LIST OF COMPOSITIONS BY DEEMS TAYLOR
Note:—The numbers before each group of titles refer to the publisher.
| LYRIC DRAMA | ||
| [1] The King’s Henchman (Edna St. Vincent Millay), Op. 19 | ||
| In three acts | ||
| CHAMBER MUSIC AND ORCHESTRA | ||
| [1] The Siren Song, Op. 2 | ||
| Symphonic Poem for Orchestra | ||
| [1] Through the Looking-Glass, Op. 12 (Five Pictures from Lewis Carroll) | ||
| 1a Dedication | ||
| 1b The Garden of Live Flowers | ||
| 2. Jabberwocky | ||
| 3. Looking Glass Insects | ||
| 4. The White Knight | ||
| Suite for | ||
| Symphony orchestra | ||
| Symphony orchestra—reduced | ||
| Strings, wind and piano | ||
| [1] The Portrait of a Lady, Op. 14 | ||
| Rhapsody for strings, wind and piano | ||
| [1] Jurgen, Op. 17 | ||
| Symphonic poem for orchestra | ||
| [1] Circus Day, Op. 18 | ||
| Suite for jazz orchestra (Scored by Ferdie Grofé) | ||
| For symphony orchestra (Scored by the composer) | ||
| CHORAL-CANTATAS | ||
| [2] The Chambered Nautilus (Oliver Wendell Holmes), Op. 7 | ||
| For mixed voices and orchestra | ||
| [2] The Highwayman (Alfred Noyes), Op. 8 | ||
| For women’s voices and orchestra | ||
| Also for mixed voices and orchestra | ||
| PART-SONGS | ||
| [2] May Eve (Thomas S. Jones), Op. 11, No. 1, S.S.A.A. | ||
| [1] Tricolor (Paul Scott Mowrer), Op. 11, No. 2, S.S.A.A. T.T.B.B. | ||
| [1] Valse Ariette (Humming chorus), Op. 11, No. 3, S.S.A.A. | ||
| [1] Banks o’Doon (Robert Burns), S.S.A. (arranged) | ||
| [1] Plantation Love Song (“My Rose”) (Ruth McEnery Stuart), S.S.A.A. T.T.B.B. (arranged) | ||
| [5] Little Dancing Leaves (Lucy Larcom), Unison | ||
| [5] The Day Is Done (H. W. Longfellow), S.S.A. | ||
| [5] Old Ironsides (Oliver Wendell Holmes), S.S.A.B. | ||
| (Written for the Universal School Music Series) | ||
| HARMONIZATIONS AND TRANSCRIPTIONS | ||
| [1] Armenian Folksongs: | ||
| By the Cradle, S.S.A. | ||
| Heart-Longings, S.S.A. | ||
| My Grief, S.S.A. | ||
| The Well-Beloved, S.S.A. T.T.B.B. S.A.T.B. | ||
| [1] Belgian Folksongs: | ||
| The Faithless Lover (L’Abandonnée), S.S.A. | ||
| Grizzly, Grumpy Granny (La Boiteuse), S.S.A. | ||
| In the Country (La Vie Rustique), S.S.A. | ||
| The Siesta (La Sieste), S.S.A. | ||
| [1] Breton Folksongs: | ||
| Before the Shrine (Disons le Chapelet), S.S.A.A. T.T.B.B. S.A.T.B. | ||
| The Sabot-Maker (Le Sabotier), S.S.A. | ||
| The Soul’s Departure (Le Départ de l’Ame), S.S.A. | ||
| The Wedding Dress (La Petite Robe), S.S.A. | ||
| [1] Czecho-Slovak Folksongs: | ||
| Good Night (Dobru Noc), S.S.A. | ||
| Lightning Now Flashes (Nad Tatrou sa Blyska), S.S.A. | ||
