Such individuals as had not already thought it expedient to gradually loosen and drop the links of their acquaintance with Captain Alec Osborn did not find, on his return to his duties in India, that the leave of absence spent in England among his relatives had improved him. He was plainly consuming enormous quantities of brandy, and was steadily going, physically and mentally, to seed. He had put on flesh, and even his always dubious good looks were rapidly deserting him. The heavy young jowl looked less young and more pronounced, and he bore about an evil countenance.
"Disappointment may have played the devil with him," it was said by an elderly observer; "but he has played the devil with himself. He was a wrong'un to begin with."
When Hester's people flocked to see her and hear her stories of exalted life in England, they greeted her with exclamations of dismay. If Osborn had lost his looks, she also had lost hers. She was yellow and haggard, and her eyes looked over-grown. She had not improved in the matter of temper, and answered all effusive questions with a dry, bitter little smile. The baby she had brought back was a puny, ugly, and tiny girl. Hester's dry, little smile when she exhibited her to her relations was not pretty.
"She saved herself disappointment by being a girl," she remarked. "At all events, she knows from the outset that no one can rob her of the chance of being the Marquis of Walderhurst."
It was rumoured that ugly things went on in the Osborn bungalow. It was known that scenes occurred between the husband and wife which were not of the order admitted as among the methods of polite society. One evening Mrs. Osborn walked slowly down the Mall dressed in her best gown and hat, and bearing on her cheek a broad, purpling mark. When asked questions, she merely smiled and made no answer, which was extremely awkward for the well-meaning inquirer.
The questioner was the wife of the colonel of the regiment, and when the lady related the incident to her husband in the evening, he drew in his breath sharply and summed the situation up in a few words.
"That little woman," he said, "lives every day through twenty-four hours of hell. One can see it in her eyes, even when she professes to smile at the brute for decency's sake. The awfulness of a woman's forced smile at the devil she is tied to, loathing him and bearing in her soul the thing, blood itself could not wipe out. Ugh! I've seen it once before, and I recognised it in her again. There will be a bad end to this."
There probably would have been, with the aid of unlimited brandy and unrestrained devil, some outbreak so gross that the social laws which rule men who are "officers and gentlemen" could not have ignored or overlooked it. But the end came in an unexpected way, and Osborn was saved from open ignominy by an accident.
On a certain day when he had drunk heavily and had shut Hester up with him for an hour's torture, after leaving her writhing and suffocating with sobs, he went to examine some newly bought firearms. In twenty minutes it was he who lay upon the floor writhing and suffocating, and but a few minutes later he was a dead man. A charge from a gun he had believed unloaded had finished him.
Lady Walderhurst was the kindest of women, as the world knew. She sent for little Mrs. Osborn and her child, and was tender goodness itself to them.
Hester had been in England four years, and Lord Oswyth had a brother as robust as himself, when one heavenly summer afternoon, as the two women sat on the lawn drinking little cups of tea, Hester made a singular revelation, and made it without moving a muscle of her small countenance.
"I always intended to tell you, Emily," she began quietly, "and I will tell you now."
"What, dear?" said Emily, holding out to her a plate of tiny buttered scones. "Have some of these nice, little hot ones."
"Thank you." Hester took one of the nice, little hot ones, but did not begin to eat it. Instead, she held it untouched and let her eyes rest on the brilliant flower terraces spread out below. "What I meant to tell you was this. The gun was not loaded, the gun Alec shot himself with, when he laid it aside."
Emily put down her tea-cup hastily.
"I saw him take out the charge myself two hours before. When he came in, mad with drink, and made me go into the room with him, Ameerah saw him. She always listened outside. Before we left The Kennel Farm, the day he tortured and taunted me until I lost my head and shrieked out to him that I had told you what I knew, and had helped you to go away, he struck me again and again. Ameerah heard that. He did it several times afterwards, and she always knew. She always intended to end it in some way. She knew how drunk he was that last day, and—It was she who went in and loaded the gun while he was having his scene with me. She knew he would go and begin to pull the things about without having the sense to know what he was doing. She had seen him do it before. I know it was she who put the load in. We have never uttered a word to each other about it, but I know she did it, and that she knows I know. Before I married Alec, I did not understand how one human being could kill another. He taught me to understand, quite. But I had not the courage to do it myself. Ameerah had."
