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Down-adown-derry

Chapter 47: SOME ONE
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About This Book

A sequence of short, lyrical poems explores folk supernatural—fairies, witches, changelings, mermaids—and the borderlands between waking and dreaming. Imagery centers on moonlit moors, household uncanny, and small domestic scenes turned eerie; many pieces adopt a child's viewpoint or nocturnal reverie to examine longing, fear, and enchantment. The book groups poems into themed sections that shift from playful sprites to darker witchcraft and into meditative dream-worlds, using musical language, repetition, and precise sensory detail to create an atmosphere of wonder and unease throughout.


THE RIDE-BY-NIGHTS

Up on their brooms the Witches stream,
Crooked and black in the crescent's gleam;
One foot high, and one foot low,
Bearded, cloaked, and cowled, they go.
'Neath Charlie's Wane they twitter and tweet,
And away they swarm 'neath the Dragon's feet.
With a whoop and a flutter they swing and sway,
And surge pell-mell down the Milky Way.
Betwixt the legs of the glittering Chair
They hover and squeak in the empty air.
Then round they swoop past the glimmering Lion
To where Sirius barks behind huge Orion;
Up, then, and over to wheel amain,
Under the silver, and home again.

OFF THE GROUND

Three jolly Farmers
Once bet a pound
Each dance the others would
Off the ground.
Out of their coats
They slipped right soon,
And neat and nicesome
Put each his shoon.
One—Two—Three!—
And away they go,
Not too fast,
And not too slow;
Out from the elm-tree's
Noonday shadow,
Into the sun
And across the meadow.
Past the schoolroom,
With knees well bent
Fingers a-flicking,
They dancing went.
Up sides and over,
And round and round,
They crossed click-clacking,
The Parish bound,
By Tupman's meadow
They did their mile,
Tee-to-tum
On a three-barred stile.
Then straight through Whipham,
Downhill to Week,
Footing it lightsome,
But not too quick,
Up fields to Watchet,
And on through Wye,
Till seven fine churches
They'd seen skip by—
Seven fine churches,
And five old mills,
Farms in the valley,
And sheep on the hills;
Old Man's Acre
And Dead Man's Pool
All left behind,
As they danced through Wool.
And Wool gone by,
Like tops that seem
To spin in sleep
They danced in dream:
Withy—Wellover—
Wassop—Wo—
Like an old clock
Their heels did go.
A league and a league
And a league they went,
And not one weary,
And not one spent.
And lo, and behold!
Past Willow-cum-Leigh
Stretched with its waters
The great green sea.
Says Farmer Bates,
"I puffs and I blows,
What's under the water,
Why, no man knows!"
Says Farmer Giles,
"My wind comes weak,
And a good man drownded
Is far to seek."
But Farmer Turvey,
On twirling toes
Up's with his gaiters,
And in he goes:
Down where the mermaids
Pluck and play
On their twangling harps
In a sea-green day;
Down where the mermaids,
Finned and fair,
Sleek with their combs
Their yellow hair....
Bates and Giles—
On the shingle sat,
Gazing at Turvey's
Floating hat.
But never a ripple
Nor bubble told
Where he was supping
Off plates of gold.
Never an echo
Rilled through the sea
Of the feasting and dancing
And minstrelsy.
They called—called—called:
Came no reply:
Nought but the ripples'
Sandy sigh.
Then glum and silent
They sat instead,
Vacantly brooding
On home and bed,
Till both together
Stood up and said:—
"Us knows not, dreams not,
Where you be,
Turvey, unless
In the deep blue sea;
But excusing silver—
And it comes most willing—
Here's us two paying
Our forty shilling;
For it's sartin sure, Turvey,
Safe and sound,
You danced us square, Turvey,
Off the ground!"

