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Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 / The Works of Samuel Johnson, LL.D., in Nine Volumes cover

Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 / The Works of Samuel Johnson, LL.D., in Nine Volumes

Chapter 5: PROLOGUE,
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About This Book

This volume gathers a wide assortment of the author's writings: a reflective essay on life and literary genius, lyric and satirical poems with translations and epitaphs, a philosophical prose tale that probes the search for human happiness, letters that reveal personal opinions and social ties, and various prefaces, sermons, and dramatic pieces presented with editorial notes. The selections emphasize moral inquiry, practical religion, and literary criticism, showcasing a dense, argumentative prose style alongside occasional wit and lyricism, and illustrating the writer's recurring concerns with mind, manners, and the duties of authorship.

[a]
Quamvis digressu veteris confusus amici,
Laudo, tamen, vacuis quod sedem figere Cumis
Destinet atque unum civcm donare Sibyllae.

[b]
—Ego vel Prochytam praepono Suburae.
Nam quid tam miserum, tam solum vidimus, ut non
Deterius credas horrere incendia, lapsus
Tectorum assiduos, ae mille pericula saevae
Urbis et Augusto recitantes mense poetas

[c]
Sed dum tota domus reda componitur una,
Substitit ad veteres arcus—

[d]
Hic tunc Umbricius; Quando artibus, inquit, honestis
Nullus in urbe locus, nulla emolumenta laborum,
Res hodie minor est, here quam fuit, atque eadem eras
Deteret exiguis aliquid: proponimus illue
Ire, fatigatas ubi Daedalus exuit alas,
Dum nova canities,—

[e] —et pedibus me Porto meis, nullo dextram subeunte bacillo.

[f]
Cedamus patria: vivant Artorius istic
Et Catulus: maneant, qui nigrum in candida vertunt.

[g]
Queis facile est aedem conducere, flumina, portus,
Siccandam eluviem, portandum ad busta cadaver,—
Munera nunc edunt.

[h]
Quid Romae faciam? Mentiri nescio: librum,
Si malus est, nequeo laudare et poscere:—

[i]
—Ferre ad nuptam, quae mittit adulter,
Quae mandat, norunt alii; me nemo ministro
Fur erit, atque ideo nulli comes exeo,—

[Transcriber's note: There is no Footnote [j]]

[k]
Quis nune diligitur, nisi conscius?—
Carus erit Verri, qui Verrem tempore, quo vult,
Acuusare potest.—

[l]
—Tanti tibi non sit opaci
Omnis arena Tagi, quodque in mare volvitur aurum,
Ut somno careas—

[m]
Quae nunc divitibus gens acceptissima nostris
Et quos praecipue fugiam, properabo fateri.

[n]
—Non possum ferre, Quirites,
Graecam urbem:—

[o]
Rusticus ille tuus sumit trechedipna, Quirine,
Et ceromatico fert niceteria collo.

[p]
Ingenium velox, audacia perdita, sermo
Promptus—

[q]
Augur, schoenobates, medicus, magus: omnia novit.
Graeculus esuriens in coelum, jusseris, ibit.

[r]
Usque adeo nihil est, quod nostra infantia coelum
Hausit Aventinum?—

[s]
Quid? quod adulandi gens prudentissima laudat
Sermonem indocti, faciem deformis amici?

[t]
Haec eadem licet et nobis laudare: sed illis
Creditur.—

[u]
Natio comoeda est. Rides? majore cachinno
Coneutitur, &c.

[Transcriber's note: There is no Footnote [v] or Footnote [w]]

[x]
Non sumus ergo pares: melior, qui semper et omni
Nocte dieque potest alienum sumere vultum,
A facie jactare manus, laudare paratus,
Si bene ructavit, si rectum minxit amicus.—

[y] Scire volunt secreta domus atque inde timeri.

[z]
—Materiam praebet causasque jocorum
Omnibus hic idem, si foeda et scissa lacerna, &c.

[aa]
Nil habet infelix paupertas durius in se,
Quam quod ridiculos homines facit.—

[bb]
—Agmine facto,
Debuerant olim tenues migrasse Quirites.

[cc]
Haud facile emergunt, quorum virtutibus obstat
Res angusta domi; sed Romae; durior illis
Conatus:—
             —Omnia Romaae
Cum pretio.—
Cogimur, et cultis augere peculia servis.

[dd]
—Ultimus autem
Aerumnae cumulus, quod nudum et frustra rogautem
Nemo cibo, nemo hospitio tectoque juvabit.

[ee]
Si magna Asturii cecidit domus, horrida mater:
Pullati proccres,—

[ff]
—Jam accurrit, qui marmora donet,
Conferat impensas: hic &c.

[gg]
Hic modium argenti. Meliora, ac plura reponit
Persicus orborum lautissimus—

[hh]
Si potes avelli Circensibus, optima Sorae,
Aut Fabrateriae domus, aut Frusinone paratur,
Quanti nunc tenebras unum conducis in annum.
Hortulus hic—
Vive bidentis amans et culti villicus horti;
Unde epulum possis centum dare Pythagoreis.

[ii]
—Possis ignavus haberi
Et subiti casus improvidus, ad coenam si
Intestatus eas.—

[Transcriber's note: There is no Footnote [jj]]

[kk]
Ebrius, ac petulans, qui nullum forte cecidit,
Dat poenas, noetem patitur lugentis amicum
Pelidae.—

[ll]
—Sed, quamvis improbus annis,
Atque mero fervens, cavet hunc, quem coccina lae [Transcriber's note:
     remainder of word illegible]
Vitari jubet, et comitum longissimus ordo,
Multum praeterca flammarum, atque aenca lampas,

[mm]
Nec tamen hoc tantum metuas: nam qui spoliet te,
Non deerit, clausis domibus, &c.

[nn]
Maximus in vinclis ferri modus, ut timeas, ne
Vomer deficiat, ne marrae et sarcula desint.

[oo]
Felices proavorum atavos, felicia dicas
Saecula, quae quondam sub regibus atque tribunis
Viderunt uno contentam carcere Romam.

[pp]
His alias poteram, et plures subnectere causas:
Sed jumenta vocant—

[qq]
—Ergo vale nostri memor et, quoties te
Roma tuo refici properantem reddet Aquino,
Me quoque ad Helvinam Cererem vestramque Dianam
Convelle a Cumis. Satirarum ego, ni pudet illas,
Adjutor gelidos veniam caligatus in agros.

[A] Queen Elizabeth, born at Greenwich.
[B] The invasions of the Spaniards were defended in the houses of
    parliament.
[C] The licensing act was then lately made.
[D] Our silenc'd.
[E] The paper which, at that time, contained apologies for the court.
[F] H—y's jest.
[G] And what their armies lost, their cringes gain
[H] And gain a kick.
[I] The Spaniards at this time were said to make claim to some of our
    American provinces.
[J] This was by Hitch, a bookseller. Justly observed to be no picture of
    modern manners, though it might be true at Rome. MS. note in Dr.
    Johnson's hand-writing.
[K] And, while thy beds.
[L] And plants unseen.
[M] A cant term in the house of commons for methods of raising money.
[N] The nation was discontented at the visits made by the king to
    Hanover.
[O] Sustain'd the balance, but resign'd the sword.

THE VANITY OF HUMAN WISHES;

IN IMITATION OF
THE TENTH SATIRE OF JUVENAL.