And while Lady Walderhurst sat gazing at her with a paling face, she began quietly to eat the little buttered scone.
TITLES SELECTED FROM
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THE SIEGE OF THE SEVEN SUITORS. By Meredith Nicholson. Illustrated by C.
Coles Phillips and Reginald Birch.
Seven suitors vie with each other for the love of a beautiful girl, and
she subjects them to a test that is full of mystery, magic and sheer
amusement.
THE MAGNET. By Henry C. Rowland. Illustrated by Clarence F. Underwood.
The story of a remarkable courtship involving three pretty girls on a
yacht, a poet-lover in pursuit, and a mix-up in the names of the girls.
THE TURN OF THE ROAD. By Eugenia Brooks Frothingham.
A beautiful young opera singer chooses professional success instead of
love, but comes to a place in life where the call of the heart is
stronger than worldly success.
SCOTTIE AND HIS LADY. By Margaret Morse. Illustrated by Harold M. Brett.
A young girl whose affections have been blighted is presented with a
Scotch Collie to divert her mind, and the roving adventures of her pet
lead the young mistress into another romance.
SHEILA VEDDER. By Amelia E. Barr. Frontispiece by Harrison Fisher.
A very beautiful romance of the Shetland Islands, with a handsome,
strong willed hero and a lovely girl of Gælic blood as heroine. A sequel
to "Jan Vedder's Wife."
JOHN WARD. PREACHER. By Margaret Deland.
The first big success of this much loved American novelist. It is a
powerful portrayal of a young clergyman's attempt to win his beautiful
wife to his own narrow creed.
THE TRAIL OF NINETY-EIGHT. By Robert W. Service. Illustrated by Maynard
Dixon.
One of the best stories of "Vagabondia" ever written, and one of the
most accurate and picturesque of the stampede of gold seekers to the
Yukon. The love story embedded in the narrative is strikingly original.
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TITLES SELECTED FROM
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A CERTAIN RICH MAN. By William Allen White.
A vivid, startling portrayal of one man's financial greed, its wide
spreading power, its action in Wall Street, and its effect on the three
women most intimately in his life. A splendid, entertaining American
novel.
IN OUR TOWN. By William Allen White. Illustrated by F.R. Gruger and W.
Glackens.
Made up of the observations of a keen newspaper editor, Involving the
town millionaire, the smart set, the literary set, the bohemian set, and
many others. All humorously related and sure to hold the attention.
NATHAN BURKE. By Mary S. Watts.
The story of an ambitious, backwoods Ohio boy who rose to prominence.
Everyday humor of American rustic life permeates the book.
THE HIGH HAND. By Jacques Futrelle. Illustrated by Will Grefe.
A splendid story of the political game, with a son of the soil on the
one side, and a "kid glove" politician on the other. A pretty girl,
interested in both men, is the chief figure.
THE BACKWOODSMEN. By Charles G.P. Roberts. Illustrated.
Realistic stories of men and women living midst the savage beauty of the
wilderness. Human nature at its best and worst is well portrayed.
YELLOWSTONE NIGHTS. By Herbert Quick.
A jolly company of six artists, writers and other clever folks take a
trip through the National Park, and tell stories around camp fire at
night. Brilliantly clever and original.
THE PROFESSOR'S MYSTERY. By Wells Hastings and Brian Hooker. Illustrated
by Hanson Booth.
A young college professor, missing his steamer for Europe, has a
romantic meeting with a pretty girl, escorts her home, and is enveloped
in a big mystery.
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TITLES SELECTED FROM
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THE SECOND WIFE. By Thompson Buchanan. Illustrated by W.W. Fawcett.
