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Crowds / A Moving-Picture of Democracy

Chapter 10: CHAPTER III
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About This Book

The work examines how mass life — the interplay of crowds, machines, and institutions — reshapes democratic experience and human character. Organized in five parts, it analyzes crowd psychology (fears, imagination, and collective types), the mechanics of organizing public behavior, and proposals for making crowds morally and aesthetically better. It considers industrial and bureaucratic systems, committees and strikes, and the emergence of individuals who inspire or steer collective action. The concluding sections address news, labor, money, and government, arguing that information and institutional forms mediate public identity, responsibility, and the possibilities for constructive civic work.

It is the spirit in which the world was made, and the spirit in which new worlds in all ages, and even before our eyes by Boys and Girls and—God, are being made.

It is only the boys and the girls (all sizes) who know about worlds. And it is only boys and girls who are right.

I heard a robin in the apple tree this morning out in the rain singing, "I believe! I believe!"


At the same time, I am glad that I have known and faced, and that I shall have to know and face, the Crowd Fear.

I know in some dogged, submerged, and speechless way that it is not a true fear. And yet I want to move along the sheer edge of it all my life. I want it. I want all men to have it, and to keep having it, and to keep conquering it. I have seen that no man who has not felt it, who does not know this huge numbing, numberless fear before the crowd, and who may not know it again almost any moment, will ever be able to lead the crowd, glory in it, die for it, or help it. Nor will any man who has not defied it, and lifted his soul up naked and alone before it and cried to God, ever interpret the crowd or express the will of the crowd, or hew out of earth and heaven what the crowd wants.

We want to help to express and fulfil a crowd civilization, we want to share the crowd life, to express what people in crowds feel—the great crowd sensations, excitements, the inspirations and depressions of those who live and struggle with crowds.

We want to face, and face grimly, implacably, the main facts, the main emotions men are having to-day. And the main emotion men are having to-day about our modern world is that it is a crowded world, that in the nature of the case its civilization is a crowd civilization. Every other important thing for this present age to know must be worked out from this one. It is the main thing with which our religion has to deal, the thing our literature is about, and the thing our arts will be obliged to express. Any man who makes the attempt to consider or interpret anything either in art or life without a true understanding of the crowd principle as it is working to-day, without a due sense of its central place in all that goes on around us, is a spectator in the blur and bewilderment of this modern world, as helpless in it, and as childish and superficial in it, as a Greek god at the World's Fair, gazing out of his still Olympian eyes at the Midway Pleasance.


After the Crowd Fear there comes to most of us the machine fear. Machines are the huge limbs or tentacles of crowds. As the crowds grow the machines grow; grasping at the little strip of sky over us, at the little patch of ground beneath our feet, they swing out before us and beckon daily to us new hells and new heavens in our eyes.


CHAPTER III

THE MACHINE SCARE

I have had occasion nearly every day for the past two weeks to pass by an ancient churchyard on a great hillside not far from London. Most of the stones are very old, and seem to have been thoughtfully and reverently, flake by flake, wrought into their final form by long-vanished hands. As I stand and watch them, with the yews and cypresses flocking round them, it is as if in some sort of way they had been surely wrought by the hand of love, so full are they of grief and of joy, of devotion, of the very singing of the dead and of those who loved them.

When I walk on a little farther, and come to a small and new addition to the churchyard, and look about me at the stones, I find myself suddenly in quite a new company. So far as one could observe, looking at the gravestones in the new churchyard, the people who died there died rather thoughtlessly and mechanically, and as if nobody cared very much. Of course, when one thinks a little further, one knows that this cannot be true, and that the men and the women who gathered by these glib, trim, capable-looking modern tombstones were as full of love and tenderness and reverence before their dead as the others were—but the lines on the stones give no sign. One never stops to read an epitaph on one of them; one knows it would not be interesting, or really whisper to one the strange, happy, human things of another world—even of this world, that make the old tombstones such good company and so friendly to us. One gives a glance at the stone and passes on. It was made by machinery, apparently; a machine might have designed it, a machine might have died and been buried under it. One looks beyond it at all the others like it—all the glib, competent-looking white stones. Were the silenced people all machines under them, all mechanical, all made to a pattern like their stones, like these strangely hard, brief tombstones standing here at their heads, summing up their lives before us curtly, heartlessly, on this gentle old hillside?

I wondered.

I looked back to the old eloquent cemetery that almost seemed to be breathing things, and looked once more at the new.

And as I stood and thought, they seemed to me to be two worlds—one the world the people all about me are always saying sadly is going by, and the other—well, the one we will have to have.


As I look off from the hilltop at the great sloping countryside about me, which stretches miles and miles, with its green fields, and bushy treetops, its red roofs, its banners of steam from twenty railways, its huge, grim, furious chimneys, its still, sleepy steeples, I also see two worlds, the same two worlds over again that I saw in the churchyard, except that they are all jumbled together—the complacent, capable, cut-out, homeless-looking houses, the little snuggled-down old ones with their happy trees about them and trails of cooking smoke. I see the same two worlds standing and facing each other before me whichever way I turn.

And when I slip out of the churchyard from those two little separate worlds of the dead, and move slowly down the long bustling village street, and look into the faces of the living, the same two worlds that were in the churchyard and on the hills seem to look at me out of the faces of the living too.

The faces go hurrying past me, worlds apart. Most people, I imagine, who read these pages must have noticed the people's faces in the streets nowadays—how they seem to have come out of separate worlds into the street a moment, and hurry past, and seem to be going back in a moment more to separate worlds.

There is hardly even a village footway left anywhere to-day where one cannot see these two worlds, or the spirit of these two worlds, flitting past one through the streets in people's faces, and nightly before our eyes, struggling with each other to possess, to swallow away into itself human souls, to master the fate of man upon the earth.

One of these is the World of the Hand-made; the other is the Machine-made World.


