only one thing, to which he often and laughingly alluded. Motley, as the Chairman of the Committee on Education, made, as he thought, a most masterly report. It was very elaborate, and, as he supposed, unanswerable; but Boutwell, then a young man from some country town [Groton, Mass.], rose, and as Motley always said, demolished the report, so that he was unable to defend it against the attack. You can imagine his disgust, after the pains he had taken to render it unassailable, to find himself, as he expressed it, 'on his own dunghill,' ignominiously beaten. While the result exalted his opinion of the speech-making faculty of a Representative of a common school education, it at the same time cured him of any ambition for political promotion in Massachusetts."
To my letter of inquiry about this matter, Hon. George S. Boutwell courteously returned the following answer:—
BOSTON, October 14, 1878.
MY DEAR SIR,—As my memory serves me, Mr. Motley was a member of the Massachusetts House of Representatives in the year 1847 1849. It may be well to consult the manual for that year. I recollect the controversy over the report from the Committee on Education.
His failure was not due to his want of faculty or to the vigor of his opponents.
In truth he espoused the weak side of the question and the unpopular one also. His proposition was to endow the colleges at the expense of the fund for the support of the common schools. Failure was inevitable. Neither Webster nor Choate could have carried the bill.
Very truly,
GEO. S. BOUTWELL.
No one could be more ready and willing to recognize his own failures than Motley. He was as honest and manly, perhaps I may say as sympathetic with the feeling of those about him, on this occasion, as was Charles Lamb, who, sitting with his sister in the front of the pit, on the night when his farce was damned at its first representation, gave way to the common feeling, and hissed and hooted lustily with the others around him. It was what might be expected from his honest and truthful nature, sometimes too severe in judging itself.
The commendation bestowed upon Motley's historical essays in "The North American Review" must have gone far towards compensating him for the ill success of his earlier venture. It pointed clearly towards the field in which he was to gather his laurels. And it was in the year following the publication of the first essay, or about that time (1846), that he began collecting materials for a history of Holland. Whether to tell the story of men that have lived and of events that have happened, or to create the characters and invent the incidents of an imaginary tale be the higher task, we need not stop to discuss. But the young author was just now like the great actor in Sir Joshua's picture, between the allurements of Thalia and Melpomene, still doubtful whether he was to be a romancer or a historian.
The tale of which the title is given at the beginning of this section had been written several years before the date of its publication. It is a great advance in certain respects over the first novel, but wants the peculiar interest which belonged to that as a partially autobiographical memoir. The story is no longer disjointed and impossible. It is carefully studied in regard to its main facts. It has less to remind us of "Vivian Grey" and "Pelham," and more that recalls "Woodstock" and "Kenilworth." The personages were many of them historical, though idealized; the occurrences were many of them such as the record authenticated; the localities were drawn largely from nature. The story betrays marks of haste or carelessness in some portions, though others are elaborately studied. His preface shows that the reception of his first book had made him timid and sensitive about the fate of the second, and explains and excuses what might be found fault with, to disarm the criticism he had some reason to fear.
That old watch-dog of our American literature, "The North American Review," always ready with lambent phrases in stately "Articles" for native talent of a certain pretension, and wagging its appendix of "Critical Notices" kindly at the advent of humbler merit, treated "Merry-Mount" with the distinction implied in a review of nearly twenty pages. This was a great contrast to the brief and slighting notice of "Morton's Hope." The reviewer thinks the author's descriptive power wholly exceeds his conception of character and invention of circumstances.
"He dwells, perhaps, too long and fondly upon his imagination of the landscape as it was before the stillness of the forest had been broken by the axe of the settler; but the picture is so finely drawn, with so much beauty of language and purity of sentiment, that we cannot blame him for lingering upon the scene. . . . The story is not managed with much skill, but it has variety enough of incident and character, and is told with so much liveliness that few will be inclined to lay it down before reaching the conclusion. . . . The writer certainly needs practice in elaborating the details of a consistent and interesting novel; but in many respects he is well qualified for the task, and we shall be glad to meet him again on the half-historical ground he has chosen. His present work, certainly, is not a fair specimen of what he is able to accomplish, and its failure, or partial success, ought only to inspirit him for further effort."
The "half-historical ground" he had chosen had already led him to the entrance into the broader domain of history. The "further effort" for which he was to be inspirited had already begun. He had been for some time, as was before mentioned, collecting materials for the work which was to cast all his former attempts into the kindly shadow of oblivion, save when from time to time the light of his brilliant after success is thrown upon them to illustrate the path by which it was at length attained.
IX.
1850. AEt. 36. PLAN OF A HISTORY.—LETTERS.
The reputation of Mr. Prescott was now coextensive with the realm of scholarship. The histories of the reign of Ferdinand and Isabella and of the conquest of Mexico had met with a reception which might well tempt the ambition of a young writer to emulate it, but which was not likely to be awarded to any second candidate who should enter the field in rivalry with the great and universally popular historian. But this was the field on which Mr. Motley was to venture.
After he had chosen the subject of the history he contemplated, he found that Mr. Prescott was occupied with a kindred one, so that there might be too near a coincidence between them. I must borrow from Mr. Ticknor's beautiful life of Prescott the words which introduce a letter of Motley's to Mr. William Amory, who has kindly allowed me also to make use of it.
