THE TWINS
"Give" and "It-shall-be-given-unto-you"
I
Grand rough old Martin Luther
Bloomed fables-flowers on furze,
The better the uncouther:
Do roses stick like burrs?
II
A beggar asked an alms
One day at an abbey-door,
Said Luther; but, seized with qualms,
The abbot replied, "We're poor!"
III
"Poor, who had plenty once,
When gifts fell thick as rain: 10
But they give us nought, for the nonce,
And now should we give again?"
IV
Then the beggar, "See your sins!
Of old, unless I err,
Ye had brothers for inmates, twins,
Date and Dabitur.
V
"While Date was in good case
Dabitur flourished too:
For Dabitur's lenten face
No wonder if Date rue. 20
VI
"Would ye retrieve the one?
Try and make plump the other!
When Date's penance is done,
Dabitur helps his brother.
VII
"Only, beware relapse!"
The Abbot hung his head.
This beggar might be perhaps
An angel, Luther said.
NOTES:
"The Twins" versifies a story told by Martin Luther in
his "Table Talk," in which the saying, "Give and it
shall be given unto you," is quaintly personified by the
Latin words equivalent in meaning: Date, "Give," and
Dabitur, "It-shall-be-given-unto-you."
I. Martin Luther: (1483-1546), the leader of the Reformation.
I
Grand rough old Martin Luther
Bloomed fables-flowers on furze,
The better the uncouther:
Do roses stick like burrs?
II
A beggar asked an alms
One day at an abbey-door,
Said Luther; but, seized with qualms,
The abbot replied, "We're poor!"
III
"Poor, who had plenty once,
When gifts fell thick as rain: 10
But they give us nought, for the nonce,
And now should we give again?"
IV
Then the beggar, "See your sins!
Of old, unless I err,
Ye had brothers for inmates, twins,
Date and Dabitur.
V
"While Date was in good case
Dabitur flourished too:
For Dabitur's lenten face
No wonder if Date rue. 20
VI
"Would ye retrieve the one?
Try and make plump the other!
When Date's penance is done,
Dabitur helps his brother.
VII
"Only, beware relapse!"
The Abbot hung his head.
This beggar might be perhaps
An angel, Luther said.
NOTES:
"The Twins" versifies a story told by Martin Luther in
his "Table Talk," in which the saying, "Give and it
shall be given unto you," is quaintly personified by the
Latin words equivalent in meaning: Date, "Give," and
Dabitur, "It-shall-be-given-unto-you."
I. Martin Luther: (1483-1546), the leader of the Reformation.
A LIGHT WOMAN
I
So far as our story approaches the end,
Which do you pity the most of us three?
My friend, or the mistress of my friend
With her wanton eyes, or me?
II
My friend was already too good to lose,
And seemed in the way of improvement yet,
When she crossed his path with her hunting noose
And over him drew her net.
III
When I saw him tangled in her toils,
A shame, said I, if she adds just him 10
To her nine-and-ninety other spoils,
The hundredth for a whim!
IV
And before my friend be wholly hers,
How easy to prove to him, I said,
An eagle's the game her pride prefers,
Though she snaps at a wren instead!
V
So, I gave her eyes my own eyes to take,
My hand sought hers as in earnest need,
And round she turned for my noble sake,
And gave me herself indeed. 20
VI
The eagle am I, with my fame in the world,
The wren is he, with his maiden face.
You look away and your lip is curled?
Patience, a moment's space!
VII
For see, my friend goes shaking and white;
He eyes me as the basilisk:
I have turned, it appears, his day to night,
Eclipsing his sun's disk.
VIII
And I did it, he thinks, as a very thief:
"Though I love her—that, he comprehends— 30
One should master one's passions (love, in chief)
And be loyal to one's friends!"
IX
And she,—she lies in my hand as tame
As a pear late basking over a wall;
Just a touch to try and off it came;
'Tis mine,—can I let it fall?
X
With no mind to eat it, that's the worst!
Were it thrown in the road, would the case assist?
'Twas quenching a dozen blue-flies' thirst
When I gave its stalk a twist. 40
XI
And I,—what I seem to my friend, you see:
What I soon shall seem to his love, you guess:
What I seem to myself, do you ask of me?
No hero, I confess.
XII
'Tis an awkward thing to play with souls,
And matter enough to save one's own:
Yet think of my friend, and the burning coals
He played with for bits of stone!
XIII
One likes to show the truth for the truth;
That the woman was light is very true: 50
But suppose she says,—Never mind that youth!
What wrong have I done to you?
XIV
Well, any how, here the story stays,
So far at least as I understand;
And, Robert Browning, you writer of plays,
Here's a subject made to your hand!
NOTES:
"A Light Woman" is the story of a dramatic situation brought
about by the speaker's intermeddling to save his less
sophisticated friend from a light woman's toils. He
deflects her interest and wins her heart, and this is the
ironical outcome: his friendly, dispassionate act makes him
seem to his friend a disloyal passion's slave; his scorn of
the light woman teaches him her genuineness, and proves
himself lighter than she; his futile assumption of the god
manoeuvring souls makes the whole story dramatically imply,
in a way dear to Browning's heart, the sacredness and worth
of each individuality.
[I cannot agree with Porter and Clarke's estimate of the
speaker's act as "friendly, dispassionate." They fail to
take into account his supercilious attitude toward the man
he calls his friend, and he proves to be more self-serving—
and more self-deceiving—than they are willing to admit.
That is why it is a subject made to Browning's hand.—
[Transcriber of the PG text]
So far as our story approaches the end,
Which do you pity the most of us three?
My friend, or the mistress of my friend
With her wanton eyes, or me?
II
My friend was already too good to lose,
And seemed in the way of improvement yet,
When she crossed his path with her hunting noose
And over him drew her net.
III
When I saw him tangled in her toils,
A shame, said I, if she adds just him 10
To her nine-and-ninety other spoils,
The hundredth for a whim!
IV
And before my friend be wholly hers,
How easy to prove to him, I said,
An eagle's the game her pride prefers,
Though she snaps at a wren instead!
V
So, I gave her eyes my own eyes to take,
My hand sought hers as in earnest need,
And round she turned for my noble sake,
And gave me herself indeed. 20
VI
The eagle am I, with my fame in the world,
The wren is he, with his maiden face.
You look away and your lip is curled?
Patience, a moment's space!
VII
For see, my friend goes shaking and white;
He eyes me as the basilisk:
I have turned, it appears, his day to night,
Eclipsing his sun's disk.
VIII
And I did it, he thinks, as a very thief:
"Though I love her—that, he comprehends— 30
One should master one's passions (love, in chief)
And be loyal to one's friends!"
IX
And she,—she lies in my hand as tame
As a pear late basking over a wall;
Just a touch to try and off it came;
'Tis mine,—can I let it fall?
X
With no mind to eat it, that's the worst!
Were it thrown in the road, would the case assist?
'Twas quenching a dozen blue-flies' thirst
When I gave its stalk a twist. 40
XI
And I,—what I seem to my friend, you see:
What I soon shall seem to his love, you guess:
What I seem to myself, do you ask of me?
No hero, I confess.
XII
'Tis an awkward thing to play with souls,
And matter enough to save one's own:
Yet think of my friend, and the burning coals
He played with for bits of stone!
XIII
One likes to show the truth for the truth;
That the woman was light is very true: 50
But suppose she says,—Never mind that youth!
What wrong have I done to you?
XIV
Well, any how, here the story stays,
So far at least as I understand;
And, Robert Browning, you writer of plays,
Here's a subject made to your hand!
NOTES:
"A Light Woman" is the story of a dramatic situation brought
about by the speaker's intermeddling to save his less
sophisticated friend from a light woman's toils. He
deflects her interest and wins her heart, and this is the
ironical outcome: his friendly, dispassionate act makes him
seem to his friend a disloyal passion's slave; his scorn of
the light woman teaches him her genuineness, and proves
himself lighter than she; his futile assumption of the god
manoeuvring souls makes the whole story dramatically imply,
in a way dear to Browning's heart, the sacredness and worth
of each individuality.
[I cannot agree with Porter and Clarke's estimate of the
speaker's act as "friendly, dispassionate." They fail to
take into account his supercilious attitude toward the man
he calls his friend, and he proves to be more self-serving—
and more self-deceiving—than they are willing to admit.
That is why it is a subject made to Browning's hand.—
[Transcriber of the PG text]
THE LAST RIDE TOGETHER
I
I said—Then, dearest, since 'tis so,
Since now at length my fate I know,
Since nothing all my love avails,
Since all, my life seemed meant for, fails,
Since this was written and needs must be—
My whole heart rises up to bless
Your name in pride and thankfulness!
Take back the hope you gave—I claim
Only a memory of the same,
—And this beside, if you will not blame, 10
Your leave for one more last ride with me.
II
My mistress bent that brow of hers;
Those deep dark eyes where pride demurs
When pity would be softening through,
Fixed me a breathing-while or two
With life or death in the balance: right!
The blood replenished me again;
My last thought was at least not vain:
I and my mistress, side by side
Shall be together, breathe and ride, 20
So, one day more am I deified.
Who knows but the world may end tonight?
III
Hush! if you saw some western cloud
All billowy-bosomed, over-bowed
By many benedictions—sun's
And moon's and evening-star's at once—
And so, you, looking and loving best,
Conscious grew, your passion drew
Cloud, sunset, moonrise, star-shine too,
Down on you, near and yet more near, 30
Till flesh must fade for heaven was here!—
Thus leant she and lingered—joy and fear!
Thus lay she a moment on my breast.
IV
Then we began to ride. My soul
Smoothed itself out, a long-cramped scroll
Freshening and fluttering in the wind.
Past hopes already lay behind.
What need to strive with a life awry?
Had I said that, had I done this,
So might I gain, so might I miss. 40
Might she have loved me? just as well
She might have hated, who can tell!
Where had I been now if the worst befell?
And here we are riding, she and I.
V
Fail I alone, in words and deeds?
Why, all men strive and who succeeds?
We rode; it seemed my spirit flew,
Saw other regions, cities new
As the world rushed by on either side.
I thought,—All labour, yet no less 50
Bear up beneath their unsuccess
Look at the end of work, contrast
The petty done, the undone vast,
This present of theirs with the hopeful past!
I hoped she would love me; here we ride.
VI
What hand and brain went ever paired?
What heart alike conceived and dared?
What act proved all its thought had been?
What will but felt the fleshly screen? 60
We ride and I see her bosom heave.
There's many a crown for who can reach.
Ten lines, a statesman's life in each!
The flag stuck on a heap of bones,
A soldier's doing! what atones?
They scratch his name on the Abbey-stones.
My riding is better, by their leave.
VII
What does it all mean, poet? Well,
Your brains beat into rhythm, you tell
What we felt only; you expressed 70
You hold things beautiful the best,
And pace them in rhyme so, side by side.
'Tis something, nay 'tis much: but then,
Have you yourself what's best for men?
Are you—poor, sick, old ere your time—
Nearer one whit your own sublime
Than we who never have turned a rhyme?
Sing, riding's a joy! For me, I ride.
VIII
And you, great sculptor—so, you gave
A score of years to Art, her slave, 80
And that's your Venus, whence we turn
To yonder girl that fords the burn!
You acquiesce, and shall I repine?
What, man of music, you grown grey
With notes and nothing else to say,
Is this your sole praise from a friend,
"Greatly his opera's strains intend,
Put in music we know how fashions end!"
I gave my youth; but we ride, in fine.
IX
Who knows what's fit for us? Had fate 90
Proposed bliss here should sublimate
My being—had I signed the bond—
Still one must lead some life beyond,
Have a bliss to die with, dim-descried.
This foot once planted on the goal,
This glory-garland round my soul,
Could I descry such? Try and test!
I sink back shuddering from the quest.
Earth being so good, would heaven seem best?
Now, heaven and she are beyond this ride.
X
And yet—she has not spoke so long! 100
What if heaven be that, fair and strong
At life's best, with our eyes upturned
Whither life's flower is first discerned,
We, fixed so, ever should so abide?