| Song to Bohemia (Tesme se Blahou Nadeji), S.S.A. | ||
| Wake Thee, Now, Dearest (Pridi ty Suhajko), S.S.A. | ||
| Waters Ripple and Flow (Tece Voda, Tece), S.S.A. T.T.B.B. S.A.T.B. | ||
| [1] English Folksongs: | ||
| The Loyal Lover, S.S.A.A. S.A.T.B. | ||
| Mayday Carol, S.A. S.S.A. S.S.A.A. S.A.B. T.T.B.B. S.A.T.B. | ||
| My Johnny Was a Shoemaker, S.S.A. T.T.B.B. S.A.T.B. | ||
| Twenty, Eighteen, S.S.A. T.T.B.B. S.A.T.B. | ||
| [1] Scotch Songs: | ||
| Ae Fond Kiss, S.S.A.A. | ||
| Hame, Hame, Hame, S.S.A.A. T.T.B.B. | ||
| Rantin’, Rovin’ Robin, S.S.A.A. | ||
| Whistle, My Lad, S.S.A.A. | ||
| ARRANGEMENTS | |
| [2] —— —— | Southern Medley, S.S.A.A. |
| [1] J. S. Bach | Air (Humming Chorus), Unison |
| [1] G. B. Bassani | Rest and Slumber (Posate, Dormite), S.S.A.A. |
| [1] G. M. Bononcini | Turn Not From Me (Non V’Ascondete), S.S.A. |
| [3] H. T. Burleigh | De Gospel Train, S.S.A. |
| Hard Trials, S.S.A. | |
| Heav’n, Heav’n, S.S.A. | |
| [1] J. Brahms | Crimson Clouds (Rothe Abendwolken), S.S.A.A. |
| Gypsy Minstrel (He, Zigeuner), S.S.A.A. | |
| The Mountains Are Cold (Die Berge sind Spitz), S.S.A.A. | |
| Now Sounds the Harp (Es Tönt ein Harfenklang), S.S.A. | |
| When Sweetly Blossom Roses (Nun steh’n die Rosen), S.S.A. | |
| [1] G. Caccini | Amaryllis My Fair One (Amarilli, Mia Bella), S.S.A.A. |
| [1] M. A. Cesti | Where Sleeps My Beloved (Intorno all’Idol Mio), S.S.A.A. |
| [1] E. Chausson | The Humming Bird (Le Colibri), S.S.A.A. |
| [1] C. Debussy | Afterglow (Beau Soir), S.S.A. |
| [1] J. Des Pres | What Sorrow Mine (J’ay Mil Regrets), S.S.A.A. |
| [3] S. Donaudy | Fragrant Groves and Flowery Meadows (Freschi Luoghi, Prati Aulenti), S.S.A. |
| Oh, Hasten, Beloved (Madonna Renzuola), S.S.A.A. | |
| O, Likeness, Dim and Faded (Vaghissima Sembianza), S.S.A. | |
| O, Vanished Loveliness (O Del Mio Amato Ben), S.S.A. | |
| Spring Song (Sorge il Sol!), S.S.A. | |
| The Lover’s Tale (Ognun Ripicchia e Nicchia), S.S.A. | |
| ’Tis Love That Sets Me Singing (Amor Mi Fa Cantare), S.S.A. | |
| When You Love’s Game Were Learning (Quand’ il tuo Diavol Nacque), S.S.A. | |
| [1] H. F. Duparc | A Sigh (Soupir), S.S.A.A. |
| [1] F. Durante | Dance, Little Maid (Danza, Danza), S.S.A. |
| Virgin, All of Love (Vergin, Tutto Amor), S.S.A. | |
| [1] G. B. Fasolo | Give Me Peace (Cangia, Cangia), S.S.A. |
| [1] G. Fauré | After a Dream (Après un Reve), S.S.A.A. |
| The Cradles (Les Berceaux), S.S.A.A. | |
| [1] John of Fornsete | Sumer Is Icumen In, S.S.S.S.A.A. |
| [2] C. Forsyth | From the Hills of Dream, S.S.A.A. |
| French: | |
| [1] XII. Century | La Bele Yolans (Fair Yolanthe), S.S.A. |
