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Delsarte System of Oratory

Chapter 194: On Distinction and Vulgarity of Motion.
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About This Book

A systematic manual presents a comprehensive codification of expressive technique for public speaking and performance, beginning with a biographical sketch and preface and then treating voice—its anatomy, vowel formation, intensity, tempo, respiration, and inflection—followed by an extended theory of gesture covering general principles, the laws of gesture, detailed movement of head, eyes, torso, limbs, and a semeiotic analysis, and concluding with articulate language, prosody, the oratorical value of words and phrases, and practical exercises and gesture series for common sentiments; appendices collect lectures, lessons, and contemporary articles illustrating application and pedagogy.

On Distinction and Vulgarity of Motion.

Motion generally has its reäction; a projected body rebounds and it is this rebound which we call the reäction of the motion.

Rebounding bodies are agreeable to the eye. Lack of elasticity in a body is disagreeable from the fact that lacking suppleness, it seems as if it must, in falling, be broken, flattened or injured; in a word, must lose something of the integrality of its form. It is, therefore, the reäction of a body which proves its elasticity, and which, by this very quality, gives us a sort of pleasure in witnessing a fall, which apart from this reäction could not be other than disagreeable. Therefore, elasticity of dynamic motions is a prime necessity from the point of view of charm.

In the vulgar man there is no reäction. In the man of distinction, on the contrary, motion is of slight extent and reäction is enormous. Reäction is both slow and rapid.