Chapter XX "PIERS THE PLOUGHMAN" — continued

WHEN Langland fell asleep upon the Malvern Hills he dreamed a wondrous dream. He thought that he saw a "fair field full of folk," where was gathered "all the wealth of the world and the woe both."

    "Working and wondering as the world asketh,
    Some put them to the plough and played them full seldom,
    In eareing and sowing laboured full hard."

But some are gluttons and others think only of fine clothes. Some pray and others jest. There are rogues and knaves here, friars and priests, barons and burgesses, bakers and butchers, tailors and tanners, masons and miners, and folk of many other crafts. Indeed, the field is the world. It lies between a tower and a dungeon. The tower is God, the dungeon is the dwelling of the Evil One.

Then, as Langland looked on all this, he saw

    "A lady lovely in face, in linnen i-clothed,
    Come adown from the cliff and spake me fair,
    And said, 'Son, sleepest thou? Seest thou this people
    All how busy they be about the maze?'"

Langland was "afeard of her face though she was fair." But the lovely lady, who is Holy Church, speaks gently to the dreamer. She tells him that the tower is the dwelling of Truth, who is the lord of all and who gives to each as he hath need. The dungeon is the castle of Care.

    "Therein liveth a wight that Wrong is called,
    The Father of Falseness."

Love alone, said the lady, leads to Heaven,

    "Therefore I warn ye, the rich, have ruth on the poor.
    Though ye be mighty in councils, be meek in your works,
    For the same measure ye meet, amiss or otherwise,
    Ye shall be weighed therewith when ye wend hence."

"Truth is best in all things," she said at length. "I have told thee now what Truth is, and may no longer linger." And so she made ready to go. But the dreamer kneeled on his knees and prayed her stay yet a while to teach him to know Falsehood also, as well as Truth.

And the lady answered:—

    "'Look on thy left hand and see where he standeth,
    Both False and Flattery and all his train.'
    I looked on the left hand as the Lady me taught.
    Then was I ware of a woman wondrously clothéd,
    Purfled with fur, the richest on earth.
    Crowned with a crown. The King hath no better.
    All her five fingers were fretted with rings
    Of the most precious stones that a prince ever wore;
    In red scarlet she rode, beribboned with gold,
    There is no queen alive that is more adorned."

This was Lady Meed or Bribery. "To-morrow," said Holy Church, "she shall wed with False." And so the lovely Lady departed.

Left alone the dreamer watched the preparations for the wedding. The Earldom of Envy, the Kingdom of Covetousness, the Isle of Usury were granted as marriage gifts to the pair. But Theology was angry. He would not permit the wedding to take place. "Ere this wedding be wrought, woe betide thee," he cried. "Meed is wealthy; I know it. God grant us to give her unto whom Truth wills. But thou hast bound her fast to Falseness. Meed is gently born. Lead her therefore to London, and there see if the law allows this wedding."

So, listening to the advice of Theology, all the company rode off to London, Guile leading the way.

But Soothness pricked on his palfrey and passed them all and came to the King's court, where he told Conscience all about the matter, and Conscience told the King.

Then quoth the King, "If I might catch False and Flattery or any of their masters, I would avenge me on the wretches that work so ill, and would hang them by the neck and all that them abet."

So he told the Constable to seize False and to cut off Guile's head, "and let not Liar escape." But Dread was at the door and heard the doom. He warned the others, so that they all fled away save Meed the maiden.

    "Save Meed the maiden no man durst abide,
    And truly to tell she trembled for fear,
    And she wept and wrung her hands when she was taken."

But the King called a Clerk and told him to comfort Meed. So Justice soon hurried to her bower to comfort her kindly, and many others followed him. Meed thanked them all and "gave them cups of clean gold and pieces of silver, rings with rubies and riches enough." And pretending to be sorry for all that she had done amiss, Meed confessed her sins and was forgiven.

The King then, believing that she was really sorry, wished to marry her to Conscience. But Conscience would not have her, for he knew that she was wicked. He tells of all the evil things she does, by which Langland means to show what wicked things men will do if tempted by bribery and the hope of gain.

