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Diana

Chapter 64: CHAPTER THREE
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About This Book

A young woman at the center of the narrative negotiates love, ambition, and secrecy as she drifts between passionate affairs, professional scrutiny, and moments of quiet reflection. The episodic story tracks her encounters in social and artistic settings—opera, salons, and lakeside retreats—where flirtation, jealousy, and chance meetings complicate loyalties and reputations. Interpersonal tensions with rival suitors, a watchful employer, and an enigmatic man prompt inward questioning about identity, freedom, and desire. The prose alternates lyrical introspection with dramatic episodes to explore the costs and contradictions of intimacy and public life.

"Come in, Prince, come in," cried Olivia, still impatiently.

"Yes, do come in," added Diana. "The countess was just deploring the fact that Clemens before long will learn about love from a serving-wench."

"What is a dutiful son to do, seeing that in the castles of the mighty the only females he meets with are young women of noble birth (who are taboo so far as illicit experience is concerned), and serving-wenches?"

"It's all a matter of nerves, Prince. So far as my own feelings are concerned I should prefer, in this case, that it should be a girl of noble birth!"

"But suppose he should promise you," said Eduard teasingly, "to lead her to the altar, the more or less, let it be less, pure serving-wench: you would have to embrace this peasant as a daughter, Countess."

"I am not your Russian friend, Prince Eduard," retorted Olivia coldly.

"Of course a confirmed bachelor has no right to discuss such matters as the upbringing of children," Eduard continued. "Just as if the mere fact of becoming a father instantly conferred the necessary knowledge! Should I, nevertheless, venture to express an opinion before you ladies I should say: I, as the mother of a handsome boy, would, as soon as he was seventeen, or, for greater security, when he was sixteen years of age, request the handsomest among my women friends to initiate the youngster into the mysteries of Venus."

Olivia turned towards him with animation:

"How often have I not had the same idea. But our social institutions sap a woman's strength of mind, so that she cannot venture on such a course—though she may often have dreamed she had the courage as she sat alone in the gloaming."

She glanced over to where Diana stood in her short linen dress, which shimmered white in the shadowy room. The prince, too, under shelter of the darkness, shot a meaning look at Diana, implying that she alone had been in his thoughts as he spoke, and that he, Prince Eduard, was the lad of sixteen under the alias of Clemens, Count of Münsterberg. Diana well understood the meaning which underlay his words, and, facing the eyes of those who, with silent eloquence, obviously looked upon her as a predestined victim chosen as a sacrifice upon the altar of beauty, she felt that they were trying to rivet chains upon her, to force a line of action upon her, instead of leaving her to follow the magnetic promptings of her own nature.

As if in answer to these challenging eyes, she suddenly turned about towards the window near which she was standing, and, with an impetuous gesture, flung the shutters wide. A cataract of light came flooding into the room. Olivia turned away her eyes; Eduard stood there, blinking his, as if frightened.

"High tide," cried Diana. "The wind is blowing fresh from the nor'east, and there's a heavy swell. It's not so very hot yet. Come, Olivia! You promised you'd come along for a bathe!"


An hour later, Wilhelm's little group joined company with Scherer and Kyril, who had been spending the early hours of the forenoon aboard. They all made for the sheltered cove at the foot of the cliff whereon the castle was perched. The party as it assembled for the morning dip was not so much at its ease as the candour of some of its members and the education of the others might have led one to suppose. Olivia and Maria, in their rather full bathing costumes, looked more mundane than the former wished or the latter suspected herself to appear. The men were used to the water and were all of them swimmers. Wilhelm, to whom sea bathing was a new experience, hesitated at the edge of the waves; from time to time he would assume the most comical postures as he hunted for crabs or starfish in the shallow pools; he would exclaim with delight at his finds, so absorbed in his discoveries that even Maria slipped from his mind, and he became wholly unconscious of the presence of women. The prince's ironical habit of mind led him to make mischievous comments anent the other men's figures to Olivia as she lay basking in the sun while her niece cuddled down at her side rather bashfully. Scherer was his usual courteous self, holding himself gallantly, but not failing to appreciate the contrast between the voluptuous curves of Olivia's form and the slender grace of the maiden at her side—though Maria's figure proved to be more developed than he had supposed, and better in keeping with her full young lips. But his gaze did not linger; he soon betook himself to the task in hand, striking out through the water with virile energy.

Diana, Kyril, and Clemens simultaneously disappeared beneath the waves, and simultaneously their heads bobbed up again, greatly to the surprise of all three of them, for they had not seen one another enter the water. Indeed, Diana, in her closely fitting dress had sped so swiftly down the shore that hardly any had caught a glimpse of her as she flashed by. All three appeared for the first time to be in their appropriate element. Eduard, who was not a practiced swimmer, and who, moreover, was more amused by the erotic play of word and look afforded him on the shore, gave up trying to emulate the trio almost before he had begun. Scherer soon followed suit, and Wilhelm's world for the moment consisted entirely of marine fauna.

A sentiment of twofold liberation had invaded Diana's whole being after the ambiguous words spoken in the darkened room. The sea appeared to her pure, and free from all impulsive contamination, a mirror of light, and she was glad and not a little proud to be able to leave the mockers behind her on the beach. Clemens dived and somersaulted, excited to exhibit his prowess by the proximity of a young and beautiful woman, who watched his feats with gay, admiring eyes. In boyish merriment he splashed water at her, invited her to dance, kicked up his heels, spluttered, and cried out jubilantly amid the foam. At last his antics nearly deprived him of voice, so that his joyous screams became fainter.

In Kyril, Diana was surprised to find the perfect swimmer. For the third time she was to witness this man doing something in which he excelled; and for many seconds her thoughts went back to the evening when he played the 'cello with so masterly a cunning. Although her alert intelligence loved to pit itself against the intelligence of men, and gained by the rivalry, it was the physical quality of the male, that which was perceptible by the senses, which stirred her blood; and for this reason she was apt to decide her attitude towards a man before ever he had opened his lips to speak. To withstand the strength of the waves as they flooded towards the land, impelled forward by the breeze from the north-east, to know when to yield and when to push through them; now to be carried on the crest of a billow without striking a stroke, and to let one's body be drawn into the furrow of the wave; without a word, to shoot through the next when it threatens to break over one's head; now to lie on one's back, propelling oneself forward with the legs alone; now again diving through the mighty swells, resisting their weight, judging their dimensions, so as not to emerge prematurely—how well Diana knew the art! Her admiration for the Russian's mastery was far greater than the man himself would have tolerated had he guessed that it existed.