"The moment, therefore, that he [Mr. Motley] was aware of this condition of things, and the consequent possibility that there might be an untoward interference in their plans, he took the same frank and honorable course with Mr. Prescott that Mr. Prescott had taken in relation to Mr. Irving, when he found that they had both been contemplating a 'History of the Conquest of Mexico.' The result was the same. Mr. Prescott, instead of treating the matter as an interference, earnestly encouraged Mr. Motley to go on, and placed at his disposition such of the books in his library as could be most useful to him. How amply and promptly he did it, Mr. Motley's own account will best show. It is in a letter dated at Rome, 26th February, 1859, the day he heard of Mr. Prescott's death, and was addressed to his intimate friend, Mr. William Amory, of Boston, Mr. Prescott's much-loved brother-in-law."
"It seems to me but as yesterday," Mr. Motley writes, "though it must be now twelve years ago, that I was talking with our ever-lamented friend Stackpole about my intention of writing a history upon a subject to which I have since that time been devoting myself. I had then made already some general studies in reference to it, without being in the least aware that Prescott had the intention of writing the 'History of Philip the Second.' Stackpole had heard the fact, and that large preparations had already been made for the work, although 'Peru' had not yet been published. I felt naturally much disappointed. I was conscious of the immense disadvantage to myself of making my appearance, probably at the same time, before the public, with a work not at all similar in plan to 'Philip the Second,' but which must of necessity traverse a portion of the same ground.
"My first thought was inevitably, as it were, only of myself. It seemed to me that I had nothing to do but to abandon at once a cherished dream, and probably to renounce authorship. For I had not first made up my mind to write a history, and then cast about to take up a subject. My subject had taken me up, drawn me on, and absorbed me into itself. It was necessary for me, it seemed, to write the book I had been thinking much of, even if it were destined to fall dead from the press, and I had no inclination or interest to write any other. When I had made up my mind accordingly, it then occurred to me that Prescott might not be pleased that I should come forward upon his ground. It is true that no announcement of his intentions had been made, and that he had not, I believe, even commenced his preliminary studies for Philip. At the same time I thought it would be disloyal on my part not to go to him at once, confer with him on the subject, and if I should find a shadow of dissatisfaction on his mind at my proposition, to abandon my plan altogether.
"I had only the slightest acquaintance with him at that time. I was comparatively a young man, and certainly not entitled on any ground to more than the common courtesy which Prescott never could refuse to any one. But he received me with such a frank and ready and liberal sympathy, and such an open-hearted, guileless expansiveness, that I felt a personal affection for him from that hour. I remember the interview as if it had taken place yesterday. It was in his father's house, in his own library, looking on the garden-house and garden,—honored father and illustrious son,—alas! all numbered with the things that were! He assured me that he had not the slightest objection whatever to my plan, that he wished me every success, and that, if there were any books in his library bearing on my subject that I liked to use, they were entirely at my service. After I had expressed my gratitude for his kindness and cordiality, by which I had been in a very few moments set completely at ease, —so far as my fears of his disapprobation went,—I also very naturally stated my opinion that the danger was entirely mine, and that it was rather wilful of me thus to risk such a collision at my first venture, the probable consequence of which was utter shipwreck. I recollect how kindly and warmly he combated this opinion, assuring me that no two books, as he said, ever injured each other, and encouraging me in the warmest and most earnest manner to proceed on the course I had marked out for myself.
"Had the result of that interview been different,—had he distinctly stated, or even vaguely hinted, that it would be as well if I should select some other topic, or had he only sprinkled me with the cold water of conventional and commonplace encouragement,—I should have gone from him with a chill upon my mind, and, no doubt, have laid down the pen at once; for, as I have already said, it was not that I cared about writing a history, but that I felt an inevitable impulse to write one particular history.
"You know how kindly he always spoke of and to me; and the generous manner in which, without the slightest hint from me, and entirely unexpected by me, he attracted the eyes of his hosts of readers to my forthcoming work, by so handsomely alluding to it in the Preface to his own, must be almost as fresh in your memory as it is in mine.
"And although it seems easy enough for a man of world-wide reputation thus to extend the right hand of fellowship to an unknown and struggling aspirant, yet I fear that the history of literature will show that such instances of disinterested kindness are as rare as they are noble."
It was not from any feeling that Mr. Motley was a young writer from whose rivalry he had nothing to apprehend. Mr. Amory says that Prescott expressed himself very decidedly to the effect that an author who had written such descriptive passages as were to be found in Mr. Motley's published writings was not to be undervalued as a competitor by any one. The reader who will turn to the description of Charles River in the eighth chapter of the second volume of "Merry-Mount," or of the autumnal woods in the sixteenth chapter of the same volume, will see good reason for Mr. Prescott's appreciation of the force of the rival whose advent he so heartily and generously welcomed.
X.
1851-1856. AEt. 37-42. HISTORICAL STUDIES IN EUROPE.-LETTER FROM BRUSSELS.
