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Cynthia's Revels; Or, The Fountain of Self-Love

Chapter 9: ACT II
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About This Book

A courtly masque unfolds as a festive company stages allegorical entertainments that expose vanity, literary pretension, and social affectation. Comic scenes and caricatured humours bring forward flatterers, fops, and rival personalities whose expectant performances invite satire. Songs, formal interludes, and witty exchanges punctuate the action while moral observation and theatrical artifice interrogate ego and reputation. The plot resolves by unmasking hypocrisy and tempering extremes of self-regard, restoring a negotiated social balance while leaving the audience to assess the characters’ follies.





ACT II

   SCENE I.—THE COURT.

   ENTER CUPID AND MERCURY, DISGUISED AS PAGES.

   CUP.  Why, this was most unexpectedly followed, my divine delicate
   Mercury, by the beard of Jove, thou art a precious deity.

   MER.  Nay, Cupid, leave to speak improperly; since we are turn'd
   cracks, let's study to be like cracks; practise their language, and
   behaviours, and not with a dead imitation: Act freely, carelessly,
   and capriciously, as if our veins ran with quicksilver, and not
   utter a phrase, but what shall come forth steep'd in the very brine
   of conceit, and sparkle like salt in fire.

   CUP.  That's not every one's happiness, Hermes: Though you can
   presume upon the easiness and dexterity of your wit, you shall give
   me leave to be a little jealous of mine; and not desperately to
   hazard it after your capering humour.

   MER.  Nay, then, Cupid, I think we must have you hood-wink'd again;
   for you are grown too provident since your eyes were at liberty.

   CUP.  Not so, Mercury, I am still blind Cupid to thee.

   MER.  And what to the lady nymph you serve?

   CUP.  Troth, page, boy, and sirrah: these are all my titles.

   MER.  Then thou hast not altered thy name with thy disguise?

   CUP.  O, no, that had been supererogation; you shall never hear
   your courtier call but by one of these three.

   MER.  Faith, then both our fortunes are the same.

   CUP.  Why, what parcel of man hast thou lighted on for a master?

   MER.  Such a one as, before I begin to decipher him, I dare not
   affirm to be any thing less than a courtier.  So much he is during
   this open time of revels, and would be longer, but that his means
   are to leave him shortly after.  His name is Hedon, a gallant
   wholly consecrated to his pleasures.

   CUP.  Hedon! he uses much to my lady's chamber, I think.

   MER.  How is she call'd, and then I can shew thee?

   CUP.  Madame Philautia.

   MER.  O ay, he affects her very particularly indeed.  These are his
   graces. He doth (besides me) keep a barber and a monkey; he has a
   rich wrought waistcoat to entertain his visitants in, with a cap
   almost suitable.  His curtains and bedding are thought to be his
   own; his bathing-tub is not suspected.  He loves to have a fencer,
   a pedant, and a musician seen in his lodging a-mornings.

   CUP.  And not a poet?

   MER.  Fie no: himself is a rhymer, and that's thought better than
   a poet.  He is not lightly within to his mercer, no, though he come
   when he takes physic, which is commonly after his play.  He beats a
   tailor very well, but a stocking-seller admirably: and so
   consequently any one he owes money to, that dares not resist him.
   He never makes general invitement, but against the publishing of a
   new suit; marry, then you shall have more drawn to his lodging,
   than come to the launching of some three ships; especially if he be
   furnish'd with supplies for the retiring of his old wardrobe from
   pawn: if not, he does hire a stock of apparel, and some forty or
   fifty pound in gold, for that forenoon to shew.  He is thought a
   very necessary perfume for the presence, and for that only cause
   welcome thither: six milliners' shops afford you not the like
   scent.  He courts ladies with how many great horse he hath rid that
   morning, or how oft he hath done the whole, or half the pommado in a
   seven-night before: and sometime ventures so far upon the virtue of
   his pomander, that he dares tell 'em, how many shirts he has sweat
   at tennis that week; but wisely conceals so many dozen of balls he
   is on the score.  Here he comes, that is all this.

   ENTER HEDON, ANAIDES, AND GELAIA.

   HED.  Boy!

   MER.  Sir.

   HED.  Are any of the ladies in the presence?

   MER.  None yet, sir.

   HED.  Give me some gold,—more.

   ANA.  Is that thy boy, Hedon?

   HED.  Ay, what think'st thou of him?

   ANA.  I'd geld him; I warrant he has the philosopher's stone.

   HED.  Well said, my good melancholy devil: sirrah, I have devised
   one or two of the prettiest oaths, this morning in my bed, as ever
   thou heard'st, to protest withal in the presence.

   ANA.  Prithee, let's hear them.

   HED.  Soft, thou'lt use them afore me.

   ANA.  No, d—mn me then—I have more oaths than I know how to
   utter, by this air.

   HED.  Faith, one is, "By the tip of your ear, sweet lady."  Is it
   not pretty, and genteel?

   ANA.  Yes, for the person 'tis applied to, a lady.  It should be
   light, and—

   HED.  Nay, the other is better, exceeds it much: the invention is
   farther fet too.  "By the white valley that lies between the alpine
   hills of your bosom, I protest.—"

   ANA.  Well, you travell'd for that, Hedon.

   MER.  Ay, in a map, where his eyes were but blind guides to his
   understanding, it seems.

   HED.  And then I have a salutation will nick all, by this caper:
   hay!

   ANA.  How is that?

   HED.  You know I call madam Philautia, my Honour; and she calls me
   her Ambition.  Now, when I meet her in the presence anon, I will
   come to her, and say, "Sweet Honour, I have hitherto contented my
   sense with the lilies of your hand; but now I will taste the roses
   of your lip"; and, withal, kiss her: to which she cannot but
   blushing answer, "Nay now you are too ambitious."  And then do I
   reply: "I cannot be too Ambitious of Honour, sweet lady."  Will't
   not be good? ha? ha?

   ANA.  O, assure your soul.