"Then mourned Meed and plained her to the King." If men did
great and noble deeds, she said, they deserved praise and thanks
and rewards.
    "'Nay,' quoth Conscience to the King, and kneeled to the
ground,
    'There be two manner of Meeds, my Lord, by thy life,
    That one the good God giveth by His grace, giveth in His
bliss
    To them that will work while that they are here.'"

What a laborer received, he said, was not Meed but just Wages. Bribery, on the other hand, was ever wicked, and he would have none of her.

In spite of all the talk, however, no one could settle the question. So at length Conscience set forth to bring Reason to decide.

When Reason heard that he was wanted, he saddled his horse Suffer-till-I-see-my-time and came to court with Wit and Wisdom in his train.

The King received him kindly, and they talked together. But while they talked Peace came complaining that Wrong had stolen his goods and ill-treated him in many ways.

Wrong well knew that the complaint was just, but with the help of Meed he won Wit and Wisdom to his side. But Reason stood out against him.

    "'Counsel me not,' quoth Reason, 'ruth to have
    Till lords and ladies all love truth
    And their sumptuous garments be put into chests,
    Till spoiled children be chastened with rods,
    Till clerks and knights be courteous with their tongues,
    Till priests themselves practise their preaching
    And their deeds be such as may draw us to goodness.'"

The King acknowledged that Reason was right, and begged him to stay with him always and help him to rule. "I am ready," quoth Reason, "to rest with thee ever so that Conscience be our counsellor."

To that the King agreed, and he and his courtiers all went to church. Here suddenly the dream ends. Langland cries:—

    "Then waked I of my sleep. I was woe withal
    That I had not slept more soundly and seen much more."

The dreamer arose and continued his wandering. But he had only gone a few steps when once again he sank upon the grass and fell asleep and dreamed. Again he saw the field full of folk , and to them now Conscience was preaching, and at his words many began to repent them of their evil deeds. Pride, Envy, Sloth and others confessed their sins and received forgiveness.

Then all these penitent folk set forth in search of Saint Truth, some riding, some walking. "But there were few there so wise as to know the way thither, and they went all amiss." No man could tell them where Saint Truth lived. And now appears at last Piers Ploughman, who gives his name to the whole poem.

    "Quoth a ploughman and put forth his head,
    'I know him as well as a clerk know his books.
    Clear Conscience and Wit showed me his place
    And did engage me since to serve him ever.
    Both in sowing and setting, which I labour,
    I have been his man this fifteen winters.'"

Piers described to the pilgrims all the long way that they must go in order to find Truth. He told them that they must go through Meekness; that they must cross the ford Honor-your-father and turn aside from the brook Bear-no-false-witness, and so on and on until they come at last to Saint Truth.

"It were a hard road unless we had a guide that might go with us afoot until we got there," said the pilgrims. So Piers offered, if they would wait until he had plowed his field, to go with them and show them the way.

"That would be a long time to wait," said a lady. "What could we women do meantime?"

And Piers answered:—

    "Some should sew sacks to hold wheat.
    And you who have wool weave it fast,
    Spin it speedily, spare not your fingers
    Unless it be a holy day or holy eve.
    Look out your linen and work on it quickly,
    The needy and the naked take care how they live,
    And cast on them clothes for the cold, for so Truth desires."

Then many of the pilgrims began to help Piers with his work. Each man did what he could, "and some to please Piers picked up the weeds."

    "But some of them sat and sang at ale
    And helped him to plough with 'Hy-trolly-lolly.'"

To these idle ones Piers went in anger. "If ye do not run quickly to your work," he cried, "you will receive no wage; and if ye die of hunger, who will care."

Then these idle ones began to pretend that they were blind or lame and could not work. They made great moan, but Piers took no heed and called for Hunger. Then Hunger seized the idle ones and beat and buffeted them until they were glad to work.

At last Truth heard of Piers and of all the good that he was doing among the pilgrims, and sent him a pardon for all his sins. In those days people who had done wrong used to pay money to a priest and think that they were forgiven by God. Against that belief Langland preaches, and his pardon is something different. It is only

    "Do well and have well, and God shall have thy soul.
    And do evil and have evil, hope none other
    That after thy death day thou shalt turn to the Evil One."

And over this pardon a priest and Piers began so loudly to dispute that the dreamer awoke,

    "And saw the sun that time towards the south,
    And I meatless and moneyless upon the Malvern Hills."