As day by day I watch these two worlds with all their people in them flocking past me, I have come to have certain momentary but recurrent resentments and attractions, unaccountable strong emotions; and when I try afterward to rationalize my emotions, as a man should, and give an account of them to myself, and get them ready to use and face my age with, and make myself strong and fit to live in an age, I find myself with a great task before me. And yet one must do it; one cannot live in an age strongly and fitly if one would rather be living in some other age, or if it is an age with two worlds in it and one cannot make up one's mind which is the world one wants and settle down quietly and live in it. Then a strange thing happens, and always happens the moment I begin to try to decide which of the two—the Hand-made World or the Machine-made World—I will choose. I find that in an odd, confused, groping, obstinate way I am bound to choose them both. In spite of all its ugly ways—a kind of vast indifference it has to me, to everybody, its magnificent heartlessness—I find I have come to take in the Machine-made World a kind of boundless, half-secret pride and joy, for a terrible and strange beauty there is in it. And then, too, even if I wanted to give it up, I could not: neither I nor any man, nor all the world combined, could unthink to-day a hundred years, fold up a hundred thousand miles of railway, tuck modern life all neatly up again in a little, old, snug, safe, lovable Hand-made World. There must be some way out, some connecting link between the Hand-made and the Machine-made. We have merely lost it for a moment.

Which way shall we turn? And so at last to the little Thing through which the whole world whispers to me on my desk, to the mighty railways that beckon past my door, to the airships that cannot be stilled, and to the rolling mills that will not be silenced, I turn at last! I turn to the Machines Themselves. Half-singing and half-cursing, I have faced them. There is some way in which they can answer and can be made to answer—can be made to give me and the men about me the kind of world we want. I try to analyze it and think it out. What is the thing, the real thing in the Hand-made World, that fills me with pride and joy, and that I cannot and will not give up? Is not the real thing that is in it something that can be or might be freed from it, exhaled from it, something that might be in some new form saved, made an atmosphere or a spirit and passed on? And what is it in the new Machine-made World which, in spite of the splendid joy, a rough new, wild religion there is in it, keeps daily filling me as I go past machines with this contradictory obstinate dread of them? After a time I have made a little cleared space in my mind, a little breathing room. It has come to me from thinking that what is beautiful in the Hand-made World perhaps is not these particular Hand-made things themselves at which I so delight, but the Hand-made spirit of the men who made them which the men put into the things. And perhaps what is full of death and fear in the Machine-made World is not the machines themselves, but the Machine-made spirit in which the men who run the machines have made the machines work. Perhaps the Hand-made spirit is pervasive, eternal. Perhaps it can escape like a spirit, and can live where it will live, and do what it will do, like a spirit, and possess the body that it wills to possess. Perhaps the Hand-made spirit is still living around me to-day, and is not only living, but is living in a more unspeakable, unbounded body than any spirit has ever lived in before, and is to-day before our eyes, laying its huge iron fingers around our little earth, and holding the oceans in its hand, and brushing away mountains with a breath, until we have Man at last playing all night through the sky, with visions and airships and telescopes. His very words walk on the air with soft and unseen feet.

It is the Hand-made spirit that creates machines. The machines themselves are still the mighty children of the men who move and work in the Hand-made spirit; and the men who glory in them, the men who bring them forth, who think them out, and who create them, and who do the great and mighty things with them, are still the Hand-made men.


This leads us up to the question we are all asking ourselves every day. "How can a machine-made world be run in the spirit of a hand-made world?" The particular form in which the question has been put, which is taken from "Inspired Millionaires" is as follows:

"The idea that there is something in a machine simply as a machine which makes it inherently unspiritual is based upon the experience of the world; but it is, after all, a rather amateur and juvenile world with machines as yet. Its ideas are in their first stages, and are based for the most part upon the world's experience with second-rate men, working in second-rate factories—men who have been bullied, and could be bullied, by the machines they worked with into being machines themselves. No one would think of denying that men who let machines get the better of them, either in their minds or their bodies, in any walk of life, grow unspiritual and mechanical. But it does not take a machine to make a machine out of a man. Anything will do it if the man will let it. Even the farmer who is out under the great free dome of heaven, and working in wonder every day of his life, grows like a clod if he buries his soul alive in the soil. But farming has been tried many thousands of years, and the other kind of farmer is known by everybody—the farmer who is master over the soil; who, instead of becoming an expression of the soil himself, makes the soil express him. The next thing that is going to happen is that every one is going to know the other kind of mechanic. It is cheerfully admitted that the kind of mechanic we largely have now, who allows himself to be a watcher of a machine, a turner-of-something for forty years, can hardly be classed as vegetable life. He is not even organic matter except in a very small part of himself.

"But it is not the mechanical machine which makes the man unspiritual. It is the mechanical man beside the machine. A master at a piano (which is a machine) makes it a spiritual thing; and a master at a printing-press, like William Morris, makes it a free and artistic and self-expressive thing."

I spent a day a little while ago in walking through a factory. I went past miles of machines—great glass roofs of sunshine over them—and looked in the faces of thousands of men. As I went through the machines I kept looking to and fro between the machines and the men who stood beside them, and sometimes I came back and looked again at the machines and the men beside them; and every machine, or nearly every machine, I saw (any one could see it in that factory) was making a man of somebody. One could see the spirit of the man who invented the machine, and the spirit of the man who worked with it, and the spirit of the man who owned it and who placed it there with the man, all softly, powerfully running together. There were exceptions, and every now and then one came, of course, upon the man who seemed to be simply another and somewhat different contrivance or attachment to his machine—some part that had been left over and thought of last, and had not been done as well as the others; but the factory, taken as a whole, from the manager's offices and the great counting-room, and from the tall chimneys to the dump, seemed to me to have something fresh and human and unwonted about it. It seemed to be a factory that had a look, a look of its own. It was like a vast countenance. It had features, an expression. It had an air—well, one must say it, of course, if one is driven to it: the factory had a soul, and was humming it. Any one could have seen why by going into his office and talking a little while with the owner, or by even not talking to him—by seeing him look up from his desk. After walking through several miles of his personality, and up and down and down and up the corridors of his mind, one did not really need to meet him except as a matter of form and as a finishing touch. One had been visiting with him all along: to look in his face was merely to sum it up, to see it all, the whole place, over again in one look. One did not need to be surprised; one might have known what such a man would be like—that such a factory could only be conceived and wrought by a man of genius, a kind of lighted-up man. A man who had put not only skylights in his buildings, but skylights in his men, would have to have a skylight in himself (a skylight with a motor attachment, of course).

If one were to try to think in nature or in art of something that would be like him—well, some kind of transcendental engine, I should say, running softly, smoothly outdoors in a great sunshine, would have given one a good idea of him. But, however this may be, it certainly would have been quite impossible to go through his factory and ever say again that machines do not and could not have souls, or at least over-souls, and that men who worked with machines did not and could not have souls as fast as they were allowed to.