   HED.  By heaven, I think 'twill be excellent: and a very politic
   achievement of a kiss.

   ANA.  I have thought upon one for Moria of a sudden too, if it take.

   HED.  What is't, my dear Invention?

   ANA.  Marry, I will come to her, (and she always wears a muff, if
   you be remembered,) and I will tell her, "Madam your whole self
   cannot but be perfectly wise; for your hands have wit enough to
   keep themselves warm."

   HED.  Now, before Jove, admirable!  [GELAIA LAUGHS.]  Look, thy page
   takes it too.  By Phoebus, my sweet facetious rascal, I could eat
   water-gruel with thee a month for this jest, my dear rogue.

   ANA.  O, Hercules 'tis your only dish; above all your potatoes or
   oyster-pies in the world.

   HED.  I have ruminated upon a most rare wish too, and the prophecy
   to it; but I'll have some friend to be the prophet; as thus: I do
   wish myself one of my mistress's cioppini.  Another demands, Why
   would he be one of his mistress's cioppini? a third answers,
   Because he would make her higher: a fourth shall say, That will
   make her proud: and a fifth shall conclude, Then do I prophesy
   pride will have a fall;—and he shall give it her.

   ANA.  I will be your prophet.  Gods so, it will be most exquisite;
   thou art a fine inventious rogue, sirrah.

   HED.  Nay, and I have posies for rings, too, and riddles, that they
   dream not of.

   ANA.  Tut, they'll do that, when they come to sleep on them, time
   enough: But were thy devices never in the presence yet, Hedon?

   HED.  O, no, I disdain that.

   ANA.  'Twere good we went afore then, and brought them acquainted
   with the room where they shall act, lest the strangeness of it put
   them out of countenance, when they should come forth.

   [EXEUNT HEDON AND ANAIDES.]

   CUP.  Is that a courtier, too.

   MER.  Troth, no; he has two essential parts of the courtier, pride
   and ignorance; marry, the rest come somewhat after the ordinary
   gallant.  'Tis Impudence itself, Anaides; one that speaks all that
   comes in his cheeks, and will blush no more than a sackbut.  He
   lightly occupies the jester's room at the table, and keeps
   laughter, Gelaia, a wench in page's attire, following him in place
   of a squire, whom he now and then tickles with some strange
   ridiculous stuff, utter'd as his land came to him, by chance.  He
   will censure or discourse of any thing, but as absurdly as you
   would wish.  His fashion is not to take knowledge of him that is
   beneath him in clothes.  He never drinks below the salt.  He does
   naturally admire his wit that wears gold lace, or tissue: stabs
   any man that speaks more contemptibly of the scholar than he.  He
   is a great proficient in all the illiberal sciences, as cheating,
   drinking, swaggering, whoring, and such like: never kneels but to
   pledge healths, nor prays but for a pipe of pudding-tobacco.  He
   will blaspheme in his shirt.  The oaths which he vomits at one
   supper would maintain a town of garrison in good swearing a
   twelvemonth.  One other genuine quality he has which crowns all
   these, and that is this: to a friend in want, he will not depart
   with the weight of a soldered groat, lest the world might censure
   him prodigal, or report him a gull: marry, to his cockatrice or
   punquetto, half a dozen taffata gowns or satin kirtles in a pair or
   two of months, why, they are nothing.

   CUP.  I commend him, he is one of my clients.

   [THEY RETIRE TO THE BACK OF THE STAGE.]

   ENTER AMORPHUS, ASOTUS, AND COS.

   AMO.  Come, sir.  You are now within regard of the presence, and
   see, the privacy of this room how sweetly it offers itself to our
   retired intendments.—Page, cast a vigilant and enquiring eye
   about, that we be not rudely surprised by the approach of some
   ruder stranger.

   COS.  I warrant you, sir.  I'll tell you when the wolf enters, fear
   nothing.

   MER.  O what a mass of benefit shall we possess, in being the
   invisible spectators of this strange show now to be acted!

   AMO.  Plant yourself there, sir; and observe me.  You shall now, as
   well be the ocular, as the ear-witness, how clearly I can refel
   that paradox, or rather pseudodox, of those, which hold the face to
   be the index of the mind, which, I assure you, is not so in any
   politic creature: for instance; I will now give you the particular
   and distinct face of every your most noted species of persons, as
   your merchant, your scholar, your soldier, your lawyer, courtier,
   etc., and each of these so truly, as you would swear, but that your
   eye shall see the variation of the lineament, it were my most
   proper and genuine aspect.  First, for your merchant, or city-face,
   'tis thus; a dull, plodding-face, still looking in a direct line,
   forward: there is no great matter in this face.  Then have you
   your student's, or academic face; which is here an honest, simple,
   and methodical face; but somewhat more spread then the former.  The
   third is your soldier's face, a menacing and astounding face, that
   looks broad and big: the grace of his face consisteth much in a
   beard.  The anti-face to this, is your lawyer's face, a contracted,
   subtile, and intricate face, full of quirks and turnings, a
   labyrinthean face, now angularly, now circularly, every way
   aspected.  Next is your statist's face, a serious, solemn, and
   supercilious face, full of formal and square gravity; the eye, for
   the most part, deeply and artificially shadow'd; there is great
   judgment required in the making of this face.  But now, to come to
   your face of faces, or courtier's face; 'tis of three sorts,
   according to our subdivision of a courtier, elementary, practic,
   and theoric.  Your courtier theoric, is he that hath arrived to his
   farthest, and doth now know the court rather by speculation than
   practice; and this is his face: a fastidious and oblique face; that
   looks as it went with a vice, and were screw'd thus.  Your courtier
   practic, is he that is yet in his path, his course, his way, and
   hath not touch'd the punctilio or point of his hopes; his face is
   here: a most promising, open, smooth, and overflowing face, that
   seems as it would run and pour itself into you: somewhat a
   northerly face.  Your courtier elementary, is one but newly
   enter'd, or as it were in the alphabet, or ut-re-mi-fa-sol-la of
   courtship.  Note well this face, for it is this you must practise.