That is a little of the story of the first part of Piers Ploughman. It is an allegory, and in writing it Langland wished to hold up to scorn all the wickedness that he saw around him, and sharply to point out many causes of misery. There is laughter in his poem, but it is the terrible and harsh laughter of contempt. His most bitter words, perhaps, are for the idle rich, but the idle poor do not escape. Those who beg without shame, who cheat and steal, who are greedy and drunken have a share of his wrath. Yet Langland is not all harshness. His great word is Duty, but he speaks of Love too. "Learn to love, quoth King, and leave off all other." The poem is rambling and disconnected. Characters come on the scene and vanish again without cause. Stories begin and do not end. It is all wild and improbable like a dream, yet it is full of interest.

But perhaps the chief interest and value of Piers Ploughman is that it is history. It tells us much of what the people thought and of how they lived in those days. It shows us the first mutterings of the storm that was to rend the world. This was the storm of the Reformation which was to divide the world into Protestant and Catholic. But Langland himself was not a Protestant. Although he speaks bitter words against the evil deeds of priest and monk, he does not attack the Church. To him she is still Holy Church, a radiant and lovely lady.

BOOKS TO READ

The Vision of Piers Ploughman, by W. Langland

Chapter XXI HOW THE BIBLE CAME TO THE PEOPLE

IN all the land there is perhaps no book so common as the Bible. In homes where there are no other books we find at least a Bible, and the Bible stories are almost the first that we learn to know.

But in the fourteenth century there were no English Bibles. The priests and clergy and a few great people perhaps had Latin Bibles. And although Caedmon's songs had long been forgotten, at different times some parts of the Bible had been translated into English, so that the common people sometimes heard a Bible story. But an English Bible as a whole did not exist; and if to-day it is the commonest and cheapest book in all the land, it is to John Wyclif in the first place that we owe it.

John Wyclif was born, it is thought, about 1324 in a little Yorkshire village. Not much is known of his early days except that he went to school and to Oxford University. In time he became one of the most learned men of his day, and was made Head, or Master, of Balliol College.

This is the first time in this book that we have heard of a university. The monasteries had, until now, been the centers of learning. But now the two great universities of Oxford and Cambridge were taking their place. Men no longer went to the monasteries to learn, but to the universities; and this was one reason, perhaps, why the land had become filled with so many idle monks. Their profession of teaching had been taken from them, and they had found nothing else with which to fill their time.

But at first the universities were very like monasteries. The clerks, as the students were called, often took some kind of vow,—they wore a gown and shaved their heads in some fashion or other. The colleges, too, were built very much after the style of monasteries, as may be seen in some of the old college buildings of Oxford or Cambridge to this day. The life in every way was like the life in a monastery. It was only by slow degrees that the life and the teaching grew away from the old model.

While Wyclif grew to be a man, England had fallen on troublous times. Edward III, worn out by his French wars, had become old and feeble, and the power was in the hands of his son, John of Gaunt. The French wars and the Black Death had slain many of the people, and those who remained were miserably poor. Yet poor though they were, much money was gathered from them every year and sent to the Pope, who at that time still ruled the Church in England as elsewhere.

But now the people of England became very unwilling to pay so much money to the Pope, especially as at this time he was a Frenchman ruling, not from Rome, but from Avignon. It was folly, Englishmen said, to pay money into the hands of a Frenchman, the enemy of their country, who would use it against their country. And while many people were feeling like this, the Pope claimed still more. He now claimed a tribute which King John had promised long before, but which had not for more than thirty years been paid.

John of Gaunt made up his mind to resist this claim, and John Wyclif, who had already begun to preach against the power of the Pope, helped him. They were strange companions, and while John of Gaunt fought only for more power, Wyclif fought for freedom both in religion and in life. God alone was lord of all the world, he said, and to God alone each man must answer for his soul, and to no man beside. The money belonging to the Church of England belonged to God and to the people of England, and ought to be used for the good of the people, and not be sent abroad to the Pope. In those days it needed a bold man to use such words, and Wyclif was soon called upon to answer for his boldness before the Archbishop of Canterbury and all his bishops.