And yet, with the instinct of a man aware of his own prowess, Kyril had felt beforehand that while bathing he would show to advantage in the eyes of this extravagant, luxury-loving creature, and thus win the admiration which she seemed to withhold from his intellectual gifts. It was for this reason that he had once before, when they visited Leucas, proposed a bathe. On that occasion the elements had made it impossible to carry out, for the wind seemed likely to drop at any moment, and they wished to profit by every instant it lasted in order to sail among the Ionian islands. In so far as he was aware that under present circumstances he was pleasing to Diana, his own regard for her increased; for, ever since he had first clapped eyes on her, the evening when she had posed as Atalanta, and then again when he had seen her playing the fine lady in Scherer's drawing-room, he had been puzzled to know what to make of her. The instinctive urge of his being towards her beauty, though veiled by his revolt against her whole personality, had never been quenched; and now, for the first time, in this particular hour, his fanatical mind was able to grasp the reason for her beauty: only now, when he saw this body, constrained on board to a quietude he had little appreciation of, bestirring itself in movements fraught with meaning and purpose, did he realize the aim towards which it had been moulded. And, as the realization burst upon him, his instincts and thoughts, his theories and the imperious call of his manhood, surged over her lithe, bronzed limbs in an irresistible flood.

He swam out to sea, almost unaware of what he was doing, defying the surges, ever farther from the shore, as if enticing her to follow. Clemens, his young arms tired by his exertions, could swim no farther. He called to her to stop; but the lady he had been squiring through the watery element, gave the boy the go-by, and followed the man whose rhythmic progress allured her. Those left behind on the shore were anxious, but their cries of warning merely served to stimulate the rivalry and ambition of the two water sprites. Eduard's uneasiness was of a double kind; how he reproached himself at this moment for not having spent more of his life at the seaside! He strained his eyes to the utmost, shading them with his left hand, filled with mortification and a growing jealousy, vainly endeavouring to calculate the distance between the two heads that bobbed in and out of the water. Scherer was engaged on similar calculations.

Neither could see how Kyril, suddenly disappearing when Diana was no more than a couple of strokes away, swam beneath her, his eyes open in the water; how his strong arm clasped her body as she floated inert on the surface, how he rose and drew her tightly towards him in a mighty embrace, and continued swimming with his legs alone. His teeth flashed, the pressure of his arm became more intimate, his eyes glowed ardently, his hand sought and held her left breast, and Diana, after her first cry of alarm, abandoned herself to the sea and to the man, her curls tossed by the wind and sprayed by the waves. Motionless, she waited for him to release her from his bold embrace. Then he turned his face shoreward, relaxed his hold, and the two, side by side, swam slowly and silently towards land.




CHAPTER THREE

The sea pulsed darkly around the rocks, but the starry sky looked down upon the smothered roar with a sweet, dreamlike serenity, as if it would banish such wildness so long as night was queen, and until, day returning with its ardent advances, the combat of light and waters would be resumed.

In this mood Diana reacted to the sounds and the shimmering loveliness of the evening.

On the lowest of the terraces, open to the sky, high above the rocks, Olivia and her guests sat after dinner, listening to Scherer as he played. The grand piano had been brought out—the men lugging it there themselves, following a sudden inspiration—and, as the strains of Beethoven's last sonatas rose towards the dome above, accompanied by the ceaseless roar of the tide below, its melodies captured and re-echoed from cliff to cliff, while the stars scintillated overhead, there arose out of the turmoil of sound visions of primitive man's original defiance of the gods, the theft of fire from heaven, the overthrow of the Son of Chronos—and the hearers silently surrendered to the passionate impressions the music aroused. Scherer's characteristic reserve was forgotten, his formal dinner suit was swallowed up in the shadows of the night; he had become a magician clad in the black raiment of his office, sitting in front of a black sonorous dragon whose giant sides seemed open to the sea as the creature, wounded and near its end, groaned and sent its savage shrieks to the encounter with the elements, its white teeth gleaming through the darkness and gnashing furiously at the hands that tortured. For an hour Scherer shook off all his reserves. No longer restrained by the artificial lighting and the cramped conventionality of a drawing-room, he gave free rein to hands and arms as his fingers grappled with the keys, and as the minutes passed his thoughts wandered farther and farther away from the music he was discoursing. Mechanically, by force of habit, he played the vast phrases of the composer, his heart beating high, his dispassionate lips slightly apart as if to allow the warm night air to pass freely within. Faces drifted by, faces of women reclining, as he had seen Olivia that morning on the shore, and yet not in her likeness.... He bungled a passage in the left hand, and, thrusting both the faces and the benumbed apathy of his feelings behind him, he concentrated all his faculties on the music, rousing himself to the final onslaught on the dragon before him.

As if each were on an island apart, separated by waters which the eye and the ear could no longer span, the friends sat on the semicircular terrace and were lost to each other's view in the darkness. Wilhelm's thoughts wandered from the young girl in whose company he had spent most of these two days, to the image of a certain Duchessa d'Aosta whom he had met in one of the big hotels at Rome and who seemed to him to personify worldly brilliance, in spite of the fact that her hair was grey and that her daughter, a young girl still, was at her side. Maria reminded him of this girl.... Kyril, while the presto and the subsequent maestoso were being played, had seen himself addressing a huge crowd from a roof on which he stood, and then being escorted into the private rooms of the tsar on the shoulders of his brethren, and with his own hands stripping the royal purple and the crown from the monarch; the crowd suddenly disappeared, and now he saw a naked woman standing before a curtain, proud, silent, like Diana in limb, but with long hair like that of a Frenchwoman he had known, whose tresses he had loved to shake loose on the pillow every night. At the outset, Eduard found his mind straying through the halls of his ancestral home, impelled thither by the syncopated measure of the first phrases; he carried a three-branched candlestick in hand, as if he were looking for his relatives, but he was unsuccessful in his search; then, when the adagio with its slow, twofold beat began, he found himself in a garden where he had never been before, Diana in her short summer frock walking by his side, her eyes on the distant prospect, lightly touching the waving grasses with the tips of the fingers of her left hand; and he meditated upon the recent cruise, and upon the unending kisses and dreamlike nights he had in fancy spent with her in her cabin and on deck; and he asked himself how it had all originated, and marvelled that it should find a solution in melodious melancholy.

The men did not try to catch a glimpse of the two women, whose chairs were separated by the whole width of the terrace. Olivia's white neck in its setting of black velvet gleamed softly in the darkness, as her ample form lay draped in the plentiful folds of her gown. She lolled back in the capacious chair, her arms hanging limply, her long silver chain rippling down over her bosom, like two sister streams meandering in listless curves, from the fountainhead beneath the golden chignon at the nape of Olivia's neck, downward, until they were lost in the lap of love. With eyes closed, she felt the trickle of the metal over her milky skin, and she hardly knew whether the sensation was caused by the links in the chain or by the vigorous touch of a man—some man unknown.