After working for several years on his projected "History of the Dutch Republic," he found that, in order to do justice to his subject, he must have recourse to the authorities to be found only in the libraries and state archives of Europe. In the year 1851 he left America with his family, to begin his task over again, throwing aside all that he had already done, and following up his new course of investigations at Berlin, Dresden, the Hague, and Brussels during several succeeding years. I do not know that I can give a better idea of his mode of life during this busy period, his occupations, his state of mind, his objects of interest outside of his special work, than by making the following extracts from a long letter to myself, dated Brussels, 20th November, 1853.
After some personal matters he continued:—
"I don't really know what to say to you. I am in a town which, for aught I know, may be very gay. I don't know a living soul in it. We have not a single acquaintance in the place, and we glory in the fact. There is something rather sublime in thus floating on a single spar in the wide sea of a populous, busy, fuming, fussy world like this. At any rate it is consonant to both our tastes. You may suppose, however, that I find it rather difficult to amuse my friends out of the incidents of so isolated an existence. Our daily career is very regular and monotonous. Our life is as stagnant as a Dutch canal. Not that I complain of it,—on the contrary, the canal may be richly freighted with merchandise and be a short cut to the ocean of abundant and perpetual knowledge; but, at the same time, few points rise above the level of so regular a life, to be worthy of your notice. You must, therefore, allow me to meander along the meadows of commonplace. Don't expect anything of the impetuous and boiling style. We go it weak here. I don't know whether you were ever in Brussels. It is a striking, picturesque town, built up a steep promontory, the old part at the bottom, very dingy and mouldy, the new part at the top, very showy and elegant. Nothing can be more exquisite in its way than the grande place in the very heart of the city, surrounded with those toppling, zigzag, ten-storied buildings bedizened all over with ornaments and emblems so peculiar to the Netherlands, with the brocaded Hotel de Ville on one side, with its impossible spire rising some three hundred and seventy feet into the air and embroidered to the top with the delicacy of needle- work, sugarwork, spider-work, or what you will. I haunt this place because it is my scene, my theatre. Here were enacted so many deep tragedies, so many stately dramas, and even so many farces, which have been familiar to me so long that I have got to imagine myself invested with a kind of property in the place, and look at it as if it were merely the theatre with the coulisses, machinery, drapery, etc., for representing scenes which have long since vanished, and which no more enter the minds of the men and women who are actually moving across its pavements than if they had occurred in the moon. When I say that I knew no soul in Brussels I am perhaps wrong. With the present generation I am not familiar. 'En revanche,' the dead men of the place are my intimate friends. I am at home in any cemetery. With the fellows of the sixteenth century I am on the most familiar terms. Any ghost that ever flits by night across the moonlight square is at once hailed by me as a man and a brother. I call him by his Christian name at once. When you come out of this place, however, which, as I said, is in the heart of the town,—the antique gem in the modern setting,—you may go either up or down. If you go down, you will find yourself in the very nastiest complications of lanes and culs-de-sac possible, a dark entanglement of gin-shops, beer-houses, and hovels, through which charming valley dribbles the Senne (whence, I suppose, is derived Senna), the most nauseous little river in the world, which receives all the outpourings of all the drains and houses, and is then converted into beer for the inhabitants, all the many breweries being directly upon its edge. If you go up the hill instead of down, you come to an arrangement of squares, palaces, and gardens as trim and fashionable as you will find in Europe. Thus you see that our Cybele sits with her head crowned with very stately towers and her feet in a tub of very dirty water.
"My habits here for the present year are very regular. I came here, having, as I thought, finished my work, or rather the first Part (something like three or four volumes, 8vo), but I find so much original matter here, and so many emendations to make, that I am ready to despair. However, there is nothing for it but to penelopize, pull to pieces, and stitch away again. Whatever may be the result of my labor, nobody can say that I have not worked like a brute beast,—but I don't care for the result. The labor is in itself its own reward and all I want. I go day after day to the archives here (as I went all summer at the Hague), studying the old letters and documents of the fifteenth century. Here I remain among my fellow-worms, feeding on these musty mulberry-leaves, out of which we are afterwards to spin our silk. How can you expect anything interesting from such a human cocoon? It is, however, not without its amusement in a mouldy sort of way, this reading of dead letters. It is something to read the real, bona fide signs-manual of such fellows as William of Orange, Count Egmont, Alexander Farnese, Philip II., Cardinal Granvelle, and the rest of them. It gives a 'realizing sense,' as the Americans have it. . . . There are not many public resources of amusement in this place,—if we wanted them,—which we don't. I miss the Dresden Gallery very much, and it makes me sad to think that I shall never look at the face of the Sistine Madonna again,—that picture beyond all pictures in the world, in which the artist certainly did get to heaven and painted a face which was never seen on earth—so pathetic, so gentle, so passionless, so prophetic. . . . There are a few good Rubenses here,—but the great wealth of that master is in Antwerp. The great picture of the Descent from the Cross is free again, after having been ten years in the repairing room. It has come out in very good condition. What a picture? It seems to me as if I had really stood at the cross and seen Mary weeping on John's shoulder, and Magdalen receiving the dead body of the Saviour in her arms. Never was the grand tragedy represented in so profound and dramatic a manner. For it is not only in his color in which this man so easily surpasses all the world, but in his life-like, flesh-and-blood action,—the tragic power of his composition. And is it not appalling to think of the 'large constitution of this man,' when you reflect on the acres of canvas which he has covered? How inspiriting to see with what muscular, masculine vigor this splendid Fleming rushed in and plucked up drowning Art by the locks when it was sinking in the trashy sea of such creatures as the Luca Giordanos and Pietro Cortonas and the like. Well might Guido exclaim, 'The fellow mixes blood with his colors! . . . How providentially did the man come in and invoke living, breathing, moving men and women out of his canvas! Sometimes he is ranting and exaggerated, as are all men of great genius who wrestle with Nature so boldly. No doubt his heroines are more expansively endowed than would be thought genteel in our country, where cryptogams are so much in fashion, nevertheless there is always something very tremendous about him, and very often much that is sublime, pathetic, and moving. I defy any one of the average amount of imagination and sentiment to stand long before the Descent from the Cross without being moved more nearly to tears than he would care to acknowledge. As for color, his effects are as sure as those of the sun rising in a tropical landscape. There is something quite genial in the cheerful sense of his own omnipotence which always inspired him. There are a few fine pictures of his here, and I go in sometimes of a raw, foggy morning merely to warm myself in the blaze of their beauty."