What if we still ride on, we two
With life for ever old yet new,
Changed not in kind but in degree,
The instant made eternity—
And heaven just prove that I and she
Ride, ride together, forever ride? 110
NOTES:
"The Last Ride Together." The rapture of a rejected lover
in the one more last ride which he asks for and obtains,
discovers for him the all-sufficing glory of love in itself.
Soldiership, statesmanship, art are disproportionate in their
results; love can be its own reward, yes, heaven itself.
I said—Then, dearest, since 'tis so,
Since now at length my fate I know,
Since nothing all my love avails,
Since all, my life seemed meant for, fails,
Since this was written and needs must be—
My whole heart rises up to bless
Your name in pride and thankfulness!
Take back the hope you gave—I claim
Only a memory of the same,
—And this beside, if you will not blame, 10
Your leave for one more last ride with me.
II
My mistress bent that brow of hers;
Those deep dark eyes where pride demurs
When pity would be softening through,
Fixed me a breathing-while or two
With life or death in the balance: right!
The blood replenished me again;
My last thought was at least not vain:
I and my mistress, side by side
Shall be together, breathe and ride, 20
So, one day more am I deified.
Who knows but the world may end tonight?
III
Hush! if you saw some western cloud
All billowy-bosomed, over-bowed
By many benedictions—sun's
And moon's and evening-star's at once—
And so, you, looking and loving best,
Conscious grew, your passion drew
Cloud, sunset, moonrise, star-shine too,
Down on you, near and yet more near, 30
Till flesh must fade for heaven was here!—
Thus leant she and lingered—joy and fear!
Thus lay she a moment on my breast.
IV
Then we began to ride. My soul
Smoothed itself out, a long-cramped scroll
Freshening and fluttering in the wind.
Past hopes already lay behind.
What need to strive with a life awry?
Had I said that, had I done this,
So might I gain, so might I miss. 40
Might she have loved me? just as well
She might have hated, who can tell!
Where had I been now if the worst befell?
And here we are riding, she and I.
V
Fail I alone, in words and deeds?
Why, all men strive and who succeeds?
We rode; it seemed my spirit flew,
Saw other regions, cities new
As the world rushed by on either side.
I thought,—All labour, yet no less 50
Bear up beneath their unsuccess
Look at the end of work, contrast
The petty done, the undone vast,
This present of theirs with the hopeful past!
I hoped she would love me; here we ride.
VI
What hand and brain went ever paired?
What heart alike conceived and dared?
What act proved all its thought had been?
What will but felt the fleshly screen? 60
We ride and I see her bosom heave.
There's many a crown for who can reach.
Ten lines, a statesman's life in each!
The flag stuck on a heap of bones,
A soldier's doing! what atones?
They scratch his name on the Abbey-stones.
My riding is better, by their leave.
VII
What does it all mean, poet? Well,
Your brains beat into rhythm, you tell
What we felt only; you expressed 70
You hold things beautiful the best,
And pace them in rhyme so, side by side.
'Tis something, nay 'tis much: but then,
Have you yourself what's best for men?
Are you—poor, sick, old ere your time—
Nearer one whit your own sublime
Than we who never have turned a rhyme?
Sing, riding's a joy! For me, I ride.
VIII
And you, great sculptor—so, you gave
A score of years to Art, her slave, 80
And that's your Venus, whence we turn
To yonder girl that fords the burn!
You acquiesce, and shall I repine?
What, man of music, you grown grey
With notes and nothing else to say,
Is this your sole praise from a friend,
"Greatly his opera's strains intend,
Put in music we know how fashions end!"
I gave my youth; but we ride, in fine.
IX
Who knows what's fit for us? Had fate 90
Proposed bliss here should sublimate
My being—had I signed the bond—
Still one must lead some life beyond,
Have a bliss to die with, dim-descried.
This foot once planted on the goal,
This glory-garland round my soul,
Could I descry such? Try and test!
I sink back shuddering from the quest.
Earth being so good, would heaven seem best?
Now, heaven and she are beyond this ride.
X
And yet—she has not spoke so long! 100
What if heaven be that, fair and strong
At life's best, with our eyes upturned
Whither life's flower is first discerned,
We, fixed so, ever should so abide?
What if we still ride on, we two
With life for ever old yet new,
Changed not in kind but in degree,
The instant made eternity—
And heaven just prove that I and she
Ride, ride together, forever ride? 110
NOTES:
"The Last Ride Together." The rapture of a rejected lover
in the one more last ride which he asks for and obtains,
discovers for him the all-sufficing glory of love in itself.
Soldiership, statesmanship, art are disproportionate in their
results; love can be its own reward, yes, heaven itself.
THE PIED PIPER OF HAMELIN:
A CHILD'S STORY.
(Written for, and inscribed to, W. M. the Younger.)
I
Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.
II
Rats! 10
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cooks' own ladles,
Split open the kegs of salted sprats,
Made nests inside men's Sunday hats,
And even spoiled the women's chats
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats. 20
III
At last the people in a body
To the Town Hall came flocking
"'Tis clear," cried they, "our Mayor's a noddy,
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can't or won't determine
What's best to rid us of our vermin!
You hope, because you're old and obese,
To find in the furry civic robe ease?
Rouse up, sirs! Give your brains a racking 30
To find the remedy we're lacking,
Or, sure as fate, we'll send you packing!"
At this the Mayor and Corporation
Quaked with a mighty consternation.
IV
An hour they sat in council,
At length the Mayor broke silence:
"For a guilder I'd my ermine gown sell,
I wish I were a mile hence!
It's easy to bid one rack one's brain—
I'm sure my poor head aches again, 40
I've scratched it so, and all in vain.
Oh for a trap, a trap, a trap!"
Just as he said this, what should hap
At the chamber door but a gentle tap?
"Bless us," cried the Mayor, "what's that?"
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous 50
For a plate of turtle green and glutinous)
"Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!"
V
"Come in!" the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red,
And he himself was tall and thin,
With sharp blue eyes, each like a pin, 60
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in;
There was no guessing his kith and kin:
And nobody could enough admire
The tall man and his quaint attire.
Quoth one: "It's as my great-grandsire,
Starting up at the Trump of Doom's tone,
Had walked this way from his painted tombstone!"
VI
He advanced to the council-table 70
And, "Please your honours," said he, "I'm able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper."
(And here they noticed round his neck 80
A scarf of red and yellow stripe,
To match with his coat of the self-same cheque
And at the scarf's end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
"Yet," said he, "poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats; 90
I eased in Asia the Nizam
Of a monstrous brood of vampyre-bats:
And as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?"
"One? fifty thousand!"-was the exclamation
Of the astonished Mayor and Corporation.
VII
Into the street the Piper stept,
Smiling first a little smile,
As if he knew what magic slept 100
In his quiet pipe the while;
Then, like a musical adept
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle-flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling. 110
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing, 120
Until they came to the river Weser
Wherein all plunged and perished!
—Save one who, stout as Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, "At the first shrill notes of the pipe,
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press's gripe: 130
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks:
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out, 'Oh rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!' 140
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce an inch before me
Just as methought it said 'Come, bore me!'
—I found the Weser roiling o'er me."
VIII
You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
"Go," cried the Mayor, "and get long poles,
Poke out the nests and block up the holes!
Consult with carpenters and builders, 150
And leave in our town not even a trace
Of the rats!"-when suddenly, up the face
Of the Piper perked in the market-place,
With a, "First, if you please, my thousand guilders!"
IX
A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar's biggest butt with Rhenish. 160
This sum to a wandering fellow
With a gipsy coat of red and yellow!
"Beside," quoth the Mayor with a knowing wink,
Our business was done at the river's brink;
We saw with our eyes the vermin sink,
And what's dead can't come to life, I think.
So, friend, we're not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But as for the guilders, what we spoke 170
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!"
X
The Piper's face fell, and he cried:
"No trifling! I can't wait, beside!
I've promised to visit by dinner time
Bagdat, and accept the prime
Of the Head-Cook's pottage, all he's rich in,
For having left, in the Caliph's kitchen,
Of a nest of scorpions no survivor: 180
With him I proved no bargain-driver,
With you, don't think I'll bate a stiver!
And folks who put me in a passion
May find me pipe after another fashion."
XI
"How? cried the Mayor, "d'ye think I brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!" 190
XII
Once more he stept into the street
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician's cunning
Never gave the enraptured air)
There was a rustling that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering, 200
And, like fowls in a farm-yard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.
XIII
The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry 210
To the children merrily skipping by,
—Could only follow with the eye
That joyous crowd at the Piper's back.
But how the Mayor was on the rack,
And the wretched Council's bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed, 220
And after him the children pressed;
Great was the joy in every breast.
"He never can cross that mighty top!
He's forced to let the piping drop,
And we shall see our children stop!"
When, lo, as they reached the mountain-side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last, 230
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
"It's dull in our town since my playmates left!
I can't forget that I'm bereft
Of all the pleasant sights they see,
Which the Piper also promised me.
For he led us, he said, to a joyous land, 240
Joining the town and just at hand,
Where waters gushed and fruit-trees grew
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honeybees had lost their stings,
And horses were born with eagles' wings:
And just as I became assured
My lame foot would be speedily cured, 250
The music stopped and I stood still,
And found myself outside the hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!"
XIV
Alas, alas for Hamelin!
There came into many a burgher's pate
A text which says that heaven's gate
Opes to the rich at as easy rate
As the needle's eye takes a camel in! 260
The mayor sent East, West, North and South
To offer the Piper, by word of mouth,
Wherever it was men's lot to find him
Silver and gold to his heart's content,
If he'd only return the way he went,
And bring the children behind him.
But when they saw 'twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly 270
If, after the day of the month and year,
These words did not as well appear,
"And so long after what happened here
On the Twenty-second of July
Thirteen-hundred and seventy-six:"
And the better in memory to fix
The place of the children's last retreat,
They called it, the Pied Piper's Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour. 280
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great church-window painted
The same, to make the world acquainted
How their children were stolen away,
And there it stands to this very day.
And I must not omit to say
That in Transylvania there's a tribe 290
Of alien people who ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don't understand.
XV
So, Willy, let me and you be wipers 300
Of scores out with all men—especially pipers!
And, whether they pipe us free from rats or from mice,
If we've promised them aught, let us keep our promise!
NOTES:
"The Pied Piper of Hamelin." This clever versification of
a well-known tale was written for the little son of the
actor William Macready. According to Dr. Furnivall,
the version used directly by Browning is from "The
Wonders of the Little World: or A General History of
Man," by Nathaniel Wanley, published in 1578. There
are, however, more incidents in common between the
poem and the version given by Verstigan in his "Restitution
of Decayed Intelligence" (1605). There are many
other sources for the story, and it is not improbable that
Browning knew more than one version. Tales similar to
it occur also in Persia and China. For its kinship to
myths of the wind as a musician, and as a psychopomp or
leader of souls, see Baring-Gould, "Curious Myths of the
Middle Ages"; John Fiske, "Myths and Myth-makers";
Cox, "Myths of the Aryan Races."
—Hamlin, or Hamelin, is a town in the province of Hanover, Prussia.
(Written for, and inscribed to, W. M. the Younger.)
I
Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.
II
Rats! 10
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cooks' own ladles,
Split open the kegs of salted sprats,
Made nests inside men's Sunday hats,
And even spoiled the women's chats
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats. 20
III
At last the people in a body
To the Town Hall came flocking
"'Tis clear," cried they, "our Mayor's a noddy,
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can't or won't determine
What's best to rid us of our vermin!
You hope, because you're old and obese,
To find in the furry civic robe ease?
Rouse up, sirs! Give your brains a racking 30
To find the remedy we're lacking,
Or, sure as fate, we'll send you packing!"
At this the Mayor and Corporation
Quaked with a mighty consternation.
IV
An hour they sat in council,
At length the Mayor broke silence:
"For a guilder I'd my ermine gown sell,
I wish I were a mile hence!
It's easy to bid one rack one's brain—
I'm sure my poor head aches again, 40
I've scratched it so, and all in vain.
Oh for a trap, a trap, a trap!"
Just as he said this, what should hap
At the chamber door but a gentle tap?
"Bless us," cried the Mayor, "what's that?"
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous 50
For a plate of turtle green and glutinous)
"Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!"
