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Deems Taylor

Chapter 3: II
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About This Book

A biographical study chronicles the life and career of Deems Taylor, tracing his New York origins, education at Ethical Culture School and New York University, and his development from journalist and critic into a self-taught composer. It highlights his versatility—work as critic, editor, translator, speaker, artist, and composer—documents major appointments and lectures, describes his practical demeanor and public success, and considers how his example challenged stereotypes about composers and widened opportunities for American musical creators. The text blends narrative biography, professional appraisal, and selected anecdotes to map artistic achievement and influence.

II

Deems Taylor is a mild-mannered person, of medium height, inclined toward baldness, wears glasses, has what novelists describe as well-chiselled features illumined by an expression of intentness, emphasized by a firmly set lower jaw. As a man he sizes up extremely well in a group of five, reading from left to right, showing the Americans who had this past Spring been awarded Doctor’s degrees by a great American University. His companions in this distinguished cluster were the Chairman of the General Electric Company’s Board, the President of the American Museum of Natural History, the Secretary of State in President Coolidge’s cabinet, and the professor of literature at Yale University.

In the eyes of his intimates the address of seriousness which he presents to casual observers is but a mask. For they know him best as a man of unfailing good humor, a philosopher who delights in the whimsicalities of life and knows both how to fashion and enjoy a joke.

Mention has been made of Deems Taylor’s versatility. It is not merely that he can do many things but it is because he does them all superlatively well that this characteristic deserves stressing. At various times he has functioned with outstanding success as a newspaper-man, as critic, as linguist, as translator of prose and poetry, as an artist capable of handling the brush and pen with signal facility, as editor, as public speaker; and as a composer.

In the field of journalism, both in his technical musical criticisms and in his articles on practical musical subjects he writes with clarity of style, with matured authority and with disarming frankness and sincerity. Here again his engaging spirit of good humor finds expression to lighten the burden of his message.