Diana had stepped up to the railing that she might escape from the shadow the huge walls of the castle threw across the terrace, and that, by putting a wider space between herself and her human companions, she might be nearer the stars. A slender figure in her white silk dress, she stood gazing at the tranquil sky, away from the turbulent sea; and, thus silhouetted against the night, she might well have been likened to the sweep of a bow drawn across the strings of a violin. Yet her fingers and her countenance, hidden from all men's sight, were as stormily agitated as was her heart. The pale frock she wore, one for which Eduard had a special fondness, had been selected by her in defiance of her own mood. Do what she might to efface the remembrance of that mighty embrace, she still felt the great hand of the Russian peasants' son clasping her left breast. She had been seized upon, but not subdued: this was the thought that gyrated in her head since that noontide swim, and which, for the first time since she had known him, made her feel she must concede him at least a particle of supremacy; since she acknowledged to herself that she had offered but little resistance, nay even that she would have been prepared to tolerate whatever he had demanded of her.

Was it in this very sea? And was that why she could no longer venture to contemplate the inrolling surges? Was it the sea, that solitary refuge of the restless ones, which had grappled with her? Had the sea yet other sons who might cross her path, might dive beneath her, and clasp her? She furiously thrust aside the thought of any more intimate relationship with a man who was so alien to her whole nature, towards whom by words and looks she had displayed a challenging hostility she had not felt towards any other man this many a year. So passionately cold was her mood, so greatly was her inner harmony disturbed, that when the tender melody of the slow movement was wafted towards her and threatened to melt her, she rebelled, and sought to arm herself in hardness. Urgently, she gazed up at the stars; in vain! It seemed to her that tonight she did not belong to their community any more, so dumb did they remain to her need.

Then the world of sounds rose on the airy rhythm of a scherzo, breaking the spell that held her; and all at once the vital fires were rekindled within her, they flamed and flickered and ducked and danced, gripping and nipping the stagnant blood; her fingers loosened their hold upon the railing, she stepped away from the breastwork, her eyes regained their serenity, and, as at this moment the tenuous film of clouds parted, revealing the trusty guardians of Diana's skies, she felt they were sending her a message of friendly greeting: for now she found in the firmament that for which she had been seeking, and the breath came easily from her lungs; she smiled, the horror that had flooded her was ebbing with the tide below, and she forgot, in the joy of release, that as with the tide, such an ebb could not be lasting.

Scherer rose after playing the final chords of a short presto, and this was the signal for them all to rise as if they wished to release themselves from the embrace that had held them. Diana, now, was the lightest-hearted of the party; and she, who usually was the last to arouse herself from the spell of music, tonight took the initiative in breaking the silence.

"You have conjured away the last clouds with your playing, and the protective deities are once more to be seen, while Saturn himself shines above your head. It was not until the scherzo, that part where longing broke through the theme, that the gods vouchsafed to show themselves, for longing is alien to their nature, and only the sea must for ever will and desire."

She did not glance aside as she spoke, but kept her eyes on the man she was thanking, and it was not until she had actually uttered the words that she realized to whom they had really been addressed. Olivia alone of the company had remained seated and motionless; now her tragic alto, reached them from afar:

"Why should the gods be antagonistic to human yearning, Diana? Their very existence depends on it!"

"No, no, Olivia," protested Diana, coming nearer to the group of men. "We only invented such an idea. They can have nothing to do with such things."

"She is right," said Scherer stepping up to the countess. "Beethoven seems for ever to be in combat with the powers above; either he threatens them, or else he laments."

"And that is why he is the most genuine of suffering mankind," came in Kyril's deep voice from the breastwork.

"Suffering?" Diana sought in vain to quell the pride her tone masked. "Present day," she added coldly.

"We hope that the men of tomorrow will not need him any more," said the Russian.

"Ah, whither are Mozart's blue shades vanished? For a moment in the scherzo he seemed near...." began Diana softly.

"Mozart? Fulfilment, happiness," broke in Scherer's voice. "You can't play that sort of thing in the neighbourhood of the sea."

"Such are for proud natures alone," murmured Diana. "The others need desires and lamentation—otherwise they freeze!"

"I don't care for Mozart," said Olivia rising. "He's too frivolous, too candid, too nimble for me. It invariably makes me think of a ballet—and that is detestable!"

"Not always," said Eduard, who had silently rejoined Kyril, and now addressed himself mainly to the Russian. "Your imperial ballet, for instance, is the best thing your country has to offer—in addition to furs and Catherine and Dostoeffsky."

"You desecrate a great name, Your Highness," answered the Russian.

"Do you indeed set so much store on the empress? Well, she certainly was a fine figure of a ruler," mocked the prince.

"At least she was better than many a tsar and many a German emperor!"

"Everything for the people!" said Eduard gravely. "And if blood should drip from her alcove, what concern is that of history?"

"Everything through the people," corrected the Russian. "That is the future!"

"You demand too much. If Satan had saddled me with the rank of first-born, I should merely have been able to ask myself: 'How would it be if you made this attempt?' I really could not do more."

"A good start," said Kyril, looking keenly at the prince. "But nothing more. Anyway it is too late for such attempts!"

"We've just been hearing music, and here you are already talking business," complained Wilhelm who had been standing silently beside the two men.

"Good for Wilhelm," cried Diana laughing. "And here champagne has been handed round, and you two have been holding your glasses these many minutes without realizing what they contained, so absorbed were you in your democratic antitheses!" She emptied her glass at one draught and held it out to be refilled, her pulses quickening under the stimulus. Eduard went up to her, saying:

"On the contrary! I've been enjoying the bouquet beforehand, and, while talking, have taken in the brand. Riddle: to distinguish Clicquot from Mumm without tasting. Solution: subtle difference in the aroma and in the tempo of the effervescence."

"The tempo of the effervescence," cried Diana. "I like that!"

"Labour lost," thought Kyril, turning away.

"I have one wish at the moment," continued Diana. "May I say what it is?"

"To dance?" It was Scherer who spoke.

"To dance!"

"I'll fetch my lute," said Wilhelm, relieved at the turn matters were taking, as he ran to fetch the instrument.

Olivia smiled. She suddenly felt older, felt as if Diana were her daughter. "Such a rapid change of mood," she thought. "Even at eighteen I could not have reacted thus speedily.—Or, could I, after all?"

Piano and chairs were pushed back against the walls to make room for the dance; Wilhelm had taken a seat on the steps leading into the room, legs crossed as was his custom. The ribbons he was so proud of floated from the scroll of the lute as gracefully and lightly as the waltz he now began to play. While he played, he sang, as the fancy took him, sometimes in German, at others in Italian, or merely "la la la," tapping the time softly with his toe, as if to provide a bass. Scherer invited Olivia to dance; but she would not let herself be persuaded. The prince, too, she refused.