   ASO.  I'll practise them all, if you please, sir.

   AMO.  Ay, hereafter you may: and it will not be altogether an
   ungrateful study.  For, let your soul be assured of this, in any
   rank or profession whatever, the more general or major part of
   opinion goes with the face and simply respects nothing else.
   Therefore, if that can be made exactly, curiously, exquisitely,
   thoroughly, it is enough: but for the present you shall only apply
   yourself to this face of the elementary courtier, a light,
   revelling, and protesting face, now blushing, now smiling, which
   you may help much with a wanton wagging of your head, thus, (a
   feather will teach you,) or with kissing your finger that hath the
   ruby, or playing with some string of your band, which is a most
   quaint kind of melancholy besides: or, if among ladies, laughing
   loud, and crying up your own wit, though perhaps borrow'd, it is
   not amiss.  Where is your page? call for your casting-bottle, and
   place your mirror in your hat, as I told you; so!  Come, look not
   pale, observe me, set your face, and enter.

   MER.  O, for some excellent painter, to have taken the copy of all
   these faces!  [ASIDE.]

   ASO.  Prosaites!

   AMO.  Fie!  I premonish you of that: in the court, boy, lacquey, or
   sirrah.

   COS.  Master, lupus in—O, 'tis Prosaites.

   ENTER PROSAITES.

   ASO.  Sirrah, prepare my casting-bottle; I think I must be
   enforced to purchase me another page; you see how at hand Cos waits
   here.

   [EXEUNT AMORPHUS, ASOTUS, COS, AND PROSAITES.]

   MER.  So will he too in time.

   CUP.  What's he Mercury?

   MER.  A notable smelt.  One that hath newly entertain'd the beggar
   to follow him, but cannot get him to wait near enough.  'Tis
   Asotus, the heir of Philargyrus; but first I'll give ye the other's
   character, which may make his the clearer.  He that is with him is
   Amorphus, a traveller, one so made out of the mixture of shreds of
   forms, that himself is truly deform'd.  He walks most commonly with
   a clove or pick-tooth in his mouth, he is the very mint of
   compliment, all his behaviours are printed, his face is another
   volume of essays, and his beard is an Aristarchus.  He speaks all
   cream skimm'd, and more affected than a dozen waiting women.  He
   is his own promoter in every place.  The wife of the ordinary gives
   him his diet to maintain her table in discourse; which, indeed, is
   a mere tyranny over her other guests, for he will usurp all the
   talk: ten constables are not so tedious.  He is no great shifter;
   once a year his apparel is ready to revolt.  He doth use much to
   arbitrate quarrels, and fights himself, exceeding well, out at a
   window.  He will lie cheaper than any beggar, and louder than most
   clocks; for which he is right properly accommodated to the
   Whetstone, his page.  The other gallant is his zany, and doth most
   of these tricks after him; sweats to imitate him in every thing to
   a hair, except a beard, which is not yet extant.  He doth learn to
   make strange sauces, to eat anchovies, maccaroni, bovoli, fagioli,
   and caviare, because he loves them; speaks as he speaks, looks,
   walks, goes so in clothes and fashion: is in all as if he were
   moulded of him. Marry, before they met, he had other very pretty
   sufficiencies, which yet he retains some light impression of; as
   frequenting a dancing school, and grievously torturing strangers
   with inquisition after his grace in his galliard.  He buys a fresh
   acquaintance at any rate.  His eyes and his raiment confer much
   together as he goes in the street.  He treads nicely like the
   fellow that walks upon ropes, especially the first Sunday of his
   silk stockings; and when he is most neat and new, you shall strip
   him with commendations.

   CUP.  Here comes another.  [CRITES PASSES OVER THE STAGE.]

   MER.  Ay, but one of another strain, Cupid; This fellow weighs
   somewhat.

   CUP.  His name, Hermes?

   MER.  Crites.  A creature of a most perfect and divine temper: one,
   in whom the humours and elements are peaceably met, without
   emulation of precedency; he is neither too fantastically
   melancholy, too slowly phlegmatic, too lightly sanguine, or too
   rashly choleric; but in all so composed and ordered; as it is clear
   Nature went about some full work, she did more than make a man when
   she made him.  His discourse is like his behaviour, uncommon, but
   not unpleasing; he is prodigal of neither.  He strives rather to be
   that which men call judicious, than to be thought so; and is so
   truly learned, that he affects not to shew it.  He will think and
   speak his thought both freely; but as distant from depraving
   another man's merit, as proclaiming his own.  For his valour, 'tis
   such, that he dares as little to offer any injury, as receive one.
   In sum, he hath a most ingenuous and sweet spirit, a sharp and
   season'd wit, a straight judgment and a strong mind.  Fortune
   could never break him, nor make him less.  He counts it his
   pleasure to despise pleasures, and is more delighted with good
   deeds than goods.  It is a competency to him that he can be
   virtuous.  He doth neither covet nor fear; he hath too much reason
   to do either; and that commends all things to him.

   CUP.  Not better than Mercury commends him.

   MER.  O, Cupid, 'tis beyond my deity to give him his due praises:
   I could leave my place in heaven to live among mortals, so I were
   sure to be no other than he.

   CUP.  'Slight, I believe he is your minion, you seem to be so
   ravish'd with him.

   MER.  He's one I would not have a wry thought darted against,
   willingly.

   CUP.  No, but a straight shaft in his bosom I'll promise him, if I
   am Cytherea's son.

   MER.  Shall we go, Cupid?

   CUP.  Stay, and see the ladies now: they'll come presently.  I'll
   help to paint them.

   MER.  What lay colour upon colour! that affords but an ill blazon.

   CUP.  Here comes metal to help it, the lady Argurion.

   [ARGURION PASSES OVER THE STAGE.]

   MER.  Money, money.