The council was held in St. Paul's Cathedral in London. Wyclif was fearless, and he obeyed the Archbishop's command. But as he walked up the long aisle to the chapel where the bishops were gathered, John of Gaunt marched by his side, and Lord Percy, Earl Marshal of England, cleared a way for him through the throng of people that filled the church. The press was great, and Earl Percy drove a way through the crowd with so much haughtiness and violence that the Bishop of London cried out at him in wrath.

"Had I known what masteries you would use in my church," he said,
"I had kept you from coming there."

"At which words the Duke, disdaining not a little, answered the Bishop and said that he would keep such mastery there though he said 'Nay.'"* Thus, after much struggling, Wyclif and his companions arrived at the chapel. There Wyclif stood humbly enough before his Bishop. But Earl Percy bade him be seated, for as he had much to answer he had need of a soft seat.

*Foxe, Acts and Monuments.

Thereat the Bishop of London was angry again, and cried out saying that it was not the custom for those who had come to answer for their misdeeds to sit.

"Upon these words a fire began to heat and kindle between them; insomuch that they began to rate and revile one the other, that the whole multitude therewith disquieted began to be set on a hurry."*

*Foxe, Acts and Monuments.

The Duke, too, joined in, threatening at last to drag the Bishop out of the church by the hair of his head. But the Londoners, when they heard that, were very wrathful, for they hated the Duke. They cried out they would not suffer their Bishop to be ill-used, and the uproar became so great that the council broke up without there being any trial at all.

But soon after this no fewer than five Bulls, or letters from the Pope, were sent against Wyclif. In one the University of Oxford was ordered to imprison him; in others Wyclif was ordered to appear before the Pope; in still another the English bishops were ordered to arrest him and try him themselves. But little was done, for the English would not imprison an English subject at the bidding of a French Pope, lest they should seem to give him royal power in England.

At length, however, Wyclif was once more brought before a court of bishops in London. By this time Edward III had died, and Richard, the young son of the Black Prince, had come to the throne. His mother, the Princess of Wales, was Wyclif's friend, and she now sent a message to the bishops bidding them let him alone. This time, too, the people of London were on his side; they had learned to understand that he was their friend. So they burst into the council-room eager to defend the man whose only crime was that of trying to protect England from being robbed. And thus the second trial came to an end as the first had done.

Wyclif now began to preach more boldly than before. He preached many things that were very different from the teaching of the Church of Rome, and as he was one of the most learned men of his time, people crowded to Oxford to hear him. John of Gaunt, now no longer his friend, ordered him to be silent. But Wyclif still spoke. The University was ordered to crush the heretic. But the University stood by him until the King added his orders to those of the Archbishop of Canterbury. Then Wyclif was expelled from the University, but still not silenced, for he went into the country and there wrote and taught.

Soon his followers grew in numbers. They were called Poor Priests, and clad in long brown robes they wandered on foot through the towns and villages teaching and preaching. Wyclif trusted that they would do all the good that the old friars had done, and that they would be kept from falling into the evil ways of the later friars. But Churchmen were angry, and called his followers Lollards or idle babblers.

Wyclif, however, cared no longer for the great, he trusted no more in them. It was to the people now that he appealed. He wrote many books, and at first he wrote in Latin. But by degrees he saw that if he wanted to reach the hearts of the people, he must preach and teach in English. And so he began to write English books. But above all the things that he wrote we remember him chiefly for his translation of the Bible. He himself translated the New Testament, and others helped him with the Old Testament, and so for the first time the people of England had the whole Bible in their own tongue. They had it, too, in fine scholarly language, and this was a great service to our literature. For naturally the Bible was a book which every one wished to know, and the people of England, through it, became accustomed to use fine stately language.

To his life's end Wyclif went on teaching and writing, although many attempts were made to silence him. At last in 1384 the Pope summoned him to Rome. Wyclif did not obey, for he answered another call. One day, as he heard mass in his own church, he fell forward speechless. He never spoke again, but died three days later.

After Wyclif's death his followers were gradually crushed out, and the Lollards disappear from our history. But his teaching never quite died, for by giving the English people the Bible Wyclif left a lasting mark on England; and although the Reformation did not come until two hundred years later, he may be looked upon as its forerunner.

