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Delsarte System of Oratory

Chapter 193: Definition of Form.
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About This Book

A systematic manual presents a comprehensive codification of expressive technique for public speaking and performance, beginning with a biographical sketch and preface and then treating voice—its anatomy, vowel formation, intensity, tempo, respiration, and inflection—followed by an extended theory of gesture covering general principles, the laws of gesture, detailed movement of head, eyes, torso, limbs, and a semeiotic analysis, and concluding with articulate language, prosody, the oratorical value of words and phrases, and practical exercises and gesture series for common sentiments; appendices collect lectures, lessons, and contemporary articles illustrating application and pedagogy.

Definition of Form.

Form is the garb of substance. It is the expressive symbol of a mysterious truth. It is the trademark of a hidden virtue. It is the actuality of the being. In a word, form is the plastic art of the Ideal.

We have to consider three sorts of form: The form assumed by the being at birth and which we will call constitutional form. Under the sway of custom forms undergo modifications: We will call these forms habitual forms. Then there are the fugitive forms, modifications of the constitutional form, which are produced under the sway of passion. These forms, which we will call accidental, passional or transitory, are fugitive as the things which give them birth.