Harrison Fisher wrapper printed in four Colors and gold.
An intensely interesting story of a marital complication in a wealthy
New York family involving the happiness of a beautiful young girl.
TESS OF THE STORM COUNTRY. By Grace Miller White. Illustrated by Howard
Chandler Christy.
An amazingly vivid picture of low class life in a New York college town,
with a heroine beautiful and noble, who makes a great sacrifice for
love.
FROM THE VALLEY OF THE MISSING. By Grace Miller White. Frontispiece and
wrapper in colors by Penrhyn Stanlaws.
Another story of "the storm country." Two beautiful children are
kidnapped from a wealthy home and appear many years after showing the
effects of a deep, malicious scheme behind their disappearance.
THE LIGHTED MATCH. By Charles Neville Buck. Illustrated by R.F.
Schabelitz.
A lovely princess travels incognito through the States and falls in love
with an American man. There are ties that bind her to someone in her own
home, and the great plot revolves round her efforts to work her way out.
MAUD BAXTER. By C.C. Hotchkiss. Illustrated by Will Grefe.
A romance both daring and delightful, involving an American girl and a
young man who had been impressed into English service during the
Revolution.
THE HIGHWAYMAN. By Guy Rawlence. Illustrated by Will Grefe.
A French beauty of mysterious antecedents wins the love of an Englishman
of title. Developments of a startling character and a clever untangling
of affairs hold the reader's interest.
THE PURPLE STOCKINGS. By Edward Salisbury Field. Illustrated in colors;
marginal illustrations.
A young New York business man, his pretty sweetheart, his sentimental
stenographer, and his fashionable sister are all mixed up in a
misunderstanding that surpasses anything in the way of comedy in years.
A story with a laugh on every page.
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TITLES SELECTED FROM
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THE SILENT CALL. By Edwin Milton Royle. Illustrated with scenes from the
play.
The hero of this story is the Squaw Man's son. He has been taken to
England, but spurns conventional life for the sake of the untamed West
and a girl's pretty face.
JOHN MARCH, SOUTHERNER. By George W. Cable.
A story of the pretty women and spirited men of the South. As fragrant
in sentiment as a sprig of magnolia, and as full of mystery and racial
troubles as any romance of "after the war" days.
MR. JUSTICE RAFFLES. By E.W. Hornung.
This engaging rascal is found helping a young cricket player out of the
toils of a money shark. Novel in plot, thrilling and amusing.
FORTY MINUTES LATE. By F. Hopkinson Smith. Illustrated by S.M. Chase.
Delightfully human stories of every day happenings; of a lecturer's
laughable experience because he's late, a young woman's excursion into
the stock market, etc.
OLD LADY NUMBER 31. By Louise Forsslund.
A heart-warming story of American rural life, telling of the adventures
of an old couple in an old folk's home, their sunny, philosophical
acceptance of misfortune and ultimate prosperity.
THE HUSBAND'S STORY. By David Graham Phillips.
A story that has given all Europe as well as all America much food for
thought. A young couple begin life in humble circumstances and rise in
worldly matters until the husband is enormously rich—the wife in the
most aristocratic European society—but at the price of their happiness.
THE TRAIL OF NINETY-EIGHT. By Robert W. Service. Illustrated by Maynard
Dixon.
One of the best stories of "Vagabondia" ever written, and one of the
most accurate and picturesque descriptions of the stampede of gold
seekers to the Yukon. The love story embedded in the narrative is
strikingly original.
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TITLES SELECTED FROM
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HIS HOUR. By Elinor Glyn. Illustrated.
A beautiful blonde Englishwoman visits Russia, and is violently made
love to by a young Russian aristocrat. A most unique situation
complicates the romance.
THE GAMBLERS. By Charles Klein and Arthur Hornblow, Illustrated by C.E.
Chambers.
A big, vital treatment of a present day situation wherein men play for
big financial stakes and women flourish on the profits—or repudiate the
methods.