"And what about you, Doctor?" asked Eduard as he passed by the Russian.

"I don't dance," answered Kyril.

Eduard was pleased. He fancied himself as a dancer. Nevertheless, groping in his mind for every kind of possibility which could bind this man to Diana or separate him from her, the prince asked further:

"Too frivolous an undertaking for the millennium you hope to start?"

"No one has taught me, Your Highness."

The words came sullenly, and Eduard became aware that for the first time the revolutionist was showing his teeth to the prince—that though Kyril professed to regard hereditary rulers with contempt and mockery, his essential feeling towards them was one of hatred.

Diana danced with Eduard. After a very few steps she recognized in the prince the accomplished dancer, and he the same in her. Then as if by prearrangement, he passed her to Scherer. The latter, too, danced well, though with overmuch care and precision, and it seemed to Diana that, just as in ordinary life he was exaggeratedly reserved, so in the dance he was too aloof, holding his partner so far from him that the rhythm and equilibrium of their movements were disturbed.

She hardly paused as she changed partners again, merely swallowing a glass of champagne in passing from Scherer's arm to the prince's. And when Wilhelm made as if to pause in his playing, she imperiously commanded him not to stop.

The sedate round with Scherer, the wine, and, in especial Eduard's perfect leading, which was elastic and yet sure, all contributed to make Diana feel lighter than ever, and it was as one in a dream that she passed from the vestibule of society into the temple. She gave herself up wholly to the dance, and he, who at long last held her in his arms, did so with her free consent. For Kyril, the pair of them were simultaneously contemptible and attractive. Set as he was on influencing the prince, he was loath to see the adventuress (who had made so poor a use of her great gifts) in such intimate communion with Eduard; and he was equally perturbed to see the prince, with the sanction of the hypocritical canons of upper-class morality, clasping Diana in his arms openly before all the world. Wrath kindled within him, as it always did when he was confronted with the buoyant gaiety of cultured people, and their reciprocal ease of manner; and soon this couple, dancing so light-heartedly upon the terrace of an ancient castle, clad in the conventional black of the male and the fashionable white of the female, gracefully swaying beneath the starry skies, useless and frivolous, appeared to him the epitomized symbol of the world that must be destroyed, the emblem of the ghosts of yester-year, the enemy.

Scherer, familiar with the turns of fortune in political life, wondered as he watched this young woman of many loves, whether some day his turn might not come. Olivia smiled to herself and held aloof; she could not throw off the feeling that here disporting itself before her was carefree youth, to whose kingdom she had ceased to belong; and yet she was all the more resolved to take limitless revenge before it was too late. Her eyes sought out the Russian, drew his gaze away from the dancing pair towards herself. Kyril came over to where she sat, and stood behind her, pressing close to her chair.

Eduard and Diana danced. Her knees, her breast, touched him as she swayed; she felt his arm lightly about her this night, as that morning the peasant's had rudely seized her.

"Onward, ever onward," whispered Eduard as they reached the outermost part of the terrace where the others could not overhear him. Even now he refrained from addressing her directly.

"Ever onward," repeated she a little louder, a smile on her lips.

"And one evening they danced together on the terrace of a Dalmatian castle," said Eduard, as his breath softly caressed her shoulder.

"Under the constellation of the Scales," added Diana.

They continued to dance in silence. Eduard slackened his pace so that two bars were played to one set of steps. He called to her under his breath:

"Diana!"

A look of supplication in his eyes: a longing that she should at last address him by name: she hesitated a moment, then whispered:

"Eduard!"

Hardly had the word escaped her lips than she whirled him off at double speed, fitting one whole set of steps into every half bar of the waltz. She wanted to make him breathless, and succeeded in maddening herself the more; she loved him twice as much, because he did not lose his head or his step.

"Diana! Are you listening?"

"I am listening."

"Are you mine?"

"I don't know."

"Will you become mine?"

"I am that already."

"Tell me, whom do you love?"

"Dame Liberty!"

"She's a woman."

"That am I too."

"Do you love the Russian?"

"I hate him."

"He loves you."

As he spoke, a lute-string broke as if plucked by an unknown power, shadows flitted through the open door, Wilhelm sprang up, Scherer strode up to where the lad stood, Olivia in his wake; Kyril remained where he was; the pair of dancers paused, hand in hand, awaiting the pleasure of the lute-player. Then Olivia turned to look at them, they separated, Scherer advanced, an envelope in his hand. Both the prince and Diana snuffed misfortune in the air; both sensed it would strike at them.

"A wire for you, Prince," said Olivia.

To Eduard it seemed as if the woman in black, standing thus by the white-clad woman, were the harbinger of death. Slowly he asked:

"Who is it knows that I am here?"

He stepped into the room, held the paper under the light, and read—it was a message from his cousin in Venice:

"Court chamberlain wires me, not knowing where you are. Terrible accident. Heinrich and Stefan in motor smash yesterday. Stefan dead. Heinrich seriously injured recovery problematical. Old prince crushed by blow, keeping his bed. Your instant return requested. Much grieved having to send such evil tidings...."

The paper slipped from Eduard's fingers. His first thought was for his father. "Will he live through this catastrophe?" Next his mind turned to Heinrich: "Recovery problematical." His anxiety was not so much centred upon this almost unknown brother as upon himself. If Heinrich did not pull through, his own life's course would be completely altered, his freedom would vanish, he would have to wear the crown, everything would be finished so far as he was concerned.

Diana instinctively felt the doom that was hanging over him, and as he came to the threshold of the door, having picked up the paper and thrust it into his pocket, she thought she divined everything: His father is dead! That would be the most terrible news.

"You are—you have..." began Scherer, coming towards him.

"An accident. My brothers, in a motor smash, one killed outright, the other in a bad way. I must leave for home immediately."

One thought sped round the group: He will become the reigning prince. To Scherer the thought brought satisfaction; Olivia felt cynical about it; to Wilhelm it seemed fraught with poesy. Diana and Kyril were deeply moved, both felt perplexed. Eduard sensed what they were thinking, but all he said was:

"Does the steamer call here tomorrow, Countess?"

"The Trieste boat? Not till Friday."

"Three days. Too long to wait!"

Scherer went into the drawing-room, called the servant, and said curtly:

"Send some one down to the 'Excelsior.' She's still under steam. They're to make her ready for an immediate start. We can weigh anchor in an hour."

"Oh but, can I really...? What about the others? ... Thank you, my dear Scherer!"

The party broke up without more ado.

"And I shan't be able to say good-bye to Clemens after all," said Wilhelm.

"Stay with us, then," urged Olivia.

"May I really stay?"

"We'll be simply delighted to have you."

Kyril bowed stiffly as he bade the countess farewell. They seemed to have been betrayed by fate.