Let[a] observation, with extensive view,
Survey mankind, from China to Peru;
Remark each anxious toil, each eager strife,
And watch the busy scenes of crowded life;
Then say, how hope and fear, desire and hate
O'erspread with snares the clouded maze of fate,
Where wav'ring man, betray'd by vent'rous pride
To tread the dreary paths, without a guide,
As treach'rous phantoms in the mist delude,
Shuns fancied ills, or chases airy good;
How rarely reason guides the stubborn choice,
Rules the bold hand, or prompts the suppliant voice.
How nations sink, by darling schemes oppress'd,
When vengeance listens to the fool's request.
Fate wings with ev'ry wish th' afflictive dart,
Each gift of nature, and each grace of art;
With fatal heat impetuous courage glows,
With fatal sweetness elocution flows,
Impeachment stops the speaker's pow'rful breath,
And restless fire precipitates on death.
[b]But, scarce observ'd, the knowing and the bold
Fall in the gen'ral massacre of gold;
Wide wasting pest! that rages unconfin'd,
And crowds with crimes the records of mankind;
For gold his sword the hireling ruffian draws,
For gold the hireling judge distorts the laws;
Wealth heap'd on wealth, nor truth nor safety buys,
The dangers gather as the treasures rise.
Let hist'ry tell where rival kings command,
And dubious title shakes the madded land,
When statutes glean the refuse of the sword,
How much more safe the vassal than the lord;
Low sculks the hind beneath the rage of power,
And leaves the wealthy traitor in the Tower[c],
Untouch'd his cottage, and his slumbers sound,
Though confiscation's vultures hover round[d].
The needy traveller, serene and gay,
Walks the wild heath, and sings his toil away.
Does envy seize thee? crush th' upbraiding joy;
Increase his riches, and his peace destroy;
[e]Now fears, in dire vicissitude, invade,
The rustling brake alarms, and quiv'ring shade;
Nor light nor darkness bring his pain relief,
One shows the plunder, and one hides the thief.
[f] Yet still one gen'ral cry[g] the skies assails,
And gain and grandeur load the tainted gales:
Few know the toiling statesman's fear or care,
Th' insidious rival, and the gaping heir.
[h]Once more, Democritus, arise on earth,
With cheerful wisdom and instructive mirth,
See motley life in modern trappings dress'd,
And feed with varied fools th' eternal jest:
Thou, who could'st laugh where want enchain'd caprice,
Toil crush'd conceit, and man was of a piece;
Where wealth, unlov'd, without a mourner died;
And scarce a sycophant was fed by pride;
Where ne'er was known the form of mock debate,
Or seen a new-made mayor's unwieldy state;
Where change of fav'rites made no change of laws,
And senates heard, before they judg'd a cause;
How would'st thou shake at Britain's modish tribe,
Dart the quick taunt, and edge the piercing gibe?
Attentive truth and nature to descry,
And pierce each scene with philosophick eye;
To thee were solemn toys, or empty show,
The robes of pleasure, and the veils of woe:
All aid the farce, and all thy mirth maintain,
Whose joys are causeless, or whose griefs are vain.
  Such was the scorn that fill'd the sage's mind,
Renew'd at ev'ry glance on human kind;
How just that scorn, ere yet thy voice declare,
Search ev'ry state, and canvass ev'ry pray'r.
  [i]Unnumber'd suppliants crowd preferment's gate,
Athirst for wealth, and burning to be great;
Delusive fortune hears th' incessant call,
They mount, they shine, evaporate, and fall.
On ev'ry stage the foes of peace attend,
Hate dogs their flight, and insult mocks their end.
Love ends with hope, the sinking statesman's door
Pours in the morning worshipper no more;
For growing names the weekly scribbler lies,
To growing wealth the dedicator flies;
From ev'ry room descends the painted face,
That hung the bright palladium of the place;
And, smok'd in kitchens, or in auctions sold,
To better features yields the frame of gold;
For now no more we trace in ev'ry line
Heroick worth, benevolence divine:
The form, distorted, justifies the fall,
And detestation rids th' indignant wall.
  But will not Britain hear the last appeal,
Sign her foes' doom, or guard her fav'rites' zeal?
Through freedom's sons no more remonstrance rings,
Degrading nobles and controling kings;
Our supple tribes repress their patriot throats,
And ask no questions but the price of votes;
With weekly libels and septennial ale,
Their wish is full to riot and to rail.
  In full-blown dignity, see Wolsey stand,
Law in his voice, and fortune in his hand;
To him the church, the realm their pow'rs consign,
Through him the rays of regal bounty shine;
Turn'd by his nod the stream of honour flows,
His smile alone security bestows.
Still to new heights his restless wishes tow'r,
Claim leads to claim, and pow'r advances pow'r;
Till conquest, unresisted, ceas'd to please,
And rights, submitted, left him none to seize.
At length his sov'reign frowns—the train of state
Mark the keen glance, and watch the sign to hate.
Where'er he turns, he meets a stranger's eye,
His suppliants scorn him, and his followers fly;
Now drops, at once, the pride of awful state,
The golden canopy, the glitt'ring plate,
The regal palace, the luxurious board,
The liv'ried army, and the menial lord.
With age, with cares, with maladies oppress'd,
He seeks the refuge of monastick rest:
Grief aids disease, remember'd folly stings,
And his last sighs reproach the faith of kings.
  Speak thou, whose thoughts at humble peace repine,
Shall Wolsey's wealth, with Wolsey's end, be thine?
Or liv'st thou now, with safer pride content,
[k]The wisest justice on the banks of Trent?
For, why did Wolsey, near the steeps of fate,
On weak foundations raise th' enormous weight?
Why but to sink beneath misfortune's blow,
With louder ruin to the gulfs below?
  [l]What gave great Villiers to th' assassin's knife,
And fix'd disease on Harley's closing life?
What murder'd Wentworth, and what exil'd Hyde,
By kings protected, and to kings allied?
What but their wish indulg'd in courts to shine,
And pow'r too great to keep, or to resign?
  [m]When first the college rolls receive his name,
The young enthusiast quits his ease for fame;
 [n]Through all his veins the fever of renown
Spreads from the strong contagion of the gown;
O'er Bodley's dome his future labours spread,
And [o]Bacon's mansion trembles o'er his head.
Are these thy views? Proceed, illustrious youth,
And virtue guard thee to the throne of truth!
Yet, should thy soul indulge the gen'rous heat
Till captive science yields her last retreat;
Should reason guide thee with her brightest ray,
And pour on misty doubt resistless day;
Should no false kindness lure to loose delight,
Nor praise relax, nor difficulty fright;
Should tempting novelty thy cell refrain,
[p]And sloth effuse her opiate fumes in vain;
Should beauty blunt on fops her fatal dart,
Nor claim the triumph of a letter'd heart;
Should no disease thy torpid veins invade,
Nor melancholy's phantoms haunt thy shade;
Yet hope not life, from grief or danger free,
Nor think the doom of man revers'd for thee:
Deign on the passing world to turn thine eyes,
And pause awhile from letters, to be wise;
There mark what ills the scholar's life assail,
Toil, envy, want, the patron, and the gaol[q].
See nations, slowly wise and meanly just,
To buried merit raise the tardy bust.
If dreams yet flatter, once again attend,
Hear Lydiat's life, and Galileo's end[r].
Nor deem, when learning her last prize bestows,
The glitt'ring eminence exempt from woes;
See, when the vulgar scape[s], despis'd or aw'd,
Rebellion's vengeful talons seize on Laud.
From meaner minds though smaller fines content,
The plunder'd palace, or sequester'd rent;
Mark'd out by dang'rous parts, he meets the shock,
And fatal learning leads him to the block:
Around his tomb let art and genius weep,
But hear his death, ye blockheads, hear and sleep.
  [t]The festal blazes, the triumphal show,
The ravish'd standard, and the captive foe,
The senate's thanks, the gazette's pompous tale,
With force resistless o'er the brave prevail.
Such bribes the rapid Greek o'er Asia whirl'd;
For such the steady Romans shook the world;
For such, in distant lands, the Britons shine,
And stain with blood the Danube or the Rhine;
This pow'r has praise, that virtue scarce can warm,