   CUP.  The same.  A nymph of a most wandering and giddy disposition,
   humorous as the air, she'll run from gallant to gallant, as they
   sit at primero in the presence, most strangely, and seldom stays
   with any.  She spreads as she goes.  To-day you shall have her look
   as clear and fresh as the morning, and to-morrow as melancholic as
   midnight.  She takes special pleasure in a close obscure lodging,
   and for that cause visits the city so often, where she has many
   secret true concealing favourites.  When she comes abroad she's
   more loose and scattering than dust, and will fly from place to
   place, as she were wrapped with a whirlwind.  Your young student,
   for the most part, she affects not, only salutes him, and away: a
   poet, nor a philosopher, she is hardly brought to take any notice
   of; no, though he be some part of an alchemist.  She loves a player
   well, and a lawyer infinitely; but your fool above all.  She can do
   much in court for the obtaining of any suit whatsoever, no door
   but flies open to her, her presence is above a charm.  The worst in
   her is want of keeping state, and too much descending into inferior
   and base offices; she's for any coarse employment you will put upon
   her, as to be your procurer, or pander.

   MER.  Peace, Cupid, here comes more work for you, another character
   or two.

   ENTER PHANTASTE, MORIA, AND PHILAUTIA.

   PHA.  Stay sweet Philautia; I'll but change my fan, and go
   presently.

   MOR.  Now, in very good serious, ladies, I will have this order
   revers'd, the presence must be better maintain'd from you: a
   quarter past eleven, and ne'er a nymph in prospective!  Beshrew my
   hand, there must be a reform'd discipline.  Is that your new ruff,
   sweet lady-bird?  By my troth, 'tis most intricately rare.

   MER.  Good Jove, what reverend gentlewoman in years might this be?

   CUP.  'Tis madam Moria, guardian of the nymphs; one that is not now
   to be persuaded of her wit; she will think herself wise against all
   the judgments that come.  A lady made all of voice and air, talks
   any thing of any thing. She is like one of your ignorant poetasters
   of the time, who, when they have got acquainted with a strange
   word, never rest till they have wrung it in, though it loosen the
   whole fabric of their sense.

   MER.  That was pretty and sharply noted, Cupid.

   CUP.  She will tell you, Philosophy was a fine reveller, when she
   was young, and a gallant, and that then, though she say it, she was
   thought to be the dame Dido and Helen of the court: as also, what
   a sweet dog she had this time four years, and how it was called
   Fortune; and that, if the Fates had not cut his thread, he had been
   a dog to have given entertainment to any gallant in this kingdom;
   and unless she had whelp'd it herself, she could not have loved a
   thing better in this world.

   MER.  O, I prithee no more; I am full of her.

   CUP.  Yes, I must needs tell you she composes a sack-posset well;
   and would court a young page sweetly, but that her breath is
   against it.

   MER.  Now, her breath or something more strong protect me from her!
   The other, the other, Cupid.

   CUP.  O, that's my lady and mistress, madam Philautia.  She admires
   not herself for any one particularity, but for all: she is fair,
   and she knows it; she has a pretty light wit too, and she knows it;
   she can dance, and she knows that too; play at shuttle-cock, and
   that too: no quality she has, but she shall take a very particular
   knowledge of, and most lady-like commend it to you.  You shall have
   her at any time read you the history of herself, and very subtilely
   run over another lady's sufficiencies to come to her own.  She has
   a good superficial judgment in painting; and would seem to have so
   in poetry.  A most complete lady in the opinion of some three
   beside herself.

   PHI.  Faith, how liked you my quip to Hedon, about the garter?
   Was't not witty?

   MOR.  Exceeding witty and integrate: you did so aggravate the jest
   withal.

   PHI.  And did I not dance movingly the last night?

   MOR.  Movingly! out of measure, in troth, sweet charge.

   MER.  A happy commendation, to dance out of measure!

   MOR.  Save only you wanted the swim in the turn: O! when I was at
   fourteen—

   PHI.  Nay, that's mine own from any nymph in the court, I'm sure
   on't; therefore you mistake me in that, guardian: both the swim and
   the trip are properly mine; every body will affirm it that has any
   judgment in dancing, I assure you.

   PHA.  Come now, Philautia, I am for you; shall we go?

   PHI.  Ay, good Phantaste: What! have you changed your head-tire?

   PHA.  Yes, faith; the other was so near the common, it had no
   extraordinary grace; besides, I had worn it almost a day, in good
   troth.

   PHI.  I'll be sworn, this is most excellent for the device, and
   rare; 'tis after the Italian print we look'd on t'other night.

   PHA.  'Tis so: by this fan, I cannot abide any thing that savours
   the poor over-worn cut, that has any kindred with it; I must have
   variety, I: this mixing in fashion, I hate it worse than to burn
   juniper in my chamber, I protest.

   PHI.  And yet we cannot have a new peculiar court-tire, but these
   retainers will have it; these suburb Sunday-waiters; these
   courtiers for high days; I know not what I should call 'em—

   PHA.  O, ay, they do most pitifully imitate; but I have a tire a
   coming, i'faith, shall—

   MOR.  In good certain, madam, it makes you look most heavenly; but,
   lay your hand on your heart, you never skinn'd a new beauty more
   prosperously in your life, nor more metaphysically: look good lady,
   sweet lady, look.

   PHI.  'Tis very clear and well, believe me.  But if you had seen
   mine yesterday, when 'twas young, you would have—Who's your
   doctor, Phantaste?

   PHA.  Nay, that's counsel, Philautia; you shall pardon me: yet I'll
   assure you he's the most dainty, sweet, absolute, rare man of the
   whole college.  O! his very looks, his discourse, his behaviour, all
   he does is physic, I protest.

   PHI.  For heaven's sake, his name, good dear Phantaste?

   PHA.  No, no, no, no, no, no, believe me, not for a million of
   heavens: I will not make him cheap. Fie—

   [EXEUNT PHANTASTE, MORIA, AND PHILAUTIA.]

