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Drawing for Printers. / A practical treatise on the art of designing and illustrating in connection with typography. Containing complete instruction, fully illustrated, concerning the art of drawing, for the beginner as well as the more advanced student. cover

Drawing for Printers. / A practical treatise on the art of designing and illustrating in connection with typography. Containing complete instruction, fully illustrated, concerning the art of drawing, for the beginner as well as the more advanced student.

Chapter 31: INDEX.
By Ernest Knaufft
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About This Book

The work offers a practical manual for artists and printers, teaching how to observe and draw for reproduction. It emphasizes training the eye, silhouettes, perspective, outlines versus shaded work, light and shadow, facial planes, and pen technique for magazines and newspapers. The second part covers design and typographic matters: taste, lettering theory and historical alphabets, ornamentation, book decoration, and economical illustration for print. Technical guidance on wood engraving, zinc and copper plate experiments, lithography, and chalk-plate methods rounds out the instruction, with examples and critiques to guide practice and adaptation to printing processes.

INDEX.

Ability, Natural, versus instruction, 17, 18, 19 Action, 55 Aldine printing, 158, 199, 200 Aldus type, 199, 200 Alphabets (See Lettering), 158, 181, 202, 209 America, The printer in, 159, 160 Analyzation of the naso-labial line, 86, 87 Arabic lettering, 198, 218, 222 Artist, How the, sees (See Eye, Education of), 56, 59 Artist, Reader not to be discouraged if he cannot become a full-fledged, 18, 19, 80 Art school methods, 56, 58, 62, 65–71, 74 Assyrian letters, 207 Auriol, Georg, 175, 177, 179, 191, 198, 204, 205, 216, 217, 218, 230 Axis, Every object has its, 52, 55 Balance in design, 48, 204 Ballantyne, Messrs, 183 Bargue and Gérôme, Studies published under direction of, 66, 67, 80, 98, 99, 100 Bauernfeind alphabets, 181, 186, 187, 188 Beggarstaff Brothers, 214, 215, 219 Begin, How should one, to learn to draw, 19 Ben Day film, 75 Bergomensis letter (See Lettering), 193, 194, 198, 209 Bible manuscripts, 209, 210 Blocking in shadows by outline, 63–67, 70 Bonnard, Pierre, 87, 88, 90, 92, 94, 95, 96, 117 Bonnat, Léon, 54, 55, 91, 92, 94 Boxwood, 224, 230 Broad black line desirable for lettering, “devices,” and designs in general, 167–71 Broad drawing recommended to printers, 78 Brun, A, 92, 94, 97 Burns, Robert, Statue of, 177, 178 Byzantine design, 222 Caricature, 46, 139, 142, 144, 213 Caricaturing beneficial to draftsman, 22 Caroline lettering (See Lettering), 155, 189, 191, 192, 194, 198, 204 Cartoon, Newspaper, style (See Printing), 127 Casts, Plaster, used as studies, 68–71, 74 Caspari, 169, 173, 177, 179 Catalogues, 170 Caxton, 158, 189, 200 Celtic interlacing, 189, 222 Chalk plate, 129, 143, 156, 161,230, 238 Chap-Book style, 225, 227, 228, 229 Chapter Headings (See Initial Letters), 18, 121, 123, 167, 168, 182, 189, 204, 205, 215–218, 220, 222 Character of objects, 103, 144 Charcoal drawing, 212 Chaume, Geoffroy de, 136, 137, 141 Chinese lettering, 207 Choudieu, Pierre Réné, 87, 88, 90, 92, 94, 95, 100, 101, 197 Color printing, 238 Copperplate, 236–238 Cover design, 157, 162, 166, 169–174, 176, 177, 179, 204, 222 Crane, Walter, 160 Crawhall, Joseph, 228, 229 Crayon drawing, 212 Cross-hatched lines (See Printing, Technic adapted to), 117, 123 Dagnan-Bouveret, 72, 76, 82, 84, 85 Dailly, 213, 214 David d’Angers, 136, 137, 148 Decorated page, the, 123, 124, 161, 168, 169, 182, 203, 205, 216, 217 “Decorative Illustration”, 160 Design considered, 158, 163–173, 216–218 Design, Economy in, 177, 179 Design, Use of heavy blacks in, 167, 171 Designing of value to the printer, 18, 200–202 Designs, Small, as difficult as large, 18 Detail versus broad drawing, 74, 76, 90 d’Illzach, Ringel, 136, 138, 150 Dollman, J. C., 139 Donatello, 103, 104 Don Chisciotte, 32 Dots, Eccentric use of, 129, 130 Dragon’s blood, 235 Draw as though tracing on a window pane, 35 Draw by lamplight, 94 Drawing-board recommended, 78 Drawing Finished, and original “placing” compared, 63–70 Drawing, Finished and rough compared, 73, 78, 80, 81 Drawing fragments for practice helpful, 65 Drawing from pasteboard boxes good training in light and shade, 76 Drawing, How to begin a, 19, 49–55 Drawing not arbitrary, 86, 103 Drawing, Preliminary