CHEERFUL AMERICANS. By Charles Battell Loomis. Illustrated by Florence
Scovel Shinn and others.
A good, wholesome, laughable presentation of some Americans at home and
abroad, on their vacations, and during their hours of relaxation.
THE WOMAN OF THE WORLD. By Ella Wheeler Wilcox.
Clever, original presentations of present day social problems and the
best solutions of them. A book every girl and woman should possess.
THE LIGHT THAT LURES. By Percy Brebner. Illustrated. Handsomely colored
wrapper.
A young Southerner who loved Lafayette, goes to France to aid him during
the days of terror, and is lured in a certain direction by the lovely
eyes of a Frenchwoman.
THE RAMRODDERS. By Holman Day. Frontispiece by Harold Matthews Brett.
A clever, timely story that will make politicians think and will make
women realize the part that politics play—even in their romances.
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The Master's Violin
By MYRTLE REED
A Love Story with a musical atmosphere. A picturesque, old German virtuoso is the reverent possessor of a genuine Cremona. He consents to take as his pupil a handsome youth who proves to have an aptitude for technique, but not the soul of the artist. The youth has led the happy, careless life of a modern, well-to-do young American, and he cannot, with his meagre past, express the love, the longing, the passion and the tragedies of life and its happy phases as can the master who has lived life in all its fulness. But a girl comes into his existence, a beautiful bit of human driftwood that his aunt had taken into her heart and home; and through his passionate love for her, he learns the lessons that life has to give—and his soul awakens.
Founded on a fact well known among artists, but not often recognized or discussed.
If you have not read "LAVENDER AND OLD LACE" by the same author, you have a double pleasure in store—for these two books show Myrtle Reed in her most delightful, fascinating vein—indeed they may be considered as masterpieces of compelling interest.
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The Prodigal Judge
By VAUGHAN KESTER
This great novel—probably the most popular book in this country to-day—is as human as a story from the pen of that great master of "immortal laughter and immortal tears," Charles Dickens.
The Prodigal Judge is a shabby outcast, a tavern hanger-on, a genial wayfarer who tarries longest where the inn is most hospitable, yet with that suavity, that distinctive politeness and that saving grace of humor peculiar to the American man. He has his own code of morals—very exalted ones—but honors them in the breach rather than in the observance.
Clinging to the Judge closer than a brother, is Solomon Mahaffy—fallible and failing like the rest of us, but with a sublime capacity for friendship; and closer still, perhaps, clings little Hannibal, a boy about whose parentage nothing is known until the end of the story. Hannibal is charmed into tolerance of the Judge's picturesque vices, while Miss Betty, lovely and capricious, is charmed into placing all her affairs, both material and sentimental, in the hands of this delightful old vagabond.
The Judge will be a fixed star in the firmament of fictional characters as surely as David Harum or Col. Sellers. He is a source of infinite delight, while this story of Mr. Kester's is one of the finest examples of American literary craftmanship.
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GROSSET & DUNLAP'S
DRAMATIZED NOVELS
Original, sincere and courageous—often amusing—the kind that are making theatrical history.
MADAME X. By Alexandra Bisson and J. W. McConaughy. Illustrated with
scenes from the play.
A beautiful Parisienne became an outcast because her husband would not
forgive an error of her youth. Her love for her son is the great final
influence in her career. A tremendous dramatic success.
THE GARDEN OF ALLAH. By Robert Hichens.
An unconventional English woman and an inscrutable stranger meet and
love in an oasis of the Sahara. Staged this season with magnificent cast
and gorgeous properties.
THE PRINCE OF INDIA. By Lew. Wallace.
A glowing romance of the Byzantine Empire, presenting with extraordinary
power the siege of Constantinople, and lighting its tragedy with the
warm underglow of an Oriental romance. As a play it is a great dramatic
spectacle.
TESS OF THE STORM COUNTRY. By Grace Miller White. Illust. by Howard
Chandler Christy.