I have been more willing to give room to this description of Rubens's pictures and the effect they produced upon Motley, because there is a certain affinity between those sumptuous and glowing works of art and the prose pictures of the historian who so admired them. He was himself a colorist in language, and called up the image of a great personage or a splendid pageant of the past with the same affluence, the same rich vitality, that floods and warms the vast areas of canvas over which the full-fed genius of Rubens disported itself in the luxury of imaginative creation.
XI.
1856-1857. AEt. 42-43.
PUBLICATION OF HIS FIRST HISTORICAL WORK, "RISE OF THE DUTCH REPUBLIC." —ITS RECEPTION.—CRITICAL NOTICES.
The labor of ten years was at last finished. Carrying his formidable manuscript with him,—and how formidable the manuscript which melts down into three solid octavo volumes is, only writers and publishers know,—he knocked at the gate of that terrible fortress from which Lintot and Curll and Tonson looked down on the authors of an older generation. So large a work as the "History of the Rise of the Dutch Republic," offered for the press by an author as yet unknown to the British public, could hardly expect a warm welcome from the great dealers in literature as merchandise. Mr. Murray civilly declined the manuscript which was offered to him, and it was published at its author's expense by Mr. John Chapman. The time came when the positions of the first-named celebrated publisher and the unknown writer were reversed. Mr. Murray wrote to Mr. Motley asking to be allowed to publish his second great work, the "History of the United Netherlands," expressing at the same time his regret at what he candidly called his mistake in the first instance, and thus they were at length brought into business connection as well as the most agreeable and friendly relations. An American edition was published by the Harpers at the same time as the London one.
If the new work of the unknown author found it difficult to obtain a publisher, it was no sooner given to the public than it found an approving, an admiring, an enthusiastic world of readers, and a noble welcome at the colder hands of the critics.
"The Westminster Review" for April, 1856, had for its leading article a paper by Mr. Froude, in which the critic awarded the highest praise to the work of the new historian. As one of the earliest as well as one of the most important recognitions of the work, I quote some of its judgments.
"A history as complete as industry and genius can make it now lies before us of the first twenty years of the Revolt of the United Provinces; of the period in which those provinces finally conquered their independence and established the Republic of Holland. It has been the result of many years of silent, thoughtful, unobtrusive labor, and unless we are strangely mistaken, unless we are ourselves altogether unfit for this office of criticising which we have here undertaken, the book is one which will take its place among the finest histories in this or in any language. . . . All the essentials of a great writer Mr. Motley eminently possesses. His mind is broad, his industry unwearied. In power of dramatic description no modern historian, except perhaps Mr. Carlyle, surpasses him, and in analysis of character he is elaborate and distinct. His principles are those of honest love for all which is good and admirable in human character wherever he finds it, while he unaffectedly hates oppression, and despises selfishness with all his heart."
After giving a slight analytical sketch of the series of events related in the history, Mr. Froude objects to only one of the historian's estimates, that, namely, of the course of Queen Elizabeth.
"It is ungracious, however," he says, "even to find so slight a fault with these admirable volumes. Mr. Motley has written without haste, with the leisurely composure of a master. . . . We now take our leave of Mr. Motley, desiring him only to accept our hearty thanks for these volumes, which we trust will soon take their place in every English library. Our quotations will have sufficed to show the ability of the writer. Of the scope and general character of his work we have given but a languid conception. The true merit of a great book must be learned from the book itself. Our part has been rather to select varied specimens of style and power. Of Mr. Motley's antecedents we know nothing. If he has previously appeared before the public, his reputation has not crossed the Atlantic. It will not be so now. We believe that we may promise him as warm a welcome among ourselves as he will receive even in America; that his place will be at once conceded to him among the first historians in our common language."
The faithful and unwearied Mr. Allibone has swept the whole field of contemporary criticism, and shown how wide and universal was the welcome accorded to the hitherto unknown author. An article headed "Prescott and Motley," attributed to M. Guizot, which must have been translated, I suppose, from his own language, judging by its freedom from French idioms, is to be found in "The Edinburgh Review" for January, 1857. The praise, not unmingled with criticisms, which that great historian bestowed upon Motley is less significant than the fact that he superintended a translation of the "Rise of the Dutch Republic," and himself wrote the Introduction to it.
