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"England and Yesterday": A Book of Short Poems

Chapter 41: ON THE CENOTAPH OF THE PRINCE IMPERIAL IN SAINT GEORGE’S CHAPEL.
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About This Book

The collection gathers sonnets and shorter lyrics that observe English locales, chiefly London and Oxford, and move between public bustle and quiet precincts. Urban pieces register fog, crowds, docks, and social inequality alongside civic and ecclesiastical history; Oxford poems and pastoral lyrics dwell on college gardens, ancient churches, and memory. The verse balances formal sonnet discipline with lyrical interludes, employing vivid sensory detail and reflective, often elegiac tone. Recurring concerns include transience, the persistence of historical presence, spiritual consolation, and a moral awareness of poverty and beauty.

ON THE CENOTAPH OF THE PRINCE IMPERIAL IN SAINT GEORGE’S CHAPEL.

No young and exiled dust beneath is laid
In sole entail of high inheritance,
Though once compassion softly came, and made
A sleep at Windsor for the Son of France:
And sleep so long hath kept his image clear
Of pain’s pollution, and the Zulu spear,
It seems his piteous self at last that lies
In prayer’s old heart built to the island skies,
Low as the sifted snow is, and meek as Paradise.
Thus passeth all ye dream of might and grace!
Wherefore, beside the stones that cry it loud,
Let every musing spirit pause to trace
The cloud-burst of that Empire like a cloud;
And, looking on these stainless brows, proclaim
Peace unto Corsica’s portentous name,
And peace to her, who in a sculptured boy,
Mould of her martyred beauty and her joy,
Reads here the end of Helen, the end of Helen’s Troy.