Till fame supplies the universal charm.
Yet reason frowns on war's unequal game,
Where wasted nations raise a single name;
And mortgag'd states, their grandsires' wreaths regret.
From age to age in everlasting debt;
Wreaths which, at last, the dear-bought right convey
To rust on medals, or on stones decay.
  [u]On what foundation stands the warriour's pride,
How just his hopes, let Swedish Charles decide;
A frame of adamant, a soul of fire,
No dangers fright him, and no labours tire;
[x]O'er love, o'er fear, extends his wide domain,
Unconquer'd lord of pleasure and of pain;
No joys to him pacifick sceptres yield,
War sounds the trump, he rushes to the field;
Behold surrounding kings their pow'rs combine,
And one capitulate, and one resign;
Peace courts his hand, but spreads her charms in vain;
"Think nothing gain'd," he cries, "till nought remain,
On Moscow's walls till Gothick standards fly,
And all be mine beneath the polar sky."
The march begins in military state,
And nations on his eye suspended wait;
Stern famine guards the solitary coast,
And winter barricades the realm of frost;
He comes, nor want nor cold his course delay;—
Hide, blushing glory, hide Pultowa's day:
The vanquish'd hero leaves his broken bands,
And shows his miseries in distant lands;
Condemn'd a needy supplicant to wait,
While ladies interpose, and slaves debate.
But did not chance, at length, her errour mend?
Did no subverted empire mark his end?
Did rival monarchs give the fatal wound?
Or hostile millions press him to the ground?
His fall was destin'd to a barren strand,
A petty fortress, and a dubious hand;
He left the name, at which the world grew pale,
To point a moral, or adorn a tale.
  [y]All times their scenes of pompous woes afford,
From Persia's tyrant to Bavaria's lord.
In gay hostility and barb'rous pride,
With half mankind embattl'd at his side,
Great Xerxes comes to seize the certain prey,
And starves exhausted regions in his way;
Attendant flatt'ry counts his myriads o'er,
Till counted myriads sooth his pride no more;
Fresh praise is try'd till madness fires his mind,
The waves he lashes, and enchains the wind,
New pow'rs are claim'd, new pow'rs are still bestow'd,
Till rude resistance lops the spreading god;
The daring Greeks deride the martial show,
And heap their valleys with the gaudy foe;
Th' insulted sea, with humbler thoughts, he gains;
A single skiff to speed his flight remains;
Th' incumber'd oar scarce leaves the dreaded coast
Through purple billows and a floating host.
  The bold Bavarian, in a luckless hour,
Tries the dread summits of Caesarean pow'r,
With unexpected legions bursts away,
And sees defenceless realms receive his sway;—
Short sway! fair Austria spreads her mournful charms,
The queen, the beauty, sets the world in arms;
From hill to hill the beacon's rousing blaze
Spreads wide the hope of plunder and of praise;
The fierce Croatian, and the wild Hussar,
[z]With all the sons of ravage, crowd the war;
The baffled prince, in honour's flatt'ring bloom
Of hasty greatness, finds the fatal doom,
His foes' derision, and his subjects' blame,
And steals to death from anguish and from shame.
  [aa]Enlarge my life with multitude of days!
In health, in sickness, thus the suppliant prays;
Hides from himself his state, and shuns to know,
That life protracted is protracted woe.
Time hovers o'er, impatient to destroy,
And shuts up all the passages of joy;
In vain their gifts the bounteous seasons pour,
The fruit autumnal, and the vernal flow'r;
With listless eyes the dotard views the store,
He views, and wonders that they please no more;
Now pall the tasteless meats, and joyless wines,
And luxury with sighs her slave resigns.
Approach, ye minstrels, try the soothing strain,
[bb]Diffuse the tuneful lenitives of pain:
No sounds, alas! would touch th' impervious ear,
Though dancing mountains witness'd Orpheus near;
Nor lute nor lyre his feeble pow'rs attend,
Nor sweeter musick of a virtuous friend;
But everlasting dictates crowd his tongue,
Perversely grave, or positively wrong.
The still returning tale, and ling'ring jest,
Perplex the fawning niece and pamper'd guest,
While growing hopes scarce awe the gath'ring sneer,
And scarce a legacy can bribe to hear;
The watchful guests still hint the last offence;
The daughter's petulance, the son's expense,
Improve his heady rage with treach'rous skill,
And mould his passions till they make his will.
  Unnumber'd maladies his joints invade,
Lay siege to life, and press the dire blockade;
But unextinguish'd av'rice still remains,
And dreaded losses aggravate his pains;
He turns, with anxious heart and crippled hands,
His bonds of debt, and mortgages of lands;
Or views his coffers with suspicious eyes,
Unlocks his gold, and counts it till he dies.
  But grant, the virtues of a temp'rate prime
Bless with an age exempt from scorn or crime;
[cc]An age that melts with unperceiv'd decay,
And glides in modest innocence away;
Whose peaceful day benevolence endears,
Whose night congratulating conscience cheers;
The gen'ral fav'rite as the gen'ral friend;
Such age there is, and who shall wish its end[dd]?
  Yet e'en on this her load misfortune flings,
To press the weary minutes' flagging wings;
New sorrow rises as the day returns,
A sister sickens, or a daughter mourns.
Now kindred merit fills the sable bier,
Now lacerated friendship claims a tear;
Year chases year, decay pursues decay,
Still drops some joy from with'ring life away;
New forms arise, and diff'rent views engage,
Superfluous lags the vet'ran on the stage,
Till pitying nature signs the last release,
And bids afflicted worth retire to peace.
  But few there are whom hours like these await,
Who set unclouded in the gulfs of fate.
From Lydia's monarch should the search descend,
By Solon caution'd to regard his end,
In life's last scene what prodigies surprise,
Fears of the brave, and follies of the wise!
From Marlb'rough's eyes the streams of dotage flow,
And Swift expires a driv'ller and a show.
  [ee]The teeming mother, anxious for her race,
Begs for each birth the fortune of a face;
Yet Vane could tell what ills from beauty spring;
And Sedley curs'd the form that pleas'd a king.
Ye nymphs of rosy lips and radiant eyes,
Whom pleasure keeps too busy to be wise;
Whom joys with soft varieties invite,
By day the frolick, and the dance by night;
Who frown with vanity, who smile with art,
And ask the latest fashion of the heart;
What care, what rules, your heedless charms shall save,
Each nymph your rival, and each youth your slave?
Against your fame with fondness hate combines,
The rival batters, and the lover mines.
With distant voice neglected virtue calls,
Less heard and less, the faint remonstrance falls;
Tir'd with contempt, she quits the slipp'ry reign,
And pride and prudence take her seat in vain.
In crowd at once, where none the pass defend,
The harmless freedom, and the private friend.
The guardians yield, by force superiour ply'd:
To int'rest, prudence; and to flatt'ry, pride.
Here beauty falls, betray'd, despis'd, distress'd,
And hissing infamy proclaims the rest.
  [ff]Where then shall hope and fear their objects find?
Must dull suspense corrupt the stagnant mind?
Must helpless man, in ignorance sedate,
Roll darkling down the torrent of his fate?
Must no dislike alarm, no wishes rise,
No cries invoke the mercies of the skies?
Inquirer, cease; petitions yet remain
Which heav'n may hear; nor deem religion vain.
Still raise for good the supplicating voice,
But leave to heav'n the measure and the choice.
Safe in his pow'r, whose eyes discern afar
The secret ambush of a specious pray'r;
Implore his aid, in his decisions rest,
Secure, whate'er he gives, he gives the best.
Yet, when the sense of sacred presence fires,
And strong devotion to the skies aspires[gg],
Pour forth thy fervours for a healthful mind,
Obedient passions, and a will resign'd;
For love, which scarce collective man can fill;
For patience, sov'reign o'er transmuted ill;
For faith, that, panting for a happier seat,
[hh]Counts death kind nature's signal of retreat:
These goods for man the laws of heav'n ordain;
These goods he grants, who grants the pow'r to gain;
With these celestial wisdom calms the mind,
And makes the happiness she does not find.