A few days later I went through another factory, and I came out weary and spent at night, feeling as unreasonable and almost as hateful about machines, and as discouraged about the people who had to work with them as John Ruskin did in those first early days when the Factory Chimney first lifted its long black flag upon our earth, and bullied great cities into cowards and slaves, and all the great, quiet-hearted nations, and began making for us—all around us, before our eyes, as though in a kind of jeer at us, and at our queer, pretty, helpless little religions—the hell we had ceased to believe in.

The hell is here, and is going to be here apparently as long as may be necessary for us to see it and believe in it once more. If a hell on our own premises, shut down hard over our lives here and now, is what is necessary to make us religious and human once more, if we are reduced to it, and if having a hard, literal hell—one of our own—is our only way of seeing things, of fighting our way through to the truth, and of getting once more decisive, manful, commanding ideas of good and evil, I for one can only be glad we have Pittsburgs and Sheffields to hurry us along and soon have it over with.

But while, like Ruskin, any one can look about the machines and see hell, he can see hell to-day, unlike Ruskin, with heaven lined up close beside it. The machines have come to have souls. The machines we can see all about us have taken sides. We can all of us see the machines about us to-day like vast looms, weaving in and weaving out the fate of the world, the fate of the churches, the fate of the women and the little children, and the very fate of God; and everything about us we can see turning at last on what we are doing with the machines that are about us, and what we are letting our machines do with us.


It has cleared my mind, and at least helped me to live side by side with machines better from day to day, to consider what these two souls or spirits in the machines are, and what they are doing and likely to do. If one knows them and one sees them, and sees how they are working, it is easier to take sides and join in and help.

It would seem to me that there are two spirits in machinery—the spirit of weariness, weakness, of inventing ways of getting out of work; and there is the spirit in the machines, too, of moving mountains, conquering the sea and air, of working harder and lifting one's work over to more heroic, to more splendid and difficult, and almost impossible things. It is these two spirits that are fighting for the possession and control of our machine civilization. I watch the machines and the men beside them and see which side they are on. The labourer who is doing as little work as he dares for his wages and the capitalist who is giving as little service as he dares for his money are on the one side (the vast, lazy, mean majority of employers and employees), and there may be seen standing on the other side against them, battling for our world, another small but mighty group made up of the labourer who loves his work more than his wages, and the capitalist who loves the thing he makes more than the profit. In other words, the fate of our modern civilization, with all its marvellous machines on it, its art galleries and its churches, is all hanging to-day on the battle between the spirit of achievement, the spirit of creating things, and the spirit of weariness or the spirit of thinking of ways of getting out of things.

It does not take very long to see which one prefers when one considers the problem of living in one world or the other. If we are to take our choice between living in a world run by tired men and a world run by inspired ones, most of us will have little difficulty in deciding which we would prefer, and which one we are bound to have. I have been moved to come forward with the idea of inspired employers—or, as I have called it, "Inspired Millionaires"—because it would seem to me inspired employers are the very least we can ask for; for certainly if even our employers cannot be inspired or rested and strong, we cannot expect their overworked workmen to be. There is no hope for us but to write our books and to live our lives in such a way as to help put the world in the hands of the Strong, and to help keep its institutions and customs out of the hands of the overworked. Overworked mechanical employers and overworked labourers are the last men to solve the problem of the overworked, except in a small, tired, mean, resentful, temporary way.

And so, as I look about me and watch the machines and the men who are working with the machines, or owning them, it is on this principle that I find myself taking sides. I will not live, if I can help it, in a world that is conceived and arranged and managed by tired and overworked and mechanical men. Have I not seen tired, mechanical men, whole generations of them, vast mobs of them, the men who have let the machines mow down their souls? The first thing I have come to ask of a man, if he is to be at the head of a machine—whether it is a machine called a factory, or a machine called a Government or a city, or a machine called a nation—is, Is he tired? I have cast my lot once for all—and as it seems to me, too, the lot of the world—with those men who are rested, with the surplus men, the men who want to work more not less, who are still and gentle and strong in their hearts, steady in their imaginations, great men—men who are not driven to being self-centred or driven to being class-centred, who can be world-centred and inspired.


When one has made this decision, that one will work for a world in control of men who are strong, one suddenly is brought face to face with a fact in our machine civilization which probably is quite new, and which the spirit of man has never had to face in any age before.

For the first time in the history of the world, machinery has made it possible for the world to get into the hands of the weak.

The Gun began it—the gun in a coward's hands may side with the weak, and the machine in the hands of the weak may temporarily give the world a list or a trend, and leave it leaning on the wrong side.

The Trust, for instance, which is really an extremely valuable invention, and perhaps, on the whole, the most important machine of modern times when it is used to defend the rights of the people, is a very different thing when it is pointed at them. We have to-day, not unnaturally, the spectacle of perhaps nine people out of ten getting up and saying in chorus all through the world that Trusts ought to be abolished; and yet it cannot honestly be said that there is really anything about the trust-machine—any more than any other machine—that is inherently wicked, or mechanical and heartless. Our real objection to the trust-machines is not to the machines themselves, but to the fact that they are, or happen to be (judging each Trust by itself), in the hands of the weak and of the tired—of men, that is, who have no spirit, no imagination about people; mechanical-minded men, who, at least in the past, have taken the easiest and laziest course in business—that of making all the money they can.

The moment we see the Trusts in the hands of the strong men, the men who are unwilling to slump back into mere money-making, and who face daily with hardihood and with joy the feat of weaving into business several strands of value at once, making things and making money and making men together, the Trust will become a vast machine of human happiness, lifting up and pulling on the world for all of us day and night.

If our labouring men to-day are to be got out from under the machines, we can only bring it to pass by doing everything we can in directors' meetings or in labor unions or as buyers or as journalists—whatever we may be—to keep the trust-machines in this world out of the hands of the tired, weak, and mechanical-minded men.

And the things that have been happening to the trust-machines, or are about to happen to them, have happened and are beginning to happen before our eyes to the machines themselves. The machines of flame and iron wheels and men in monstrous factories which the philosophers and the poets and the very preachers have doomed our world with are passing through the same evolution as the trust-machines, and shall be seen at last through the dim struggle yielding themselves, bending their iron wills to the same indomitable human spirit, the same slow, stern, implacable will of the soul of man. They shall be inspired machines.