SADLY, O, SADLY

Sadly, O, sadly, the sweet bells of Baddeley
Played in their steeples when Robin was gone,
Killed by an arrow,
Shot by Cock Sparrow,
Out of a Maybush, fragrant and wan.
Grievedly, grievedly, tolled distant Shieveley,
When the Dwarfs laid poor Snow-white asleep on the hill,
Drowsed by an apple,
The Queen, sly and subtle,
Had cut with her knife on the blossomy sill.

THE DWARF

"Now, Jinnie, my dear, to the dwarf be off,
That lives in Barberry Wood,
And fetch me some honey, but be sure you don't laugh,—
He hates little girls that are rude, are rude,
He hates little girls that are rude."
Jane tapped at the door of the house in the wood,
And the dwarf looked over the wall,
He eyed her so queer, 'twas as much as she could
To keep from laughing at all, at all,
To keep from laughing at all.
His shoes down the passage came clod, clod, clod,
And when he opened the door,
He croaked so harsh, 'twas as much as she could
To keep from laughing the more, the more,
To keep from laughing the more.
As there, with his bushy red beard, he stood,
Pricked out to double its size,
He squinted so cross, 'twas as much as she could
To keep the tears out of her eyes, her eyes,
To keep the tears out of her eyes.
He slammed the door, and went clod, clod, clod,
But while in the porch she bides,
He squealed so fierce, 'twas as much as she could
To keep from cracking her sides, her sides,
To keep from cracking her sides.
He threw a pumpkin over the wall,
And melons and apples beside,
So thick in the air that to see them all fall,
She laughed, and laughed, till she cried, cried, cried;
Jane laughed and laughed till she cried.
Down fell her teardrops a-pit-a-pat-pat,
And red as a rose she grew;—
"Kah! kah," said the dwarf, "is it crying you're at?
It's the very worst thing you could do, do, do,
It's the very worst thing you could do."
He slipped like a monkey up into a tree,
He shook her down cherries like rain;
"See now," says he, cheeping, "a blackbird I be,
Laugh, laugh, little Jinnie, again—gain—gain,
Laugh, laugh, little Jinnie, again."
Ah me! what a strange, what a gladsome duet
From a house in the deeps of a wood!
Such shrill and such harsh voices never met yet
A-laughing as loud as they could, could, could,
A-laughing as loud as they could.
Come Jinnie, come dwarf, cocksparrow, and bee,
There's a ring gaudy-green in the dell,
Sing, sing, ye sweet cherubs, that flit in the tree;
La! who can draw tears from a well, well, well,
Who ever drew tears from a well!

LONGLEGS

Longlegs—he yelled "Coo-ee!"
And all across the combe
Shrill and shrill it rang—rang through
The clear green gloom.
Fairies there were a-spinning,
And a white tree-maid
Lifted her eyes, and listened
In her rain-sweet glade.
Bunnie to bunnie stamped; old Wat
Chin-deep in bracken sate;
A throstle piped, "I'm by, I'm by!"
Clear to his timid mate.
And there was Longlegs straddling,
And hearkening was he,
To distant Echo thrilling back
A thin "Coo-ee!"


THE MERMAIDS

Sand, sand; hills of sand;
And the wind where nothing is
Green and sweet of the land;
No grass, no trees,
No bird, no butterfly,
But hills, hills of sand,
And a burning sky.
Sea, sea, mounds of the sea,
Hollow, and dark, and blue,
Flashing incessantly
The whole sea through;
No flower, no jutting root,
Only the floor of the sea,
With foam afloat.
Blow, blow, winding shells;
And the watery fish,
Deaf to the hidden bells,
In the water splash;
No streaming gold, no eyes,
Watching along the waves,
But far-blown shells, faint bells,
From the darkling caves.