Eduard sought out Diana with his eyes. She drew near the group round the doorway as he passed through it. Silently she followed his gaze as he looked downward towards the harbour where the vessel lay.




CHAPTER FOUR

Soon after midnight the yacht got under way, and, while the prince went astern, hardly conscious whither he was going, Scherer retired to the captain's cabin to look over the ship's papers. But his thoughts wandered. He was wondering whether, in the eventuality of Prince Eduard assuming the crown, the young sovereign would still seek his counsel. Again in imagination the financier saw himself and the prince in the early days of their acquaintance, pacing to and fro in the library, talking of all and sundry, from Rousseau to Emerson, and from Marx to Plato. Again he saw the dignified modesty of the young fellow's inquiring eyes, and marvelled at the contrast between this intimate of his and the man the world spoke of as the "tall cynical prince"; and Scherer was pleased at the thought that these talks, which were, rather, monologues delivered by a middle-aged and experienced warrior to his junior, might serve, in the end, to guide a reigning monarch into the paths of democracy.

Born in the ranks of the middle class and resolved never to accept a title which would raise him out of the commonalty, Scherer, jealous of his independence, shunned a life in the arena of practical politics, feeling that his mission was, rather, to spread his philanthropical ideas by personal influence. For he had learned from the experiences of business life, as he had from reading historical memoirs, how decisive was the value of such influence; he knew how the whole trend of some political issue might depend on a chance meeting, a chance conversation; and he smiled when he remembered that even in his own newspapers such developments were ascribed to parliamentary pressure or to the "spirit of the time." For an hour, now, he had been weighing the possibility that his ideas might find in this modern-minded prince an instrument for their realization; he had, as it were, a vision of an initial experiment on German soil.... The only thing he did not feel certain about was whether he had done wisely to allow his love of music to induce him to bring the prince and the Russian together that evening in March when they had made up a quartette party; he wondered how far Kyril had been able to influence the prince; he himself, as a man of bourgeois birth, must necessarily be in conflict with a man of the Russian's views; yet Kyril and the prince had had long talks together since they had joined the yacht....

Kyril did not care to take his customary place at the stern this evening; he no longer felt fascinated by the wake the ship left behind in the water; another than he, one who tonight had to hold the balance between past and future, had a better right to such contemplation.

The Russian sat huddled upon a coil of rope in the bows looking out towards the path the vessel would be taking. He gazed into the future, while he mused: "Will this man, too, play the traitor to himself as they all do when they mount the throne? I can see him as he sits over there lost in reverie. What's he thinking about? Probably he's merely worrying as to whether there should be six black horses or eight! Ah, je m'en fiche! ... Or, can I still do something with him? Everything for the people! Yes, he spoke quite seriously; that would be one step gained at least. If only I could keep an eye on him, if only I could have a finger in that pie.... I'd have to get the comrades to understand—white-livered curs!—just what such 'compromises' signify.... A tree grows up from a tiny seed, and should even an insignificant little country be impregnated with our ideas; ... but at first its people would want their prince at the head of things. He's no worse a man than any of us, and, reflected in the mirror of the centuries... What harm can there be in making a German essay before starting on the great Russian work?..."

He pondered the thought deeply; he kept his mind pure of personal ambition, of will to personal power; under the lash of his fanatical and passionate meditations he even kept his jealousy and the call of his blood to heel. It was foreign to this Russian's nature to see himself clearly, as he really was; to distinguish will-to-power from an unselfish desire to improve the lot of the people, as the woodman distinguishes green from green in the forest. He did not consciously wish to approve in himself, and to range in the complicated calculus of motives, impulses which would in the end be made the foundation of bargains; to give free rein to the urges of his strangely mingled nature, under the plea that thereby he was promoting the cause of freedom. And yet, when his instincts called, he was prone to sacrifice his mission, since he was not really inclined, in his inner-most heart, for self-immolation. At the ecstatic hour of martyrdom, he would be a fanatic willing to put his head in the noose; but it would never occur to this peasant's son that, for the sake of his mission, he ought to forgo everyday joys, the delights of youth, the embraces of a woman he desired. Thus in these nocturnal musings he revolved unceasingly in an abstract orbit, ignoring his own secret motive—which was, to remain in close contact with the prince and the woman whose careers would (he foresaw) be intertwined.

Eduard sat at the other end of the yacht, alone, as if he were no longer one of the company. After a while, Scherer made up his mind to go to bed without disturbing his guest by wishing him good-night. He urged the Russian to follow suit.

"Do you mean to finish the cruise according to plan?" asked Kyril.

"No, I don't expect to do much more than go to Venice. We had thought to stay aboard another week, but everything is changed now."

"Hm. Yes, of course. Does the prince treasure his liberty?"

"Aye—and his father," answered Scherer evasively. "The old man suffers from heart trouble, and will hardly I fear recover from the shock."

"Then it would be the prince's turn?"

"He hopes his father will recover."

"Wily old fox," thought Kyril. "These German bourgeois are past masters in the art of evasion!"

"Are you staying up any longer? I'm tired."

"So am I. You played opus in awfully well," continued Kyril as they descended the companion. "The presto, perhaps, needs just a drop of machine oil...."

"At last," sighed Eduard who had longed for complete solitude, so that his harassed nerves might find relief in movement, though it were no more than pacing up and down the deck. Yet he could not venture on such a walk so long as the others were about, lest they should enter into conversation. Moreover, his ambition spurred him to seek the bows, a place he grudged the Russian this night; an irresistible impulse drove him to cut lose from the stern, which promoted thoughts of past happenings made vivid and actual by the lurid news from his home. Arrived at the bows, he stood watching the nose of the yacht cutting its way through the waters, and the sight gave him a sense of pleasure. He, such a combination of bitter-sweet irony, had always been loath to delve into the future; but tonight when care and movement seemed simultaneously forced on him, something drew him to the bows.... Was it already an actuality? Could not Heinrich...?

A light footfall caught his ear. Diana, having discarded her gay white frock, had changed into a dark one. She had waited until she heard the two men retire to their cabins. She felt that Eduard, with whom she had exchanged no word on the drive down to the harbour, would be needing her. As Scherer and Kyril passed her cabin, she opened the door, little caring what the former, and still less what the latter, might think of her action. Experienced in all the ruses of love, supple of body as an artist or an apache, she now took this unconventional step quite frankly, accosting the two men as they approached, asking innocently: "Is the prince still on deck?"

"Yes, I fancy he is."

"Then I'll go up and have a talk with him. Good-night!"

As Diana drew near, the prince seized her hand with unwonted vivacity.

"Stay with me!" His appeal was spoken softly but vehemently. "Won't you stay?" The question was pregnant with anxiety.