Now for a long time we have seen (for the most part) the weak and mechanical-minded employer, the man who takes the line of least resistance in business, on every hand about us, making his employees mechanical-minded. The men have not been able to work without machines to work with, and as they have been obliged to come to him to get the machines, he has adopted the policy of letting himself fall into the weakest and easiest way of keeping his men under his own control. He takes the machines the men have come to him to get, and turns them back against them, points them at their lives, stops their minds with them, their intelligence and manhood, the very hope and religion with which they live; and of course, when men have had machines pointed at them long enough, one sees them on every hand being mowed down in rows into machines themselves—as deadly and as hopeless to make a civilization out of, or a nation out of, or to give votes to, or to have for fathers as machines would be, as iron or leather or wood.

In the meantime, however, we seem to have been developing—partly by competition and partly by combination and by experience—employers who are not mechanical-minded, who have spirit themselves, and who believe in it and can use it in others; who find ways of adjusting the hours, the wages, and the conditions of work for the men, so that what is most valuable in them, their spirit, their imaginations, their hourly good-will, can all be turned into the business, can all daily be used as the most important part of the working equipment of the factory. These employers have found (by believing it long enough to try it) that live men can do better and more marketable work than dead ones. If the great slow-moving majority of our modern machine employers were not mechanical-minded, it would not be necessary to prove to them categorically the little platitude (which even people who have observed cab-horses know) that the living is more valuable than the half-dead, and that live men can do better and more marketable work than half-dead ones.

But, of course, if they are not convinced by imagination or by arguments or by figures, they may have to be convinced by losing their business; for the most spirited employers, those who take the more difficult and creative course of making money and men together, are sure to be the employers who will get and keep the most spirited men, and are sure to crowd out of the market in their own special line employers who can only get and keep mechanical-minded ones.


It would be hard to overstate the importance of the battle now going on among the trades unions between the spirited labourers and the tired ones, and among the manufacturers between the inspired employers and the mechanical-minded ones.

For the time being, at least, it is the inspired employers who have most power to change the conditions of labour and to free the mechanical-minded slaves. It is they who are standing to-day on the great strategical ground of our time. They hold the pass of human life. People cannot expect to be inspired in crowds. Crowds are too unwieldy and too inconvenient to act quickly. The people can only concentrate their energies on getting and demanding inspired employers, on insisting that the men who for eight or nine hours a day are pouring in with their wages their thoughts, and their motives, the very hope with which they live, into their lives, shall be the champions of the people, shall represent them and act for them, as they are not placed to act for themselves, and with more imagination than they can yet expect to have for themselves. If our labouring men of to-day are going to struggle out from under the machines, they can only do it by doing all that they can in labour unions and in the press and at the polls to keep the machines in this world out of the hands of tired and mechanical-minded owners.

But probably the more immediate rescue from the evil or mechanicalness in machines is not going to come from the employers on the one hand or the employees on the other, but from having the employees in the Trades Unions and the employers in the directors' meetings combining together to keep in subordinate places where they cannot hurt others all men, whether directors or employees, who do not work harder than they have to, and who have not the brains to do their work for something besides money. The men who are like this will of course be pitied and duly considered, but they will be kept where they will not have power to control other men, or where by force of position or by mere majority they will be able to bully other men to work as mechanically as they do. Workmen who do not want to become machines can only better conditions by combination with so-called inspired employers—employers who work harder than they have to, who dote on the great human difficulties of work, who choose not the easiest but the most perfect way of doing things, who are never mechanical themselves, and will not let their men be if they can help it. I have liked to call these employers inspired millionaires. I would rather have the machine owner or employer a millionaire, because the more machines an inspired employer can own, the more he can buy and get away from the uninspired ones, the sooner will the right of labour and the will of the people be accomplished. When the machines are in the hands of inspired and strong and spirited men—men of real competence or genius for business, the machines will be seen on every hand around us as the engines of war against evil, against slavery, the whirling weapons of the Spirit.

Even now, in dreams have I stood and watched them—the will of the people like a flail in their mighty hands—this vast army of machines—go thundering past, driving the uninspired and mechanical off the face of the earth.


CHAPTER IV

THE STRIKE—AN INVENTION FOR MAKING CROWDS THINK

When I was arranging to slip over from New York and get something I very much wanted in England last spring, I found myself held up suddenly in all my plans because some men on the docks had decided that there was something that they wanted too. They decided that I and thousands of other people in New York would have to wait over on the shores of America until they got it.

After postponing my plans until things had settled down, I took passage, and in due time found myself standing on English soil, only to be informed that, while I might be allowed perhaps at least to stand on English soil, that was really as much as I could expect. I could not go anywhere because a number of men on the railways had decided that there was something they wanted and that I would have to wait till they got it.

I could go down and look at the silent, cold locomotives on the rails, and I could be as wistful and hopeful as I liked about getting up to London, but these men had decided that there was something that they wanted and I must wait.

I could not think of anything I had ever done to these men, and what had Liverpool and London done to them?

After I was duly settled in London, and had begun to get into its little ways, and was busily driving about and attending to my business as I had planned, 6,000 more men suddenly wanted something, brought me up to a full stop one rainy day, and said that they had decided that if I wanted to ride I would have to walk, or that I would have to poke dismally about in a 'bus, or worm my way through under the ground. As I understood it, there was something that they wanted and something that they were going to get; and while of course in a way, they recognized that there might be something that I wanted too, I would have to wait till they got theirs.

I could not think of anything I had ever done to them, nor could I see what the thousands of other good people in London that I saw walking and puddling about, or watched waiting twenty minutes or so with long, hopeful, dogged whistles for cabs, had done to them.

A few days more, and my morning paper tells me suddenly of some more men who wanted something—this time up in Lancashire. They had decided that they wouldn't let some two or three hundred thousand other men go to their work until they got it. They hushed cities to have their own way. Day by day I watched them throwing the silence of the cities in their employers' faces, closing shops, closing up railroads, telling the world it must pay more for the clothes on its back, and all because—a certain Mr. and Mrs. Riley of Accrington, North Lancashire did not like or did not think that they liked, the North Lancashire Trades Union. (The general idea seemed to be to have all the others join in, everywhere—fifty-four million spindles, and four hundred and forty thousand looms—and wait and keep perfectly still until Mr. and Mrs. Riley could make up their minds.)