THE LITTLE CREATURE

Twinkum, twankum, twirlum and twitch
My great grandam—She was a Witch.
Mouse in wainscot, Saint in niche—
My great grandam—She was a Witch;
Deadly nightshade flowers in a ditch—
My great grandam—She was a Witch;
Long though the shroud it grows stitch by stitch—
My great grandam—She was a Witch;
Wean your weakling before you breech—
My great grandam—She was a Witch;
The fattest pig's but a double flitch—
My great grandam—She was a Witch;
Nightjars rattle, owls scritch—
My great grandam—She was a Witch.
Pretty and small,
A mere nothing at all,
Pinned up sharp in the ghost of a shawl,
She'd straddle her down to the kirkyard wall,
And mutter and whisper and call; and call—
And—call.
Red blood out and black blood in,
My Nannie says I'm a child of sin—
How did I choose me my witchcraft kin!
Know I as soon as dark's dreams begin
Snared is my heart in a nightmare's gin;
Never from terror I out may win;
So dawn and dusk I pine, peak, thin,
Scarcely beknowing t'other from which—
My great grandam—She was a Witch.

SAM

When Sam goes back in memory,
It is to where the sea
Breaks on the shingle, emerald-green,
In white foam, endlessly;
He says—with small brown eye on mine—
"I used to keep awake,
And lean from my window in the moon,
Watching those billows break.
And half a million tiny hands,
And eyes, like sparks of frost,
Would dance and come tumbling into the moon,
On every breaker tossed.
And all across from star to star,
I've seen the watery sea,
With not a single ship in sight,
Just ocean there, and me;
And heard my father snore. And once,
As sure as I'm alive,
Out of those wallowing, moon-flecked waves
I saw a mermaid dive;
Head and shoulders above the wave,
Plain as I now see you,
Combing her hair, now back, now front,
Her two eyes peeping through;
Calling me, 'Sam!'—quietlike—'Sam!' ...
But me ... I never went,
Making believe I kind of thought
'Twas some one else she meant....
Wonderful lovely there she sat,
Singing the night away,
All in the solitudinous sea
Of that there lonely bay."
"P'raps," and he'd smooth his hairless mouth,
"P'raps, if 'twere now, my son,
P'raps, if I heard a voice say, 'Sam!' ...
Morning would find me gone."

THE WITCH

Weary went the old Witch,
Weary of her pack,
She sat her down by the churchyard wall,
And jerked it off her back.
The cord brake, yes, the cord brake,
Just where the dead did lie,
And Charms and Spells and Sorceries
Spilled out beneath the sky.
Weary was the old Witch;
She rested her old eyes
From the lantern-fruited yew trees,
And the scarlet of the skies;
And out the dead came stumbling,
From every rift and crack,
Silent as moss, and plundered
The gaping pack.
They wish them, three times over,
Away they skip full soon:
Bat and Mole and Leveret,
Under the rising moon;
Owl and Newt and Nightjar:
They take their shapes and creep,
Silent as churchyard lichen,
While she squats asleep.
All of these dead were stirring:
Each unto each did call,
"A Witch, a Witch is sleeping
Under the churchyard wall;
"A Witch, a Witch is sleeping...."
The shrillness ebbed away;
And up the way-worn moon clomb bright,
Hard on the track of day.
She shone, high, wan and silvery;
Day's colours paled and died:
And, save the mute and creeping worm,
Nought else was there beside.
Names may be writ; and mounds rise;
Purporting, Here be bones:
But empty is that churchyard
Of all save stones.
Owl and Newt and Nightjar,
Leveret, Bat and Mole
Haunt and call in the twilight,
Where she slept, poor soul.