A general chorus of approbation followed or accompanied these leading voices. The reception of the work in Great Britain was a triumph. On the Continent, in addition to the tribute paid to it by M. Guizot, it was translated into Dutch, into German, and into Russian. At home his reception was not less hearty. "The North American Review," which had set its foot on the semi-autobiographical medley which he called "Morton's Hope," which had granted a decent space and a tepid recognition to his "semi-historical" romance, in which he had already given the reading public a taste of his quality as a narrator of real events and a delineator of real personages,—this old and awe-inspiring New England and more than New England representative of the Fates, found room for a long and most laudatory article, in which the son of one of our most distinguished historians did the honors of the venerable literary periodical to the new-comer, for whom the folding-doors of all the critical headquarters were flying open as if of themselves. Mr. Allibone has recorded the opinions of some of our best scholars as expressed to him.
Dr. Lieber wrote a letter to Mr. Allibone in the strongest terms of praise. I quote one passage which in the light of after events borrows a cruel significance:—
"Congress and Parliament decree thanks for military exploits, —rarely for diplomatic achievements. If they ever voted their thanks for books,—and what deeds have influenced the course of human events more than some books?—Motley ought to have the thanks of our Congress; but I doubt not that he has already the thanks of every American who has read the work. It will leave its distinct mark upon the American mind."
Mr. Everett writes:—
"Mr. Motley's 'History of the Dutch Republic' is in my judgment a work of the highest merit. Unwearying research for years in the libraries of Europe, patience and judgment in arranging and digesting his materials, a fine historical tact, much skill in characterization, the perspective of narration, as it may be called, and a vigorous style unite to make it a very capital work, and place the name of Motley by the side of those of our great historical trio,—Bancroft, Irving, and Prescott."
Mr. Irving, Mr. Bancroft, Mr. Sumner, Mr. Hillard, united their voices in the same strain of commendation. Mr. Prescott, whose estimate of the new history is of peculiar value for obvious reasons, writes to Mr. Allibone thus:—
"The opinion of any individual seems superfluous in respect to a work on the merits of which the public both at home and abroad have pronounced so unanimous a verdict. As Motley's path crosses my own historic field, I may be thought to possess some advantage over most critics in my familiarity with the ground.
"However this may be, I can honestly bear my testimony to the extent of his researches and to the accuracy with which he has given the results of them to the public. Far from making his book a mere register of events, he has penetrated deep below the surface and explored the cause of these events. He has carefully studied the physiognomy of the times and given finished portraits of the great men who conducted the march of the revolution. Every page is instinct with the love of freedom and with that personal knowledge of the working of free institutions which could alone enable him to do justice to his subject. We may congratulate ourselves that it was reserved for one of our countrymen to tell the story-better than it had yet been told—of this memorable revolution, which in so many of its features bears a striking resemblance to our own."
The public welcomed the work as cordially as the critics. Fifteen thousand copies had already been sold in London in 1857. In America it was equally popular. Its author saw his name enrolled by common consent among those of the great writers of his time. Europe accepted him, his country was proud to claim him, scholarship set its jealously guarded seal upon the result of his labors, the reading world, which had not cared greatly for his stories, hung in delight over a narrative more exciting than romances; and the lonely student, who had almost forgotten the look of living men in the solitude of archives haunted by dead memories, found himself suddenly in the full blaze of a great reputation.
XII.
1856-1857. AEt. 42-43. VISIT TO AMERICA.—RESIDENCE IN BOYLSTON PLACE.
He visited this country in 1856, and spent the winter of 1856-57 in Boston, living with his family in a house in Boylston Place. At this time I had the pleasure of meeting him often, and of seeing the changes which maturity, success, the opening of a great literary and social career, had wrought in his character and bearing. He was in every way greatly improved; the interesting, impulsive youth had ripened into a noble manhood. Dealing with great themes, his own mind had gained their dignity. Accustomed to the company of dead statesmen and heroes, his own ideas had risen to a higher standard. The flattery of society had added a new grace to his natural modesty. He was now a citizen of the world by his reputation; the past was his province, in which he was recognized as a master; the idol's pedestal was ready for him, but he betrayed no desire to show himself upon it.
XIII.
1858-1860. AEt. 44-46. RETURN TO ENGLAND.—SOCIAL RELATIONS.—LADY HARCOURT'S LETTER.
During the years spent in Europe in writing his first history, from 1851 to 1856, Mr. Motley had lived a life of great retirement and simplicity, devoting himself to his work and to the education of his children, to which last object he was always ready to give the most careful supervision. He was as yet unknown beyond the circle of his friends, and he did not seek society. In this quiet way he had passed the two years of residence in Dresden, the year divided between Brussels and the Hague, and a very tranquil year spent at Vevay on the Lake of Geneva. His health at this time was tolerably good, except for nervous headaches, which frequently recurred and were of great severity. His visit to England with his manuscript in search of a publisher has already been mentioned.