A girl from the dregs of society, loves a young Cornell University
student, and it works startling changes in her life and the lives of
those about her. The dramatic version is one of the sensations of the
season.
YOUNG WALLINGFORD. By George Randolph Chester. Illust. by F.R. Gruger
and Henry Raleigh.
A series of clever swindles conducted by a cheerful young man, each of
which is just on the safe side of a State's prison offence. As
"Get-Rich-Quick Wallingford," it is probably the most amusing expose of
money manipulation ever seen on the stage.
THE INTRUSION OF JIMMY. By P. G. Wodehouse. Illustrations by Will Grefe.
Social and club life in London and New York, an amateur burglary
adventure and a love story. Dramatized under the title of "A Gentleman
of Leisure," it furnishes hours of laughter to the play-goers.
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THE NOVELS OF
WINSTON CHURCHILL
Skillful in plot, dramatic in episode, powerful and original in climax.
MR. CREWE'S CAREER. Illus. by A.I. Keller and Kinneys.
A New England state is under the political domination of a railway and
Mr. Crewe, a millionaire, seizes the moment when the cause of the people
against corporation greed is being espoused by an ardent young attorney,
to further his own interest in a political way, by taking up this cause.
The daughter of the railway president, with the sunny humor and shrewd
common sense of the New England girl, plays no small part in the
situation as well as in the life of the young attorney who stands so
unflinchingly for clean politics.
THE CROSSING. Illus. by S. Adamson and L. Baylis.
Describing the battle of Fort Moultrie and the British fleet in the
harbor of Charleston, the blazing of the Kentucky wilderness, the
expedition of Clark and his handful of dauntless followers in Illinois,
the beginning of civilization along the Ohio and Mississippi, and the
treasonable schemes builded against Washington and the Federal
Government.
CONISTON. Illustrated by Florence Scovel Shinn.
A deft blending of love and politics distinguishes this book. The author
has taken for his hero a New Englander, a crude man of the tannery, who
rose to political prominence by his own powers, and then surrendered all
for the love of a woman.
It is a sermon on civic righteousness, and a love story of a deep
motive.
THE CELEBRITY. An Episode.
An inimitable bit of comedy describing an interchange of personalities
between a celebrated author and a bicycle salesman of the most blatant
type. The story is adorned with some character sketches more living than
pen work. It is purest, keenest fun—no such piece of humor has appeared
for years: it is American to the core.
THE CRISIS. Illus. by Howard Chandler Christy.
A book that presents the great crisis in our national life with splendid
power and with a sympathy, a sincerity, and a patriotism that are
inspiring. The several scenes in the book in which Abraham Lincoln
figures must be read in their entirety for they give a picture of that
great, magnetic, loveable man, which has been drawn with evident
affection and exceptional success.
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B. M. Bower's Novels
Thrilling Western Romances
Large 12 mos. Handsomely bound in cloth. Illustrated
CHIP, OF THE FLYING U
A breezy wholesome tale, wherein the love affairs of Chip and Delia
Whitman are charmingly and humorously told. Chip's jealousy of Dr. Cecil
Grantham, who turns out to be a big, blue eyed young woman is very
amusing. A clever, realistic story of the American Cow-puncher.
THE HAPPY FAMILY
A lively and amusing story, dealing with the adventures of eighteen
jovial, big hearted Montana cowboys. Foremost amongst them, we find
Ananias Green, known as Andy, whose imaginative powers cause many lively
and exciting adventures.
HER PRAIRIE KNIGHT
A realistic story of the plains, describing a gay party of Easterners
who exchange a cottage at Newport for the rough homeliness of a Montana
ranch-house. The merry-hearted cowboys, the fascinating Beatrice, and
the effusive Sir Redmond, become living, breathing personalities.
THE RANGE DWELLERS
Here are everyday, genuine cowboys, just as they really exist. Spirited
action, a range feud between two families, and a Romeo and Juliet
courtship make this a bright, jolly, entertaining story, without a dull
page.