And now this present week, morning after morning I take up my paper and read that 500,000 miners want something. I look in my fire dubiously day by day. I may have to go home to America in a few weeks to get warm.

Of course it is only fair to say at the outset that this little series of impressions, or sketches, as one may say, of Civilization as I have seen it since arriving in England are of such a nature that I need not have come over to England to observe them. I would be the last to deny that the same conveniences for being disagreeable and for getting in the way and for making a general muss of Life can be offered almost any time in my own hopeful and blundering country.

What more immediately concerns me in these things is that, having happened, there can be no doubt that they have some valuable and worthy meaning for me and for other people that I ought to get out of them.

One cannot stand by and see a great civilization like our English-speaking civilization, with its ocean liners, cathedrals, and aeroplanes, being undignified and inefficient before one's eyes and even a little ridiculous, without trying to see if it does not serve some purpose. There must be something beyond, something further and deeper, something newborn about it, which shall be worth our while. Strikes seem to be common people's way of thinking things out. If they had more imagination, they would know what they were going to think beforehand, without so much trouble perhaps; but so long as they have not, and so long as it is really true perhaps that all these millions of levers and wheels and engines will have to be stopped, so that the rich mechanical-minded people who own them and the poor mechanical-minded people who work with them can think better, we will have to be glad at least that they are thinking, and we will have to hope that they are thinking fast, and will soon have it over with. In the meantime, while they are thinking, we can think too.

It is never fair to lump people together, and there are always exceptions and special reasons to consider; but, speaking roughly, it is fair to lay it down as a general principle that it is apt to be the more common kind of employers and employees who find it difficult to think, and who need strikes to think with. When we see 175,000 weavers striking in Lancashire, and the Trades Unions insisting on the discharge of Non-Union men, and employers being willing to recognize the Unions but being unwilling to be controlled by them, most of us find ourselves taking sides very quickly. We are often amazed to see how quickly we take sides, and what amazes some of us most is our apparent inconsistency. We find ourselves now on the Union side and now on the employer side in the dispute between Capital and Labour. We never know when we take up the morning paper, some of us, which side will be our next; and very often, if we were suddenly asked why, on reading quietly about a new dispute in the morning paper, we had taken promptly one side rather than the other, almost unconsciously, before we knew it we would not perhaps be able to say at once. The other day I became a little alarmed at myself at what looked at first like a kind of moral weakness, and inability to stand still on one side or the other in the contest between Labour and Capital; and I tried to think my way sternly through, and decide why it was my mind seemed to waver from one side to the other, and seemed so inconsistent and inefficient.

It seems to me I have just discovered a certain thread of consistency, as I look back over many disputes.

As near as I can remember, I find the side that uses force, or that uses the most force, invariably turns me against it. If, as I read, I find that both sides are using force, I find myself against both sides. I find myself wishing, in spite of my dislike of Socialism, that the nation had the power, when a quarrelsome industry turns to the people in the street and stops them in what they are doing, and tells the people in the street that they cannot ride, or that they shall not sleep, or that they cannot eat—when a quarrelsome industry insists on keeping the whole world up all night because it has a Stomach Ache, I feel suddenly that the people ought to be able to take the industry away and put it into such hands that the people in the streets will be protected; into hands that will make the industry behave so that it won't have a stomach ache. An industry with a stomach ache always has it because somebody in it has been over-eating and getting more than their share, and is incompetent and unfit; and obviously it should have its freedom, its privilege of selecting its food, taken away from it until it behaves.

Always allowing for exceptions, we may put it down as a general truth that, when we find a cause using force or mere advantage of position, it is because there is incompetence or lack of brains in those who conduct it, and the cure lies, not in more force, but in more brains. One cannot help being angered by force, because one knows that it is not only not a remedy, but is itself the cause of all incompetence and blindness in business. Force merely heaps the incompetence and blindness up, postpones coöperation, defeats the mutual interest which is the very substance of business efficiency in a nation. Force is itself the injury mounting up more and more, which it seeks to cure.

The most likely way to prevent industrial trouble would seem to be to have employers and managers and foremen who have a genius for getting men to trust and believe in them. We are getting smoke-consumers, computing machines, and the next contrivance is going to be the employer who has the understanding spirit, and who sees the cash value of human genius, the value in the market of genius for being fair and getting on with people. Arbitration boards are at best (as they themselves would say) stupid and negative things, and though better than nothing, as a rule merely postpone evil or change symptoms. No one can ever really arbitrate for any one else either in industry or marriage except for a moment. The trouble lies deep down inside the people who keep needing arbitration. As long as these people are still there, and as long as incompetent employers or employees are there, there is bound to be trouble.

Turning out incompetent employers and incompetent labourers is the only way. We are getting rid of them as rapidly as possible. All business in the last resort turns on brains for being human and understanding people. Business, as people say, is partly business and business is partly economics, but more than anything else, in modern times, business is psychology.

Success is the science of being believed in. Incompetent employers and incompetent labourers are already being turned out, and are bound to be turned out implacably more and more, by the competitive nature of modern business. Under present conditions, if we have in each industry one single competent employing firm, with brains for being fair and brains for being far-sighted, and for being thoughtful of others—in short, with brains for being believed in—the control of that industry soon falls into their hands. People who use force instead of brains are second-rate, are out of the spirit of the times, and are going by. And this seems to be the spirit, too, which is to govern the more efficient Labour Unions as well as the more efficient Trusts.

If it were possible to collect the names in England and America of the men in each industry where brains were being personally believed in, we would have a list of the leaders of England and America for the next fifty years. Having a soul in business pays, not because it affords a fine motive power, but because it affords a practical and conclusive method of driving the devil out of business. He is being driven out of industry, one industry at a time, by men who get on better without him; and this is going to go on until the ability to do this—to crowd out the devil, to get the devil out of machines and factories, out of the machinery of organization—the power to keep the devil out of things and out of people, is recognized by everybody as the greatest, most subtle, most victorious and universal market-value in the world. The men who can be believed in most will get the most business, and, what is still more important, the men who can make men believe in them most will be able to hire the employees who can be believed in most, and will get a monopoly of the efficiency of the world; and though the men who can be believed in less may be able to continue for a time to do their work and go through all their old motions as well as they can, with all their old lumbering, pathetic machinery of watching each other and suspecting each other and fighting each other humped up on their backs, they can never hope to compete with free-moving, honest men, who deal directly and openly and in a few words for their employees, jobbers, consumers, and the public, without any vast machinery of suspicion to bother with. It is a most curious, local, temporary, back-county idea, the idea that, for sheer industrial economy, for simple cheap conclusive finance, there is anything on earth in business that will take the place of old-fashioned human personal prestige—the prestige of the man who has a genius for being believed in.