FOOTNOTES [a] Ver. 1—11. [b] Ver. 12—22. [c] In the first edition, "the bonny traitor!" an evident allusion to the Scotch lords who suffered for the rebellion in 1745. [d] Clang around. [e] New fears. [f] Ver. 23-37. [g] Yet still the gen'ral cry. [h] Ver. 28-55. [i] Ver. 56—107. [Transcriber's note: There is no Footnote [j]] [k] The richest landlord. [l] Ver. 108—113. [m] Ver. 114—132. [n] Resistless burns the fever of renown, Caught from the strong contagion of the gown.

    Mr. Boswell tells us, that when he remarked to Dr. Johnson, that
    there was an awkward repetition of the word spreads in this passage,
    he altered it to "Burns from the strong contagion of the gown;" but
    this expression, it appears, was only resumed from the reading in
    the first edition.
[o] There is a tradition, that the study of friar Bacon, built on an
    arch over the bridge, will fall, when a man greater than Bacon shall
    pass under it. To prevent so shocking an accident, it was pulled
    down many years since.
[p] And sloth's bland opiates shed their fumes in vain.
[q] The garret and the gaol.
[r] See Gent. Mag. vol. lxviii. p. 951, 1027.
[s] This was first written, "See, when the vulgar scap_ed_;" but,
    as the rest of the paragraph was in the present tense, he altered it
    to scape_s_; but again recollecting that the word vulgar
    is never used as a singular substantive, he adopted the reading of
    the text.
[t] Ver. 133—146.
[u] Ver. 147—167.

[Transcriber's note: There is no Footnote [v] or Footnote [w]]

[x] O'er love or force. [y] Ver. 168—187. [z] And all the sons. [aa] Ver. 188—288. [bb] And yield. [cc] An age that melts in. [dd] Could wish its end. [ee] Ver. 289-345. [ff] Ver. 346-366. [gg] Yet, with the sense of sacred presence press'd, When strong devotion fills thy glowing breast.

[hh] Thinks death.

PROLOGUE,

SPOKEN BY MR. GARRICK, AT THE OPENING OF THE THEATRE-ROYAL, DRURY LANE, 1747.

When learning's triumph o'er her barb'rous foes
First rear'd the stage, immortal Shakespeare rose;
Each change of many-colour'd life he drew,
Exhausted worlds, and then imagin'd new:
Existence saw him spurn her bounded reign,
And panting time toil'd after him in vain:
His pow'rful strokes presiding truth impress'd,
And unresisted passion storm'd the breast.
  Then Jonson came, instructed from the school
To please in method, and invent by rule;
His studious patience and laborious art,
By regular approach, assail'd the heart:
Cold approbation gave the ling'ring bays;
For those, who durst not censure, scarce could praise:
A mortal born, he met the gen'ral doom,
But left, like Egypt's kings, a lasting tomb.
  The wits of Charles found easier ways to fame,
Nor wish'd for Jonson's art, or Shakespeare's flame:
Themselves they studied, as they felt, they writ;
Intrigue was plot, obscenity was wit;
Vice always found a sympathetick friend;
They pleas'd their age, and did not aim to mend.
Yet bards, like these, aspir'd to lasting praise,
And proudly hop'd to pimp in future days.
Their cause was gen'ral, their supports were strong;
Their slaves were willing, and their reign was long:
Till shame regain'd the post that sense betray'd,
And virtue call'd oblivion to her aid.
  Then, crush'd by rules, and weaken'd, as refin'd,
For years the pow'r of tragedy declin'd;
From bard to bard the frigid caution crept,
Till declamation roar'd, while passion slept;
Yet still did virtue deign the stage to tread,
Philosophy remain'd, though nature fled.
But forced, at length, her ancient reign to quit,
She saw great Faustus lay the ghost of wit;
Exulting folly hail'd the joyful day,
And pantomime and song confirm'd her sway.
  But who the coming changes can presage,
And mark the future periods of the stage?
Perhaps, if skill could distant times explore,
New Behns, new Durfeys, yet remain in store;
Perhaps, where Lear has ray'd, and Hamlet dy'd,
On flying cars new sorcerers may ride:
Perhaps, (for who can guess th' effects of chance?)
Here Hunt[a] may box, or Mahomet may dance.
  Hard is his lot that, here by fortune plac'd,
Must watch the wild vicissitudes of taste;
With ev'ry meteor of caprice must play,
And chase the new-blown bubbles of the day.
Ah! let not censure term our fate our choice,
The stage but echoes back the publick voice;
The drama's laws the drama's patrons give,
For we that live to please, must please to live.
  Then prompt no more the follies you decry,
As tyrants doom their tools of guilt to die;
'Tis yours, this night, to bid the reign commence
Of rescued nature and reviving sense;
To chase the charms of sound, the pomp of show,
For useful mirth and salutary woe;
Bid scenick virtue form the rising age,
And truth diffuse her radiance from the stage.

[a] Hunt, a famous boxer on the stage; Mahomet, a ropedancer, who had exhibited at Covent garden theatre the winter before, said to be a Turk.

PREFATORY NOTICE TO

THE TRAGEDY OF IRENE.

The history of this tragedy's composition is interesting, as affording dates to distinguish Johnson's literary progress. It was begun, and considerably advanced, while he kept a school at Edial, near Lichfield, in 1736. In the following year, when he relinquished the task of a schoolmaster, so little congenial with his mind and disposition, and resolved to seek his fortunes in the metropolis, Irene was carried along with him as a foundation for his success. Mr. Walmsley, one of his early friends, recommended him, and his fellow-adventurer, Garrick, to the notice and protection of Colson, the mathematician. Unless Mrs. Piozzi is correct, in rescuing the character of Colson from any identity with that of Gelidus, in the Rambler[a], Johnson entertained no lively recollection of his first patron's kindness. He was ever warm in expressions of gratitude for favours, conferred on him in his season of want and obscurity; and from his deep silence here, we may conclude, that the recluse mathematician did not evince much sympathy with the distresses of the young candidate for dramatic fame. Be this, however, as it may, Johnson, shortly after this introduction, took lodgings at Greenwich, to proceed with his Irene in quiet and retirement, but soon returned to Lichfield, to complete it. The same year that saw these successive disappointments, witnessed also Johnson's return to London, with his tragedy completed, and its rejection by Fleetwood, the patentee, at that time, of Drury lane theatre. Twelve years elapsed, before it was acted, and, after many alterations by his pupil and companion, Garrick, who was then manager of the theatre, it was, by his zeal, and the support of the most eminent performers of the day, carried through a representation of nine nights. Johnson's profits, after the deduction of expenses, and together with the hundred pounds, which he received from Robert Dodsley, for the copy, were nearly three hundred pounds. So fallacious were the hopes cherished by Walmsley, that Johnson would "turn out a fine tragedy writer[b]."

"The tragedy of Irene," says Mr. Murphy, "is founded on a passage in Knolles's History of the Turks;" an author highly commended in the Rambler, No. 122. An incident in the life of Mahomet the great, first emperor of the Turks, is the hinge, on which the fable is made to move. The substance of the story is shortly this:—In 1453, Mahomet laid siege to Constantinople, and, having reduced the place, became enamoured of a fair Greek, whose name was Irene. The sultan invited her to embrace the law of the prophet, and to grace his throne. Enraged at this intended marriage, the janizaries formed a conspiracy to dethrone the emperor. To avert the impending danger, Mahomet, in a full assembly of the grandees, "catching, with one hand," as Knolles relates it, "the fair Greek by the hair of her head, and drawing his falchion with the other, he, at one blow, struck off her head, to the great terror of them all; and, having so done, said unto them, 'Now, by this, judge whether your emperor is able to bridle his affections or not[c].'" We are not unjust, we conceive, in affirming, that there is an interest kept alive in the plain and simple narrative of the old historian, which is lost in the declamatory tragedy of Johnson.