   CUP.  There is a nymph too of a most curious and elaborate strain,
   light, all motion, an ubiquitary, she is every where, Phantaste—

   MER.  Her very name speaks her, let her pass.  But are these,
   Cupid, the stars of Cynthia's court?  Do these nymphs attend upon
   Diana?

   CUP.  They are in her court, Mercury, but not as stars; these never
   come in the presence of Cynthia.  The nymphs that make her train
   are the divine Arete, Time, Phronesis, Thauma, and others of that
   high sort.  These are privately brought in by Moria in this
   licentious time, against her knowledge; and, like so many meteors,
   will vanish when she appears.

   ENTER PROSAITES SINGING, FOLLOWED BY GELAIA AND COS, WITH BOTTLES.

   Come follow me, my wags, and say, as I say,
   There's no riches but in rags, hey day, hey day:
   You that profess this art, come away, come away,
   And help to bear a part.  Hey day, hey day, etc.

   [MERCURY AND CUPID COME FORWARD.]

   MER.  What, those that were our fellow pages but now, so soon
   preferr'd to be yeomen of the bottles!  The mystery, the mystery,
   good wags?

   CUP.  Some diet-drink they have the guard of.

   PRO.  No, sir, we are going in quest of a strange fountain, lately
   found out.

   CUP.  By whom?

   COS.  My master or the great discoverer, Amorphus.

   MER.  Thou hast well entitled him, Cos, for he will discover all he
   knows.

   GEL.  Ay, and a little more too, when the spirit is upon him.

   PRO.  O, the good travelling gentleman yonder has caused such a
   drought in the presence, with reporting the wonders of this new
   water, that all the ladies and gallants lie languishing upon the
   rushes, like so many pounded cattle in the midst of harvest,
   sighing one to another, and gasping, as if each of them expected a
   cock from the fountain to be brought into his mouth; and without
   we return quickly, they are all, as a youth would say, no better
   then a few trouts cast ashore, or a dish of eels in a sand-bag.

   MER.  Well then, you were best dispatch, and have a care of them.
   Come, Cupid, thou and I'll go peruse this dry wonder.  [EXEUNT.]





ACT III

   SCENE I.—AN APARTMENT AT THE COURT.

   ENTER AMORPHUS AND ASOTUS.

   AMO.  Sir, let not this discountenance or disgallant you a whit;
   you must not sink under the first disaster.  It is with your young
   grammatical courtier, as with your neophyte player, a thing usual
   to be daunted at the first presence or interview: you saw, there
   was Hedon, and Anaides, far more practised gallants than yourself,
   who were both out, to comfort you.  It is no disgrace, no more than
   for your adventurous reveller to fall by some inauspicious chance
   in his galliard, or for some subtile politic to undertake the
   bastinado, that the state might think worthily of him, and respect
   him as a man well beaten to the world.  What? hath your tailor
   provided the property we spake of at your chamber, or no?

   ASO.  I think he has.

   AMO.  Nay, I entreat you, be not so flat and melancholic.  Erect
   your mind: you shall redeem this with the courtship I will teach
   you against the afternoon.  Where eat you to-day?

   ASO.  Where you please, sir; any where, I.

   AMO.  Come, let us go and taste some light dinner, a dish of sliced
   caviare, or so; and after, you shall practise an hour at your
   lodging some few forms that I have recall'd.  If you had but so far
   gathered your spirits to you, as to have taken up a rush when you
   were out, and wagg'd it thus, or cleansed your teeth with it; or
   but turn'd aside, and feign'd some business to whisper with your
   page, till you had recovered yourself, or but found some slight
   stain in your stocking, or any other pretty invention, so it had
   been sudden, you might have come off with a most clear and courtly
   grace.

   ASO.  A poison of all!  I think I was forespoke, I.

   AMO.  No, I must tell you, you are not audacious enough; you must
   frequent ordinaries a month more, to initiate yourself: in which
   time, it will not be amiss, if, in private, you keep good your
   acquaintance with Crites, or some other of his poor coat; visit his
   lodging secretly and often; become an earnest suitor to hear some
   of his labours.

   ASO.  O Jove! sir, I could never get him to read a line to me.

   AMO.  You must then wisely mix yourself in rank with such as you
   know can; and, as your ears do meet with a new phrase, or an acute
   jest, take it in: a quick nimble memory will lift it away, and, at
   your next public meal, it is your own.

   ASO.  But I shall never utter it perfectly, sir.

   AMO.  No matter, let it come lame.  In ordinary talk you shall play
   it away, as you do your light crowns at primero: it will pass.

   ASO.  I shall attempt, sir.

   AMO.  Do.  It is your shifting age for wit, and, I assure you, men
   must be prudent.  After this you may to court, and there fall in,
   first with the waiting-woman, then with the lady.  Put case they do
   retain you there, as a fit property, to hire coaches some pair of
   months, or so; or to read them asleep in afternoons upon some
   pretty pamphlet, to breathe you; why, it shall in time embolden you
   to some farther achievement: in the interim, you may fashion
   yourself to be careless and impudent.

   ASO.  How if they would have me to make verses?  I heard Hedon
   spoke to for some.

   AMO.  Why, you must prove the aptitude of your genius; if you find
   none, you must hearken out a vein, and buy; provided you pay for
   the silence as for the work, then you may securely call it your
   own.

   ASO.  Yes, and I'll give out my acquaintance with all the best
   writers, to countenance me the more.

   AMO.  Rather seem not to know them, it is your best.  Ay, be wise,
   that you never so much as mention the name of one, nor remember it
   mentioned; but if they be offer'd to you in discourse, shake your
   light head, make between a sad and a smiling face, pity some, rail
   at all, and commend yourself: 'tis your only safe and unsuspected
   course.  Come, you shall look back upon the court again to-day, and
   be restored to your colours: I do now partly aim at the cause of
   your repulse—which was ominous indeed—for as you enter at the
   door, there is opposed to you the frame of a wolf in the hangings,
   which, surprising your eye suddenly, gave a false alarm to the
   heart; and that was it called your blood out of your face, and so
   routed the whole rank of your spirits: I beseech you labour to
   forget it.  And remember, as I inculcated to you before, for your
   comfort, Hedon and Anaides.  [EXEUNT.]
   SCENE II.—ANOTHER APARTMENT IN THE SAME.