V
"Come in!" the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red,
And he himself was tall and thin,
With sharp blue eyes, each like a pin, 60
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in;
There was no guessing his kith and kin:
And nobody could enough admire
The tall man and his quaint attire.
Quoth one: "It's as my great-grandsire,
Starting up at the Trump of Doom's tone,
Had walked this way from his painted tombstone!"
VI
He advanced to the council-table 70
And, "Please your honours," said he, "I'm able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper."
(And here they noticed round his neck 80
A scarf of red and yellow stripe,
To match with his coat of the self-same cheque
And at the scarf's end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
"Yet," said he, "poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats; 90
I eased in Asia the Nizam
Of a monstrous brood of vampyre-bats:
And as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?"
"One? fifty thousand!"-was the exclamation
Of the astonished Mayor and Corporation.
VII
Into the street the Piper stept,
Smiling first a little smile,
As if he knew what magic slept 100
In his quiet pipe the while;
Then, like a musical adept
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle-flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling. 110
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing, 120
Until they came to the river Weser
Wherein all plunged and perished!
—Save one who, stout as Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, "At the first shrill notes of the pipe,
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press's gripe: 130
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks:
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out, 'Oh rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!' 140
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce an inch before me
Just as methought it said 'Come, bore me!'
—I found the Weser roiling o'er me."
VIII
You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
"Go," cried the Mayor, "and get long poles,
Poke out the nests and block up the holes!
Consult with carpenters and builders, 150
And leave in our town not even a trace
Of the rats!"-when suddenly, up the face
Of the Piper perked in the market-place,
With a, "First, if you please, my thousand guilders!"
IX
A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar's biggest butt with Rhenish. 160
This sum to a wandering fellow
With a gipsy coat of red and yellow!
"Beside," quoth the Mayor with a knowing wink,
Our business was done at the river's brink;
We saw with our eyes the vermin sink,
And what's dead can't come to life, I think.
So, friend, we're not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But as for the guilders, what we spoke 170
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!"
X
The Piper's face fell, and he cried:
"No trifling! I can't wait, beside!
I've promised to visit by dinner time
Bagdat, and accept the prime
Of the Head-Cook's pottage, all he's rich in,
For having left, in the Caliph's kitchen,
Of a nest of scorpions no survivor: 180
With him I proved no bargain-driver,
With you, don't think I'll bate a stiver!
And folks who put me in a passion
May find me pipe after another fashion."
XI
"How? cried the Mayor, "d'ye think I brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!" 190
XII
Once more he stept into the street
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician's cunning
Never gave the enraptured air)
There was a rustling that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering, 200
And, like fowls in a farm-yard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.
XIII
The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry 210
To the children merrily skipping by,
—Could only follow with the eye
That joyous crowd at the Piper's back.
But how the Mayor was on the rack,
And the wretched Council's bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed, 220
And after him the children pressed;
Great was the joy in every breast.
"He never can cross that mighty top!
He's forced to let the piping drop,
And we shall see our children stop!"
When, lo, as they reached the mountain-side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last, 230
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
"It's dull in our town since my playmates left!
I can't forget that I'm bereft
Of all the pleasant sights they see,
Which the Piper also promised me.
For he led us, he said, to a joyous land, 240
Joining the town and just at hand,
Where waters gushed and fruit-trees grew
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honeybees had lost their stings,
And horses were born with eagles' wings:
And just as I became assured
My lame foot would be speedily cured, 250
The music stopped and I stood still,
And found myself outside the hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!"
XIV
Alas, alas for Hamelin!
There came into many a burgher's pate
A text which says that heaven's gate
Opes to the rich at as easy rate
As the needle's eye takes a camel in! 260
The mayor sent East, West, North and South
To offer the Piper, by word of mouth,
Wherever it was men's lot to find him
Silver and gold to his heart's content,
If he'd only return the way he went,
And bring the children behind him.
But when they saw 'twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly 270
If, after the day of the month and year,
These words did not as well appear,
"And so long after what happened here
On the Twenty-second of July
Thirteen-hundred and seventy-six:"
And the better in memory to fix
The place of the children's last retreat,
They called it, the Pied Piper's Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour. 280
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great church-window painted
The same, to make the world acquainted
How their children were stolen away,
And there it stands to this very day.
And I must not omit to say
That in Transylvania there's a tribe 290
Of alien people who ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don't understand.
XV
So, Willy, let me and you be wipers 300
Of scores out with all men—especially pipers!
And, whether they pipe us free from rats or from mice,
If we've promised them aught, let us keep our promise!
NOTES:
"The Pied Piper of Hamelin." This clever versification of
a well-known tale was written for the little son of the
actor William Macready. According to Dr. Furnivall,
the version used directly by Browning is from "The
Wonders of the Little World: or A General History of
Man," by Nathaniel Wanley, published in 1578. There
are, however, more incidents in common between the
poem and the version given by Verstigan in his "Restitution
of Decayed Intelligence" (1605). There are many
other sources for the story, and it is not improbable that
Browning knew more than one version. Tales similar to
it occur also in Persia and China. For its kinship to
myths of the wind as a musician, and as a psychopomp or
leader of souls, see Baring-Gould, "Curious Myths of the
Middle Ages"; John Fiske, "Myths and Myth-makers";
Cox, "Myths of the Aryan Races."
—Hamlin, or Hamelin, is a town in the province of Hanover, Prussia.
THE FLIGHT OF THE DUCHESS
I
You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!
II
Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed, 10
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country, 20
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore 30
—And the whole is our Duke's country.
III
I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay, 40
Three times, four times out of five,
With his huntspear he'd contrive
To get the killing-place transfixed,
And pin him true, both eyes betwixt?
And that's why the old Duke would rather
He lost a salt-pit than my father,
And loved to have him ever in call;
That's why my father stood in the hall
When the old Duke brought his infant out
To show the people, and while they passed 50
The wondrous bantling round about,
Was first to start at the outside blast
As the Kaiser's courier blew his horn
Just a month after the babe was born.
"And," quoth the Kaiser's courier," since
The Duke has got an heir, our Prince
Needs the Duke's self at his side:"
The Duke looked down and seemed to wince,
But he thought of wars o'er the world wide,
Castles a-fire, men on their march, 60
The toppling tower, the crashing arch;
And up he looked, and awhile he eyed
The row of crests and shields and banners
Of all achievements after all manners,
And "ay," said the Duke with a surly pride.
The more was his comfort when he died
At next year's end, in a velvet suit,
With a gilt glove on his hand, his foot
In a silken shoe for a leather boot,
Petticoated like a herald, 70
In a chamber next to an ante-room,
Where he breathed the breath of page and groom,
What he called stink, and they, perfume:
—They should have set him on red Berold
Mad with pride, like fire to manage!
They should have got his cheek fresh tannage
Such a day as to-day in the merry sunshine!
Had they stuck on his fist a rough-foot merlin!
(Hark, the wind's on the heath at its game!
Oh for a noble falcon-lanner 80
To flap each broad wing like a banner,
And turn in the wind, and dance like flame!)
Had they broached a white-beer cask from Berlin
—Or if you incline to prescribe mere wine
Put to his lips, when they saw him pine,
A cup of our own Moldavia fine,
Cotnar for instance, green as May sorrel
And ropy with sweet—we shall not quarrel.
IV
So, at home, the sick tall yellow Duchess
Was left with the infant in her clutches, 90
She being the daughter of God knows who:
And now was the time to revisit her tribe.
Abroad and afar they went, the two,
And let our people rail and gibe
At the empty hall and extinguished fire,
As loud as we liked, but ever in vain,
Till after long years we had our desire,
And back came the Duke and his mother again.
V
And he came back the pertest little ape
That ever affronted human shape; 100
Full of his travel, struck at himself.
You'd say, he despised our bluff old ways?
—Not he! For in Paris they told the elf
Our rough North land was the Land of Lays,
The one good thing left in evil days;
Since the Mid-Age was the Heroic Time,
And only in wild nooks like ours
Could you taste of it yet as in its prime,
And see true castles, with proper towers,
Young-hearted women, old-minded men, 110
And manners now as manners were then.
So, all that the old Dukes had been, without knowing it,
This Duke would fain know he was, without being it;
'Twas not for the joy's self, but the joy of his showing it,
Nor for the pride's self, but the pride of our seeing it,
He revived all usages thoroughly worn-out,
The souls of them fumed-forth, the hearts of them torn-out:
And chief in the chase his neck he perilled
On a lathy horse, all legs and length,
With blood for bone, all speed, no strength; 120
—They should have set him on red Berold
With the red eye slow consuming in fire,
And the thin stiff ear like an abbey-spire!
VI
Well, such as he was, he must marry, we heard:
And out of a convent, at the word,
Came the lady, in time of spring.
—Oh, old thoughts they cling, they cling!
That day, I know, with a dozen oaths
I clad myself in thick hunting-clothes
Fit for the chase of urochs or buffle 130
In winter-time when you need to muffle.
But the Duke had a mind we should cut a figure,
And so we saw the lady arrive:
My friend, I have seen a white crane bigger!
She was the smallest lady alive,
Made in a piece of nature's madness,
Too small, almost, for the life and gladness
That over-filled her, as some hive
Out of the bears' reach on the high trees
Is crowded with its safe merry bees: 140
In truth, she was not hard to please!
Up she looked, down she looked, round at the mead,
Straight at the castle, that's best indeed
To look at from outside the walls:
As for us, styled the "serfs and thralls,"
She as much thanked me as if she had said it,
(With her eyes, do you understand?)
Because I patted her horse while I led it;
And Max, who rode on her other hand,
Said, no bird flew past but she inquired 150
What its true name was, nor ever seemed tired—
If that was an eagle she saw hover,
And the green and grey bird on the field was the plover.
When suddenly appeared the Duke:
And as down she sprung, the small foot pointed
On to my hand,—as with a rebuke,
And as if his backbone were not jointed,
The Duke stepped rather aside than forward
And welcomed her with his grandest smile;
And, mind you, his mother all the while 160
Chilled in the rear, like a wind to Nor'ward;
And up, like a weary yawn, with its pullies
Went, in a shriek, the rusty portcullis;
And, like a glad sky the north-wind sullies,
The lady's face stopped its play,
As if her first hair had grown grey;
For such things must begin some one day.
VII
In a day or two she was well again;
As who should say, "You labour in vain!
This is all a jest against God, who meant 170
I should ever be, as I am, content
And glad in his sight; therefore, glad I will be."
So, smiling as at first went she.
VIII
She was active, stirring, all fire—
Could not rest, could not tire—
To a stone she might have given life!
(I myself loved once, in my day)
—For a shepherd's, miner's, huntsman's wife,
(I had a wife, I know what I say)
Never in all the world such an one! 180
And here was plenty to be done,
And she that could do it, great or small,
She was to do nothing at all.
There was already this man in his post,
This in his station, and that in his office,
And the Duke's plan admitted a wife, at most,
To meet his eye, with the other trophies,
Now outside the hall, now in it,
To sit thus, stand thus, see and be seen,
At the proper place in the proper minute, 190
And die away the life between.
And it was amusing enough, each infraction
Of rule—(but for after-sadness that came)
To hear the consummate self-satisfaction
With which the young Duke and the old dame
Would let her advise, and criticise,
And, being a fool, instruct the wise,
And, child-like, parcel out praise or blame:
They bore it all in complacent guise,
As though an artificer, after contriving 200
A wheel-work image as if it were living,
Should find with delight it could motion to strike him!
So found the Duke, and his mother like him:
The lady hardly got a rebuff—
That had not been contemptuous enough,
With his cursed smirk, as he nodded applause,
And kept off the old mother-cat's claws.
IX
So, the little lady grew silent and thin,
Paling and ever paling,
As the way is with a hid chagrin; 210
And the Duke perceived that she was ailing,
And said in his heart, "'Tis done to spite me,
But I shall find in my power to right me!"
Don't swear, friend! The old one, many a year,
Is in hell, and the Duke's self... you shall hear.
X
Well, early in autumn, at first winter-warning,
When the stag had to break with his foot, of a morning,
A drinking-hole out of the fresh tender ice
That covered the pond till the sun, in a trice,
Loosening it, let out a ripple of gold, 220
And another and another, and faster and faster
Till, dimpling to blindness, the wide water rolled:
Then it so chanced that the Duke our master
Asked himself what were the pleasures in season,
And found, since the calendar bade him be hearty,
He should do the Middle Age no treason
In resolving on a hunting-party.