It is sufficient, for our present purpose, to confess that he has failed in this his only dramatic attempt; we shall endeavour, more fully, to show how he has failed, in our discussion of his powers as a critic. That they were not blinded to the defects of others, by his own inefficiency in dramatic composition, is fully proved by his judicious remarks on Cato, which was constructed on a plan similar to Irene: and the strongest censure, ever passed on this tragedy, was conveyed in Garrick's application of Johnson's own severe, but correct critique, on the wits of Charles, in whose works

"Declamation roar'd, while passion slept."[d]

"Addison speaks the language of poets," says Johnson, in his preface to Shakespeare, "and Shakespeare of men. We find in Cato innumerable beauties, which enamour us of its author, but we see nothing that acquaints us with human sentiments, or human actions; we place it with the fairest and the noblest progeny which judgment propagates by conjunction with learning; but Othello is the vigorous and vivacious offspring of observation, impregnated by genius. Cato affords a splendid exhibition of artificial and fictitious manners, and delivers just and noble sentiments, in diction easy, elevated and harmonious; but its hopes and fears communicate no vibration to the heart: the composition refers us only to the writer; we pronounce the name of Cato, but we think on Addison." The critic's remarks on the same tragedy, in his Life of Addison, are as applicable as the above to his own production. "Cato is rather a poem in dialogue than a drama; rather a succession of just sentiments in elegant language, than a representation of natural affections, or of any state probable or possible in human life. Nothing here 'excites or assuages emotion:' here is no 'magical power of raising phantastick terrour or wild anxiety.' The events are expected without solicitude, and are remembered without joy or sorrow. Of the agents we have no care; we consider not what they are doing, or what they are suffering; we wish only to know what they have to say."

But, while we thus pronounce Johnson's failure in the production of dramatic effect, we will not withhold our tribute of admiration from Irene, as a moral piece. For, although a remark of Fox's on an unpublished tragedy of Burke's, that it was rather rhetorical than poetical, may be applied to the work under consideration; still it abounds, throughout, with the most elevated and dignified lessons of morality and virtue. The address of Demetrius to the aged Cali, on the dangers of procrastination[e]; Aspasia's reprobation of Irene's meditated apostasy[f]; and the allusive panegyric on the British constitution[g], may be enumerated, as examples of its excellence in sentiment and diction.

Lastly, we may consider Irene, as one other illustrious proof, that the most strict adherence to the far-famed unities, the most harmonious versification, and the most correct philosophy, will not vie with a single and simple touch of nature, expressed in simple and artless language. "But how rich in reputation must that author be, who can spare an Irene, and not feel the loss [h]."

FOOTNOTES [a] Rambler, No. 24, and note. [b] Boswell's Life, i. [c] Murphy's Essay on the Life and Genius of Dr. Johnson. [d] Prologue at the opening of Drury lane theatre, 1747. [e] Act iii. scene ii. "To-morrow's action!" &c. [f] Act iii. scene viii. "Reflect, that life and death," &c. [g] Act i. scene ii. "If there be any land, as fame reports," &c. [h] Dr. Young's remark on Addison's Cato. See his Conjectures on Original Composition. Works, vol. v.

PROLOGUE.

Ye glitt'ring train, whom lace and velvet bless,
Suspend the soft solicitudes of dress!
From grov'ling bus'ness and superfluous care,
Ye sons of avarice, a moment spare!
Vot'ries of fame, and worshippers of power,
Dismiss the pleasing phantoms for an hour!
Our daring bard, with spirit unconfin'd,
Spreads wide the mighty moral for mankind.
Learn here, how heaven supports the virtuous mind,
Daring, though calm; and vig'rous, though resign'd;
Learn here, what anguish racks the guilty breast,
In pow'r dependant, in success depress'd.
Learn here, that peace from innocence must flow;
All else is empty sound, and idle show.

If truths, like these, with pleasing language join;
Ennobled, yet unchang'd, if nature shine;
If no wild draught depart from reason's rules;
Nor gods his heroes, nor his lovers fools;
Intriguing wits! his artless plot forgive;
And spare him, beauties! though his lovers live.

Be this, at least, his praise, be this his pride;
To force applause, no modern arts are try'd.
Should partial catcals all his hopes confound,
He bids no trumpet quell the fatal sound.
Should welcome sleep relieve the weary wit,
He rolls no thunders o'er the drowsy pit;
No snares, to captivate the judgment, spreads,
Nor bribes your eyes to prejudice your heads.
Unmov'd, though witlings sneer, and rivals rail,
Studious to please, yet not asham'd to fail,
He scorns the meek address, the suppliant strain,
With merit needless, and without it vain.
In reason, nature, truth, he dares to trust:
Ye fops, be silent: and, ye wits, be just!

PERSONS OF THE DRAMA.
MEN.

MAHOMET, Emperour of the Turks, Mr. BARRY.

CALI BASSA, First vizier, Mr. BERRY.

MUSTAPHA, A Turkish aga, Mr. SOWDEN.

ABDALLA, An officer, Mr. HAVARD.

HASAN, \ / Mr. USHER,
             Turkish captains,
CARAZA, / \ Mr. BURTON.

DEMETRIUS, \ / Mr. GARRICK,
             Greek noblemen,
LEONTIUS, / \ MR. BLAKES.

MURZA, An eunuch, Mr. KING.

WOMEN.

ASPASIA, \ / Mrs. GIBBER,
             Greek ladies,
IRENE, / \ Mrs. PRITCHARD.

Attendants on IRENE.

ACT I.—SCENE I.

DEMETRIUS and LEONTIUS, in Turkish habits.

  LEONTIUS.
And, is it thus Demetrius meets his friend,
Hid in the mean disguise of Turkish robes,
With servile secrecy to lurk in shades,
And vent our suff'rings in clandestine groans?

  DEMETRIUS.
Till breathless fury rested from destruction,
These groans were fatal, these disguises vain:
But, now our Turkish conquerors have quench'd
Their rage, and pall'd their appetite of murder,
No more the glutted sabre thirsts for blood;
And weary cruelty remits her tortures.

  LEONTIUS.
Yet Greece enjoys no gleam of transient hope,
No soothing interval of peaceful sorrow:
The lust of gold succeeds the rage of conquest;
—The lust of gold, unfeeling and remorseless,
The last corruption of degen'rate man!
Urg'd by th' imperious soldiers' fierce command,
The groaning Greeks break up their golden caverns,
Pregnant with stores, that India's mines might envy,
Th' accumulated wealth of toiling ages.

  DEMETRIUS.
That wealth, too sacred for their country's use!
That wealth, too pleasing to be lost for freedom!
That wealth, which, granted to their weeping prince,
Had rang'd embattled nations at our gates!
But, thus reserv'd to lure the wolves of Turkey,
Adds shame to grief, and infamy to ruin.
Lamenting av'rice, now too late, discovers
Her own neglected in the publick safety.

  LEONTIUS.
Reproach not misery.—The sons of Greece,
Ill fated race! so oft besieg'd in vain,
With false security beheld invasion.
Why should they fear?—That pow'r that kindly spreads
The clouds, a signal of impending show'rs,
To warn the wand'ring linnet to the shade,
Beheld without concern expiring Greece;
And not one prodigy foretold our fate.

  DEMETRIUS.
A thousand horrid prodigies foretold it:
A feeble government, eluded laws,
A factious populace, luxurious nobles,
And all the maladies of sinking states.
When publick villany, too strong for justice,
Shows his bold front, the harbinger of ruin,
Can brave Leontius call for airy wonders,
Which cheats interpret, and which fools regard?
When some neglected fabrick nods beneath
The weight of years, and totters to the tempest,
Must heav'n despatch the messengers of light,
Or wake the dead, to warn us of its fall?