THE JOURNEY

Heart-sick of his journey was the Wanderer;
Footsore and parched was he;
And a Witch who long had lurked by the wayside,
Looked out of sorcery.
"Lift up your eyes, you lonely Wanderer,"
She peeped from her casement small;
"Here's shelter and quiet to give you rest, young man,
And apples for thirst withal."
And he looked up out of his sad reverie,
And saw all the woods in green,
With birds that flitted feathered in the dappling,
The jewel-bright leaves between.
And he lifted up his face towards her lattice,
And there, alluring-wise,
Slanting through the silence of the long past,
Dwelt the still green Witch's eyes.
And vaguely from the hiding-place of memory
Voices seemed to cry;
"What is the darkness of one brief life-time
To the deaths thou hast made us die?"
"Heed not the words of the Enchantress
Who would us still betray!"
And sad with the echo of their reproaches,
Doubting, he turned away.
"I may not shelter 'neath your roof, lady,
Nor in this wood's green shadow seek repose,
Nor will your apples quench the thirst
A homesick wanderer knows."
"'Homesick, forsooth!'" she softly mocked him:
And the beauty in her face
Made in the sunshine pale and trembling
A stillness in that place.
And he sighed, as if in fear, the young Wanderer,
Looking to left and to right,
Where the endless narrow road swept onward,
In the distance lost to sight.
And there fell upon his sense the briar,
Haunting the air with its breath,
And the faint shrill sweetness of the birds' throats,
Their tent of leaves beneath.
And there was the Witch, in no wise heeding;
Her arbour, and fruit-filled dish,
Her pitcher of well-water, and clear damask—
All that the weary wish.
And the last gold beam across the green world
Faltered and failed, as he
Remembered his solitude and the dark night's
Inhospitality.
And he looked upon the Witch with eyes of sorrow
In the darkening of the day;
And turned him aside into oblivion;
And the voices died away....
And the Witch stepped down from her casement:
In the hush of night he heard
The calling and wailing in dewy thicket
Of bird to hidden bird.
And gloom stole all her burning crimson,
Remote and faint in space
As stars in gathering shadow of the evening
Seemed now her phantom face.
And one night's rest shall be a myriad,
Midst dreams that come and go;
Till heedless fate, unmoved by weakness, bring him
This same strange by-way through:
To the beauty of earth that fades in ashes,
The lips of welcome, and the eyes
More beauteous than the feeble shine of Hesper
Lone in the lightening skies:
Till once again the Witch's guile entreat him;
But, worn with wisdom, he
Steadfast and cold shall choose the dark night's
Inhospitality.

AS LUCY WENT A-WALKING

As Lucy went a-walking one morning cold and fine,
There sate three crows upon a bough, and three times three is nine:
Then "O!" said Lucy, in the snow, "it's very plain to see
A witch has been a-walking in the fields in front of me."
Then stept she light and heedfully across the frozen snow,
And plucked a bunch of elder-twigs that near a pool did grow:
And, by and by, she comes to seven shadows in one place
Stretched black by seven poplar-trees against the sun's bright face.
She looks to left, she looks to right, and in the midst she sees
A little pool of water clear and frozen 'neath the trees;
Then down beside its margent in the crusty snow she kneels,
And hears a magic belfry a-ringing with sweet bells.
Clear sang the faint far merry peal, then silence on the air,
And icy-still the frozen pool and poplars standing there:
Then lo! as Lucy turned her head and looked along the snow
She sees a witch—a witch she sees, come frisking to and fro.
Her scarlet, buckled shoes they clicked, her heels a-twinkling high;
With mistletoe her steeple-hat bobbed as she capered by;
But never a dint, or mark, or print, in the whiteness for to see,
Though danced she high, though danced she fast, though danced she lissomely.
It seemed 'twas diamonds in the air, or little flakes of frost;
It seemed 'twas golden smoke around, or sunbeams lightly tossed;
It seemed an elfin music like to reeds and warblers rose:
"Nay!" Lucy said, "it is the wind that through the branches flows."
And as she peeps, and as she peeps, 'tis no more one, but three,
And eye of bat, and downy wing of owl within the tree,
And the bells of that sweet belfry a-pealing as before
And now it is not three she sees, and now it is not four
— "O! who are ye," sweet Lucy cries, "that in a dreadful ring,
All muffled up in brindled shawls, do caper, frisk, and spring?"
"A witch, and witches, one and nine," they straight to her reply,
And looked upon her narrowly, with green and needle eye.
Then Lucy sees in clouds of gold green cherry trees up-grow,
And bushes of red roses that bloomed above the snow;
She smells, all faint, the almond-boughs blowing so wild and fair
And doves with milky eyes ascend fluttering in the air.
Clear flowers she sees, like tulip buds, go floating by like birds,
With wavering tips that warbled sweetly strange enchanted words;
And, as with ropes of amethyst, the boughs with lamps were hung,
And clusters of green emeralds like fruit upon them clung.
"O witches nine, ye dreadful nine, O witches seven and three!
Whence come these wondrous things that I this Christmas morning see?"
But straight, as in a clap, when she of Christmas says the word,
Here is the snow, and there the sun, but never bloom nor bird;
Nor warbling flame, nor gleaming-rope of amethyst there shows,
Nor bunches of green emeralds, nor belfry, well, and rose,
Nor cloud of gold, nor cherry-tree, nor witch in brindle shawl,
But like a dream that vanishes, so vanished were they all.
When Lucy sees, and only sees three crows upon a bough,
And earthly twigs, and bushes hidden white in driven snow,
Then "O!" said Lucy, "three times three is nine—I plainly see
Some witch has been a-walking in the fields in front of me."