"Of course I will," she exclaimed cheerfully, giving him renewed confidence, so that his tone was more courageous as he asked: "Here, on deck, till morning?"

"Till morning."

"And then, afterwards too?"

"Afterwards too." She smiled evasively.

There was an abrupt change in his manner. He turned round, and leaned his back against the rail.

"Tomorrow I shall be at home."

"Why do you speak so coldly?"

"I shall refuse the succession."

"What do you mean?"

"Immediately on arriving, tomorrow, I shall hand my refusal in to the ministry, so that in the case of Heinrich's—or in the case of my father's—death, there shall be no discussion...."

She was silent for a while. Then she asked, as if she honestly wished for information:

"Who will come to the throne in that case?"

"A cousin of a collateral line. Sturdy young fellow, cut out for the job, as fat Frederick William used to say of his second son. Besides, it's high time two such tiny countries should be united under one ruler. It will work out cheaper, simplify the administration.... It's long been the wish of the dynasty...."

"A collateral line! But what will your people have to say to that?"

He moved restlessly to the bows again.

"Our people? Of course they want to keep their independence. There's been a press campaign going on these three years, theoretical discussions, possible dying out of the line.... Princedom! Palace! Royal theatre! State carriages! Christenings! It's all so old-fashioned, so ridiculous! I'll withdraw...."

"You'll do nothing of the sort, Prince Eduard!"

He stopped in his pacing. Never had he heard her speak so coldly. Did her words not sound almost like a command? There she sat before him in her deck chair, her legs crossed, her arms spread wide on either side of her along the cordage. Her eyes were fixed on his, cold and steady. Nose and chin cocked in the air, clear-cut against the dark sky; lips compressed; she seemed petrified all of a sudden, so motionless did she sit; her locks the only live thing about her, as the wind of the ship's going tossed her curls.

"There sounds the voice of conscience," thought the prince ruefully. What he said was: "My most gracious lady is pleased to speak most ungraciously."

She got up and went close to him, so close that her light skirt blew against his knees as it had when they had danced together. But how changed was she from those few hours ago when the air had been laden with music and longing, and she had looked kindly upon his wooing. Now she was steel, hard and keen and menacing, as she said with even greater intensity than before, though she never raised her voice: "For you cannot give up your country."

"Oh, what does the country matter!"

"Not just for the country's sake."

"For whose then?"

"Fate...."

"A motor car?"

"Death!"

"Well? and..."

"One does not flinch in face of death."

"I've never been frightened of him."

"You fear life: that is easier. I have always lived with death, and therefore I am mistress of my own life."

They had remained facing one another in the bows of the ship. Her demeanour was so full of implications, her speech so metallic, that he was conscience-stricken, and seemed to hear what from the first had been his own inner voice speaking through her mouth. He seized her by the shoulder.

"What do you want, Diana?"

"Your promise that you will not send in your refusal."

"Perhaps Heinrich will recover...."

"Oh, that you should hang so weighty a thing on the possibility of a 'perhaps'! Promise, tonight, here, beneath the constellation of the Scales...."

Eduard relaxed his hold on her shoulders. His lips twitched. Then he said:

"Very well, then. But only in exchange for a reciprocal promise."

"A promise from me? Oh, but I am no more than an intercessor—I might as well be a priest!"

"No. It is to you alone that I will promise, and only then if you will give me..."

"No, no!"

"Please, Diana! You must! You must now!"

He folded her in his arms. All at once her mind was in a whirl; she felt weak, and tried to get herself in hand; she laid her chin on his shoulder, looking up at him, whispering:

"I love you; you shall have everything I have to give. Do you hear, Eduard? Everything!"

"I want more than everything, Diana."

She pulled herself free. So it was this that had made him hesitate, this that had become clear to her one morning in the monastery gardens—and it was this that she must guard, the one thing she must not part with for any consideration.

"You would deprive me of my freedom...."

He bowed his head in silence. She quitted his side, walked away to the extremity of the bows, came back again, slowly, heavily. As she reached him, he pressed her gently down into the deck chair, and, himself leaning against the rail, he said: "Diana!"

"Eduard...."

"Will you hear what I have to say?"

"Speak...."

"Last night, here, on the 'Excelsior,' I drafted a letter which was ultimately intended for our little ministry at home. Herein I explained that I renounced all my claims to the crown and succession if death should unexpectedly take either of my brothers before an heir was born. My reason: I wished to wed a lady of birth and standing, though not one of royal blood. I was merely awaiting your promise before posting the letter. Tonight, however, the issue has taken a threatening turn: tomorrow, I may become heir to the throne. If you want me to give you the pledge you have asked for, my condition is that you enter into a morganatic union with me. No religious ceremony. Only a civil marriage. Now the choice lies with you."

He had, at the last, spoken quite dispassionately, with an almost froward emphasis, for he wished to conceal his inner agitation behind the mask of his habitual irony. But she took no notice of his decoy.

"You shall have everything," she responded gravely, "but I must keep my liberty."

He paced the deck in uncontrollable agitation. Then he came again to where she sat, and said jerkily:

"So you imagine that I am going to tolerate that Diana de Wassilko shall become the mistress of a petty prince!"

She got to her feet, and, raising her eyebrows, said: "It pleases Your Highness to revert to the language of courts."

"That's where you would have me be, Mademoiselle."

"But I could not follow you there."

"That's why I shall have to leave Berlin in order to follow you whither your caprice may take you!"

"I shall be alone if I so desire."

"And I shall be awaiting you in your room when you return at night."

"At night you will be the slave of your writing-table or of your reception rooms."

"Diana!" His voice betrayed how forlorn he felt.

"Well?"

"I beg of you..."

"What do you wish me to do?"

He pressed her back in her chair, threw himself at her feet, clasping her and unclasping her, as he whispered:

"I love you. I have always been alone. I don't want to hesitate for ever; you might go away. And yet, if I remain free, you must remain free too, at my side; the ring means nothing, and I don't wish to bind you. But if... Over there is a tiny country which I may be called upon to rule. The humanly possible thing to do (a thing which no prince has ever succeeded in doing, and one which my father scarcely tried to do) would be to make some kind of humanly decent existence possible for two hundred thousand persons—but I could not do it single-handed. You once said that fate was like the owner of a slowly gyrating merry-go-round, bidding us make our choice of the many horses she offered, but that it was up to us to make our choice wisely and know without a doubt which one we would bestride. Do you remember? You said that yourself. Well, the time has come for us to make our choice. With all your wisdom, your knowledge, with so much tact, so much devotion to the work-in-hand (such as I have never seen in any minister of State), with your heart against my heart, your hand, so cool and strong, in mine—ah, thus I could venture the undertaking—if indeed it has to be!"

He bowed his head in her lap: all at once it was as if she were his mother rather than his beloved. Her hand stroked his fair, smooth hair; her eyes gazed over the sea....