  LEONTIUS.
Well might the weakness of our empire sink
Before such foes of more than human force:
Some pow'r invisible, from heav'n or hell,
Conducts their armies, and asserts their cause.

  DEMETRIUS.
And yet, my friend, what miracles were wrought
Beyond the pow'r of constancy and courage?
Did unresisted lightning aid their cannon?
Did roaring whirlwinds sweep us from the ramparts?
'Twas vice that shook our nerves, 'twas vice, Leontius,
That froze our veins, and wither'd all our pow'rs.

  LEONTIUS.
Whate'er our crimes, our woes demand compassion.
Each night, protected by the friendly darkness,
Quitting my close retreat, I range the city,
And, weeping, kiss the venerable ruins;
With silent pangs, I view the tow'ring domes,
Sacred to pray'r; and wander through the streets,
Where commerce lavish'd unexhausted plenty,
And jollity maintain'd eternal revels—

  DEMETRIUS.
—How chang'd, alas!—Now ghastly desolation,
In triumph, sits upon our shatter'd spires;
Now superstition, ignorance, and errour,
Usurp our temples, and profane our altars.

  LEONTIUS.
From ev'ry palace bursts a mingled clamour,
The dreadful dissonance of barb'rous triumph,
Shrieks of affright, and waitings of distress.
Oft when the cries of violated beauty
Arose to heav'n, and pierc'd my bleeding breast,
I felt thy pains, and trembled for Aspasia.

  DEMETRIUS.
Aspasia!—spare that lov'd, that mournful name:
Dear, hapless maid—tempestuous grief o'erbears
My reasoning pow'rs—Dear, hapless, lost Aspasia!

  LEONTIUS.
Suspend the thought.

  DEMETRIUS.
                  All thought on her is madness;
Yet let me think—I see the helpless maid;
Behold the monsters gaze with savage rapture,
Behold how lust and rapine struggle round her!

  LEONTIUS.
Awake, Demetrius, from this dismal dream;
Sink not beneath imaginary sorrows;
Call to your aid your courage and your wisdom;
Think on the sudden change of human scenes;
Think on the various accidents of war;
Think on the mighty pow'r of awful virtue;
Think on that providence that guards the good.

  DEMETRIUS.
O providence! extend thy care to me;
For courage droops, unequal to the combat;
And weak philosophy denies her succours.
Sure, some kind sabre in the heat of battle,
Ere yet the foe found leisure to be cruel,
Dismiss'd her to the sky.

  LEONTIUS.
                        Some virgin martyr,
Perhaps, enamour'd of resembling virtue,
With gentle hand, restrain'd the streams of life,
And snatch'd her timely from her country's fate.

  DEMETRIUS.
From those bright regions of eternal day,
Where now thou shin'st among thy fellow-saints,
Array'd in purer light, look down on me:
In pleasing visions and assuasive dreams,
O! sooth my soul, and teach me how to lose thee.

  LEONTIUS.
Enough of unavailing tears, Demetrius:
I come obedient to thy friendly summons,
And hop'd to share thy counsels, not thy sorrows:
While thus we mourn the fortune of Aspasia,
To what are we reserv'd?

  DEMETRIUS.
                      To what I know not:
But hope, yet hope, to happiness and honour;
If happiness can be, without Aspasia.

  LEONTIUS.
But whence this new-sprung hope?

  DEMETRIUS.
                              From Cali bassa,
The chief, whose wisdom guides the Turkish counsels.
He, tir'd of slav'ry, though the highest slave,
Projects, at once, our freedom and his own;
And bids us, thus disguis'd, await him here.

  LEONTIUS.
Can he restore the state he could not save?
In vain, when Turkey's troops assail'd our walls,
His kind intelligence betray'd their measures;
Their arms prevail'd, though Cali was our friend.

  DEMETRIUS.
When the tenth sun had set upon our sorrows,
At midnight's private hour, a voice unknown
Sounds in my sleeping ear, 'Awake, Demetrius,
Awake, and follow me to better fortunes.'
Surpris'd I start, and bless the happy dream;
Then, rousing, know the fiery chief Abdalla,
Whose quick impatience seiz'd my doubtful hand,
And led me to the shore where Cali stood,
Pensive, and list'ning to the beating surge.
There, in soft hints, and in ambiguous phrase,
With all the diffidence of long experience,
That oft had practis'd fraud, and oft detected,
The vet'ran courtier half reveal'd his project.
By his command, equipp'd for speedy flight,
Deep in a winding creek a galley lies,
Mann'd with the bravest of our fellow-captives,
Selected by my care, a hardy band,
That long to hail thee chief.

  LEONTIUS.
                           But what avails
So small a force? or, why should Cali fly?
Or, how can Call's flight restore our country?

  DEMETRIUS.
Reserve these questions for a safer hour;
Or hear himself, for see the bassa comes.

SCENE II.

DEMETRIUS, LEONTIUS, CALI.

  CALI.
Now summon all thy soul, illustrious Christian!
Awake each faculty that sleeps within thee:
The courtier's policy, the sage's firmness,
The warriour's ardour, and the patriot's zeal.
If, chasing past events with vain pursuit,
Or wand'ring in the wilds of future being,
A single thought now rove, recall it home.—
But can thy friend sustain the glorious cause,
The cause of liberty, the cause of nations?

  DEMETRIUS.
Observe him closely, with a statesman's eye,
Thou, that hast long perus'd the draughts of nature,
And know'st the characters of vice and virtue,
Left by the hand of heav'n on human clay.

CALI.
His mien is lofty, his demeanour great;
Nor sprightly folly wantons in his air;
Nor dull serenity becalms his eyes.
Such had I trusted once, as soon as seen,
But cautious age suspects the flatt'ring form,
And only credits what experience tells.
Has silence press'd her seal upon his lips?
Does adamantine faith invest his heart?
Will he not bend beneath a tyrant's frown?
Will he not melt before ambition's fire?
Will he not soften in a friend's embrace?
Or flow dissolving in a woman's tears?

  DEMETRIUS.
Sooner the trembling leaves shall find a voice,
And tell the secrets of their conscious walks;
Sooner the breeze shall catch the flying sounds,
And shock the tyrant with a tale of treason.
Your slaughter'd multitudes, that swell the shore
With monuments of death, proclaim his courage;
Virtue and liberty engross his soul,
And leave no place for perfidy, or fear.

  LEONTIUS.
I scorn a trust unwillingly repos'd;
Demetrius will not lead me to dishonour;
Consult in private, call me, when your scheme
Is ripe for action, and demands the sword. [Going.

  DEMETRIUS.
Leontius, stay.

  CALI.
Forgive an old man's weakness,
And share the deepest secrets of my soul,
My wrongs, my fears, my motives, my designs.—
When unsuccessful wars, and civil factions
Embroil'd the Turkish state, our sultan's father,
Great Amurath, at my request, forsook
The cloister's ease, resum'd the tott'ring throne,
And snatch'd the reins of abdicated pow'r
From giddy Mahomet's unskilful hand.
This fir'd the youthful king's ambitious breast:
He murmurs vengeance, at the name of Cali,
And dooms my rash fidelity to ruin.

  DEMETRIUS.
Unhappy lot of all that shine in courts,
For forc'd compliance, or for zealous virtue,
Still odious to the monarch, or the people.

  CALI.
Such are the woes, when arbitrary pow'r
And lawless passion hold the sword of justice.
If there be any land, as fame reports,
Where common laws restrain the prince and subject,
A happy land, where circulating pow'r
Flows through each member of th' embodied state;
Sure, not unconscious of the mighty blessing,
Her grateful sons shine bright with every virtue;
Untainted with the lust of innovation,
Sure, all unite to hold her league of rule
Unbroken, as the sacred chain of nature
That links the jarring elements in peace.