Always provided, old books showed the way of it!
What meant old poets by their strictures?
And when old poets had said their say of it, 230
How taught old painters in their pictures?
We must revert to the proper channels,
Workings in tapestry, paintings on panels,
And gather up woodcraft's authentic traditions:
Here was food for our various ambitions,
As on each case, exactly stated—
To encourage your dog, now, the properest chirrup
Or best prayer to Saint Hubert on mounting your stirrup—
We of the household took thought and debated.
Blessed was he whose back ached with the jerkin 240
His sire was wont to do forest-work in;
Blesseder he who nobly sunk "ohs"
And "ahs" while he tugged on his grandsire's trunk-hose;
What signified hats if they had no rims on,
Each slouching before and behind like the scallop,
And able to serve at sea for a shallop,
Loaded with lacquer and looped with crimson?
So that the deer now, to make a short rhyme on't,
What with our Venerers, Prickers and Verderers, 250
Might hope for real hunters at length and not murderers,
And oh the Duke's tailor, he had a hot time on't!
XI
Now you must know that when the first dizziness
Of flap-hats and buff-coats and jack-boots subsided,
The Duke put this question, "The Duke's part provided,
Had not the Duchess some share in the business?"
For out of the mouth of two or three witnesses
Did he establish all fit-or-unfitnesses:
And, after much laying of heads together,
Somebody's cap got a notable feather
By the announcement with proper unction 260
That he had discovered the lady's function;
Since ancient authors gave this tenet,
"When horns wind a mort and the deer is at siege,
Let the dame of the castle prick forth on her jennet,
And with water to wash the hands of her liege
In a clean ewer with a fair toweling,
Let her preside at the disemboweling."
Now, my friend, if you had so little religion
As to catch a hawk, some falcon-lanner,
And thrust her broad wings like a banner 270
Into a coop for a vulgar pigeon;
And if day by day and week by week
You cut her claws, and sealed her eyes,
And clipped her wings, and tied her beak,
Would it cause you any great surprise
If, when you decided to give her an airing,
You found she needed a little preparing?
—I say, should you be such a curmudgeon,
If she clung to the perch, as to take it in dudgeon?
Yet when the Duke to his lady signified, 280
Just a day before, as he judged most dignified,
In what a pleasure she was to participate,—
And, instead of leaping wide in flashes,
Her eyes just lifted their long lashes,
As if pressed by fatigue even he could not dissipate,
And duly acknowledged the Duke's fore-thought,
But spoke of her health, if her health were worth aught,
Of the weight by day and the watch by night,
And much wrong now that used to be right,
So, thanking him, declined the hunting— 290
Was conduct ever more affronting?
With all the ceremony settled—
With the towel ready, and the sewer
Polishing up his oldest ewer,
And the jennet pitched upon, a piebald,
Black-barred, cream-coated and pink eye-balled—
No wonder if the Duke was nettled!
And when she persisted nevertheless,—
Well, I suppose here's the time to confess
That there ran half round our lady's chamber 300
A balcony none of the hardest to clamber;
And that Jacynth the tire-woman, ready in waiting,
Stayed in call outside, what need of relating?
And since Jacynth was like a June rose, why, a fervent
Adorer of Jacynth of course was your servant;
And if she had the habit to peep through the casement,
How could I keep at any vast distance?
And so, as I say, on the lady's persistence,
The Duke, dumb-stricken with amazement,
Stood for a while in a sultry smother, 310
And then, with a smile that partook of the awful,
Turned her over to his yellow mother
To learn what was held decorous and lawful;
And the mother smelt blood with a cat-like instinct,
As her cheek quick whitened thro' all its quince-tinct.
Oh, but the lady heard the whole truth at once!
What meant she?—Who was she?—Her duty and station,
The wisdom of age and the folly of youth, at once,
Its decent regard and its fitting relation—
In brief, my friend, set all the devils in hell free 320
And turn them out to carouse in a belfry
And treat the priests to a fifty-part canon,
And then you may guess how that tongue of hers ran on!
Well, somehow or other it ended at last
And, licking her whiskers, out she passed;
And after her,—making (he hoped) a face
Like Emperor Nero or Sultan Saladin,
Stalked the Duke's self with the austere grace
Of ancient hero or modern paladin,
From door to staircase—oh such a solemn 330
Unbending of the vertebral column!
XII
However, at sunrise our company mustered;
And here was the huntsman bidding unkennel,
And there 'neath his bonnet the pricker blustered,
With feather dank as a bough of wet fennel;
For the court-yard walls were filled with fog
You might have cut as an axe chops a log—
Like so much wool for colour and bulkiness;
And out rode the Duke in a perfect sulkiness,
Since, before breakfast, a man feels but queasily 340
And a sinking at the lower abdomen
Begins the day with indifferent omen.
And lo, as he looked around uneasily,
The sun ploughed the fog up and drove it asunder
This way and that from the valley under;
And, looking through the court-yard arch,
Down in the valley, what should meet him
But a troop of Gipsies on their march?
No doubt with the annual gifts to greet him.
XIII
Now, in your land, Gipsies reach you, only 350
After reaching all lands beside;
North they go, South they go, trooping or lonely
And still, as they travel far and wide,
Catch they and keep now a trace here, a trace there,
That puts you in mind of a place here, a place there.
But with us, I believe they rise out of the ground,
And nowhere else, I take it, are found
With the earth-tint yet so freshly embrowned:
Born, no doubt, like insects which breed on
The very fruit they are meant to feed on. 360
For the earth-not a use to which they don't turn it,
The ore that grows in the mountain's womb,
Or the sand in the pits like a honeycomb,
They sift and soften it, bake it and burn it—
Whether they weld you, for instance, a snaffle
With side-bars never a brute can baffle;
Or a lock that's a puzzle of wards within wards;
Or, if your colt's fore-foot inclines to curve inwards,
Horseshoes they hammer which turn on a swivel
And won't allow the hoof to shrivel. 370
Then they cast bells like the shell of the winkle
That keep a stout heart in the ram with their tinkle;
But the sand-they pinch and pound it like otters;
Commend me to Gipsy glass-makers and potters!
Glasses they'll blow you, crystal-clear,
Where just a faint cloud of rose shall appear,
As if in pure water you dropped and let die
A bruised black-blooded mulberry;
And that other sort, their crowning pride,
With long white threads distinct inside, 380
Like the lake-flower's fibrous roots which dangle
Loose such a length and never tangle,
Where the bold sword-lily cuts the clear waters,
And the cup-lily couches with all the white daughters:
Such are the works they put their hand to,
The uses they turn and twist iron and sand to.
And these made the troop, which our Duke saw sally
Toward his castle from out of the valley,
Men and women, like new-hatched spiders,
Come out with the morning to greet our riders. 390
And up they wound till they reached the ditch,
Whereat all stopped save one, a witch
That I knew, as she hobbled from the group,
By her gait directly and her stoop,
I, whom Jacynth was used to importune
To let that same witch tell us our fortune.
The oldest Gipsy then above ground;
And, sure as the autumn season came round,
She paid us a visit for profit or pastime,
And every time, as she swore, for the last time. 400
And presently she was seen to sidle
Up to the Duke till she touched his bridle,
So that the horse of a sudden reared up
As under its nose the old witch peered up
With her worn-out eyes, or rather eye-holes
Of no use now but to gather brine,
And began a kind of level whine
Such as they used to sing to their viols
When their ditties they go grinding
Up and down with nobody minding 410
And then, as of old, at the end of the humming
Her usual presents were forthcoming
—A dog-whistle blowing the fiercest of trebles,
(Just a sea-shore stone holding a dozen fine pebbles)
Or a porcelain mouth-piece to screw on a pipe-end—
And so she awaited her annual stipend.
But this time, the Duke would scarcely vouchsafe
A word in reply; and in vain she felt
With twitching fingers at her belt
For the purse of sleek pine-martin pelt, 420
Ready to put what he gave in her pouch safe—
Till, either to quicken his apprehension,
Or possibly with an after-intention,
She was come, she said, to pay her duty
To the new Duchess, the youthful beauty.
No sooner had she named his lady,
Than a shine lit up the face so shady,
And its smirk returned with a novel meaning—
For it struck him, the babe just wanted weaning;
If one gave her a taste of what life was and sorrow, 430
She, foolish today, would be wiser tomorrow;
And who so fit a teacher of trouble
As this sordid crone bent well-nigh double?
So, glancing at her wolf-skin vesture,
(If such it was, for they grow so hirsute
That their own fleece serves for natural fur-suit)
He was contrasting, 'twas plain from his gesture,
The life of the lady so flower-like and delicate
With the loathsome squalor of this helicat.
I, in brief, was the man the Duke beckoned 440
From out of the throng, and while I drew near
He told the crone-as I since have reckoned
By the way he bent and spoke into her ear
With circumspection and mystery—
The main of the lady's history,
Her frowardness and ingratitude:
And for all the crone's submissive attitude
I could see round her mouth the loose plaits tightening,
And her brow with assenting intelligence brightening
As though she engaged with hearty goodwill 450
Whatever he now might enjoin to fulfil,
And promised the lady a thorough frightening.
And so, just giving her a glimpse
Of a purse, with the air of a man who imps
The wing of the hawk that shall fetch the hernshaw,
He bade me take the Gipsy mother
And set her telling some story or other
Of hill or dale, oak-wood or fernshaw,
To wile away a weary hour
For the lady left alone in her bower, 460
Whose mind and body craved exertion
And yet shrank from all better diversion.
XIV
Then clapping heel to his horse, the mere curveter,
Out rode the Duke, and after his hollo
Horses and hounds swept, huntsman and servitor,
And back I turned and bade the crone follow.
And what makes me confident what's to be told you
Had all along been of this crone's devising,
Is, that, on looking round sharply, behold you,
There was a novelty quick as surprising: 470
For first, she had shot up a full head in stature,
And her step kept pace with mine nor faltered,
As if age had foregone its usurpature,
And the ignoble mien was wholly altered,
And the face looked quite of another nature,
And the change reached too, whatever the change meant,
Her shaggy wolf-skin cloak's arrangement:
For where its tatters hung loose like sedges,
Gold coins were glittering on the edges,
Like the band-roll strung with tomans 480
Which proves the veil a Persian woman's:
And under her brow, like a snail's horns newly
Come out as after the rain he paces,
Two unmistakeable eye-points duly
Live and aware looked out of their places.
So, we went and found Jacynth at the entry
Of the lady's chamber standing sentry;
I told the command and produced my companion,
And Jacynth rejoiced to admit any one,
For since last night, by the same token, 490
Not a single word had the lady spoken:
They went in both to the presence together,
While I in the balcony watched the weather.
XV
And now, what took place at the very first of all,
I cannot tell, as I never could learn it:
Jacynth constantly wished a curse to fall
On that little head of hers and burn it
If she knew how she came to drop so soundly
Asleep of a sudden and there continue
The whole time sleeping as profoundly 500
As one of the boars my father would pin you
'Twixt the eyes where life holds garrison,
—Jacynth forgive me the comparison!
But where I begin my own narration
Is a little after I took my station
To breathe the fresh air from the balcony,
And, having in those days a falcon eye,
To follow the hunt thro' the open country,
From where the bushes thinlier crested
The hillocks, to a plain where's not one tree. 510
When, in a moment, my ear was arrested
By—was it singing, or was it saying,
Or a strange musical instrument playing
In the chamber?—and to be certain
I pushed the lattice, pulled the curtain,
And there lay Jacynth asleep,
Yet as if a watch she tried to keep,
In a rosy sleep along the floor
With her head against the door;
While in the midst, on the seat of state, 520
Was a queen-the Gipsy woman late,
With head and face downbent
On the lady's head and face intent:
For, coiled at her feet like a child at ease,
The lady sat between her knees
And o'er them the lady's clasped hands met,
And on those hands her chin was set,
And her upturned face met the face of the crone
Wherein the eyes had grown and grown
As if she could double and quadruple 530
At pleasure the play of either pupil
—Very like, by her hands' slow fanning,
As up and down like a gor-crow's flappers
They moved to measure, or bell-clappers.
