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Duval's artistic anatomy

Chapter 32: FOOTNOTES:
By Mathias-Marie Duval
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About This Book

A concise, artist-focused manual distilled from lecture courses, presenting anatomy as a tool for drawing and modelling by beginning with the skeleton and explaining joint mechanics, muscular masses, and their effects on surface form and movement. It interleaves plates with explanatory text and urges hands-on study of bones, skeletons, casts, and living models to correlate deeper structures with visible contours. Practical demonstrations of motions such as forearm rotation illustrate underlying mechanisms. Short sections address facial angle and cranial form from an anthropological perspective. The aim is to sharpen observation and justify the why of visible forms.

T

  • Talus Bone, 152
  • Tarsus, 151, 155, 279
  • Teeth, 179
  • Temporal Bones, 168
  • Temporal Fossa, 170
  • Temporal Muscle, 293
  • Temporal Ridge, 166
  • Temporo-maxillary Articulation, 180
  • Tendo Achillis, 277
  • Tendons in General, 190
  • Tensor of Fascia Lata, 256
  • Teres Muscles, 212
  • Thenar Eminence, 248
  • Thigh, 116
  • Thigh, Muscles of, 256
  • Thorax, 41, 51
  • Threatening Expression, 335
  • Thyro-hyoid Muscle, 287
  • Thyroid Body, 285
  • Thyroid Cartilage, 284
  • Thyroid Foramen, 106
  • Thumb, 91
  • Tibia, 135, 146
  • Tibia, Tubercle of, 144
  • Tibialis Anticus, 268
  • Tibialis Posticus, 278
  • Tibio-astragaloid Articulation, 153
  • Tibio-fibular Articulation, 148
  • Titian and Andreas Vesalius, 14
  • Toes, 151
  • Toes, Muscles of, 269
  • Tongue, 284
  • Trachea, 284
  • Transversalis Muscles, 202
  • Trapezium, 88
  • Trapezius Muscle, 205
  • Trapezoid Bone, 88
  • Trapezoid Ligament, 59
  • Triangular Fibro-cartilage of Wrist, 79
  • Triangular Ligament of Hip-Bone, 111
  • Triceps Muscle, 223, 229
  • Trochanters, 116, 129
  • Trochlea, 68, 71
  • Trunk, Muscles of, 192

U

  • Ulna, 69, 77
  • Unciform Bone, 88

V

  • Vasti Muscles, 260
  • Vertebra, 29
  • Vertebra Prominens, 33
  • Vertebral Column, 27
  • Vertebral Furrow, 37
  • Vesalius, Andreas, 14
  • Vinci, Leonardo da, 13, 295

W

  • Weeping, Muscle of, 328
  • Windpipe, 284
  • Wrist, 87
  • Wrist Joint, 89
  • Wrist, Muscles of, 239

X

  • Xiphoid Cartilage, 42

Y

  • -shaped Ligament of Bigelow, 119

Z

  • Zona Circularis, 119
  • Zygomatic Arch, 169, 176
  • Zygomatic Muscles, 324
  • Zygomatic Process, 169, 176

PRINTED BY CASSELL AND COMPANY, LIMITED, LA BELLE SAUVAGE, LONDON, E.C.4 15719

FOOTNOTES:

[1] P. N. Gerdy: “Anatomy of the Forms of the Human Body for Painting, Sculpture, and Surgery.” Paris, 1829.

[2] It is not always thus abroad. Thus in Germany there is the work of E. Harless (“Lehrbuch der Plastischen Anatomie für Akademische Anstalten.” Stuttgart, 1876: 2nd edit.).

[3] We must look for other reasons than ignorance or indifference to explain the fixed scapulæ in pre-Phidian sculpture, or the exaggerated forms given to the extensor brevis of the foot and other muscles. This qualification is necessary to this general statement.—Ed.

[4] See Ludwig Choulant. Gesichte und Bibliographie des Anatomischen Abbildungen. Leipzig: 1852. (A very curious work wherein is found much information respecting the connection of anatomy with the plastic arts.)

[5] Seroux d’Agincourt. History of Art by its Monuments. Paris: 1811. Vol. i., p. 177.

[6] Pierre Camper. “Dissertations sur les différences rúlles que présentent les traits du visage chez les hommes de différents pays et de différent âges.” (Œuvres posthumes. Paris, 1786.)

[7] See especially; Conférences sur l’expression des differents charactères des passions, Paris, 1667. (These essays have been reprinted in the edition of Lavater, by Moreau. Vol. ix., 1820.)

[8] The Anatomy and Physiology of Expression (3rd edition, 1884, published after the death of Sir Charles Bell, and containing his last corrections.)

[9] The edition to consult is that issued in 1820, in ten volumes, by Moreau.

[10] Charles Darwin. The Expression of the Emotions in Man and in Animals.

[11] Albert Lemoine: De la Physionomie et de la Parole. Paris, 1865. Pierre Gratiolet: De la Physionomie et des Mouvements d’Expression. Paris, 1865. Piderit: Wissenschaftliches System der Mimik und Physiognomik. 1867.

Transcriber’s Notes:

1. Obvious printers’, punctuation and spelling errors have been corrected silently.

2. Some hyphenated and non-hyphenated versions of the same words have been retained as in the original.