In a way, perhaps the recent strike among the London cabmen is an instance of what is really the essential issue in every strike. The bottom fact about the taxi chauffeurs, stated simply, was that they did not believe in their employers. They believed that, if the precise figures were known, their employers were getting more than their share. On the other hand, the bottom fact about the employers was that they did not and could not believe that, if the precise figures were known, the cabmen were not getting more than their share. They insisted that the cabmen should publish, or make known, the precise figures of their extras. The cabmen declined to do it, and it made them look for the moment perhaps as if they were wrong. But were they necessarily wrong? Was it really true that they had any more reason to trust their employers than their employers had to trust them? The cabmen might quite honestly and justly have said to the owners: "What we want is an honest, impeccable little dividend-recorder fastened on the back of every owner, as well as on our machines and on us. Then we will publish our extras."

The determining and important fact of economics in the last analysis always turns out to be some human fact, some fact about people. It is really true that just now, in the present half-stage of machine-industry, employers should nearly all be compelled to go about in this world with fare-recorders on their backs. Employees too. This would be the logical thing to do; and as it is impracticable, and as every business must have certain elements of secrecy in it in order to be competent, the only alternative is to have in charge men with enough genius for being believed in and for taking measures to be believed in—to keep employees believing in them, in spite of secrecy. Under these conditions, it cannot be long before we will see in every business the men being put forward on both sides who have a genius for being believed in. Managers and superintendents will be put in office everywhere who see the cash value, the economy, of the simple, old-fashioned power in a man of a genius for being believed in; employers with the power of inspiring more and better work from their workmen; Labour men with the power of inspiring employers to believe in them, of inspiring their employers to put up money, stock, or profits on their belief—on the belief that workmen are capable of the highest qualities of manhood: hard work, loyalty, persistence, and faith toward a common end. I have preferred to have this inspired employer a millionaire, because the more capital he has the more men he can employ, and the more rapidly the other kind of millionaire, the blind, old-fashioned butter of Labour, will be driven out of business.

Little can be done with one book, but at this special juncture, this psychological moment for copartnership and the spirit of copartnership, when all the world is touched to the quick by great strikes—at a time when one can sit still and almost hear the nations think—there are some of us who hope that the case we are trying to make out for copartnership between Capital and Labour will be of use to those who are trying to do things, and who for the moment find themselves foiled at every point by men who have given up believing in human nature. We wish to put ourselves on record, and to say that we do believe in human nature, and that we believe not only that the inspired employer is going to be evolved by the Crowd, but that the Crowd is going to recognize him and is going to take sides with him, and that the Crowd is going to justify him, make him succeed, is going to make his success its own success. In other words, we believe in heroes, crowds, and goodness; in men of heroic gifts—who are fit and meet to interpret the wills and desires of crowds—who are great men or Crowd-Men, crowds in spirit themselves.

I would like to try to express the type of modern man who, as it seems to me, is about to prove himself the real ruler of our modern world, the silent master of what the crowds shall think. It has seemed to me that it is going to be a man of a marked type, and of a particular temperament, to whom we will have to look in our new and crowded world for the crowd-interpreter, or man who touches the imagination of crowds.

As our whole labour problem to-day turns on our being able to touch the imagination of Crowds, it may not be uninteresting in the next chapter to consider what a man who can do this will probably be like and the spirit in which he will do it.


CHAPTER V

THE CROWD-MAN—AN INVENTION FOR MAKING CROWDS SEE

When Wilbur Wright flew around the Statue of Liberty in New York the other day, his doing it was a big event; but a still bigger event, as it seems to some of us, was the way he felt about New York when he did it. All New York could not make him show off. Hundreds of thousands of people on roofs could look up at the sky over New York, for him to go by, all that they liked. He slipped down to Washington without saying anything, on the 3:25 train, to attend to flying as part of the serious business of the world.

Why fly around a little town like New York, or show your bright wings in the light, or circle the Statue of Liberty for fun, when you are reconstructing civilization, and binding a whole planet together, and wrapping the heavens close down around the earth, and making railroads everywhere out of the air? New York is always a little superficial and funny about itself. All it needs to do, it seems to think, is to snap its fingers at a man of genius anywhere on this broad world, whisper to him pleasantly, and he will trot promptly up, of course, and do his little turn for it.

But not Wilbur Wright. Wilbur Wright would not give two million people an encore, or even come back to bow. As one looked over from Mount Tom one could see all New York black and solid on the tops of its roofs and houses looking up into a great hole of air for him, and Wilbur Wright slipping quietly off down to Washington and leaving them there, a whole great city under the sky, with its heads up!

A little experience like this has been what New York has needed for a long time. It takes a scientist to do these things. I wish there were some poet who would do as well. Even a prophet up above New York—or seer of men and of years—glinting his wings in the light, the New York Sun and the World and the Times down below, all their opera-glasses trained on him, and all those little funny reporters running helplessly about, all the people pouring out from Doctor Parkhurst's church to look up.... It would be something.

Probably there are very few capitals in the world—Paris, Berlin, or London—that would not be profoundly stirred and possibly much improved by having some man suddenly appear up over them, who would be so interested in what he was doing that he would forget to notice whether anybody was looking—who would be capable of slipping off quietly and leaving an entire city with its heads up, and going on and attending to business.