It is hard to explain all that William Langland and John Wyclif stand for in English literature and in English history. It was the evil that they saw around them that made them write and speak as they did, and it was their speaking and writing, perhaps, that gave the people courage to rise against oppression. Thus their teaching and writing mark the beginning of new life to the great mass of the people of England. For in June, 1381, while John Wyclif still lived and wrote, Wat Tyler led his men to Blackheath in a rebellion which proved to be the beginning of freedom for the workers of England. And although at first sight there seems to be no connection between the two, it was the same spirit working in John Wyclif and Wat Tyler that made the one speak and the other fight as he did.

Chapter XXII CHAUCER—BREAD AND MILK FOR CHILDREN

TO-DAY, as we walk about the streets and watch the people hurry to and fro, we cannot tell from the dress they wear to what class they belong. We cannot tell among the men who pass us, all clad alike in dull, sad-colored clothes, who is a knight and who is a merchant, who is a shoemaker and who is a baker. If we see them in their shops we can still tell, perhaps, for we know that a butcher always wears a blue apron, and a baker a white hat. These are but the remains of a time long ago when every one dressed according to his calling, whether at work or not. It was easy then to tell by the cut and texture of his clothes to what rank in life a man belonged, for each dressed accordingly, and only the great might wear silk and velvet and golden ornaments.

And in the time of which we have been reading, in the England where Edward III and Richard II ruled, where Langland sadly dreamed and Wyclif boldly wrote and preached, there lived a man who has left for us a clear and truthful picture of those times. He has left a picture so vivid that as we read his words the people of England of the fourteenth century still seem to us to live. This man was Geoffrey Chaucer. Chaucer was a poet, and is generally looked upon as the first great English poet. Like Caedmon he is called the "Father of English Poetry," and each has a right to the name. For if Caedmon was the first great poet of the English people in their new home of England, the language he used was Anglo-Saxon. The language which Chaucer used was English, though still not quite the English which we use to-day.

But although Chaucer was a great poet, we know very little about his life. What we do know has nothing to do with his poems or of how he wrote them. For in those days, and for long after, a writer was not expected to live by his writing; but in return for giving to the world beautiful thoughts, beautiful songs, the King or some great noble would reward him by giving him a post at court. About this public life of Chaucer we have a few facts. But it is difficult at times to fit the man of camp, and court, and counting-house to the poet and story-teller who possessed a wealth of words and a knowledge of how to use them greater than any Englishman who had lived before him. And it is rather through his works than through the scanty facts of his life that we learn to know the real man, full of shrewd knowledge of the world, of humor, kindliness, and cheerful courage.

Chaucer was a man of the middle class. His father, John Chaucer, was a London wine merchant. The family very likely came at first from France, and the name may mean shoemaker, from an old Norman word chaucier or chaussier, a shoemaker. And although the French word for shoemaker is different now, there is still a slang word chausseur, meaning a cobbler.

We know nothing at all of Chaucer as a boy, nothing of where he went to school, nor do we know if he ever went to college. The first thing we hear of him is that he was a page in the house of the Princess Elizabeth, the wife of Prince Lionel, who was the third son of Edward III. So, although Chaucer belonged to the middle class, he must have had some powerful friend able to get him a place in a great household.

In those days a boy became a page in a great household very much as he might now become an office-boy in a large merchant's office. A page had many duties. He had to wait at table, hold candles, go messages, and do many other little household services. Such a post seems strange to us now, yet it was perhaps quite as interesting as sitting all day long on an office stool. In time of war it was certainly more exciting, for a page had often to follow his master to the battlefield. And as a war with France was begun in 1359, Geoffrey went across the Channel with his prince.

Of what befell Chaucer in France we know nothing, except that he was taken prisoner, and that the King, Edward III, himself gave 16 pounds towards his ransom. That sounds a small sum, but it meant as much as 240 pounds would now. So it would seem that, boy though he was, Geoffrey Chaucer had already become important. Perhaps he was already known as a poet and a good story-teller whom the King was loath to lose. But again for seven years after this we hear nothing more about him. And when next we do hear of him, he is valet de chambre in the household of Edward III. Then a few years later he married one of Queen Philippa's maids-in-waiting.