   ENTER HEDON AND ANAIDES.

   HEDON.  Heart, was there ever so prosperous an invention thus
   unluckily perverted and spoiled, by a whoreson book-worm, a
   candle-waster?

   ANA.  Nay, be not impatient, Hedon.

   HED.  'Slight, I would fain know his name.

   ANA.  Hang him, poor grogan rascal! prithee think not of him: I'll
   send for him to my lodging, and have him blanketed when thou wilt,
   man.

   HED.  Ods so, I would thou couldst.  Look, here he comes.

   ENTER CRITES, AND WALKS IN A MUSING POSTURE AT THE BACK OF THE
   STAGE.

   Laugh at him, laugh at him; ha, ha, ha.

   ANA.  Fough! he smells all lamp-oil with studying by candle-light.

   HED.  How confidently he went by us, and carelessly!  Never moved,
   nor stirred at any thing!  Did you observe him?

   ANA.  Ay, a pox on him, let him go, dormouse: he is in a dream
   now.  He has no other time to sleep, but thus when he walks abroad
   to take the air.

   HED.  'Sprecious, this afflicts me more than all the rest, that we
   should so particularly direct our hate and contempt against him,
   and he to carry it thus without wound or passion! 'tis
   insufferable.

   ANA.  'Slid, my dear Envy, if thou but say'st the word now, I'll
   undo him eternally for thee.

   HED.  How, sweet Anaides?

   ANA.  Marry, half a score of us get him in, one night, and make him
   pawn his wit for a supper.

   HED.  Away, thou hast such unseasonable jests!  By this heaven, I
   wonder at nothing more than our gentlemen ushers, that will suffer
   a piece of serge or perpetuana to come into the presence: methinks
   they should, out of their experience, better distinguish the
   silken disposition of courtiers, than to let such terrible coarse
   rags mix with us, able to fret any smooth or gentle society to the
   threads with their rubbing devices.

   ANA.  Unless 'twere Lent, Ember-weeks, or fasting days, when the
   place is most penuriously empty of all other good outsides.  D—n
   me, if I should adventure on his company once more, without a suit
   of buff to defend my wit! he does nothing but stab, the slave!
   How mischievously he cross'd thy device of the prophecy, there?
   and Moria, she comes without her muff too, and there my invention
   was lost.

   HED.  Well, I am resolved what I'll do.

   ANA.  What, my good spiritous spark?

   HED.  Marry, speak all the venom I can of him; and poison his
   reputation in every place where I come.

   ANA.  'Fore God, most courtly.

   HED.  And if I chance to be present where any question is made of
   his sufficiencies, or of any thing he hath done private or public,
   I'll censure it slightly, and ridiculously.

   ANA.  At any hand beware of that; so thou may'st draw thine own
   judgment in suspect.  No, I'll instruct thee what thou shalt do,
   and by a safer means: approve any thing thou hearest of his, to the
   received opinion of it; but if it be extraordinary, give it from
   him to some other whom thou more particularly affect'st; that's the
   way to plague him, and he shall never come to defend himself.
   'Slud, I'll give out all he does is dictated from other men, and
   swear it too, if thou'lt have me, and that I know the time and
   place where he stole it, though my soul be guilty of no such thing;
   and that I think, out of my heart, he hates such barren shifts: yet
   to do thee a pleasure and him a disgrace, I'll damn myself, or do
   any thing.

   HED.  Gramercy, my dear devil; we'll put it seriously in practice,
   i'faith.  [EXEUNT HEDON AND ANAIDES.]

   CRI.  [COMING FORWARD.]
   Do, good Detraction, do, and I the while
   Shall shake thy spight off with a careless smile.
   Poor piteous gallants! what lean idle slights
   Their thoughts suggest to flatter their starv'd hopes!
   As if I knew not how to entertain
   These straw-devices; but, of force must yield
   To the weak stroke of their calumnious tongues.
   What should I care what every dor doth buz
   In credulous ears?  It is a crown to me
   That the best judgments can report me wrong'd;
   Them liars; and their slanders impudent.
   Perhaps, upon the rumour of their speeches,
   Some grieved friend will whisper to me; Crites,
   Men speak ill of thee.  So they be ill men,
   If they spake worse, 'twere better: for of such
   To be dispraised, is the most perfect praise.
   What can his censure hurt me, whom the world
   Hath censured vile before me!  If good Chrestus,
   Euthus, or Phronimus, had spoke the words,
   They would have moved me, and I should have call'd
   My thoughts and actions to a strict account
   Upon the hearing: but when I remember,
   'Tis Hedon and Anaides, alas, then
   I think but what they are, and am not stirr'd.
   The one a light voluptuous reveller,
   The other, a strange arrogating puff,
   Both impudent, and ignorant enough;
   That talk as they are wont, not as I merit;
   Traduce by custom, as most dogs do bark,
   Do nothing out of judgment, but disease,
   Speak ill, because they never could speak well.
   And who'd be angry with this race of creatures?
   What wise physician have we ever seen
   Moved with a frantic man? the same affects
   That he doth bear to his sick patient,
   Should a right mind carry to such as these;
   And I do count it a most rare revenge,
   That I can thus, with such a sweet neglect,
   Pluck from them all the pleasure of their malice;
   For that's the mark of all their enginous drifts,
   To wound my patience, howso'er they seem
   To aim at other objects; which if miss'd,
   Their envy's like an arrow shot upright,
   That, in the fall, endangers their own heads.

   ENTER ARETE.

   ARE.  What, Crites! where have you drawn forth the day,
   You have not visited your jealous friends?