There have been times when we would have been relieved, some of us, if the North Pole could have been discovered in this way and without large audiences tagging. There are some of us who will never cease to regret as long as we live that the North Pole could not have waited a little. We would rather have had Wilbur Wright discover it. One can imagine how he would do it: fly gracefully up to it all by himself, and discover it some pleasant evening, and have it over with, and slip back on his soft wings in the night, and not say anything about it. It is this Wilbur Wright spirit that I would like to dwell on in these pages. It seems to me it is a true modern spirit, the spirit which alone could make our civilization great, and the spirit which alone could make crowds great. It was the crowd that spoiled the way the Pole was discovered—all the millions of people, vast, thoughtless audiences piling in and making a show of it. Many people in America, all the vast crowds reading about it, seemed to feel that they were more important than the Pole; and when Captain Peary came back, vast crowds of these same people paid as much as five dollars apiece for the privilege of being in the same room with him. It was quite impossible not to contrast Captain Peary in his attitude toward the crowd and Wilbur Wright. There seemed to be, and there will always remain, a certain vulgarity in the way the North Pole was discovered, and the way the whole world behaved in regard to it, and the secret seems to have been in Captain Peary's failure to be a Wilbur Wright. He allowed the Pole to be a Crowd affair. All the while as he went about the country holding his little exhibits of the tip of the planet we could not help wishing, many of us who were in the Audience, that this man who sat there before us, the man who had the Thing in his hand, who had collected the North Pole, would not notice us, would snub us if need be a little, and would leave these people, these millions of people, with their heads up and go quietly on to the South Pole and collect that. It is because there are thousands of men who understand just how Wilbur Wright felt when he slipped away the other day in New York and left the entire city with its heads up that we have every reason to expect that the crowd is to produce great leaders, and is to become a great crowd, great and humble in spirit before God, before the stars, and the atoms, and the microbes, and before Itself. In the meantime, however, we see all about us in the world countless would-be leaders of the crowd, who would perhaps not quite understand the way Wilbur Wright felt that day when he slipped away from New York and left the entire city with its heads up. Most newspaper men—men who are in the habit of writing for a crowd and regarding a crowd quite respectfully—will have wondered a little why Wilbur Wright could have let such a crowd go by. Most actors and theatrical people would have stayed over a train or so and given one more little performance with all those wistful people on the roof-tops. There are only a very few clergymen in England or America to-day who, with a great audience like that and so many men in it, would ever have thought of slipping off on the 3:25 train in the way Wilbur Wright did. The ministers and the politicians of all countries are still wondering a little—if they ever thought of it—how Wright did it. Most of the other people in the world wonder a little, too, but I imagine that the great inventors of the world who read about it the next morning did not wonder. The true scientists, in this country and in Germany and in France, all understood just how Wilbur Wright felt when he left New York with its heads up. The great artists of the world, in literature, in painting, and architecture; the great railroad builders, the city builders, the nation builders, the great statesmen, the great biologists, and chemists, understood. James J. Hill, with his face toward the Pacific, understood. Alexander Graham Bell, out abroad doing the listening and talking and thinking the thoughts of eighty million people, understood. Marconi, making the ships whisper across the sea, and William G. McAdoo, shooting a hundred and seventy thousand people a day through a hole under the Hudson—understood.

And God, when He made the world. And Columbus when he discovered America. And Jesus Christ when He was so happy and so preoccupied over His vision of a new world, over inventing Christianity, that it seemed a very small and incidental thing to die on the Cross—He understood.

Wilbur Wright's secret was that he had a vision. His vision was that a human being could be greater and more powerful than the world had ever believed before.

Just to be there was a great thought, to be allowed to be one of those admitted, to be present at the first faint beginning, the first still alighting of the human spirit from the earth upon the sky. Wilbur Wright made the most ordinary man a genius a minute. He made him wonder softly who he was—and the people all about him—who were they? and what would they think, and what would they do next? The first flash of light on the wings was a thousand years. It was as if almost for a moment he saw at last the whole earth about him. History, churches, factories on it, slipping out of its cocoon at last—its little, old, faded, tied-down cocoon, and sailing upon the air—sailing with him, sailing with the churches, with the factories, and with the schools, with History, through the Invisible, through the Intangible—out to the Sun....


Perhaps the reason that New York was a great city a few minutes the other day when Wilbur Wright was there was that Wilbur Wright had a new vision in the presence of all those men of something that they could do. He touched the imagination of men about themselves. They were profoundly moved because they saw him in their presence inventing a new kind and new size of human being. He raised the standard of impossibility, and built an annex on to the planet while they looked; took a great strip off of space three miles wide and folded it softly on to the planet all the way round before their eyes. For three miles more—three miles farther up above the ground—there was a space where human beings would have to stop saying, "I can't," and "You can't," and "We can't." If people want to say "I can't," and "You can't," they will have to say it farther and farther away from this planet now. Let them try Mars. The modern imagination takes to impossibilities naturally with Wilbur Wright against the horizon. The thing we next cannot believe is the next thing to expect.

Nobody would have believed ten years ago that an architect could be invented who would tell a man that his house would cost him thirty thousand dollars, and then hand him back two thousand dollars when he had finished it. But the man had been invented—he invented himself.

He represents the owner, and does as the owner would be done by if he did it himself—if he had the technical knowledge and the time to do it.

Nobody would have believed a few years ago that a railway president, when he had occasion to reduce the wages of several thousand employees 10 per cent., would begin by reducing his own salary 30 per cent., and the salary of all the officials all the way down 15 per cent., or 20 per cent.

Nobody would have believed some time ago that an organizing inventor would be evolved who would meet his directors and tell them that, if they would have their work done in their mills in three shifts instead of two, the men would work so much better that it would not cost the Company more than 10 per cent. more to offer the better conditions. But such an organizing inventor has been invented, and has proved his case.

Luther Burbank has made a chestnut tree eighteen months old bear chestnuts; and it has always taken from ten to twenty-five years to make a tree furnish its first chestnut before. About the same time that Luther Burbank had succeeded in doing this with chestnuts a similar type of man, who was not particularly interested in chestnuts and wanted to do something with human nature, who believed that human nature could really be made to work, found a certain staple article that everybody needs every day in a state of anarchy in the market. The producers were not making anything on it. The wholesalers dealt in it without a profit, and the retailers sold it without a profit, and merely because the other things they sold were worthless without it.

——, who was the leading wholesale dealer and in the best position to act, pointed out that, if the business was organized and everybody in it would combine with everybody else and make it a monopoly, the price could be made lower, and everybody would make money.

Of course this was a platitude.

It was also a platitude that human nature was not good enough, and could not be trusted to work properly in a monopoly.