Eight bells were sounded. He sprang to his feet, smiling, dodging behind her as she rose in order to walk on her right side as they strolled down the deck. They halted at the chart-room which was empty. Something gleamed from the interior. They entered.

"Hovering in a metal ring," said Diana as she leaned forward to study the compass. "To know one direction, unerringly, magnetically attracted, never to be able to deviate: only thus can one lead oneself and the others on a life's journey. Shall I abruptly steer my course north-eastward?"

She turned to him, laying her hand upon his shoulder. He clasped her to him in a passionate, unending kiss.




CHAPTER FIVE

On their arrival at Trieste the expected dispatch was brought aboard. It had been entrusted to the Austrian authorities, in the hope of insuring speedier delivery. Thus the port officials were already acquainted with its tenor. The crown prince was dead. Eduard was heir apparent.

The party on the "Excelsior" had lunched late. Calmly awaiting the end of the cruise, they had made the most of one another's company during the hours that were left to them. Eduard (as if seeking for a sedative) had reached for the chess-board and he and Kyril had played while Diana and Scherer looked on. Kyril had won. The next game likewise fell to the Russian. Soon after two, when the town was already in sight, a third game was started. Still Kyril won.

"You'll have to give me my revenge," cried Eduard, with unusual excitement.

"We'll play all the way to Vienna if you like!"

"You are taking the same train? Enchanté. Then we'll carry on the fight, and in the end—by the time we reach St. Pölten I'm sure—I shall have defeated you."

He bundled the chessmen away, and seized a telescope.


The tidings, expected as they were, left him cold. He begged them not to visit the Trieste churches on his account, nor to dine in a hotel, for his train was not timed to leave before ten. All four felt that it would be better not to prolong this painful leave-taking, so they bade farewell, the one hearty note being the cordial thanks to Scherer for his genial hospitality. In a few days they would probably meet again in Berlin, whither Scherer, Diana, and Kyril would be going, to take up their work once more; and where Eduard was likewise determined to go in order to hand over the necessary documents of his office to the competent authority. As Eduard bent over Diana's hand to kiss it, he looked up at her beseechingly, but her eyes remained inscrutable. Then she felt Kyril's peasant hand grip hers, so vehemently that she was troubled, for she had not witnessed such a mood in him the last few days.


"And now at last the firm is all that is left," said Diana coming through the door into the dining saloon, where but two places were laid on the flower-bedecked table. "Just as two years ago on the terrace of your house! Of course the fact that we are sailing to Venice makes a slight difference, doesn't it?"

"She is careful not to refer to Athens," thought Scherer, leading her to the table.

"His gallantry has assumed a lighter tone," Diana was thinking. "Strangely enough, the companionship of young people does not make him appear old."

"Souper des adieux, Prince Eduard would say," and Diana smiled at Scherer's use of the plural, which implied a certain coquetry on his part.

"Are we then to dine with ghosts?"

"I have never eaten in your company except in the presence of ghosts!"

"Wilhelm would say: But the salad is really only a take-in! It looks as if there were mountains of it, and then it turns out to be nothing but green air."

"Will you take some celery? It's as long as papyrus."

"One could write sonnets on it," said Diana.

She laughed at Franklin's excitable ways, Scherer aped the big blond Russian; Diana, herself, was not spared in their merry badinage. Then the various clerks in the office came in for their raillery, the business had its share, and finally they drank a toast to competition. It was a joyous meal after a day over which death had cast its gloom, full of reminiscence, of quips, of caricature; and when they at length rose from table they declared it would have been far better if they two alone had sailed the Mediterranean and had always drunk Marsala as they had this evening.

"I wonder where those two have got by now," said Diana in the smoking-saloon on deck.

"They've not started yet! Or did you mean how far they had got with one another?"

"How can one judge of others from a distance?" Diana crossed her legs. She held her cigarette at arm's length, and asked, a challenge in her voice: "Or, what was really in your mind? What are they thinking of us, eh?"

"That you are delightful," said he, kissing her outstretched arm. As he did so, his eyes dwelt on the firm muscles of her upper arm, which shimmered through a filmy sleeve, and he drank in the sweet aroma of her person, which was a composite of unscented soap, a thin layer of powder, the acrid smell of eau de Cologne, clean linen and a fresh, sound skin tanned by much exposure to the sun, and looking like burnished metal against the delicate texture of her gown.

Diana was aware of the sensual appeal she exercised over this man, whom she had found more chivalrous than he had ever been in the presence of his guests; now she was reminded of this anew as he slowly raised his head. She let her arm fall to her side, and lapsed into a brown study: "He's thinking that we are alone on board.... Ah, Freedom! To enjoy all the sport of love, from the man's first glance at the brooch, right to the fingers which nervously fumble with the pin; to be free to weave the web of love, or to break off when one willed, from minute to minute uncertain of what the next move will be.... To make men pliable as wax; to make them reveal themselves as they implore or threaten—so that their tongues are loosened as their limbs grow tenser, tongues that had been too proud to talk of plans, too discreet to disclose secrets.... And oneself to be consumed with desire, to arise from ever renewed embraces, from ever changing arms, a person refreshed, purified and rejuvenated, more light-hearted, more audacious, flying free above the abyss—an abyss which the unfree contemplate with alarm as a place full of tribulation and uncertainty, haunted by an unknown destiny, and to be shunned at all hazards—whereas the free, stretching their pinions wide, soar joyfully over it in magic spirals.... Freedom! Not to have to be the hammer doomed to a certain task...."

She sat very still, her gaze turned inward, lost to the passage of time. Scherer observed her in silence, thinking the while: "How turbulent she is within, how peaceful without! What must she be like when she is ardent? One should never possess women of her sort; they would then become simple, would lose their mystery, and Schopenhauer with his cynical remarks is at bottom right.... But children ... to lure children out of them ... that alone would be worth the price of solitude...."

"Is the old prince very far gone?" asked Diana, unexpectedly breaking the long silence.

"Last Christmas, when I saw him face to face, he had the bluish tint and the pinched lips of a man in the last stages of heart disease. Yesterday came the terrible shock of the accident. Prince Eduard is likely to have a field for his activities any day now."

"Activities? I think the word suits him. But do you look upon him as energetic?"

"He hides his capacity for doing great deeds in a mantle of melancholy. But his ironical faculty is an obstacle to his troubling himself to perform petty things. The puzzle to-day is, whether he looks upon the princedom as a great thing."