In 1858 he revisited England. His fame as a successful author was there before him, and he naturally became the object of many attentions. He now made many acquaintances who afterwards became his kind and valued friends. Among those mentioned by his daughter, Lady Harcourt, are Lord Lyndhurst, Lord Carlisle, Lady William Russell, Lord and Lady Palmerston, Dean Milman, with many others. The following winter was passed in Rome, among many English and American friends.
"In the course of the next summer," his daughter writes to me, "we all went to England, and for the next two years, marked chiefly by the success of the 'United Netherlands,' our social life was most agreeable and most interesting. He was in the fulness of his health and powers; his works had made him known in intellectual society, and I think his presence, on the other hand, increased their effects. As no one knows better than you do, his belief in his own country and in its institutions at their best was so passionate and intense that it was a part of his nature, yet his refined and fastidious tastes were deeply gratified by the influences of his life in England, and the spontaneous kindness which he received added much to his happiness. At that time Lord Palmerston was Prime Minister; the weekly receptions at Cambridge House were the centre of all that was brilliant in the political and social world, while Lansdowne House, Holland House, and others were open to the 'sommites' in all branches of literature, science, rank, and politics. . . . It was the last year of Lord Macaulay's life, and as a few out of many names which I recall come Dean Milman, Mr. Froude (whose review of the 'Dutch Republic' in the 'Westminster' was one of the first warm recognitions it ever received), the Duke and Duchess of Argyll, Sir William Stirling Maxwell, then Mr. Stirling of Keir, the Sheridan family in its different brilliant members, Lord Wensleydale, and many more."
There was no society to which Motley would not have added grace and attraction by his presence, and to say that he was a welcome guest in the best houses of England is only saying that these houses are always open to those whose abilities, characters, achievements, are commended to the circles that have the best choice by the personal gifts which are nature's passport everywhere.
XIV.
1859. AEt. 45.
LETTER TO MR. FRANCIS H. UNDERWOOD.—PLAN OF MR. MOTLEY'S HISTORICAL WORKS.—SECOND GREAT WORK, "HISTORY OF THE UNITED NETHERLANDS."
I am enabled by the kindness of Mr. Francis H. Underwood to avail myself of a letter addressed to him by Mr. Motley in the year before the publication of this second work, which gives us an insight into his mode of working and the plan he proposed to follow. It begins with an allusion which recalls a literary event interesting to many of his American friends.
ROME, March 4, 1859.
F. H. UNDERWOOD, ESQ.
My dear Sir,—. . . I am delighted to hear of the great success of "The Atlantic Monthly." In this remote region I have not the chance of reading it as often as I should like, but from the specimens which I have seen I am quite sure it deserves its wide circulation. A serial publication, the contents of which are purely original and of such remarkable merit, is a novelty in our country, and I am delighted to find that it has already taken so prominent a position before the reading world. . .
The whole work [his history], of which the three volumes already published form a part, will be called "The Eighty Years' War for Liberty."
Epoch I. is the Rise of the Dutch Republic.
Epoch II. Independence Achieved. From the Death of William the
Silent till the Twelve Years' Truce. 1584-1609.
Epoch III. Independence Recognized. From the Twelve Years' Truce
to the Peace of Westphalia. 1609-1648.
My subject is a very vast one, for the struggle of the United Provinces with Spain was one in which all the leading states of Europe were more or less involved. After the death of William the Silent, the history assumes world-wide proportions. Thus the volume which I am just about terminating . . . is almost as much English history as Dutch. The Earl of Leicester, very soon after the death of Orange, was appointed governor of the provinces, and the alliance between the two countries almost amounted to a political union. I shall try to get the whole of the Leicester administration, terminating with the grand drama of the Invincible Armada, into one volume; but I doubt, my materials are so enormous. I have been personally very hard at work, nearly two years, ransacking the British State Paper Office, the British Museum, and the Holland archives, and I have had two copyists constantly engaged in London, and two others at the Hague. Besides this, I passed the whole of last winter at Brussels, where, by special favor of the Belgian Government, I was allowed to read what no one else has ever been permitted to see,—the great mass of copies taken by that government from the Simancas archives, a translated epitome of which has been published by Gachard. This correspondence reaches to the death of Philip II., and is of immense extent and importance. Had I not obtained leave to read the invaluable and, for my purpose, indispensable documents at Brussels, I should have gone to Spain, for they will not be published these twenty years, and then only in a translated and excessively abbreviated and unsatisfactory form. I have read the whole of this correspondence, and made very copious notes of it. In truth, I devoted three months of last winter to that purpose alone.