Of Chaucer's life with his wife and family again we know nothing except that he had at least one son, named Lewis. We know this because he wrote a book, called A Treatise on the Astrolabe, for this little son. An astrolabe was an instrument used in astronomy to find out the distance of stars from the earth, the position of the sun and moon, the length of days, and many other things about the heavens and their bodies.

Chaucer calls his book A Treatise on the Astrolabe, Bread and Milk for Children. "Little Lewis, my son," he says in the beginning, "I have perceived well by certain evidences thine ability to learn science touching numbers and proportions; and as well consider I thy busy prayer in special to learn the treatise of the astrolabe." But although there were many books written on the subject, some were unknown in England, and some were not to be trusted. "And some of them be too hard to thy tender age of ten years. This treatise then will I show thee under few light rules and naked words in English; for Latin canst thou yet but small, my little son. . . .

"Now will I pray meekly every discreet person that readeth or heareth this little treatise, to have my rude inditing for excused, and my superfluity of words, for two causes. The first cause is for that curious inditing and hard sentence is full heavy at one and the same time for a child to learn. And the second cause is this, that soothly me seemeth better to write unto a child twice a good sentence than he forget it once. And Lewis, if so be I shew you in my easy English as true conclusions as be shewn in Latin, grant me the more thank, and pray God save the King, who is lord of this English."

So we see from this that more than five hundred years ago a kindly father saw the need of making simple books on difficult subjects for children. You may never want to read this book itself, indeed few people read it now, but I think that we should all be sorry to lose the preface, although it has in it some long words which perhaps a boy of ten in our day would still find "full heavy."

It is interesting, too, to notice in this preface that here Chaucer calls his King "Lord of this English." We now often speak of the "King's English," so once again we see how an everyday phrase links us with the past.

Chapter XXIII CHAUCER—"THE CANTERBURY TALES"

CHAUCER rose in the King's service. He became an esquire, and was sent on business for the King to France and to Italy. To Italy he went at least twice, and it is well to remember this, as it had an effect on his most famous poems. He must have done his business well, for we find him receiving now a pension for life worth about 200 pounds in our money, now a grant of a daily pitcher of wine besides a salary of "71/2d. a day and two robes yearly."

Chaucer's wife, too, had a pension, so the poet was well off. He had powerful friends also, among them John of Gaunt. And when the Duke's wife died Chaucer wrote a lament which is called the Dethe of Blaunche the Duchess, or sometimes the Book of the Duchess. This is one of the earliest known poems of Chaucer, and although it is not so good as some which are later, there are many beautiful lines in it.

The poet led a busy life. He was a good business man, and soon we find him in the civil service, as we would call it now. He was made Comptroller of Customs, and in this post he had to work hard, for one of the conditions was that he must write out the accounts with his own hand, and always be in the office himself. If we may take some lines he wrote to be about himself, he was so busy all day long that he had not time to hear what was happening abroad, or even what was happening among his friends and neighbors.

    "Not only from far countree,
    That there no tidings cometh to thee;
    Not of thy very neighbours,
    That dwellen almost at thy doors,
    Thou hearest neither that nor this."

Yet after his hard office work was done he loved nothing better than to go back to his books, for he goes on to say:

    "For when thy labour done all is
    And hast y-made thy reckonings,
    Instead of rest and newë things
    Thou goest home to thy house anon,
    And all so dumb as any stone,
    Thou sittest at another book,
    Till fully dazéd is thy look,
    And livest thus as a hermite
    Although thine abstinence is light."

But if Chaucer loved books he loved people too, and we may believe that he readily made friends, for there was a kingly humor about him that must have drawn people to him. And that he knew men and their ways we learn from his poetry, for it is full of knowledge of men and women.

For many years Chaucer was well off and comfortable. But he did not always remain so. There came a time when his friend and patron, John of Gaunt, fell from power, and Chaucer lost his appointments. Soon after that his wife died, and with her life her pension ceased. So for a year or two the poet knew something of poverty—poverty at least compared to what he had been used to. But if he lost his money he did not lose his sunny temper, and in all his writings we find little that is bitter.