"Surely that is no longer the question," said Diana, rising as if to give freer rein to her thoughts. She drew her cape around her and paced the deck at Scherer's side. "He has often spoken of the unlikely eventuality of his being summoned to his present task, has he not? Don't you think that his relief at there being so little prospect of it was not wholly genuine? His repudiation of any desire to succeed to the throne may really have been the expression of the tragical conviction that, as things were, he had no reasonable prospect of ever having any serious work to do in the world." She stopped in her walk, looked at her companion, reflected for a moment, then, shaking her head, she resumed her pacing to and fro, saying: "And I can hardly believe any such thing. He is more interested in his action upon the inner life of men than in his action upon exterior things; he would be glad to know that a few thousand hearts were the happier through his work. The balance of power in Europe, courts and parliaments, alliances and intrigues, colonies and navigation, trouble him little; and were he to inherit an empire tomorrow, he would be more inclined to have a thousand peasants' cottages built than one cruiser. Don't you think I'm right? For he is good at bottom; and because he was born unfree, as Wilhelm was born free, he is condemned to make himself appear cynical."

"If only he had some really live person at his side to act as counsellor! But that old Tauernheim who has been in office these twenty years trying to introduce communal welfare work—he's nothing but a mummy."

"What do you think of Kyril Sergievitch?"

Diana was standing in the stern, where Kyril had so often sat. The sea was calm, a veil of mist lay lightly upon it, the sky was thinly overcast, the air was warm, and the wind had almost entirely dropped.

"Kyril, too, is unfree," said Scherer, looking down into the water. "He has sold his peasanthood for an idea. Only a perfectly free nature can constrain the prince to action."

And Diana thought: "True; yet he would bind this free nature of mine.... Why should one always be cabined, cribbed, and confined as soon as ever one comes in contact with one's fellows?"

"A penny for your thoughts," broke in Scherer's voice upon her meditations. His tone struck her as unusual, and she looked up at him, to find his eyes fixed upon the shoulder from which her wrap had slipped. She turned towards him, looking him full in the face, her eyes cold and aloof.

"I'm thinking that all of you build up systems, and it astonishes me to find that even you seem to consider that I should be more useful as one of the beams in an edifice than I can ever be soaring free. Am I right?"

An impulse rose within her to set his mind in a whirl, to bewilder this man whose constructive imagination was for ever making ingenious combinations, who wanted to be the architect of her life and of the lives of his friends. She would grip him in her pliant clutch and force him to face the issues which his temperamental circumspection made him prone to evade. Scherer read her hostility in her eyes as she awaited his answer; but although his pride rose against the challenge, his senses were doubly allured by the woman who for so long had puzzled and perplexed him. A hazy conviction seemed to tell him that the arrogance with which she defended her inner freedom could be overcome by no other force than the power of the conquering male. As these friends confronted one another, they rediscovered the fundamental antagonism of their two natures; impulse took the bit between its teeth, and rushed the opponents into a proximity which intellect and respect had at all times avoided. Scherer, as he stood there before her, elegant and enigmatical, was no longer Diana's friend and host from the great city; she saw in him now the eternal enemy, the man sure of himself, the burgher; at the same time the vision of last night's outburst when Eduard had wanted to deprive her of her freedom rose to her mind. What was she to do? She felt her resolution wavering. Would she for ever be able to withstand the supplication of so tender a heart as the prince's? Two forces seemed to be contending for mastery over her: her own impulse to freedom, which the future seemed to be threatening, and which, so long as it remained hers, she wished to uphold at all costs; and Scherer's impulse to order, which would attempt to make her life fruitful, nay, would construct her life for her and in spite of her, an impulse she deemed it worth while to bewilder and lead astray.

After the many thousand words these two had exchanged in the course of their collaboration, they now, in silence, became convinced that this hour was to bring a strange and abrupt turn in their relationship. Scherer realized in Diana's quick breathing, all that was implied in the challenging question she had put, and he felt that it was a case of now or never with him, as it had been in the most decisive moments of his career; such moments had been rare, it is true, but the urgency of their claim was unmistakable. Thus it was that now he risked all.

"You are right." His voice was harsh; he did not touch her. "Well? Are you willing to make a gift of this thing—of your freedom, on the last night of our voyage together—Diana?"

The boldness of the look with which he enveloped her, the unexpected pathos with which he uttered the last word, the challenge in his eyes, her own feelings of independence and of relish for the love-game, the memory of his virile gaze at her feminine charms during this evening, the disturbing consciousness of their being alone on board; the realization that his commanding tone of tonight was of a far more manly quality than had been his demeanour at Athens the previous year; the feeling that now he was the master of a graceful, white vessel, and that she was perhaps an Undine who had swung herself aboard; freedom combined with fantasy; the warm sea with its flowing heart; confused memories of scenes remote; and, again, the energy emanating from the eyes in this clear-cut head before her—all these vague sensations invaded and perturbed her as the essential male within him had foreseen. Her eyes did not repel him, as she slowly turned away, and preceded him down the companion....


"Abominably confined," said Eduard at the same hour, as he and Kyril were settling themselves into their compartment. "At this time we'd be stretching our legs on the deck of the 'Excelsior'; nothing would be rattling, everything would be working smoothly, bearing us along...."

"After a dream, reality is always noisy. Smooth sailing is pleasant; noise is instructive," said the Russian sententiously.

"Schoolroom in an express train! How do you fancy the remnant upon the 'Excelsior' is passing the evening?"

"She'll be wearing her black dress, because it is the lowest cut—and Scherer will be making advances!"

Eduard, a pang shooting through him at the words, merely asked:

"Do you really think our kindly host is in love?"

"She is beautiful. I once saw her pose as a statue at a public gathering in Berlin; she was something like the goddess Diana. Weren't you there, too?"

Eduard trembled.

"Unfortunately not," he said. "I've heard that it was most charming."

"How well he lies; with what effrontery they all lie, these princes," thought Kyril contemptuously—as though he himself invariably spoke the truth.

"A thousand men's eyes stared at her," Eduard was thinking, "a thousand thoughts crept around her and over her on that occasion.... Well, why not? How shall I know what covetous desires may flare up in the hearts of men as we pass together through the public rooms of some hotel in Palermo or Dresden or Cairo? ... Am I not taking too much upon myself? ... Shall I be able to bear it?..."

"But he's not going to have her," Kyril broke in upon Eduard's reverie, speaking like a man who is sure of possessing a particular woman when the auspicious hour strikes.

"Russian cur," thought Eduard, as he said: "The young lady appears to be incorruptible."

The sentence hovered in the air, flitted to and fro between the two men, like a breath from Diana herself, belonging first to one and then to the other, and blown backwards and forwards between them. And while Diana, afloat on the sea, in the little cabin on the white yacht, flaunting her liberty, was giving herself to a man she did not love, to a man determined to solve the riddle of her nature, two men in a compartment of a night express were dreaming of her, one imagining he would win her with his tenderness, the other wishing to master her in a mingled frenzy of hate and love.