The materials I have collected from the English archives are also extremely important and curious. I have hundreds of interesting letters never published or to be published, by Queen Elizabeth, Burghley, Walsingham, Sidney, Drake, Willoughby, Leicester, and others. For the whole of that portion of my subject in which Holland and England were combined into one whole, to resist Spain in its attempt to obtain the universal empire, I have very abundant collections. For the history of the United Provinces is not at all a provincial history. It is the history of European liberty. Without the struggle of Holland and England against Spain, all Europe might have been Catholic and Spanish. It was Holland that saved England in the sixteenth century, and, by so doing, secured the triumph of the Reformation, and placed the independence of the various states of Europe upon a sure foundation. Of course, the materials collected by me at the Hague are of great importance. As a single specimen, I will state that I found in the archives there an immense and confused mass of papers, which turned out to be the autograph letters of Olden Barneveld during the last few years of his life; during, in short, the whole of that most important period which preceded his execution. These letters are in such an intolerable handwriting that no one has ever attempted to read them. I could read them only imperfectly myself, and it would have taken me a very long time to have acquired the power to do so; but my copyist and reader there is the most patient and indefatigable person alive, and he has quite mastered the handwriting, and he writes me that they are a mine of historical wealth for me. I shall have complete copies before I get to that period, one of signal interest, and which has never been described. I mention these matters that you may see that my work, whatever its other value may be, is built upon the only foundation fit for history,—original contemporary documents. These are all unpublished. Of course, I use the contemporary historians and pamphleteers,—Dutch, Spanish, French, Italian, German, and English,—but the most valuable of my sources are manuscript ones. I have said the little which I have said in order to vindicate the largeness of the subject. The kingdom of Holland is a small power now, but the Eighty Years' War, which secured the civil and religious independence of the Dutch Commonwealth and of Europe, was the great event of that whole age.
The whole work will therefore cover a most remarkable epoch in human history, from the abdication of Charles Fifth to the Peace of Westphalia, at which last point the political and geographical arrangements of Europe were established on a permanent basis,—in the main undisturbed until the French Revolution. . . .
I will mention that I received yesterday a letter from the distinguished M. Guizot, informing me that the first volume of the French translation, edited by him, with an introduction, has just been published. The publication was hastened in consequence of the appearance of a rival translation at Brussels. The German translation is very elegantly and expensively printed in handsome octavos; and the Dutch translation, under the editorship of the archivist general of Holland, Bakhuyzen v. d. Brink, is enriched with copious notes and comments by that distinguished scholar.
There are also three different piratical reprints of the original work at Amsterdam, Leipzig, and London. I must add that I had nothing to do with the translation in any case. In fact, with the exception of M. Guizot, no one ever obtained permission of me to publish translations, and I never knew of the existence of them until I read of it in the journals. . . . I forgot to say that among the collections already thoroughly examined by me is that portion of the Simancas archives still retained in the Imperial archives of France. I spent a considerable time in Paris for the purpose of reading these documents. There are many letters of Philip II. there, with apostilles by his own hand. . . . I would add that I am going to pass this summer at Venice for the purpose of reading and procuring copies from the very rich archives of that Republic, of the correspondence of their envoys in Madrid, London, and Brussels during the epoch of which I am treating.
I am also not without hope of gaining access to the archives of the
Vatican here, although there are some difficulties in the way.
With kind regards . . .
I remain very truly yours,
J. L. MOTLEY.
XV.
1860. AT. 46.
PUBLICATION OF THE FIRST TWO VOLUMES OF THE "HISTORY OF THE UNITED NETHERLANDS."—THEIR RECEPTION.
We know something of the manner in which Mr. Motley collected his materials. We know the labors, the difficulties, the cost of his toils among the dusty records of the past. What he gained by the years he spent in his researches is so well stated by himself that I shall borrow his own words:—
"Thanks to the liberality of many modern governments of Europe, the archives where the state secrets of the buried centuries have so long mouldered are now open to the student of history. To him who has patience and industry, many mysteries are thus revealed which no political sagacity or critical acumen could have divined. He leans over the shoulder of Philip the Second at his writing-table, as the King spells patiently out, with cipher-key in hand, the most concealed hieroglyphics of Parma, or Guise, or Mendoza. He reads the secret thoughts of 'Fabius' [Philip II.] as that cunctative Roman scrawls his marginal apostilles on each dispatch; he pries into all the stratagems of Camillus, Hortensius, Mucius, Julius, Tullius, and the rest of those ancient heroes who lent their names to the diplomatic masqueraders of the sixteenth century; he enters the cabinet of the deeply pondering Burghley, and takes from the most private drawer the memoranda which record that minister's unutterable doubtings; he pulls from the dressing-gown folds of the stealthy, soft-gliding Walsingham the last secret which he has picked from the Emperor's pigeon-holes or the Pope's pocket, and which not Hatton, nor Buckhurst, nor Leicester, nor the Lord Treasurer is to see,—nobody but Elizabeth herself; he sits invisible at the most secret councils of the Nassaus and Barneveld and Buys, or pores with Farnese over coming victories and vast schemes of universal conquest; he reads the latest bit of scandal, the minutest characteristic of king or minister, chronicled by the gossiping Venetians for the edification of the Forty; and after all this prying and eavesdropping, having seen the cross-purposes, the bribings, the windings in the dark, he is not surprised if those who were systematically deceived did not always arrive at correct conclusions."
The fascination of such a quest is readily conceivable. A drama with real characters, and the spectator at liberty to go behind the scenes and look upon and talk with the kings and queens between the acts; to examine the scenery, to handle the properties, to study the "make up" of the imposing personages of full-dress histories; to deal with them all as Thackeray has done with the Grand Monarque in one of his caustic sketches,—this would be as exciting, one might suppose, as to sit through a play one knows by heart at Drury Lane or the Theatre Francais, and might furnish occupation enough to the curious idler who was only in search of entertainment. The mechanical obstacles of half-illegible manuscript, of antiquated forms of speech, to say nothing of the intentional obscurities of diplomatic correspondence, stand, however, in the way of all but the resolute and unwearied scholar. These difficulties, in all their complex obstinacy, had been met and overcome by the heroic efforts, the concentrated devotion, of the new laborer in the unbroken fields of secret history.