I said, "Is it blessing, is it banning,
Do they applaud you or burlesque you—
Those hands and fingers with no flesh on?"
But, just as I thought to spring in to the rescue,
At once I was stopped by the lady's expression:
For it was life her eyes were drinking 540
From the crone's wide pair above unwinking,
—Life's pure fire received without shrinking,
Into the heart and breast whose heaving
Told you no single drop they were leaving,
—Life, that filling her, passed redundant
Into her very hair, back swerving
Over each shoulder, loose and abundant,
As her head thrown back showed the white throat curving;
And the very tresses shared in the pleasure,
Moving to the mystic measure, 550
Bounding as the bosom bounded.
I stopped short, more and more confounded,
As still her cheeks burned and eyes glistened,
As she listened and she listened:
When all at once a hand detained me,
The selfsame contagion gained me,
And I kept time to the wondrous chime,
Making out words and prose and rhyme,
Till it seemed that the music furled
Its wings like a task fulfilled, and dropped 560
From under the words it first had propped,
And left them midway in the world:
Word took word as hand takes hand
I could hear at last, and understand,
And when I held the unbroken thread,
The Gipsy said:
"And so at last we find my tribe.
And so I set thee in the midst,
And to one and all of them describe
What thou saidst and what thou didst, 570
Our long and terrible journey through,
And all thou art ready to say and do
In the trials that remain:
I trace them the vein and the other vein
That meet on thy brow and part again,
Making our rapid mystic mark;
And I bid my people prove and probe
Each eye's profound and glorious globe
Till they detect the kindred spark
In those depths so dear and dark, 580
Like the spots that snap and burst and flee,
Circling over the midnight sea.
And on that round young cheek of thine
I make them recognize the tinge,
As when of the costly scarlet wine
They drip so much as will impinge
And spread in a thinnest scale afloat
One thick gold drop from the olive's coat
Over a silver plate whose sheen
Still thro' the mixture shall be seen. 590
For so I prove thee, to one and all,
Fit, when my people ope their breast,
To see the sign, and hear the call,
And take the vow, and stand the test
Which adds one more child to the rest—
When the breast is bare and the arms are wide,
And the world is left outside.
For there is probation to decree,
And many and long must the trials be
Thou shalt victoriously endure, 600
If that brow is true and those eyes are sure;
Like a jewel-finder's fierce assay
Of the prize he dug from its mountain tomb—
Let once the vindicating ray
Leap out amid the anxious gloom,
And steel and fire have done their part
And the prize falls on its finder's heart;
So, trial after trial past,
Wilt thou fall at the very last
Breathless, half in trance 610
With the thrill of the great deliverance,
Into our arms for evermore;
And thou shalt know, those arms once curled
About thee, what we knew before,
How love is the only good in the world.
Henceforth be loved as heart can love,
Or brain devise, or hand approve!
Stand up, look below,
It is our life at thy feet we throw
To step with into light and joy; 620
Not a power of life but we employ
To satisfy thy nature's want;
Art thou the tree that props the plant,
Or the climbing plant that seeks the tree—
Canst thou help us, must we help thee?
If any two creatures grew into one,
They would do more than the world has done:
Though each apart were never so weak,
Ye vainly through the world should seek
For the knowledge and the might 630
Which in such union grew their right:
So, to approach at least that end,
And blend,—as much as may be, blend
Thee with us or us with thee—
As climbing plant or propping tree,
Shall some one deck thee, over and down,
Up and about, with blossoms and leaves?
Fix his heart's fruit for thy garland-crown,
Cling with his soul as the gourd-vine cleaves,
Die on thy boughs and disappear 640
While not a leaf of thine is sere?
Or is the other fate in store,
And art thou fitted to adore,
To give thy wondrous self away,
And take a stronger nature's sway?
I foresee and could foretell
Thy future portion, sure and well:
But those passionate eyes speak true, speak true,
Let them say what thou shalt do!
Only be sure thy daily life, 650
In its peace or in its strife,
Never shall be unobserved;
We pursue thy whole career,
And hope for it, or doubt, or fear—
Lo, hast thou kept thy path or swerved,
We are beside thee in all thy ways,
With our blame, with our praise,
Our shame to feel, our pride to show,
Glad, angry—but indifferent, no!
Whether it be thy lot to go, 660
For the good of us all, where the haters meet
In the crowded city's horrible street;
Or thou step alone through the morass
Where never sound yet was
Save the dry quick clap of the stork's bill,
For the air is still, and the water still,
When the blue breast of the dipping coot
Dives under, and all is mute.
So, at the last shall come old age,
Decrepit as befits that stage; 670
How else wouldst thou retire apart
With the hoarded memories of thy heart,
And gather all to the very least
Of the fragments of life's earlier feast,
Let fall through eagerness to find
The crowning dainties yet behind?
Ponder on the entire past
Laid together thus at last,
When the twilight helps to fuse
The first fresh with the faded hues, 680
And the outline of the whole,
As round eve's shades their framework roll,
Grandly fronts for once thy soul.
And then as, 'mid the dark, a gleam
Of yet another morning breaks,
And like the hand which ends a dream,
Death, with the might of his sunbeam,
Touches the flesh and the soul awakes,
Then—"
Ay, then indeed something would happen!
But what? For here her voice changed like a bird's; 690
There grew more of the music and less of the words;
Had Jacynth only been by me to clap pen
To paper and put you down every syllable
With those clever clerkly fingers,
All I've forgotten as well as what lingers
In this old brain of mine that's but ill able
To give you even this poor version
Of the speech I spoil, as it were, with stammering
—More fault of those who had the hammering
Of prosody into me and syntax 700
And did it, not with hobnails but tintacks!
But to return from this excursion—
Just, do you mark, when the song was sweetest,
The peace most deep and the charm completest,
There came, shall I say, a snap—
And the charm vanished!
And my sense returned, so strangely banished,
And, starting as from a nap,
I knew the crone was bewitching my lady,
With Jacynth asleep; and but one spring made I 710
Down from the casement, round to the portal,
Another minute and I had entered—
When the door opened, and more than mortal
Stood, with a face where to my mind centred
All beauties I ever saw or shall see,
The Duchess: I stopped as if struck by palsy.
She was so different, happy and beautiful,
I felt at once that all was best,
And that I had nothing to do, for the rest
But wait her commands, obey and be dutiful. 720
Not that, in fact, there was any commanding;
I saw the glory of her eye,
And the brow's height and the breast's expanding,
And I was hers to live or to die.
As for finding what she wanted,
You know God Almighty granted
Such little signs should serve wild creatures
To tell one another all their desires,
So that each knows what his friend requires,
And does its bidding without teachers. 730
I preceded her; the crone
Followed silent and alone;
I spoke to her, but she merely jabbered
In the old style; both her eyes had slunk
Back to their pits; her stature shrunk;
In short, the soul in its body sunk
Like a blade sent home to its scabbard.
We descended, I preceding;
Crossed the court with nobody heeding;
All the world was at the chase, 740
The courtyard like a desert-place,
The stable emptied of its small fry;
I saddled myself the very palfrey
I remember patting while it carried her,
The day she arrived and the Duke married her.
And, do you know, though it's easy deceiving
Oneself in such matters, I can't help believing
The lady had not forgotten it either,
And knew the poor devil so much beneath her
Would have been only too glad for her service 750
To dance on hot ploughshares like a Turk dervise,
But, unable to pay proper duty where owing
Was reduced to that pitiful method of showing it:
For though the moment I began setting
His saddle on my own nag of Berold's begetting,
(Not that I meant to be obtrusive)
She stopped me, while his rug was shifting,
By a single rapid finger's lifting,
And, with a gesture kind but conclusive,
And a little shake of the head, refused me— 760
I say, although she never used me,
Yet when she was mounted, the Gipsy behind her,
And I ventured to remind her
I suppose with a voice of less steadiness
Than usual, for my feeling exceeded me,
—Something to the effect that I was in readiness
Whenever God should please she needed me—
Then, do you know, her face looked down on me
With a look that placed a crown on me,
And she felt in her bosom—mark, her bosom— 770
And, as a flower-tree drops its blossom,
Dropped me... ah, had it been a purse
Of silver, my friend, or gold that's worse,
Why, you see, as soon as I found myself
So understood,—that a true heart so may gain
Such a reward,—I should have gone home again,
Kissed Jacynth, and soberly drowned myself!
It was a little plait of hair
Such as friends in a convent make
To wear, each for the other's sake— 780
This, see, which at my breast I wear,
Ever did (rather to Jacynth's grudgment),
And ever shall, till the Day of Judgment.
And then-and then—to cut short—this is idle,
These are feelings it is not good to foster—
I pushed the gate wide, she shook the bridle,
And the palfrey bounded—and so we lost her.
XVI
When the liquor's out why clink the cannikin?
I did think to describe you the panic in
The redoubtable breast of our master the mannikin, 790
And what was the pitch of his mother's yellowness,
How she turned as a shark to snap the spare-rib
Clean off, sailors say, from a pearl-diving Carib,
When she heard, what she called the flight of the feloness
—But it seems such child's play,
What they said and did with the lady away!
And to dance on, when we've lost the music,
Always made me—and no doubt makes you—sick.
Nay, to my mind, the world's face looked so stern
As that sweet form disappeared through the postern, 800
She that kept it in constant good humour,
It ought to have stopped; there seemed nothing to do more.
But the world thought otherwise and went on,
And my head's one that its spite was spent on:
Thirty years are fled since that morning,
And with them all my head's adorning.
Nor did the old Duchess die outright,
As you expect, of suppressed spite,
The natural end of every adder
Not suffered to empty its poison-bladder: 810
But she and her son agreed, I take it,
That no one should touch on the story to wake it,
For the wound in the Duke's pride rankled fiery,
So, they made no search and small inquiry—
And when fresh Gipsies have paid us a visit, I've
Notice the couple were never inquisitive,
But told them they're folks the Duke don't want here,
And bade them make haste and cross the frontier.
Brief, the Duchess was gone and the Duke was glad of it,
And the old one was in the young one's stead, 820
And took, in her place, the household's head,
And a blessed time the household had of it!
And were I not, as a man may say, cautious
How I trench, more than needs, on the nauseous,
I could favour you with sundry touches
Of the paint-smutches with which the Duchess
Heightened the mellowness of her cheek's yellowness
(To get on faster) until at last her
Cheek grew to be one master-plaster
Of mucus and fucus from mere use of ceruse: 830
In short, she grew from scalp to udder
Just the object to make you shudder.
XVII
You're my friend—
What a thing friendship is, world without end!
How it gives the heart and soul a stir-up
As if somebody broached you a glorious runlet,
And poured out, all lovelily, sparklingly, sunlit,
Our green Moldavia, the streaky syrup,
Cotnar as old as the time of the Druids—
Friendship may match with that monarch of fluids; 840
Each supples a dry brain, fills you its ins-and-outs,
Gives your life's hour-glass a shake when the thin sand doubts
Whether to run on or stop short, and guarantees
Age is not all made of stark sloth and arrant ease.
I have seen my little lady once more,
Jacynth, the Gipsy, Berold, and the rest of it,
For to me spoke the Duke, as I told you before;
I always wanted to make a clean breast of it:
And now it is made-why, my heart's blood, that went trickle,
Trickle, but anon, in such muddy driblets, 850
Is pumped up brisk now, through the main ventricle,
And genially floats me about the giblets.
I'll tell you what I intend to do:
I must see this fellow his sad life through—
He is our Duke, after all,
And I, as he says, but a serf and thrall.
My father was born here, and I inherit
His fame, a chain he bound his son with;
Could I pay in a lump I should prefer it,
But there's no mine to blow up and get done with: 860
So, I must stay till the end of the chapter.
For, as to our middle-age-manners-adapter,
Be it a thing to be glad on or sorry on,
Some day or other, his head in a morion
And breast in a hauberk, his heels he'll kick up,
Slain by an onslaught fierce of hiccup.
And then, when red doth the sword of our Duke rust,
And its leathern sheath lie o'ergrown with a blue crust,
Then I shall scrape together my earnings;
For, you see, in the churchyard Jacynth reposes, 870
And our children all went the way of the roses:
It's a long lane that knows no turnings.