placing of objects in beginning a, 45, 50–66, 211, 212 Drayton, Michael, 184 Dürer, Albrecht, 76, 187 Durham Book, 202 Eaton, Wyatt, 116, 117, 118 Economy of line, 226 Egyptian, The, hieroglyphic and hieratic writing, 207, 208, 209 Element defined, 52 English Old Style lettering, 200, 219 Enlarging a drawing, 75, 113 Engström, Albert, 22, 28, 29, 30, 132, 133, 236 Etching, Art of, 237 Etruscan, The, letter, 158 Eye, Untrained, sees incorrectly, 19 Eye, Education of the, 19–25, 50, 74, 76, 78 Eye, Drawing of the, 103–105 Eyesight, Knowledge of effect necessary beyond mere, 84 Face, Drawing of a, and head, 84, 85, 90–92, 101–109, 132, 133, 136, 144 Finished drawing and original “placing,” compared, 63–70 Finished drawing and rough drawing, compared, 73, 78, 80, 81 Foot, Drawing a, 98, 99, 100 Forain, 127, 139, 142, 144, 161 Fonts, Modern, 158 Form, 69, 76–78 French art school studies, 57, 66, 67 French names, 94, 96, 100 French Old Style lettering, 167, 175, 198, 200 French printers, 160, 161, 175 Frontal muscle, lines made by, 107 Gaillard, C. F., 76, 77, 78, 80, 82, 84, 103 Geometrical forms, 59–62 Gerbault, H., 24 Girardet, Jules, 36 Gothic letters, 155, 181, 182, 187, 188, 191, 193, 197, 198, 200, 203, 204, 206 Grasset, E., 32, 33, 39, 59, 63, 64, 166, 168, 172, 173, 177, 179, 191, 192, 197, 203, 204, 217, 230, 234, 236 Greek manuscript, 209 Grellet, F., 101, 103–107, 109 Grolier, 218 Guillaume, 125, 126, 129, 143 Gütenberg, 200 Half-tones, 148, 160, 167, 170, 177 Hassall, 177, 179, 230 Hats, 23, 24, 26, 27 Hebrew alphabet, 208 Herkomer, Hubert, 50, 51, 52, 59, 60, 61, 63, 65 Hieroglyphs, 207 High light, 42 Historic associations of certain alphabets. (See Lettering), 202, 224 Holbein, 218, 220, 222 Initial letters, Chapter headings, 18, 121, 123, 167, 168, 182, 189, 204, 205, 215–218, 220, 222 Introduction to Part II, 154, 155, 158–162 Irish text, 158, 202, 203 Italian lettering. (See Lettering), 181, 185, 187, 195, 198–200, 209 Italic letter. (See Lettering), 195, 199, 200 Japanese brush, 87 Japanese designing, 48, 217, 218 Japanese graphic art without Occidental modeling, 71 Japanese synthetic drawing, 59 Japanese use chalk plate, 238 Jenson, 158, 174, 200 Jewett, Llewellynn, 227 Kelmscott type, 186 Knaus, Ludwig, 82–85 Landscape, 130, 140, 144, 148, 150 Lansyer, E., 20 Larousse’s Dictionary, 166, 201, 202, 204, 208, 209, 231 Latin capitals, 197, 198 La-Tour, Fantin, 68–71, 148 Lautrec, H. de F., 211, 212 Lefébvre, J., 105, 106, 107 Leloir, Maurice, 147, 220 LeRoux, E., 139, 140, 144 Lettering, 155, 158, 166–169, 171–175, 180–210 Lettering must follow historical principles, 180, 187 Letters based on the circle and the square, 183 Light and dark, Spots of, 47, 48, 90 Lighting, Unusual, on head, 141, 148, 149 Line, Broad, 167–171 Line, Value of a, 56 Lines used to indicate organic parts, 56, 57, 58, 84 Lithography, 69, 109, 238 Local color, 42, 43, 47, 71 Lœwe-Marchand, 74, 75, 84 Lombardic lettering, 198 Lormier. E., 136, 138 Lucas, F. H., 144 Luca della Robbia, 103, 107, 109 Lucidario page, 185, 186, 195, 200 Luque, M., 40, 41, 42, 46, 146 Mannerisms of a caricaturist, 46 Mantelet, Albert, 214, 215 Marchetti, 121, 123, 126 Masses of light and dark appropriate for rough printing, 167–172 Masses of shadows, 74, 76, 90 Materials, Drawing, and technic of slight consequence compared with correct seeing, 19, 86, 87 Medallions, David d’Angers, 136, 137, 148 Medallions, Lormier, E., 136, 138 Medallions, Ringel d’Illzach, 136, 138 Millais, John Everett, 45 Minnesinger song book, Page from a, 182 Minnesinger lettering, 182, 192–195, 200, 209 Modern Roman lettering. (See Lettering), 200 Modeling, 137 Moloch, B., 30, 31, 236 Monet, Claude, 148, 150 Monumental letters. (See Lettering), 188, 204, 209 Moorish design, 218, 222 Morris, William, 155, 158, 161, 165, 174, 200 Moullier, 129, 130 Mouth, Study of the, 104, 106, 107, 132, 133 Munkacsy, Michael, 53, 55 Naso-labial line, 80–90, 101, 102, 109 Newspaper illustration. (See Printing), 113, 119, 125–129, 143, 156, 161–168, 238, 239 Newspaper portraiture, 116, 117 Nose, The wing of the, 84, 85 Nostril, The shadows of the, 84, 85 Observation, Value of, 25 Old age, How to portray, 101, 105, 107, 169 Old English font, 158 Orbicular muscle, Lines made by, 105 Organic lines defined and illustrated, 56, 58 Ornamentation, Aimless, 203 Ornamentation of Northern and Southern scribes compared, 198 Outline, Beginner advised to use, almost exclusively, 47 Outline, Connecting link between, and shaded drawing, 72, 73