After a time John of Gaunt returned to power, and again Chaucer had a post given to him, and so until he died he suffered ups and downs. Born when Edward III was in his highest glory, Chaucer lived to see him hated by his people. He lived through the reign of Edward's grandson, Richard II, and knew him from the time when as a gallant yellow-haired boy he had faced Wat Tyler and his rioters, till as a worn and broken prisoner he yielded the crown to Henry of Lancaster, the son of John of Gaunt. But before the broken King died in his darksome prison Chaucer lay taking his last rest in St. Benet's Chapel in Westminster. He was the first great poet to be laid there, but since then there have gathered round him so many bearing the greatest names in English literature that we call it now the "Poet's Corner."

But although Chaucer lived in stirring times, although he was a soldier and a courtier, he does not, in the book by which we know him best, write of battles and of pomp, of kings and of princes. In this book we find plain, everyday people, people of the great middle class of merchants and tradesmen and others of like calling, to which Chaucer himself belonged. It was a class which year by year had been growing more and more strong in England, and which year by year had been making its strength more and more felt. But it was a class which no one had thought of writing about in plain fashion. And it is in the Canterbury Tales that we have, for the first time in the English language, pictures of real men, and what is more wonderful, of real women. They are not giants or dwarfs, they are not fairy princes or knights in shining armor. They do no wondrous deeds of strength or skill. They are not queens of marvelous beauty or enchanted princesses. They are simply plain, middle-class English people, and yet they are very interesting.

In Chaucer's time, books, although still copied by hand, had become more plentiful than ever before. And as more and more people learned to read, the singing time began to draw to a close. Stories were now not all written in rhyme, and poetry was not all written to be sung. Yet the listening time was not quite over, for these were still the days of talk and story-telling. Life went at leisure pace. There was no hurry, there was no machinery. All sewing was done by hand, so when the ladies of a great household gathered to their handiwork, it was no unusual thing for one among them to lighten the long hours with tales read or told. Houses were badly lighted, and there was little to do indoors in the long winter evenings, so the men gathered together and listened while one among them told of love and battle. Indeed, through all the life of the Middle Ages there was room for story-telling.

So now, although Chaucer meant his tales to be read, he made believe that they were told by a company of people on a journey from London to Canterbury. He thus made a framework for them of the life he knew, and gave a reason for them all being told in one book.

But a reason had to be given for the journey, for in those days people did not travel about from place to place for the mere pleasure of seeing another town, as we do now. Few people thought of going for a change of air, nobody perhaps ever thought about going to the seaside for the summer. In short, people always had a special object in taking a journey.

One reason for this was that traveling was slow and often dangerous. The roads were bad, and people nearly all traveled on horseback and in company, for robbers lurked by the way ready to attack and kill, for the sake of their money, any who rode alone and unprotected. So when a man had to travel he tried to arrange to go in company with others.

In olden days the most usual reason for a journey, next to business, was a pilgrimage. Sometimes this was simply an act of religion or devotion. Clad in a simple gown, and perhaps with bare feet, the pilgrim set out. Carrying a staff in his hand, and begging for food and shelter by the road, he took his way to the shrine of some saint. There he knelt and prayed and felt himself blessed in the deed. Sometimes it was an act of penance for some great sin done; sometimes of thanksgiving for some great good received, some great danger passed.

But as time went on these pilgrimages lost their old meaning. People no longer trudged along barefoot, wearing a pilgrim's garb. They began to look upon a pilgrimage more as a summer outing, and dressed in their best they rode comfortably on horseback. And it is a company of pilgrims such as this that Chaucer paints for us. He describes himself as being of the company, and it is quite likely that Chaucer really did at one time go upon this pilgrimage from London to Canterbury, for it was a very favorite one. Not only was the shrine of St. Thomas at Canterbury very beautiful in those days, but it was also within easy distance of London. Neither costing much nor lasting long, it was a journey which well-to-do merchantmen and others like them could well afford.

Chaucer tells us that it was when the first sunshiny days of
April came that people began to think of such pilgrimages:—

    "When that April with his showers sweet,
    The drought of March hath pierced to the root,"

when the soft wind "with his sweet breath inspired hath in every holt and heath the tender crops"; when the little birds make new songs, then "longen folk to go on pilgrimages, and palmers for to seeken strange lands, and especially from every shire's end of England, to Canterbury they wend."