   CRI.  Where I have seen, most honour'd Arete,
   The strangest pageant, fashion'd like a court,
   (At least I dreamt I saw it) so diffused,
   So painted, pied, and full of rainbow strains;
   As never yet, either by time, or place,
   Was made the food to my distasted sense;
   Nor can my weak imperfect memory
   Now render half the forms unto my tongue,
   That were convolved within this thrifty room.
   Here stalks me by a proud and spangled sir,
   That looks three handfuls higher then his foretop;
   Savours himself alone, is only kind
   And loving to himself; one that will speak
   More dark and doubtful than six oracles!
   Salutes a friend, as if he had a stitch;
   Is his own chronicle, and scarce can eat
   For regist'ring himself; is waited on
   By mimics, jesters, panders, parasites,
   And other such like prodigies of men.
   He past, appears some mincing marmoset
   Made all of clothes and face; his limbs so set
   As if they had some voluntary act
   Without man's motion, and must move just so
   In spight of their creation: one that weighs
   His breath between his teeth, and dares not smile
   Beyond a point, for fear t'unstarch his look;
   Hath travell'd to make legs, and seen the cringe
   Of several courts, and courtiers; knows the time
   Of giving titles, and of taking walls;
   Hath read court common-places; made them his:
   Studied the grammar of state, and all the rules
   Each formal usher in that politic school
   Can teach a man.  A third comes, giving nods
   To his repenting creditors, protests
   To weeping suitors, takes the coming gold
   Of insolent and base ambition,
   That hourly rubs his dry and itchy palms;
   Which griped, like burning coals, he hurls away
   Into the laps of bawds, and buffoons' mouths.
   With him there meets some subtle Proteus, one
   Can change, and vary with all forms he sees;
   Be any thing but honest; serves the time;
   Hovers betwixt two factions, and explores
   The drifts of both; which, with cross face, he bears
   To the divided heads, and is received
   With mutual grace of either: one that dares
   Do deeds worthy the hurdle or the wheel,
   To be thought somebody; and is in sooth
   Such as the satirist points truly forth,
   That only to his crimes owes all his worth.

   ARE.  You tell us wonders, Crites.

   CRI.  This is nothing.
   There stands a neophite glazing of his face,
   Pruning his clothes, perfuming of his hair,
   Against his idol enters; and repeats,
   Like an unperfect prologue, at third music,
   His part of speeches, and confederate jests,
   In passion to himself.  Another swears
   His scene of courtship over; bids, believe him,
   Twenty times ere they will; anon, doth seem
   As he would kiss away his hand in kindness;
   Then walks off melancholic, and stands wreath'd,
   As he were pinn'd up to the arras, thus.
   A third is most in action, swims, and frisks,
   Plays with his mistress's paps, salutes her pumps;
   Adores her hems, her skirts, her knots, her curls,
   Will spend his patrimony for a garter,
   Or the least feather in her bounteous fan.
   A fourth, he only comes in for a mute;
   Divides the act with a dumb show, and exit.
   Then must the ladies laugh, straight comes their scene,
   A sixth times worse confusion then the rest.
   Where you shall hear one talk of this man's eye,
   Another of his lip, a third, his nose,
   A fourth commend his leg, a fifth, his foot,
   A sixth, his hand, and every one a limb;
   That you would think the poor distorted gallant
   Must there expire.  Then fall they in discourse
   Of tires, and fashions, how they must take place,
   Where they may kiss, and whom, when to sit down,
   And with what grace to rise; if they salute,
   What court'sy they must use; such cobweb stuff
   As would enforce the common'st sense abhor
   Th' Arachnean workers.

   ARE.  Patience, gentle Crites.
   This knot of spiders will be soon dissolved,
   And all their webs swept out of Cynthia's court,
   When once her glorious deity appears,
   And but presents itself in her full light:
   'Till when, go in, and spend your hours with us,
   Your honour'd friends.  Time and Phronesis,
   In contemplation of our goddess' name.
   Think on some sweet and choice invention now,
   Worthy her serious and illustrious eyes,
   That from the merit of it we may take
   Desired occasion to prefer your worth,
   And make your service known to Cynthia.
   It is the pride of Arete to grace
   Her studious lovers; and, in scorn of time,
   Envy, and ignorance, to lift their state
   Above a vulgar height.  True happiness
   Consists not in the multitude of friends,
   But in their worth, and choice.  Nor would I have
   Virtue a popular regard pursue:
   Let them be good that love me, though but few.

   CRI.  I kiss thy hands, divinest Arete,
   And vow myself to thee, and Cynthia.  [EXEUNT.]
   SCENE III.—ANOTHER APARTMENT IN THE SAME.

   ENTER AMORPHUS, FOLLOWED BY ASOTUS AND HIS TAILOR.

   AMO.  A little more forward: so, sir.  Now go in, discloak
   yourself, and come forth.  [EXIT ASOTUS.]  Tailor; bestow
   thy absence upon us; and be not prodigal of this secret,
   but to a dear customer.

   [EXIT TAILOR.]

   RE-ENTER ASOTUS.

   'Tis well enter'd sir.  Stay, you come on too fast; your pace is
   too impetuous.  Imagine this to be the palace of your pleasure, or
   place where your lady is pleased to be seen.  First you present
   yourself, thus: and spying her, you fall off, and walk some two
   turns; in which time, it is to be supposed, your passion hath
   sufficiently whited your face, then, stifling a sigh or two, and
   closing your lips, with a trembling boldness, and bold terror, you
   advance yourself forward.  Prove thus much, I pray you.

   ASO.  Yes, sir;—pray Jove I can light on it!  Here I come in,
   you say, and present myself?

   AMO.  Good.

   ASO.  And then I spy her, and walk off?

   AMO.  Very good.

   ASO.  Now, sir, I stifle, and advance forward?

   AMO.  Trembling.

   ASO.  Yes, sir, trembling; I shall do it better when I come to it.
   And what must I speak now?