One needs but little tackle to travel in;
So, just one stout cloak shall I indue:
And for a staff, what beats the javelin
With which his boars my father pinned you?
And then, for a purpose you shall hear presently,
Taking some Cotnar, a tight plump skinful,
I shall go journeying, who but I, pleasantly!
Sorrow is vain and despondency sinful. 880
What's a man's age? He must hurry more, that's all;
Cram in a day, what his youth took a year to hold:
When we mind labour, then only, we're too old—
What age had Methusalem when he begat Saul?
And at last, as its haven some buffeted ship sees,
(Come all the way from the north-parts with sperm oil)
I hope to get safely out of the turmoil
And arrive one day at the land of the Gipsies,
And find my lady, or hear the last news of her
From some old thief and son of Lucifer, 890
His forehead chapleted green with wreathy hop,
Sunburned all over like an AEthiop.
And when my Cotnar begins to operate
And the tongue of the rogue to run at a proper rate,
And our wine-skin, tight once, shows each flaccid dent,
I shall drop in with—as if by accident—
"You never knew, then, how it all ended,
What fortune good or bad attended
The little lady your Queen befriended?"
—And when that's told me, what's remaining? 900
This world's too hard for my explaining.
The same wise judge of matters equine
Who still preferred some slim four-year-old
To the big-boned stock of mighty Berold
And, for strong Cotnar, drank French weak wine,
He also must be such a lady's scorner!
Smooth Jacob still robs homely Esau:
Now up, now down, the world's one see-saw.
—So, I shall find out some snug corner
Under a hedge, like Orson the wood-knight, 910
Turn myself round and bid the world good night;
And sleep a sound sleep till the trumpet blowing
Wakes me (unless priests cheat us laymen)
To a world where will be no further throwing
Pearls before swine that can't value them. Amen!
NOTES:
"The Flight of the Duchess." A story of the triumph of a
free and loving life over a cold and conventional one.
The duke's huntsman frees his mind to his friend as to his
part in the escape of the gladsome, ardent young duchess
from the blighting yoke of a husband whose life consisted
in imitating defunct mediaeval customs. An old gipsy is
the agency that awakens her to the joy and freedom of
love. Her mystic chant and charm claim the duchess as
the true heir of gipsy blood, thrill her with life, half-hypnotize
the huntsman, too, and seem to transform the gipsy
crone herself into an Eastern queen. He helps them off,
and looks for no better future, when the duke's death releases
him, than to travel to the land of the gipsies and hear the last
news of his lady.
The poem grew from the fancies aroused in the poet's
heart by the snatch of a woman's song he overheard when
a boy—"Following the Queen of the Gipsies, O!"
You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!
II
Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed, 10
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country, 20
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore 30
—And the whole is our Duke's country.
III
I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay, 40
Three times, four times out of five,
With his huntspear he'd contrive
To get the killing-place transfixed,
And pin him true, both eyes betwixt?
And that's why the old Duke would rather
He lost a salt-pit than my father,
And loved to have him ever in call;
That's why my father stood in the hall
When the old Duke brought his infant out
To show the people, and while they passed 50
The wondrous bantling round about,
Was first to start at the outside blast
As the Kaiser's courier blew his horn
Just a month after the babe was born.
"And," quoth the Kaiser's courier," since
The Duke has got an heir, our Prince
Needs the Duke's self at his side:"
The Duke looked down and seemed to wince,
But he thought of wars o'er the world wide,
Castles a-fire, men on their march, 60
The toppling tower, the crashing arch;
And up he looked, and awhile he eyed
The row of crests and shields and banners
Of all achievements after all manners,
And "ay," said the Duke with a surly pride.
The more was his comfort when he died
At next year's end, in a velvet suit,
With a gilt glove on his hand, his foot
In a silken shoe for a leather boot,
Petticoated like a herald, 70
In a chamber next to an ante-room,
Where he breathed the breath of page and groom,
What he called stink, and they, perfume:
—They should have set him on red Berold
Mad with pride, like fire to manage!
They should have got his cheek fresh tannage
Such a day as to-day in the merry sunshine!
Had they stuck on his fist a rough-foot merlin!
(Hark, the wind's on the heath at its game!
Oh for a noble falcon-lanner 80
To flap each broad wing like a banner,
And turn in the wind, and dance like flame!)
Had they broached a white-beer cask from Berlin
—Or if you incline to prescribe mere wine
Put to his lips, when they saw him pine,
A cup of our own Moldavia fine,
Cotnar for instance, green as May sorrel
And ropy with sweet—we shall not quarrel.
IV
So, at home, the sick tall yellow Duchess
Was left with the infant in her clutches, 90
She being the daughter of God knows who:
And now was the time to revisit her tribe.
Abroad and afar they went, the two,
And let our people rail and gibe
At the empty hall and extinguished fire,
As loud as we liked, but ever in vain,
Till after long years we had our desire,
And back came the Duke and his mother again.
V
And he came back the pertest little ape
That ever affronted human shape; 100
Full of his travel, struck at himself.
You'd say, he despised our bluff old ways?
—Not he! For in Paris they told the elf
Our rough North land was the Land of Lays,
The one good thing left in evil days;
Since the Mid-Age was the Heroic Time,
And only in wild nooks like ours
Could you taste of it yet as in its prime,
And see true castles, with proper towers,
Young-hearted women, old-minded men, 110
And manners now as manners were then.
So, all that the old Dukes had been, without knowing it,
This Duke would fain know he was, without being it;
'Twas not for the joy's self, but the joy of his showing it,
Nor for the pride's self, but the pride of our seeing it,
He revived all usages thoroughly worn-out,
The souls of them fumed-forth, the hearts of them torn-out:
And chief in the chase his neck he perilled
On a lathy horse, all legs and length,
With blood for bone, all speed, no strength; 120
—They should have set him on red Berold
With the red eye slow consuming in fire,
And the thin stiff ear like an abbey-spire!
VI
Well, such as he was, he must marry, we heard:
And out of a convent, at the word,
Came the lady, in time of spring.
—Oh, old thoughts they cling, they cling!
That day, I know, with a dozen oaths
I clad myself in thick hunting-clothes
Fit for the chase of urochs or buffle 130
In winter-time when you need to muffle.
But the Duke had a mind we should cut a figure,
And so we saw the lady arrive:
My friend, I have seen a white crane bigger!
She was the smallest lady alive,
Made in a piece of nature's madness,
Too small, almost, for the life and gladness
That over-filled her, as some hive
Out of the bears' reach on the high trees
Is crowded with its safe merry bees: 140
In truth, she was not hard to please!
Up she looked, down she looked, round at the mead,
Straight at the castle, that's best indeed
To look at from outside the walls:
As for us, styled the "serfs and thralls,"
She as much thanked me as if she had said it,
(With her eyes, do you understand?)
Because I patted her horse while I led it;
And Max, who rode on her other hand,
Said, no bird flew past but she inquired 150
What its true name was, nor ever seemed tired—
If that was an eagle she saw hover,
And the green and grey bird on the field was the plover.
When suddenly appeared the Duke:
And as down she sprung, the small foot pointed
On to my hand,—as with a rebuke,
And as if his backbone were not jointed,
The Duke stepped rather aside than forward
And welcomed her with his grandest smile;
And, mind you, his mother all the while 160
Chilled in the rear, like a wind to Nor'ward;
And up, like a weary yawn, with its pullies
Went, in a shriek, the rusty portcullis;
And, like a glad sky the north-wind sullies,
The lady's face stopped its play,
As if her first hair had grown grey;
For such things must begin some one day.
VII
In a day or two she was well again;
As who should say, "You labour in vain!
This is all a jest against God, who meant 170
I should ever be, as I am, content
And glad in his sight; therefore, glad I will be."
So, smiling as at first went she.
VIII
She was active, stirring, all fire—
Could not rest, could not tire—
To a stone she might have given life!
(I myself loved once, in my day)
—For a shepherd's, miner's, huntsman's wife,
(I had a wife, I know what I say)
Never in all the world such an one! 180
And here was plenty to be done,
And she that could do it, great or small,
She was to do nothing at all.
There was already this man in his post,
This in his station, and that in his office,
And the Duke's plan admitted a wife, at most,
To meet his eye, with the other trophies,
Now outside the hall, now in it,
To sit thus, stand thus, see and be seen,
At the proper place in the proper minute, 190
And die away the life between.
And it was amusing enough, each infraction
Of rule—(but for after-sadness that came)
To hear the consummate self-satisfaction
With which the young Duke and the old dame
Would let her advise, and criticise,
And, being a fool, instruct the wise,
And, child-like, parcel out praise or blame:
They bore it all in complacent guise,
As though an artificer, after contriving 200
A wheel-work image as if it were living,
Should find with delight it could motion to strike him!
So found the Duke, and his mother like him:
The lady hardly got a rebuff—
That had not been contemptuous enough,
With his cursed smirk, as he nodded applause,
And kept off the old mother-cat's claws.
IX
So, the little lady grew silent and thin,
Paling and ever paling,
As the way is with a hid chagrin; 210
And the Duke perceived that she was ailing,
And said in his heart, "'Tis done to spite me,
But I shall find in my power to right me!"
Don't swear, friend! The old one, many a year,
Is in hell, and the Duke's self... you shall hear.
X
Well, early in autumn, at first winter-warning,
When the stag had to break with his foot, of a morning,
A drinking-hole out of the fresh tender ice
That covered the pond till the sun, in a trice,
Loosening it, let out a ripple of gold, 220
And another and another, and faster and faster
Till, dimpling to blindness, the wide water rolled:
Then it so chanced that the Duke our master
Asked himself what were the pleasures in season,
And found, since the calendar bade him be hearty,
He should do the Middle Age no treason
In resolving on a hunting-party.
Always provided, old books showed the way of it!
What meant old poets by their strictures?
And when old poets had said their say of it, 230
How taught old painters in their pictures?
We must revert to the proper channels,
Workings in tapestry, paintings on panels,
And gather up woodcraft's authentic traditions:
Here was food for our various ambitions,
As on each case, exactly stated—
To encourage your dog, now, the properest chirrup
Or best prayer to Saint Hubert on mounting your stirrup—
We of the household took thought and debated.
Blessed was he whose back ached with the jerkin 240
His sire was wont to do forest-work in;
Blesseder he who nobly sunk "ohs"
And "ahs" while he tugged on his grandsire's trunk-hose;
What signified hats if they had no rims on,
Each slouching before and behind like the scallop,
And able to serve at sea for a shallop,
Loaded with lacquer and looped with crimson?
So that the deer now, to make a short rhyme on't,
What with our Venerers, Prickers and Verderers, 250
Might hope for real hunters at length and not murderers,
And oh the Duke's tailor, he had a hot time on't!
XI
Now you must know that when the first dizziness
Of flap-hats and buff-coats and jack-boots subsided,
The Duke put this question, "The Duke's part provided,
Had not the Duchess some share in the business?"
For out of the mouth of two or three witnesses
Did he establish all fit-or-unfitnesses:
And, after much laying of heads together,
Somebody's cap got a notable feather
By the announcement with proper unction 260
That he had discovered the lady's function;
Since ancient authors gave this tenet,
"When horns wind a mort and the deer is at siege,
Let the dame of the castle prick forth on her jennet,
And with water to wash the hands of her liege
In a clean ewer with a fair toweling,
Let her preside at the disemboweling."
Now, my friend, if you had so little religion
As to catch a hawk, some falcon-lanner,
And thrust her broad wings like a banner 270
Into a coop for a vulgar pigeon;
And if day by day and week by week
You cut her claws, and sealed her eyes,
And clipped her wings, and tied her beak,
Would it cause you any great surprise
If, when you decided to give her an airing,
You found she needed a little preparing?
—I say, should you be such a curmudgeon,
If she clung to the perch, as to take it in dudgeon?
Yet when the Duke to his lady signified, 280
Just a day before, as he judged most dignified,
In what a pleasure she was to participate,—
And, instead of leaping wide in flashes,
Her eyes just lifted their long lashes,
As if pressed by fatigue even he could not dissipate,
And duly acknowledged the Duke's fore-thought,
But spoke of her health, if her health were worth aught,
Of the weight by day and the watch by night,
And much wrong now that used to be right,
So, thanking him, declined the hunting— 290
Was conduct ever more affronting?