| La Reine d’Avril (The Queen of April), S.S.A.A. | |
| [1] XIV. Century | Je Suis Trop Jeunette (Nay, My Years Are Tender), S.S.A.A. |
| [1] XVII. Century | Le Berger Discret (The Timid Shepherd), S.S.A.A. |
| [1] XVIII. Century | Ah, Mon Berger (Shepherd Mine Own), S.S.A.A. |
| Chaque Chose à Son Temps (Everything Has Its Time), S.S.A.A. | |
| La Chanson du Tambourineur (The Drummer-Boy’s Song), S.S.A.A. | |
| Les Belles Manières (The Ways of the World), S.S.A.A. | |
| [1] J. Gallus | O Salutaris, S.S.A.A. |
| [1] German Folksong | Spinnerliedchen (Spinning Song), S.S.A.A. |
| [2] R. M. Gliere | Ah, Twine No Blossoms, S.S.A.A. |
| [1] E. Grieg | Are They Tears, Beloved? (Warum schimmert dein Auge?), S.S.A. |
| Christmas Snow (Neige de Noel), S.S.A.A. | |
| A Dream (Ein Traum), S.S.A.A. | |
| Rosebud (Rosenknospe), S.S.A. | |
| [1] J. L. Hatton | To Anthea, S.S.A. |
| [1] Dorothy Herbert | After Sunset, S.S.A. |
| The Song of Desire, S.S.A. | |
| [1] Hungarian Folksongs | For But One (Nur ein schönes Mädchen), S.S.A. |
| O Marie (Marishka), S.S.A. | |
| Whither Going Shepherd? (Sag’ Mir Csikos), S.S.A. | |
| Play, O Gypsy (Spiel! Zigeuner), S.S.A. | |
| [1] Eastwood Lane | The Little Fisherman, S.S.A.A. |
| Latin: | |
| [1] XIV. Century | Concordi Laetitia (Hymn to the Virgin), S.S.A.A. T.T.B.B. S.A.T.B. |
| [1] J. B. de Lully | Lonely Wood (Bois Epais), S.S.A. |
| [4] Ethelbert Nevin | The Land of Heart’s Desire, Cantata, Baritone Solo, S.S.A. |
| [1] G. P. da Palestrina | Sub Tuum, S.S.A. |
| O Bone Jesu, S.S.A.A. | |
| [2] Edna R. Park | The Romaika, S.S.A. |
| [3] G. Puccini | Love and Music (Vissi d’Arte), S.S.A. |
| One Fine Day (Un Bel Di), S.S.A. | |
| [1] S. Rachmaninoff | Cry of Russia (A Lament), Vocalise, S.S.A.A. |
| [2] N. Rimsky-Korsakoff | Nightingale and the Rose, S.S.A. |
| [3] Geni Sadero | Beautiful Vine (Pampina Pampinedda), S.S.A. |
| Hush-A-By (Era la Vo), S.S.A. | |
| My Love, My Darling (Curi, Curuzzu), S.S.A. | |
| Out Seaward (In Mezo al Mar), S.S.A. | |
| Rock-a-Bye Baby Mine (Fa la nanna Bambin), S.S.A. | |
| [1] A. Scarlatti | If Florindo Be Faithful (Se Florindo e Fedele), S.S.A. |
| [1] R. Schumann | Bride’s Song (Lied der Braut), S.S.A.A. |
| Dedication (Widmung), S.S.A.A. | |
| [1] C. Sinding | Anemone, S.S.A.A. |
| [1] Percy Rector Stephens | To the Spirit of Music, S.S.A.A. T.T.B.B. S.A.T.B. |
| [1] R. Strauss | Devotion (Zueignung), S.S.A. |
| [1] T. L. da Vittoria | Ave Maria, S.S.A.A. |
| [1] Hugo Wolf | Insatiable Love (Nimmersatte Liebe), S.S.A. |
| The Drummer-Boy (Der Tambour), S.S.A. | |
| SONGS | ||