THE WORLD OF DREAM


BEWARE!

An ominous bird sang from its branch
"Beware, O Wanderer!
Night 'mid her flowers of glamourie spilled
Draws swiftly near:
"Night with her darkened caravans,
Piled deep with silver and myrrh,
Draws from the portals of the East,
O Wanderer near.
"Night who walks plumèd through the fields
Of stars that strangely stir—
Smitten to fire by the sandals of him
Who walks with her."

SOME ONE

Some one came knocking
At my wee, small door;
Some one came knocking,
I'm sure—sure—sure;
I listened, I opened,
I looked to left and right,
But nought there was a-stirring
In the still dark night;
Only the busy beetle
Tap-tapping in the wall,
Only from the forest
The screech-owl's call,
Only the cricket whistling
While the dewdrops fall,
So I know not who came knocking,
At all, at all, at all.

MUSIC

When music sounds, gone is the earth I know,
And all her lovely things even lovelier grow;
Her flowers in vision flame, her forest trees
Lift burdened branches, stilled with ecstasies.
When music sounds, out of the water rise
Naiads whose beauty dims my waking eyes,
Rapt in strange dreams burns each enchanted face,
With solemn echoing stirs their dwelling-place.
When music sounds, all that I was I am
Ere to this haunt of brooding dust I came;
While from Time's woods break into distant song
The swift-winged hours, as I haste along.

HAUNTED

The rabbit in his burrow keeps
No guarded watch, in peace he sleeps;
The wolf that howls in challenging night
Cowers to her lair at morning light;
The simplest bird entwines a nest
Where she may lean her lovely breast,
Couched in the silence of the bough.
But thou, O man, what rest hast thou?
Thy emptiest solitude can bring
Only a subtler questioning
In thy divided heart. Thy bed
Recalls at dawn what midnight said.
Seek how thou wilt to feign content,
Thy flaming ardour's quickly spent;
Soon thy last company is gone,
And leaves thee—with thyself—alone.
Pomp and great friends may hem thee round,
A thousand busy tasks be found;
Earth's thronging beauties may beguile
Thy longing lovesick heart awhile;
And pride, like clouds of sunset, spread
A changing glory round thy head;
But fade will all; and thou must come,
Hating thy journey, homeless, home.
Rave how thou wilt; unmoved, remote,
That inward presence slumbers not,
Frets out each secret from thy breast,
Gives thee no rally, pause, nor rest,
Scans close thy very thoughts, lest they
Should sap his patient power away,
Answers thy wrath with peace, thy cry
With tenderest taciturnity.

THEY TOLD ME