About This Book
A series of didactic essays presented as monthly conversations examines modes and purposes of literature, distinguishing sacred sermon, parliamentary oratory, civic harangue, the printed book and the theatre. The author argues that theatre is the most indirect and sensory form, dependent on institutions, trained actors and public leisure, and explores the actor's craft in gesture, voice and presence. Later essays analyze Racine and Athalie within their cultural milieu, contending that great writers are products of their age and showing how religion, monarchy and artistic institutions shaped dramatic genius and the conditions for theatrical excellence.
About the Author
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