| [2] Witch Woman (Celia Harris), Op. 3 | ||
| [1] Plantation Love Song (“My Rose”), (Ruth McEnery Stuart) Op. 6 | ||
| [2] The City of Joy (Charles Hanson Towne), Op. 9. A Song Cycle | ||
| 1. Spring in Town | ||
| 2. Poor ... | ||
| 3. ... But Happy | ||
| 4. The Roof Garden | ||
| 5. Home! | ||
| [2] Time Enough (Brian Hooker), Op. 10, No. 1 | ||
| [1] The Rivals (James Stephens), Op. 13, No. 1 | ||
| A Song for Lovers (James Stephens), Op. 13, No. 2 | ||
| The Messenger (James Stephens), Op. 13, No. 3 | ||
| [1] Traditional Airs. (Harmonized by Deems Taylor) Op. 15 | ||
| 1. La Bele Yolans (Fair Yolanthe) | ||
| 2. Je Suis Trop Jeunette (Nay, My Years Are Tender) | ||
| 3. La Sieste (The Siesta) | ||
| 4. L’Abandonnée (The Faithless Lover) | ||
| 5. La Vie Rustique (In the Country) | ||
| 6. Rantin’, Rovin’ Robin | ||
| 7. Ae Fond Kiss | ||
| 8. Hame, Hame, Hame | ||
| 9. Mayday Carol | ||
| 10. Twenty, Eighteen | ||
| 11. The Loyal Lover | ||
| 12. Le Départ de l’Ame (The Soul’s Departure) | ||
| 13. Les Belles Manières (The Ways of the World) | ||
| 14. La Petite Robe (The Wedding Dress) | ||
| [1] Captain Stratton’s Fancy (John Masefield) | ||
| [1] The Banks o’Doon (Robert Burns) | ||
| PIANO | ||
| [1] A Kiss in Xanadu. Pantomine Music. Op. 16 | ||
| [1] Two Studies in Rhythm. Op. 5 | ||
| 1. Prelude 2. Poem | ||
| ORGAN | ||
| [1] Dedication. From “Through the Looking Glass.” Transcribed by Charles M. Courboin | ||
| INCIDENTAL MUSIC | |
| “Liliom.” Produced in New York by Theatre Guild | |
| “Will Shakespeare.” Produced in New York by Winthrop Ames | |
| “Humoresque.” Produced in New York by George Tyler | |
| “Rita Coventry.” Produced in New York by Brock Pemberton | |
| “The Adding Machine.” Produced in New York by Theatre Guild | |
| “Casanova.” Produced in New York by Gilbert Miller | |
| “Beggar on Horseback.” Produced in New York by Winthrop Ames | |
| (Incidental music includes the pantomime “A Kiss in Xanadu.”) | |
[1] J. Fischer & Bro., New York.
[2] Oliver Ditson Co., Boston, Mass.
[3] G. Ricordi & Co., New York.
[4] The John Church Co., Cincinnati, Ohio.
[5] Hinds, Hayden & Eldredge, Inc., New York.
This Series of Brochures will include the
following American Composers
| Alexander Russell[6] |
| Eastwood Lane[6] |
| James P. Dunn[6] |
| A. Walter Kramer[6] |
| Deems Taylor[6] |
| In Preparation: |
| Mortimer Wilson |
| Walter Golde |
| Charles Wakefield Cadman |
| Howard D. McKinney |
| Carl McKinley |
| Samuel Richards Gaines |
| Franz C. Bornschein |
| J. W. Clokey |
| Fay Foster |
| Lily Strickland |
| Helen Dallam |
| and others |
[6] Now available