—— then proceeded to invent a monopoly—a kind of monopoly in which human nature could be trusted.

He used a very simple device.

He began by being trusted himself.

Having personally and directly proved that human nature in a monopoly could be trusted by being trusted himself, all he had to do was to capitalize his knowledge of human nature, use the enormous market value of the trust people had in him to gather people about him in the business who had a good practical business genius for being trusted too and for keeping trusted: everybody else was shut out.

The letter with which the monopoly was started (after dealing duly with the technical details of the business) ended like this:

"... the soundest lines of business—viz., fair prices, fair profits, fair division of profits, fair recognition of service, do as you would be done by, money back where it is practicable, one's profit so small as to make competition not worth while, open dealing, and open books."

He had invented a monopoly which shared its profits with the people, and which the people trusted. He was a Luther Burbank in money and people instead of chestnuts. He raised the standard of impossibility in people, and invented a new way for human nature to work.


CHAPTER VI

THE IMAGINATION OF CROWDS

The modern imagination takes, speaking roughly, three characteristic forms:

1. Imagination about the unseen or intangible—the spiritual—as especially typified in electricity, in the wireless telegraph, the aeroplane: a new and extraordinary sense of the invisible and the unproved as an energy to be used and reckoned with.

2. Imagination about the future—a new and extraordinary sense of what is going to happen next in the world.

3. Imagination about people. We are not only inventing new machines, but our new machines have turned upon us and are creating new men. The telephone changes the structure of the brain. Men live in wider distances, and think in larger figures, and become eligible to nobler and wider motives.

Imagination about the unseen is going to give us in an incredible degree the mastery of the spirit over matter.

Imagination about the future is going to make the next few hundred years an organic part of every man's life to-day.

The imagination of men about themselves and other people is going to give us a race of men with new motives; or, to put it differently, it is going to give us not only new sizes but new kinds of men. People are going to achieve impossibilities in goodness, and our inventions in human nature are going to keep up with our other inventions.


CHAPTER VII

IMAGINATION ABOUT THE UNSEEN

The most distinctively modern thing that ever happened was when Benjamin Franklin went out one day and called down lightning from heaven. Before that, power had always been dug up, or scraped off the ground. The more power you wanted the more you had to get hold of the ground and dig for it; and the more solid you were, the more heavy, solid things you could get, the more you could pull solid, heavy things round in this world where you wanted them. Franklin turned to the sky, and turned power on from above, and decided that the real and the solid and the substantial in this world was to be pulled about by the Invisible.

Copernicus had the same idea, of course, when he fared forth into space, and discovered the centre of all power to be in the sun. It grieved people a good deal to find how much more important the sky was than they were, and their whole little planet with all of them on it. The idea that that big blue field up there, empty by day and with such crowds of little faint dots in it all night, was the real thing—the big, final, and important thing—and that they and their churches and popes and pyramids and nations should just dance about it for millions of years like a mote in a sunbeam, hurt their feelings at first. But it did them good. It started them looking Up, and looking the other way for power.

Very soon afterward Columbus enlarged upon the same idea by starting the world toward very far things, on the ground; and he bored through the skylines, a thousand skylines, and spread the nations upon the sea. Columbus was the typical modern man led by the invisible, the intangible; and on the great waters somewhere between Spain and New York, between the old and the new, Columbus discovered the Future Tense, the centrifugal tense, the tense that sweeps in the unknown, and gathers in, out of space, out of hope, out of faith, the lives of men. The mere fastened-down stable things, the mere actual facts, stopped being the world with Columbus, and the air and the sky began to be swung in, and to be swept through the thoughts and acts of men and of women.... Then miners, mariners, explorers, inventors—the impossible steamship, the railway, the impossible cotton-gin and sewing-machine and reaper, Hoosac tunnels and Atlantic cables. The impossible became one of the habits of modern life.

Of course the sky and the air and the unknown and the future had been recognized before, but only a little and in a rather patronizing way. But when a world has made a great, solid continent by following a horizon line, it begins to take things just beyond very seriously. And so our Time has been fulfilled. We have had the stone age; we have had the iron age; and now we have the sky age, and the sky telegraph, and sky men, and sky cities. Mountains of stone are built out of men's visions, towers and skyscrapers swing up out of their wills and up out of their hearts.


Not long ago, as I was coming away from New York in the Springfield Express, which was running at fifty-five miles an hour, I saw suddenly some smoke coming up apparently out of a satchel on the floor, belonging to the man in the chair in front of me. I moved the satchel away, and the smoke came up through the carpet. I spoke to the Pullman conductor who was passing through, and in a second the train had stopped, and the great wild roaring Thing had ceased, and we stood in a long, wide, white silence in the fields. We got off the car—some of us—to see what had happened, and to see if there was a hot box on the wheels. We found that the entire underside of the floor of the car was on fire, and what had happened? Nothing except a new impossibility; nothing except that a human being had invented an electrical locomotive so powerful that it was pulling that train fifty-five miles an hour while the brakes on the car were set—twelve brakes all grinding twenty miles on those twelve wheels; and the locomotive paid no more attention to the brakes of that heavy Pullman than it would to a feather or to a small boy, all the way from New York to Stamford, hanging on behind. As I came in I looked again at the train—the long dull train that had been pulled along by the Invisible, by the kingdom of the air and the sky—the long, dull, heavy Train! And the spirit of the far-off sun was in it!

In Count Zeppelin's new airship the new social spirit has a symbol, and in the gyroscopic train the inspired millionaire is on a firm foundation. The power of the new kind and new size of capitalist is his power of keeping an equilibrium with the people, and the men of real genius in modern affairs are men who have motor genius and light genius over other men's wills. They are allied to the X-ray and the airship, and gain their pre-eminence by their power of forecast and invention—their power of riding upon the unseen, upon the thoughts of men and the spirit of the time. Even the painters have caught this spirit. The plein air painters are painting the light, and the sculptors are carving shadows and haloes, and we have not an art left which does not lean out into the Invisible. And religion is full of this spirit and theosophy and Christian Science. The playwrights are touched by it; and the action, instead of being all on the stage, is thrown out into the spirit of the audience. The play in a modern theatre is not on the stage but in the stalls. Maeterlinck, Ibsen, Shaw, merely use the stage as a kind of magic-lantern or suggestion-centre for the real things that, out behind us in the dark, are happening in the audience.