With all the ceremony settled—
With the towel ready, and the sewer
Polishing up his oldest ewer,
And the jennet pitched upon, a piebald,
Black-barred, cream-coated and pink eye-balled—
No wonder if the Duke was nettled!
And when she persisted nevertheless,—
Well, I suppose here's the time to confess
That there ran half round our lady's chamber 300
A balcony none of the hardest to clamber;
And that Jacynth the tire-woman, ready in waiting,
Stayed in call outside, what need of relating?
And since Jacynth was like a June rose, why, a fervent
Adorer of Jacynth of course was your servant;
And if she had the habit to peep through the casement,
How could I keep at any vast distance?
And so, as I say, on the lady's persistence,
The Duke, dumb-stricken with amazement,
Stood for a while in a sultry smother, 310
And then, with a smile that partook of the awful,
Turned her over to his yellow mother
To learn what was held decorous and lawful;
And the mother smelt blood with a cat-like instinct,
As her cheek quick whitened thro' all its quince-tinct.
Oh, but the lady heard the whole truth at once!
What meant she?—Who was she?—Her duty and station,
The wisdom of age and the folly of youth, at once,
Its decent regard and its fitting relation—
In brief, my friend, set all the devils in hell free 320
And turn them out to carouse in a belfry
And treat the priests to a fifty-part canon,
And then you may guess how that tongue of hers ran on!
Well, somehow or other it ended at last
And, licking her whiskers, out she passed;
And after her,—making (he hoped) a face
Like Emperor Nero or Sultan Saladin,
Stalked the Duke's self with the austere grace
Of ancient hero or modern paladin,
From door to staircase—oh such a solemn 330
Unbending of the vertebral column!
XII
However, at sunrise our company mustered;
And here was the huntsman bidding unkennel,
And there 'neath his bonnet the pricker blustered,
With feather dank as a bough of wet fennel;
For the court-yard walls were filled with fog
You might have cut as an axe chops a log—
Like so much wool for colour and bulkiness;
And out rode the Duke in a perfect sulkiness,
Since, before breakfast, a man feels but queasily 340
And a sinking at the lower abdomen
Begins the day with indifferent omen.
And lo, as he looked around uneasily,
The sun ploughed the fog up and drove it asunder
This way and that from the valley under;
And, looking through the court-yard arch,
Down in the valley, what should meet him
But a troop of Gipsies on their march?
No doubt with the annual gifts to greet him.
XIII
Now, in your land, Gipsies reach you, only 350
After reaching all lands beside;
North they go, South they go, trooping or lonely
And still, as they travel far and wide,
Catch they and keep now a trace here, a trace there,
That puts you in mind of a place here, a place there.
But with us, I believe they rise out of the ground,
And nowhere else, I take it, are found
With the earth-tint yet so freshly embrowned:
Born, no doubt, like insects which breed on
The very fruit they are meant to feed on. 360
For the earth-not a use to which they don't turn it,
The ore that grows in the mountain's womb,
Or the sand in the pits like a honeycomb,
They sift and soften it, bake it and burn it—
Whether they weld you, for instance, a snaffle
With side-bars never a brute can baffle;
Or a lock that's a puzzle of wards within wards;
Or, if your colt's fore-foot inclines to curve inwards,
Horseshoes they hammer which turn on a swivel
And won't allow the hoof to shrivel. 370
Then they cast bells like the shell of the winkle
That keep a stout heart in the ram with their tinkle;
But the sand-they pinch and pound it like otters;
Commend me to Gipsy glass-makers and potters!
Glasses they'll blow you, crystal-clear,
Where just a faint cloud of rose shall appear,
As if in pure water you dropped and let die
A bruised black-blooded mulberry;
And that other sort, their crowning pride,
With long white threads distinct inside, 380
Like the lake-flower's fibrous roots which dangle
Loose such a length and never tangle,
Where the bold sword-lily cuts the clear waters,
And the cup-lily couches with all the white daughters:
Such are the works they put their hand to,
The uses they turn and twist iron and sand to.
And these made the troop, which our Duke saw sally
Toward his castle from out of the valley,
Men and women, like new-hatched spiders,
Come out with the morning to greet our riders. 390
And up they wound till they reached the ditch,
Whereat all stopped save one, a witch
That I knew, as she hobbled from the group,
By her gait directly and her stoop,
I, whom Jacynth was used to importune
To let that same witch tell us our fortune.
The oldest Gipsy then above ground;
And, sure as the autumn season came round,
She paid us a visit for profit or pastime,
And every time, as she swore, for the last time. 400
And presently she was seen to sidle
Up to the Duke till she touched his bridle,
So that the horse of a sudden reared up
As under its nose the old witch peered up
With her worn-out eyes, or rather eye-holes
Of no use now but to gather brine,
And began a kind of level whine
Such as they used to sing to their viols
When their ditties they go grinding
Up and down with nobody minding 410
And then, as of old, at the end of the humming
Her usual presents were forthcoming
—A dog-whistle blowing the fiercest of trebles,
(Just a sea-shore stone holding a dozen fine pebbles)
Or a porcelain mouth-piece to screw on a pipe-end—
And so she awaited her annual stipend.
But this time, the Duke would scarcely vouchsafe
A word in reply; and in vain she felt
With twitching fingers at her belt
For the purse of sleek pine-martin pelt, 420
Ready to put what he gave in her pouch safe—
Till, either to quicken his apprehension,
Or possibly with an after-intention,
She was come, she said, to pay her duty
To the new Duchess, the youthful beauty.
No sooner had she named his lady,
Than a shine lit up the face so shady,
And its smirk returned with a novel meaning—
For it struck him, the babe just wanted weaning;
If one gave her a taste of what life was and sorrow, 430
She, foolish today, would be wiser tomorrow;
And who so fit a teacher of trouble
As this sordid crone bent well-nigh double?
So, glancing at her wolf-skin vesture,
(If such it was, for they grow so hirsute
That their own fleece serves for natural fur-suit)
He was contrasting, 'twas plain from his gesture,
The life of the lady so flower-like and delicate
With the loathsome squalor of this helicat.
I, in brief, was the man the Duke beckoned 440
From out of the throng, and while I drew near
He told the crone-as I since have reckoned
By the way he bent and spoke into her ear
With circumspection and mystery—
The main of the lady's history,
Her frowardness and ingratitude:
And for all the crone's submissive attitude
I could see round her mouth the loose plaits tightening,
And her brow with assenting intelligence brightening
As though she engaged with hearty goodwill 450
Whatever he now might enjoin to fulfil,
And promised the lady a thorough frightening.
And so, just giving her a glimpse
Of a purse, with the air of a man who imps
The wing of the hawk that shall fetch the hernshaw,
He bade me take the Gipsy mother
And set her telling some story or other
Of hill or dale, oak-wood or fernshaw,
To wile away a weary hour
For the lady left alone in her bower, 460
Whose mind and body craved exertion
And yet shrank from all better diversion.
XIV
Then clapping heel to his horse, the mere curveter,
Out rode the Duke, and after his hollo
Horses and hounds swept, huntsman and servitor,
And back I turned and bade the crone follow.
And what makes me confident what's to be told you
Had all along been of this crone's devising,
Is, that, on looking round sharply, behold you,
There was a novelty quick as surprising: 470
For first, she had shot up a full head in stature,
And her step kept pace with mine nor faltered,
As if age had foregone its usurpature,
And the ignoble mien was wholly altered,
And the face looked quite of another nature,
And the change reached too, whatever the change meant,
Her shaggy wolf-skin cloak's arrangement:
For where its tatters hung loose like sedges,
Gold coins were glittering on the edges,
Like the band-roll strung with tomans 480
Which proves the veil a Persian woman's:
And under her brow, like a snail's horns newly
Come out as after the rain he paces,
Two unmistakeable eye-points duly
Live and aware looked out of their places.
So, we went and found Jacynth at the entry
Of the lady's chamber standing sentry;
I told the command and produced my companion,
And Jacynth rejoiced to admit any one,
For since last night, by the same token, 490
Not a single word had the lady spoken:
They went in both to the presence together,
While I in the balcony watched the weather.
XV
And now, what took place at the very first of all,
I cannot tell, as I never could learn it:
Jacynth constantly wished a curse to fall
On that little head of hers and burn it
If she knew how she came to drop so soundly
Asleep of a sudden and there continue
The whole time sleeping as profoundly 500
As one of the boars my father would pin you
'Twixt the eyes where life holds garrison,
—Jacynth forgive me the comparison!
But where I begin my own narration
Is a little after I took my station
To breathe the fresh air from the balcony,
And, having in those days a falcon eye,
To follow the hunt thro' the open country,
From where the bushes thinlier crested
The hillocks, to a plain where's not one tree. 510
When, in a moment, my ear was arrested
By—was it singing, or was it saying,
Or a strange musical instrument playing
In the chamber?—and to be certain
I pushed the lattice, pulled the curtain,
And there lay Jacynth asleep,
Yet as if a watch she tried to keep,
In a rosy sleep along the floor
With her head against the door;
While in the midst, on the seat of state, 520
Was a queen-the Gipsy woman late,
With head and face downbent
On the lady's head and face intent:
For, coiled at her feet like a child at ease,
The lady sat between her knees
And o'er them the lady's clasped hands met,
And on those hands her chin was set,
And her upturned face met the face of the crone
Wherein the eyes had grown and grown
As if she could double and quadruple 530
At pleasure the play of either pupil
—Very like, by her hands' slow fanning,
As up and down like a gor-crow's flappers
They moved to measure, or bell-clappers.
I said, "Is it blessing, is it banning,
Do they applaud you or burlesque you—
Those hands and fingers with no flesh on?"
But, just as I thought to spring in to the rescue,
At once I was stopped by the lady's expression:
For it was life her eyes were drinking 540
From the crone's wide pair above unwinking,
—Life's pure fire received without shrinking,
Into the heart and breast whose heaving
Told you no single drop they were leaving,
—Life, that filling her, passed redundant
Into her very hair, back swerving
Over each shoulder, loose and abundant,
As her head thrown back showed the white throat curving;
And the very tresses shared in the pleasure,
Moving to the mystic measure, 550
Bounding as the bosom bounded.
I stopped short, more and more confounded,
As still her cheeks burned and eyes glistened,
As she listened and she listened:
When all at once a hand detained me,
The selfsame contagion gained me,
And I kept time to the wondrous chime,
Making out words and prose and rhyme,
Till it seemed that the music furled
Its wings like a task fulfilled, and dropped 560
From under the words it first had propped,
And left them midway in the world:
Word took word as hand takes hand
I could hear at last, and understand,
And when I held the unbroken thread,
The Gipsy said:
"And so at last we find my tribe.
And so I set thee in the midst,
And to one and all of them describe
What thou saidst and what thou didst, 570
Our long and terrible journey through,
And all thou art ready to say and do
In the trials that remain:
I trace them the vein and the other vein
That meet on thy brow and part again,
Making our rapid mystic mark;
And I bid my people prove and probe
Each eye's profound and glorious globe
Till they detect the kindred spark
In those depths so dear and dark, 580
Like the spots that snap and burst and flee,
Circling over the midnight sea.
And on that round young cheek of thine
I make them recognize the tinge,
As when of the costly scarlet wine
They drip so much as will impinge
And spread in a thinnest scale afloat
One thick gold drop from the olive's coat
Over a silver plate whose sheen
Still thro' the mixture shall be seen. 590
For so I prove thee, to one and all,
Fit, when my people ope their breast,
To see the sign, and hear the call,
And take the vow, and stand the test
Which adds one more child to the rest—
When the breast is bare and the arms are wide,
And the world is left outside.
For there is probation to decree,
And many and long must the trials be
Thou shalt victoriously endure, 600
If that brow is true and those eyes are sure;
Like a jewel-finder's fierce assay
Of the prize he dug from its mountain tomb—
Let once the vindicating ray
Leap out amid the anxious gloom,
And steel and fire have done their part
And the prize falls on its finder's heart;
So, trial after trial past,
Wilt thou fall at the very last
Breathless, half in trance 610
With the thrill of the great deliverance,
Into our arms for evermore;
And thou shalt know, those arms once curled
About thee, what we knew before,
How love is the only good in the world.