  LEONTIUS.
But say, great bassa, why the sultan's anger,
Burning in vain, delays the stroke of death?

  CALI.
Young, and unsettled in his father's kingdoms,
Fierce as he was, he dreaded to destroy
The empire's darling, and the soldier's boast;
But now confirm'd, and swelling with his conquests,
Secure, he tramples my declining fame,
Frowns unrestrain'd, and dooms me with his eyes.

  DEMETRIUS.
What can reverse thy doom?

  CALI.
                          The tyrant's death.

  DEMETRIUS.
But Greece is still forgot.

  CALI.
                     On Asia's coast,
Which lately bless'd my gentle government,
Soon as the sultan's unexpected fate
Fills all th' astonish'd empire with confusion,
My policy shall raise an easy throne;
The Turkish pow'rs from Europe shall retreat,
And harass Greece no more with wasteful war.
A galley mann'd with Greeks, thy charge, Leontius,
Attends to waft us to repose and safety.

  DEMETRIUS.
That vessel, if observ'd, alarms the court,
And gives a thousand fatal questions birth:
Why stor'd for flight? and why prepar'd by Cali?

  CALI.
This hour I'll beg, with unsuspecting face,
Leave to perform my pilgrimage to Mecca;
Which granted, hides my purpose from the world,
And, though refus'd, conceals it from the sultan.

  LEONTIUS.
How can a single hand attempt a life,
Which armies guard, and citadels enclose?

  CALI.
Forgetful of command, with captive beauties,
Far from his troops, he toys his hours away.
A roving soldier seiz'd, in Sophia's temple,
A virgin, shining with distinguish'd charms,
And brought his beauteous plunder to the sultan—

  DEMETRIUS.
In Sophia's temple!—What alarm!—Proceed.

  CALI.
The sultan gaz'd, he wonder'd, and he lov'd:
In passion lost, he bade the conqu'ring fair
Renounce her faith, and be the queen of Turkey.
The pious maid, with modest indignation,
Threw back the glitt'ring bribe.

  DEMETRIUS.
                               Celestial goodness!
It must, it must be she;—her name?

  CALI.
                               Aspasia.

  DEMETRIUS.
What hopes, what terrours, rush upon my soul!
O lead me quickly to the scene of fate;
Break through the politician's tedious forms;
Aspasia calls me, let me fly to save her.

  LEONTIUS.
Did Mahomet reproach, or praise her virtue?

  CALI.
His offers, oft repeated, still refus'd,
At length rekindled his accustomed fury,
And chang'd th' endearing smile, and am'rous whisper
To threats of torture, death, and violation.

  DEMETRIUS.
These tedious narratives of frozen age
Distract my soul;—despatch thy ling'ring tale;
Say, did a voice from heav'n restrain the tyrant?
Did interposing angels guard her from him?

  CALI.
Just in the moment of impending fate,
Another plund'rer brought the bright Irene;
Of equal beauty, but of softer mien,
Fear in her eye, submission on her tongue,
Her mournful charms attracted his regards,
Disarm'd his rage, and, in repeated visits,
Gain'd all his heart; at length, his eager love
To her transferr'd the offer of a crown,

  LEONTIUS.
Nor found again the bright temptation fail?

  CALI.
Trembling to grant, nor daring to refuse,
While heav'n and Mahomet divide her fears,
With coy caresses and with pleasing wiles
She feeds his hopes, and sooths him to delay.
For her, repose is banish'd from the night,
And bus'ness from the day: in her apartments
He lives—

  LEONTIUS.
            And there must fall.

  CALI.
But yet, th' attempt
Is hazardous.

  LEONTIUS.
            Forbear to speak of hazards;
What has the wretch, that has surviv'd his country,
His friends, his liberty, to hazard?

  CALI.
                     Life.

  DEMETRIUS.
Th' inestimable privilege of breathing!
Important hazard! What's that airy bubble,
When weigh'd with Greece, with virtue, with Aspasia?—
A floating atom, dust that falls, unheeded,
Into the adverse scale, nor shakes the balance.

  CALI.
At least, this day be calm—If we succeed,
Aspasia's thine, and all thy life is rapture.—
See! Mustapha, the tyrant's minion, comes;
Invest Leontius with his new command;
And wait Abdalla's unsuspected visits:
Remember freedom, glory, Greece, and love.
[Exeunt Demetrius and Leontius.

SCENE III.

CALI, MUSTAPHA.

  MUSTAPHA.
By what enchantment does this lovely Greek
Hold in her chains the captivated sultan?
He tires his fav'rites with Irene's praise,
And seeks the shades to muse upon Irene;
Irene steals, unheeded, from his tongue,
And mingles, unperceiv'd, with ev'ry thought.

  CALI.
Why should the sultan shun the joys of beauty,
Or arm his breast against the force of love?
Love, that with sweet vicissitude relieves
The warriour's labours and the monarch's cares.
But, will she yet receive the faith of Mecca?

  MUSTAPHA.
Those pow'rful tyrants of the female breast,
Fear and ambition, urge her to compliance;
Dress'd in each charm of gay magnificence,
Alluring grandeur courts her to his arms,
Religion calls her from the wish'd embrace,
Paints future joys, and points to distant glories.

  CALI.
Soon will th' unequal contest be decided.
Prospects, obscur'd by distance, faintly strike;
Each pleasure brightens, at its near approach,
And ev'ry danger shocks with double horrour.

  MUSTAPHA.
How shall I scorn the beautiful apostate!
How will the bright Aspasia shine above her!

  CALI.
Should she, for proselytes are always zealous,
With pious warmth receive our prophet's law—

  MUSTAPHA.
Heav'n will contemn the mercenary fervour,
Which love of greatness, not of truth, inflames.

  CALI.
Cease, cease thy censures; for the sultan comes
Alone, with am'rous haste to seek his love.

SCENE IV.

MAHOMET, CALI, MUSTAPHA.

  CALI.
Hail! terrour of the monarchs of the world;
Unshaken be thy throne, as earth's firm base;
Live, till the sun forgets to dart his beams,
And weary planets loiter in their courses!

  MAHOMET.
But, Cali, let Irene share thy prayers;
For what is length of days, without Irene?
I come from empty noise, and tasteless pomp,
From crowds, that hide a monarch from himself,
To prove the sweets of privacy and friendship,
And dwell upon the beauties of Irene.

  CALI.
O may her beauties last, unchang'd by time,
As those that bless the mansions of the good!

  MAHOMET.
Each realm, where beauty turns the graceful shape,
Swells the fair breast, or animates the glance,
Adorns my palace with its brightest virgins;
Yet, unacquainted with these soft emotions,
I walk'd superiour through the blaze of charms,
Prais'd without rapture, left without regret.
Why rove I now, when absent from my fair,
From solitude to crowds, from crowds to solitude,
Still restless, till I clasp the lovely maid,
And ease my loaded soul upon her bosom?

  MUSTAPHA.
Forgive, great sultan, that intrusive duty
Inquires the final doom of Menodorus,
The Grecian counsellor.

  MAHOMET.
                      Go, see him die;
His martial rhet'rick taught the Greeks resistance;
Had they prevail'd, I ne'er had known Irene.

[Exit Mustapha.

SCENE V.

MAHOMET, CALI.

  MAHOMET.
Remote from tumult, in th' adjoining palace,
Thy care shall guard this treasure of my soul:
There let Aspasia, since my fair entreats it,
With converse chase the melancholy moments.
Sure, chill'd with sixty winter camps, thy blood,
At sight of female charms, will glow no more.

  CALI.
These years, unconquer'd Mahomet, demand
Desires more pure, and other cares than love.
Long have I wish'd, before our prophet's tomb,
To pour my pray'rs for thy successful reign,
To quit the tumults of the noisy camp,
And sink into the silent grave in peace.

