WeRead Powered by ReaderPub
Donne e fanciulle cover

Donne e fanciulle

Chapter 1: DONNE E FANCIULLE
Open in WeRead

Explore more books like this:

About This Book

Short stories portray women and girls from aristocracy to the lower classes, depicted with sympathy and recurring attention to their delicacy and impressionability. The narratives examine love, fidelity, marriage, and social pressures, arguing that male neglect, vulgarity, and example often drive women's moral choices and compromises. Through varied episodes the author emphasizes the power of words, secrecy, and social hypocrisy in shaping intimate life, offering humane vignettes rather than moralizing judgments.

The Project Gutenberg eBook of Donne e fanciulle

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Donne e fanciulle

Author: Luciano Zùccoli

Release date: August 12, 2014 [eBook #46568]
Most recently updated: October 24, 2024

Language: Italian

Credits: Produced by Carlo Traverso, Claudio Paganelli, Barbara
Magni and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK DONNE E FANCIULLE ***

LUCIANO ZÙCCOLI

DONNE
E FANCIULLE

La marmotta
Il dialogo delle bambole — La filosofia di Minni
L'amore degli altri — Ninnì non è gelosa
La signorina Empiastro — Ada e Fosca
Giorgina e i suoi uomini
Piccolo «Skating» — La moglie innamorata — Colmàr

MILANO

Fratelli Treves, Editori

12.^o migliaio.


PROPRIETÀ LETTERARIA.

I diritti di riproduzione e di traduzione sono riservati per tutti i paesi, compresi la Svezia, la Norvegia e l'Olanda.

Si riterrà contraffatto qualunque esemplare di quest'opera, dal 10.^o migliaio in avanti, che non porti il timbro a secco della Società Italiana degli Autori.

Milano, Tip. Treves — 1920.