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Egyptian decorative art

Chapter 7: CHAPTER III NATURAL DECORATION
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About This Book

A sequence of lectures examines the elements and development of Egyptian ornament, tracing how hieroglyphic writing, craft techniques, and architectural forms shaped decorative motifs. Organized by theme—geometrical, natural, structural, and symbolic ornament—it analyzes patterns such as spirals, frets, chequers, lotus and papyrus plant forms, rosettes, borders, cornices, and animal and religious emblems like the uraeus and scarab. The work discusses sources and probable transmission of designs, the interplay between form and function, and how motifs adapt across media from small objects to monumental architecture.

CHAPTER III
NATURAL DECORATION

Though it might be supposed that the imitation of natural forms would be the earliest form of decoration, yet this is not the case. On the contrary, we find the geometrical forms of wave lines, and chequers copied from weaving, and the varieties of the spiral, were the first ornaments of importance in Egypt; while the natural forms of feathers and flowers were not generally imitated till a later time.

One source of simple pattern that has been little noticed is the feather, and the variety of its forms. Fortunately we have these different forms shown unmistakably as feathers on the coffins of the Antefs in the XIth dynasty, before we find them in common use elsewhere. Hence we can have little doubt as to their real origin. On these coffins the royal mummies are figured as swathed around in protecting wings, representing those of Isis at the sides and of the vulture of Mut on the head. The feathers have different forms according to the part of the wing which they occupy. Thus on one coffin we find all of the following types of feathers:—