  MAHOMET.
What! think of peace, while haughty Scanderbeg,
Elate with conquest, in his native mountains,
Prowls o'er the wealthy spoils of bleeding Turkey!
While fair Hungaria's unexhausted valleys
Pour forth their legions; and the roaring Danube
Rolls half his floods, unheard, through shouting camps!
Nor could'st thou more support a life of sloth
Than Amurath—

  CALI.
           Still, full of Amurath! [Aside.

  MAHOMET.
Than Amurath, accustom'd to command,
Could bear his son upon the Turkish throne.

  CALI.
This pilgrimage our lawgiver ordain'd—

  MAHOMET.
For those, who could not please by nobler service.—
Our warlike prophet loves an active faith.
The holy flame of enterprising virtue
Mocks the dull vows of solitude and penance,
And scorns the lazy hermit's cheap devotion.
Shine thou, distinguish'd by superiour merit;
With wonted zeal pursue the task of war,
Till ev'ry nation reverence the koran,
And ev'ry suppliant lift his eyes to Mecca.

  CALI.
This regal confidence, this pious ardour,
Let prudence moderate, though not suppress.
Is not each realm, that smiles with kinder suns,
Or boasts a happier soil, already thine?
Extended empire, like expanded gold,
Exchanges solid strength for feeble splendour.

  MAHOMET.
Preach thy dull politicks to vulgar kings,
Thou know'st not yet thy master's future greatness,
His vast designs, his plans of boundless pow'r.
  When ev'ry storm in my domain shall roar,
  When ev'ry wave shall beat a Turkish shore;
  Then, Cali, shall the toils of battle cease,
  Then dream of pray'r, and pilgrimage, and peace.
                                [Exeunt.

ACT II.—SCENE I. ASPASIA, IRENE.

  IRENE.
Aspasia, yet pursue the sacred theme;
Exhaust the stores of pious eloquence,
And teach me to repel the sultan's passion.
Still, at Aspasia's voice, a sudden rapture
Exalts my soul, and fortifies my heart;
The glitt'ring vanities of empty greatness,
The hopes and fears, the joys and pains of life,
Dissolve in air, and vanish into nothing.

  ASPASIA.
Let nobler hopes and juster fears succeed,
And bar the passes of Irene's mind
Against returning guilt.

  IRENE.
When thou art absent,
Death rises to my view, with all his terrours;
Then visions, horrid as a murd'rer's dreams,
Chill my resolves, and blast my blooming virtue:
Stern torture shakes his bloody scourge before me,
And anguish gnashes on the fatal wheel.

  ASPASIA.
Since fear predominates in ev'ry thought,
And sways thy breast with absolute dominion,
Think on th' insulting scorn, the conscious pangs,
The future mis'ries, that wait th' apostate;
So shall timidity assist thy reason,
And wisdom into virtue turn thy frailty.

  IRENE.
Will not that pow'r, that form'd the heart of woman,
And wove the feeble texture of her nerves,
Forgive those fears that shake the tender frame?

  ASPASIA.
The weakness we lament, ourselves create;
Instructed, from our infant years, to court,
With counterfeited fears, the aid of man,
We learn to shudder at the rustling breeze,
Start at the light, and tremble in the dark;
Till, affectation ripening to belief,
And folly, frighted at her own chimeras,
Habitual cowardice usurps the soul.

  IRENE.
Not all, like thee, can brave the shocks of fate.
Thy soul, by nature great, enlarg'd by knowledge,
Soars unincumber'd with our idle cares,
And all Aspasia, but her beauty's man.

  ASPASIA.
Each gen'rous sentiment is thine, Demetrius,
Whose soul, perhaps, yet mindful of Aspasia,
Now hovers o'er this melancholy shade,
Well pleas'd to find thy precepts not forgotten.
Oh! could the grave restore the pious hero,
Soon would his art or valour set us free,
And bear us far from servitude and crimes.

  IRENE.
He yet may live.

  ASPASIA.
                  Alas! delusive dream!
Too well I know him; his immoderate courage,
Th' impetuous sallies of excessive virtue,
Too strong for love, have hurried him on death.

SCENE II.

ASPASIA, IRENE, CALI, ABDALLA.

CALI to ABDALLA, as they advance.
Behold our future sultaness, Abdalla;—
Let artful flatt'ry now, to lull suspicion,
Glide, through Irene, to the sultan's ear.
Would'st thou subdue th' obdurate cannibal
To tender friendship, praise him to his mistress.

[To IRENE.]

Well may those eyes, that view these heav'nly charms,
Reject the daughters of contending kings;
For what are pompous titles, proud alliance,
Empire or wealth, to excellence like thine?

  ABDALLA.
Receive th' impatient sultan to thy arms;
And may a long posterity of monarchs,
The pride and terrour of succeeding days,
Rise from the happy bed; and future queens
Diffuse Irene's beauty through the world!

  IRENE.
Can Mahomet's imperial hand descend
To clasp a slave? or can a soul, like mine,
Unus'd to pow'r, and form'd for humbler scenes,
Support the splendid miseries of greatness?

  CALI.
No regal pageant, deck'd with casual honours,
Scorn'd by his subjects, trampled by his foes;
No feeble tyrant of a petty state,
Courts thee to shake on a dependant throne;
Born to command, as thou to charm mankind,
The sultan from himself derives his greatness.
Observe, bright maid, as his resistless voice
Drives on the tempest of destructive war,
How nation after nation falls before him.

  ABDALLA.
At his dread name the distant mountains shake
Their cloudy summits, and the sons of fierceness,
That range uncivilized from rock to rock,
Distrust th' eternal fortresses of nature,
And wish their gloomy caverns more obscure.

  ASPASIA.
Forbear this lavish pomp of dreadful praise;
The horrid images of war and slaughter
Renew our sorrows, and awake our fears.

  ABDALLA.
Cali, methinks yon waving trees afford
A doubtful glimpse of our approaching friends;
Just as I mark'd them, they forsook the shore,
And turn'd their hasty steps towards the garden.

  CALI.
Conduct these queens, Abdalla, to the palace:
Such heav'nly beauty, form'd for adoration,
The pride of monarchs, the reward of conquest!
Such beauty must not shine to vulgar eyes.

SCENE III.

CALI, solus.

How heav'n, in scorn of human arrogance,
Commits to trivial chance the fate of nations!
While, with incessant thought, laborious man
Extends his mighty schemes of wealth and pow'r,
And towers and triumphs in ideal greatness;
Some accidental gust of opposition
Blasts all the beauties of his new creation,
O'erturns the fabrick of presumptuous reason,
And whelms the swelling architect beneath it.
Had not the breeze untwin'd the meeting boughs,
And, through the parted shade, disclos'd the Greeks,
Th' important hour had pass'd, unheeded, by,
In all the sweet oblivion of delight,
In all the fopperies of meeting lovers;
In sighs and tears, in transports and embraces,
In soft complaints, and idle protestations.

SCENE IV.

CALI, DEMETRIUS, LEONTIUS.

  CALI.
Could omens fright the resolute and wise,
Well might we fear impending disappointments.

  LEONTIUS.
Your artful suit, your monarch's fierce denial,
The cruel doom of hapless Menodorus—

  DEMETRIUS.
And your new charge, that dear, that heav'nly maid—

  LEONTIUS.
All this we know already from Abdalla.

  DEMETRIUS.
Such slight defeats but animate the brave
To stronger efforts and maturer counsels.

  CALI.
My doom confirm'd establishes my purpose.
Calmly he heard, till Amurath's resumption
Rose to his thought, and set his soul on fire:
When from his lips the fatal name burst out,
A sudden pause th' imperfect sense suspended,
Like the dread stillness of condensing storms.