Henceforth be loved as heart can love,
Or brain devise, or hand approve!
Stand up, look below,
It is our life at thy feet we throw
To step with into light and joy; 620
Not a power of life but we employ
To satisfy thy nature's want;
Art thou the tree that props the plant,
Or the climbing plant that seeks the tree—
Canst thou help us, must we help thee?
If any two creatures grew into one,
They would do more than the world has done:
Though each apart were never so weak,
Ye vainly through the world should seek
For the knowledge and the might 630
Which in such union grew their right:
So, to approach at least that end,
And blend,—as much as may be, blend
Thee with us or us with thee—
As climbing plant or propping tree,
Shall some one deck thee, over and down,
Up and about, with blossoms and leaves?
Fix his heart's fruit for thy garland-crown,
Cling with his soul as the gourd-vine cleaves,
Die on thy boughs and disappear 640
While not a leaf of thine is sere?
Or is the other fate in store,
And art thou fitted to adore,
To give thy wondrous self away,
And take a stronger nature's sway?
I foresee and could foretell
Thy future portion, sure and well:
But those passionate eyes speak true, speak true,
Let them say what thou shalt do!
Only be sure thy daily life, 650
In its peace or in its strife,
Never shall be unobserved;
We pursue thy whole career,
And hope for it, or doubt, or fear—
Lo, hast thou kept thy path or swerved,
We are beside thee in all thy ways,
With our blame, with our praise,
Our shame to feel, our pride to show,
Glad, angry—but indifferent, no!
Whether it be thy lot to go, 660
For the good of us all, where the haters meet
In the crowded city's horrible street;
Or thou step alone through the morass
Where never sound yet was
Save the dry quick clap of the stork's bill,
For the air is still, and the water still,
When the blue breast of the dipping coot
Dives under, and all is mute.
So, at the last shall come old age,
Decrepit as befits that stage; 670
How else wouldst thou retire apart
With the hoarded memories of thy heart,
And gather all to the very least
Of the fragments of life's earlier feast,
Let fall through eagerness to find
The crowning dainties yet behind?
Ponder on the entire past
Laid together thus at last,
When the twilight helps to fuse
The first fresh with the faded hues, 680
And the outline of the whole,
As round eve's shades their framework roll,
Grandly fronts for once thy soul.
And then as, 'mid the dark, a gleam
Of yet another morning breaks,
And like the hand which ends a dream,
Death, with the might of his sunbeam,
Touches the flesh and the soul awakes,
Then—"
Ay, then indeed something would happen!
But what? For here her voice changed like a bird's; 690
There grew more of the music and less of the words;
Had Jacynth only been by me to clap pen
To paper and put you down every syllable
With those clever clerkly fingers,
All I've forgotten as well as what lingers
In this old brain of mine that's but ill able
To give you even this poor version
Of the speech I spoil, as it were, with stammering
—More fault of those who had the hammering
Of prosody into me and syntax 700
And did it, not with hobnails but tintacks!
But to return from this excursion—
Just, do you mark, when the song was sweetest,
The peace most deep and the charm completest,
There came, shall I say, a snap—
And the charm vanished!
And my sense returned, so strangely banished,
And, starting as from a nap,
I knew the crone was bewitching my lady,
With Jacynth asleep; and but one spring made I 710
Down from the casement, round to the portal,
Another minute and I had entered—
When the door opened, and more than mortal
Stood, with a face where to my mind centred
All beauties I ever saw or shall see,
The Duchess: I stopped as if struck by palsy.
She was so different, happy and beautiful,
I felt at once that all was best,
And that I had nothing to do, for the rest
But wait her commands, obey and be dutiful. 720
Not that, in fact, there was any commanding;
I saw the glory of her eye,
And the brow's height and the breast's expanding,
And I was hers to live or to die.
As for finding what she wanted,
You know God Almighty granted
Such little signs should serve wild creatures
To tell one another all their desires,
So that each knows what his friend requires,
And does its bidding without teachers. 730
I preceded her; the crone
Followed silent and alone;
I spoke to her, but she merely jabbered
In the old style; both her eyes had slunk
Back to their pits; her stature shrunk;
In short, the soul in its body sunk
Like a blade sent home to its scabbard.
We descended, I preceding;
Crossed the court with nobody heeding;
All the world was at the chase, 740
The courtyard like a desert-place,
The stable emptied of its small fry;
I saddled myself the very palfrey
I remember patting while it carried her,
The day she arrived and the Duke married her.
And, do you know, though it's easy deceiving
Oneself in such matters, I can't help believing
The lady had not forgotten it either,
And knew the poor devil so much beneath her
Would have been only too glad for her service 750
To dance on hot ploughshares like a Turk dervise,
But, unable to pay proper duty where owing
Was reduced to that pitiful method of showing it:
For though the moment I began setting
His saddle on my own nag of Berold's begetting,
(Not that I meant to be obtrusive)
She stopped me, while his rug was shifting,
By a single rapid finger's lifting,
And, with a gesture kind but conclusive,
And a little shake of the head, refused me— 760
I say, although she never used me,
Yet when she was mounted, the Gipsy behind her,
And I ventured to remind her
I suppose with a voice of less steadiness
Than usual, for my feeling exceeded me,
—Something to the effect that I was in readiness
Whenever God should please she needed me—
Then, do you know, her face looked down on me
With a look that placed a crown on me,
And she felt in her bosom—mark, her bosom— 770
And, as a flower-tree drops its blossom,
Dropped me... ah, had it been a purse
Of silver, my friend, or gold that's worse,
Why, you see, as soon as I found myself
So understood,—that a true heart so may gain
Such a reward,—I should have gone home again,
Kissed Jacynth, and soberly drowned myself!
It was a little plait of hair
Such as friends in a convent make
To wear, each for the other's sake— 780
This, see, which at my breast I wear,
Ever did (rather to Jacynth's grudgment),
And ever shall, till the Day of Judgment.
And then-and then—to cut short—this is idle,
These are feelings it is not good to foster—
I pushed the gate wide, she shook the bridle,
And the palfrey bounded—and so we lost her.
XVI
When the liquor's out why clink the cannikin?
I did think to describe you the panic in
The redoubtable breast of our master the mannikin, 790
And what was the pitch of his mother's yellowness,
How she turned as a shark to snap the spare-rib
Clean off, sailors say, from a pearl-diving Carib,
When she heard, what she called the flight of the feloness
—But it seems such child's play,
What they said and did with the lady away!
And to dance on, when we've lost the music,
Always made me—and no doubt makes you—sick.
Nay, to my mind, the world's face looked so stern
As that sweet form disappeared through the postern, 800
She that kept it in constant good humour,
It ought to have stopped; there seemed nothing to do more.
But the world thought otherwise and went on,
And my head's one that its spite was spent on:
Thirty years are fled since that morning,
And with them all my head's adorning.
Nor did the old Duchess die outright,
As you expect, of suppressed spite,
The natural end of every adder
Not suffered to empty its poison-bladder: 810
But she and her son agreed, I take it,
That no one should touch on the story to wake it,
For the wound in the Duke's pride rankled fiery,
So, they made no search and small inquiry—
And when fresh Gipsies have paid us a visit, I've
Notice the couple were never inquisitive,
But told them they're folks the Duke don't want here,
And bade them make haste and cross the frontier.
Brief, the Duchess was gone and the Duke was glad of it,
And the old one was in the young one's stead, 820
And took, in her place, the household's head,
And a blessed time the household had of it!
And were I not, as a man may say, cautious
How I trench, more than needs, on the nauseous,
I could favour you with sundry touches
Of the paint-smutches with which the Duchess
Heightened the mellowness of her cheek's yellowness
(To get on faster) until at last her
Cheek grew to be one master-plaster
Of mucus and fucus from mere use of ceruse: 830
In short, she grew from scalp to udder
Just the object to make you shudder.
XVII
You're my friend—
What a thing friendship is, world without end!
How it gives the heart and soul a stir-up
As if somebody broached you a glorious runlet,
And poured out, all lovelily, sparklingly, sunlit,
Our green Moldavia, the streaky syrup,
Cotnar as old as the time of the Druids—
Friendship may match with that monarch of fluids; 840
Each supples a dry brain, fills you its ins-and-outs,
Gives your life's hour-glass a shake when the thin sand doubts
Whether to run on or stop short, and guarantees
Age is not all made of stark sloth and arrant ease.
I have seen my little lady once more,
Jacynth, the Gipsy, Berold, and the rest of it,
For to me spoke the Duke, as I told you before;
I always wanted to make a clean breast of it:
And now it is made-why, my heart's blood, that went trickle,
Trickle, but anon, in such muddy driblets, 850
Is pumped up brisk now, through the main ventricle,
And genially floats me about the giblets.
I'll tell you what I intend to do:
I must see this fellow his sad life through—
He is our Duke, after all,
And I, as he says, but a serf and thrall.
My father was born here, and I inherit
His fame, a chain he bound his son with;
Could I pay in a lump I should prefer it,
But there's no mine to blow up and get done with: 860
So, I must stay till the end of the chapter.
For, as to our middle-age-manners-adapter,
Be it a thing to be glad on or sorry on,
Some day or other, his head in a morion
And breast in a hauberk, his heels he'll kick up,
Slain by an onslaught fierce of hiccup.
And then, when red doth the sword of our Duke rust,
And its leathern sheath lie o'ergrown with a blue crust,
Then I shall scrape together my earnings;
For, you see, in the churchyard Jacynth reposes, 870
And our children all went the way of the roses:
It's a long lane that knows no turnings.
One needs but little tackle to travel in;
So, just one stout cloak shall I indue:
And for a staff, what beats the javelin
With which his boars my father pinned you?
And then, for a purpose you shall hear presently,
Taking some Cotnar, a tight plump skinful,
I shall go journeying, who but I, pleasantly!
Sorrow is vain and despondency sinful. 880
What's a man's age? He must hurry more, that's all;
Cram in a day, what his youth took a year to hold:
When we mind labour, then only, we're too old—
What age had Methusalem when he begat Saul?
And at last, as its haven some buffeted ship sees,
(Come all the way from the north-parts with sperm oil)
I hope to get safely out of the turmoil
And arrive one day at the land of the Gipsies,
And find my lady, or hear the last news of her
From some old thief and son of Lucifer, 890
His forehead chapleted green with wreathy hop,
Sunburned all over like an AEthiop.
And when my Cotnar begins to operate
And the tongue of the rogue to run at a proper rate,
And our wine-skin, tight once, shows each flaccid dent,
I shall drop in with—as if by accident—
"You never knew, then, how it all ended,
What fortune good or bad attended
The little lady your Queen befriended?"
—And when that's told me, what's remaining? 900
This world's too hard for my explaining.
The same wise judge of matters equine
Who still preferred some slim four-year-old
To the big-boned stock of mighty Berold
And, for strong Cotnar, drank French weak wine,
He also must be such a lady's scorner!
Smooth Jacob still robs homely Esau:
Now up, now down, the world's one see-saw.
—So, I shall find out some snug corner
Under a hedge, like Orson the wood-knight, 910
Turn myself round and bid the world good night;
And sleep a sound sleep till the trumpet blowing
Wakes me (unless priests cheat us laymen)
To a world where will be no further throwing
Pearls before swine that can't value them. Amen!
NOTES:
"The Flight of the Duchess." A story of the triumph of a
free and loving life over a cold and conventional one.
The duke's huntsman frees his mind to his friend as to his
part in the escape of the gladsome, ardent young duchess
from the blighting yoke of a husband whose life consisted
in imitating defunct mediaeval customs. An old gipsy is
the agency that awakens her to the joy and freedom of
love. Her mystic chant and charm claim the duchess as
the true heir of gipsy blood, thrill her with life, half-hypnotize
the huntsman, too, and seem to transform the gipsy
crone herself into an Eastern queen. He helps them off,
and looks for no better future, when the duke's death releases
him, than to travel to the land of the gipsies and hear the last
news of his lady.
The poem grew from the fancies aroused in the poet's
heart by the snatch of a woman's song he overheard when
a boy—"Following the Queen of the Gipsies, O!"