Without stopping to take breath, as it were,—for his was a task 'de longue haleine,'—he proceeded to his second great undertaking.
The first portion—consisting of two volumes—of the "History of the United Netherlands" was published in the year 1860. It maintained and increased the reputation he had already gained by his first history.
"The London Quarterly Review" devoted a long article to it, beginning with this handsome tribute to his earlier and later volumes:—
"Mr. Motley's 'History of the Rise of the Dutch Republic' is already known and valued for the grasp of mind which it displays, for the earnest and manly spirit in which he has communicated the results of deep research and careful reflection. Again he appears before us, rich with the spoils of time, to tell the story of the United Netherlands from the time of William the Silent to the end of the eventful year of the Spanish Armada, and we still find him in every way worthy of this 'great argument.' Indeed, it seems to us that he proceeds with an increased facility of style, and with a more complete and easy command over his materials. These materials are indeed splendid, and of them most excellent use has been made. The English State Paper Office, the Spanish archives from Simancas, and the Dutch and Belgian repositories, have all yielded up their secrets; and Mr. Motley has enjoyed the advantage of dealing with a vast mass of unpublished documents, of which he has not failed to avail himself to an extent which places his work in the foremost rank as an authority for the period to which it relates. By means of his labor and his art we can sit at the council board of Philip and Elizabeth, we can read their most private dispatches. Guided by his demonstration, we are enabled to dissect out to their ultimate issues the minutest ramifications of intrigue. We join in the amusement of the popular lampoon; we visit the prison-house; we stand by the scaffold; we are present at the battle and the siege. We can scan the inmost characters of men and can view them in their. habits as they lived."
After a few criticisms upon lesser points of form and style, the writer says:—
"But the work itself must be read to appreciate the vast and conscientious industry bestowed upon it. His delineations are true and life-like, because they are not mere compositions written to please the ear, but are really taken from the facts and traits preserved in those authentic records to which he has devoted the labor of many years. Diligent and painstaking as the humblest chronicler, he has availed himself of many sources of information which have not been made use of by any previous historical writer. At the same time he is not oppressed by his materials, but has sagacity to estimate their real value, and he has combined with scholarly power the facts which they contain. He has rescued the story of the Netherlands from the domain of vague and general narrative, and has labored, with much judgment and ability, to unfold the 'Belli causas, et vitia, et modos,' and to assign to every man and every event their own share in the contest, and their own influence upon its fortunes. We do not wonder that his earlier publication has been received as a valuable addition, not only to English, but to European literature."
One or two other contemporary criticisms may help us with their side lights. A critic in "The Edinburgh Review" for January, 1861, thinks that "Mr. Motley has not always been successful in keeping the graphic variety of his details subordinate to the main theme of his work." Still, he excuses the fault, as he accounts it, in consideration of the new light thrown on various obscure points of history, and—
"it is atoned for by striking merits, by many narratives of great events faithfully, powerfully, and vividly executed, by the clearest and most life-like conceptions of character, and by a style which, if it sacrifices the severer principles of composition to a desire to be striking and picturesque, is always vigorous, full of animation, and glowing with the genuine enthusiasm of the writer. Mr. Motley combines as an historian two qualifications seldom found united,—to great capacity for historical research he adds much power of pictorial representation. In his pages we find characters and scenes minutely set forth in elaborate and characteristic detail, which is relieved and heightened in effect by the artistic breadth of light and shade thrown across the broader prospects of history. In an American author, too, we must commend the hearty English spirit in which the book is written; and fertile as the present age has been in historical works of the highest merit, none of them can be ranked above these volumes in the grand qualities of interest, accuracy, and truth."
A writer in "Blackwood" (May, 1861) contrasts Motley with Froude somewhat in the way in which another critic had contrasted him with Prescott. Froude, he says, remembers that there are some golden threads in the black robe of the Dominican. Motley "finds it black and thrusts it farther into the darkness."
Every writer carries more or less of his own character into his book, of course. A great professor has told me that there is a personal flavor in the mathematical work of a man of genius like Poisson. Those who have known Motley and Prescott would feel sure beforehand that the impulsive nature of the one and the judicial serenity of the other would as surely betray themselves in their writings as in their conversation and in their every movement. Another point which the critic of "Blackwood's Magazine" has noticed has not been so generally observed: it is what he calls "a dashing, offhand, rattling style,"—"fast" writing. It cannot be denied that here and there may be detected slight vestiges of the way of writing of an earlier period of Motley's literary life, with which I have no reason to think the writer just mentioned was acquainted. Now and then I can trace in the turn of a phrase, in the twinkle of an epithet, a faint reminiscence of a certain satirical levity, airiness, jauntiness, if I may hint such a word, which is just enough to remind me of those perilous shallows of his early time through which his richly freighted argosy had passed with such wonderful escape from their dangers and such very slight marks of injury. That which is pleasant gayety in conversation may be quite out of place in formal composition, and Motley's wit must have had a hard time of it struggling to show its spangles in the processions while his gorgeous tragedies went sweeping by.