THE LURE OF DIM TRAILS
A vivid portrayal of the experience of an Eastern author, among the
cowboys of the West, in search of "local color" for a new novel. "Bud"
Thurston learns many a lesson while following "the lure of the dim
trails" but the hardest, and probably the most welcome, is that of love.
THE LONESOME TRAIL
"Weary" Davidson leaves the ranch for Portland, where conventional city
life palls on him. A little branch of sage brush, pungent with the
atmosphere of the prairie, and the recollection of a pair of large brown
eyes soon compel his return. A wholesome love story.
THE LONG SHADOW
A vigorous Western story, sparkling with the free, outdoor, life of a
mountain ranch. Its scenes shift rapidly and its actors play the game of
life fearlessly and like men. It is a fine love story from start to
finish.
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THE NOVELS OF
GEORGE BARR McCUTCHEON
GRAUSTARK.
A story of love behind a throne, telling how a young American met a
lovely girl and followed her to a new and strange country. A thrilling,
dashing narrative.
BEVERLY OF GRAUSTARK.
Beverly is a bewitching American girl who has gone to that stirring
little principality—Graustark—to visit her friend the princess, and
there has a romantic affair of her own.
BREWSTER'S MILLIONS.
A young man is required to spend one million dollars in one year in
order to inherit seven. How he does it forms the basis of a lively
story.
CASTLE CRANEYCROW.
The story revolves round the abduction of a young American woman, her
imprisonment in an old castle and the adventures created through her
rescue.
COWARDICE COURT.
An amusing social feud in the Adirondacks in which an English girl is
tempted into being a traitor by a romantic young American, forms the
plot.
THE DAUGHTER OF ANDERSON CROW.
The story centers about the adopted daughter of the town marshal in a
western village. Her parentage is shrouded in mystery, and the story
concerns the secret that deviously works to the surface.
THE MAN FROM BRODNEY'S.
The hero meets a princess in a far-away island among fanatically hostile
Musselmen. Romantic love making amid amusing situations and exciting
adventures.
NEDRA.
A young couple elope from Chicago to go to London traveling as brother
and sister. They are shipwrecked and a strange mix-up occurs on account
of it.
THE SHERRODS.
The scene is the Middle West and centers around a man who leads a double
life. A most enthralling novel.
TRUXTON KING.
A handsome good natured young fellow ranges on the earth looking for
romantic adventures and is finally enmeshed in most complicated
intrigues in Graustark.
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LOUIS TRACY'S
CAPTIVATING AND EXHILARATING ROMANCES
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CYNTHIA'S CHAUFFEUR. Illustrated by Howard Chandler Christy.
A pretty American girl in London is touring in a car with a chauffeur
whose identity puzzles her. An amusing mystery.
THE STOWAWAY GIRL. Illustrated by Nesbitt Benson.
A shipwreck, a lovely girl stowaway, a rascally captain, a fascinating
officer, and thrilling adventures in South Seas.
THE CAPTAIN OF THE KANSAS.
Love and the salt sea, a helpless ship whirled into the hands of
cannibals, desperate fighting and a tender romance.
THE MESSAGE. Illustrated by Joseph Cummings Chase.
A bit of parchment found in the figurehead of an old vessel tells of a
buried treasure. A thrilling mystery develops.
THE PILLAR OF LIGHT.
The pillar thus designated was a lighthouse, and the author tells with
exciting detail the terrible dilemma of its cut-off inhabitants.
THE WHEEL O'FORTUNE. With illustrations by James Montgomery Flagg.
The story deals with the finding of a papyrus containing the particulars
of some of the treasures of the Queen of Sheba.
A SON OF THE IMMORTALS. Illustrated by Howard Chandler Christy.
A young American is proclaimed king of a little Balkan Kingdom, and a
pretty Parisian art student is the power behind the throne.
THE WINGS OF THE MORNING.
A sort of Robinson Crusoe redivivus with modern settings and a very
pretty love story added. The hero and heroine are the only survivors of
a wreck, and have many thrilling adventures on their desert island.
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