   AMO.  Marry, you shall say; "Dear Beauty", or "sweet Honour" (or by
   what other title you please to remember her), "methinks you are
   melancholy".  This is, if she be alone now, and discompanied.

   ASO.  Well, sir, I'll enter again; her title shall be, "My dear
   Lindabrides".

   AMO.  Lindabrides!

   ASO.  Ay, sir, the emperor Alicandroe's daughter, and the prince
   Meridian's sister, in "the Knight of the Sun"; she should have been
   married to him, but that the princess Claridiana—

   AMO.  O, you betray your reading.

   ASO.  Nay, sir, I have read history, I am a little humanitian.
   Interrupt me not, good sir.  "My dear Lindabrides,—my dear
   Lindabrides,—my dear Lindabrides, methinks you are melancholy".

   AMO.  Ay, and take her by the rosy finger'd hand.

   ASO.  Must I so: O!—"My dear Lindabrides, methinks you are
   melancholy".

   AMO.  Or thus sir.  "All variety of divine pleasures, choice
   sports, sweet music, rich fare, brave attire, soft beds, and silken
   thoughts, attend this dear beauty."

   ASO.  Believe me, that's pretty.  "All variety of divine pleasures,
   choice sports, sweet music, rich fare, brave attire, soft beds, and
   silken thoughts, attend this dear beauty."

   AMO.  And then, offering to kiss her hand, if she shall coily
   recoil, and signify your repulse, you are to re-enforce yourself
   with,
   "More than most fair lady,
   Let not the rigour of your just disdain
   Thus coarsely censure of your servant's zeal."
   And withal, protest her to be the only and absolute unparallel'd
   creature you do adore, and admire, and respect, and reverence,
   in this court, corner of the world, or kingdom.

   ASO.  This is hard, by my faith.  I'll begin it all again.

   AMO.  Do so, and I will act it for your lady.

   ASO.  Will you vouchsafe, sir?  "All variety of divine pleasures,
   choice sports, sweet music, rich fare, brave attire, soft beds, and
   silken thoughts, attend this dear beauty."

   AMO.  So sir, pray you, away.

   ASO.  "More than most fair lady,
   Let not the rigour of your just disdain
   Thus coarsely censure of your servant's zeal;
   I protest you are the only and absolute unapparell'd—"

   AMO.  Unparallel'd.

   ASO.  "Unparallel'd creature, I do adore, and admire, and respect,
   and reverence, in this corner of the world, or kingdom."

   AMO.  This is, if she abide you.  But now, put the case she should
   be passant when you enter, as thus: you are to frame your gait
   thereafter, and call upon her, "lady, nymph, sweet refuge, star of
   our court."  Then, if she be guardant, here; you are to come on,
   and, laterally disposing yourself, swear by her blushing and
   well-coloured cheek, the bright dye of her hair, her ivory teeth,
   (though they be ebony,) or some such white and innocent oath, to
   induce you.  If regardant, then maintain your station, brisk and
   irpe, show the supple motion of your pliant body, but in chief of
   your knee, and hand, which cannot but arride her proud humour
   exceedingly.

   ASO.  I conceive you sir.  I shall perform all these things in good
   time, I doubt not, they do so hit me.

   AMO.  Well sir, I am your lady; make use of any of these
   beginnings, or some other out of your own invention; and prove how
   you can hold up, and follow it. Say, say.

   ASO.  Yes sir.  "My dear Lindabrides."

   AMO.  No, you affect that Lindabrides too much; and let me tell you
   it is not so courtly.  Your pedant should provide you some parcels
   of French, or some pretty commodity of Italian, to commence with,
   if you would be exotic and exquisite.

   ASO.  Yes, sir, he was at my lodging t'other morning, I gave him a
   doublet.

   AMO.  Double your benevolence, and give him the hose too; clothe
   you his body, he will help to apparel your mind.  But now, see what
   your proper genius can perform alone, without adjection of any
   other Minerva.

   ASO.  I comprehend you sir.

   AMO.  I do stand you, sir; fall back to your first place.  Good,
   passing well: very properly pursued.

   ASO.  "Beautiful, ambiguous, and sufficient lady, what! are you all
   alone?"

   AMO.  "We would be, sir, if you would leave us."

   ASO.  "I am at your beauty's appointment, bright angel; but—"

   AMO  "What but?"

   ASO.  "No harm, more than most fair feature."

   AMO.  That touch relish'd well.

   ASO.  "But I protest—"

   AMO.  "And why should you protest?"

   ASO.  "For good will, dear esteem'd madam, and I hope your ladyship
   will so conceive of it:
   And will, in time, return from your disdain,
   And rue the suff'rance of our friendly pain."

   AMO.  O, that piece was excellent!  If you could pick out more of
   these play-particles, and, as occasion shall salute you, embroider
   or damask your discourse with them, persuade your soul, it would
   most judiciously commend you.  Come, this was a well-discharged and
   auspicious bout.  Prove the second.

   ASO.  "Lady, I cannot ruffle it in red and yellow."

   AMO.  "Why if you can revel it in white, sir, 'tis sufficient."

   ASO.  "Say you so, sweet lady!  Lan, tede, de, de, de, dant, dant,
   dant, dante.  [SINGS AND DANCES.]  No, in good faith, madam,
   whosever told your ladyship so, abused you; but I would be glad to
   meet your ladyship in a measure."

   AMO.  "Me sir!  Belike you measure me by yourself, then?"

   ASO.  "Would I might, fair feature."

   AMO.  "And what were you the better, if you might?"

   ASO.  "The better it please you to ask, fair lady."

   AMO.  Why, this was ravishing, and most acutely continued.  Well,
   spend not your humour too much, you have now competently exercised
   your conceit: this, once or twice a day, will render you an
   accomplish'd, elaborate, and well-levell'd gallant.  Convey in
   your courting-stock, we will in the heat of this go visit the
   nymphs' chamber.