So one day in April a company of pilgrims gathered at the Tabard Inn on the south side of the Thames, not far from London Bridge. A tabard, or coat without sleeves, was the sign of the inn; hence its name. In those days such a coat would often be worn by workmen for ease in working, but it has come down to us only as the gayly colored coat worn by heralds.

At the Tabard Inn twenty-nine "of sundry folk," besides Chaucer himself, were gathered. They were all strangers to each other, but they were all bound on the same errand. Every one was willing to be friendly with his neighbor, and Chaucer in his cheery way had soon made friends with them all.

    "And shortly when the sun was to rest,
    So had I spoke with them every one."

And having made their acquaintance, Chaucer begins to describe them all so that we may know them too. He describes them so well that he makes them all living to us. Some we grow to love; some we smile upon and have a kindly feeling for, for although they are not fine folk, they are so very human we cannot help but like them; and some we do not like at all, for they are rude and rough, as the poet meant them to be.

Chapter XXIV CHAUCER—AT THE TABARD INN

CHAUCER begins his description of the people who were gathered at the Tabard Inn with the knight, who was the highest in rank among them.

    "A knight there was, and that a worthy man,
    . . . . . .
    And though he was worthy he was wise,
    And of his port as meek as any maid.
    He never yet no villainy ne'er said
    In all his life unto no manner wight;
    He was a very perfect, gentle knight."

Yet he was no knight of romance or fairy tale, but a good honest English gentleman who had fought for his King. His coat was of fustian and was stained with rust from his armor, for he had just come back from fighting, and was still clad in his war-worn clothes. "His horse was good, but he ne was gay."

With the knight was his son, a young squire of twenty years. He was gay and handsome, with curling hair and comely face. His clothes were in the latest fashion, gayly embroidered. He sat his horse well and guided it with ease. He was merry and careless and clever too, for he could joust and dance, sing and play, read and write, and indeed do everything as a young squire should. Yet with it all "courteous he was, lowly and serviceable."

With these two came their servant, a yeoman, clad in hood of green, and carrying besides many other weapons a "mighty bow."

As was natural in a gathering such as this, monks and friars and their like figured largely. There was a monk, a worldly man, fond of dress, fond of hunting, fond of a good dinner; and a friar even more worldly and pleasure-loving. There was a pardoner, a man who sold pardons to those who had done wrong, and a sumpnour or summoner, who was so ugly and vile that children were afraid of him. A summoner was a person who went to summon or call people to appear before the Church courts when they had done wrong. He was a much-hated person, and both he and the pardoner were great rogues and cheats and had no love for each other. There was also a poor parson.

All these, except the poor parson, Chaucer holds up to scorn because he had met many such in real life who, under the pretense of religion, lived bad lives. But that it was not the Church that he scorned or any who were truly good he shows by his picture of the poor parson. He was poor in worldly goods:—

    "But rich he was in holy thought and work,
    He was also a learned man, a clerk
    That Christ's gospel truly would preach,
    His parishioners devoutly would he teach;
    Benign he was and wonder diligent,
    And in adversity full patient.
    . . . . .
    Wide was his parish, and houses far asunder,
    But he left naught for rain nor thunder
    In sickness nor in mischief to visit
    The farthest of his parish, great or lite*
    Upon his feet, and in his hand a staff.
    The noble ensample to his sheep he gave,
    That first he wrought, and afterward he taught."

*Little.

There was no better parson anywhere. He taught his people to walk in Christ's way. But first he followed it himself.

Chaucer gives this good man a brother who is a plowman.

    "A true worker and a good was he,
    Living in peace and perfect charity."

He could dig, and he could thresh, and everything to which he put his hand he did with a will.

Besides all the other religious folk there were a prioress and a nun. In those days the convents were the only schools for fine ladies, and the prioress perhaps spent her days teaching them. Chaucer makes her very prim and precise.

    "At meat well taught was she withal,
    She let no morsel from her lips fall,
    Nor wet her fingers in her sauce deep.
    Well could she carry a morsel, and well keep
    That no drop might fall upon her breast.*

    In courtesy was set full mickle her lest.**
    Her over lip wiped she so clean,
    That in her cup there was no morsel seen
    Of grease, when she drunken had her draught."

    *It should be remembered that in those days forks were
unknown, and people used their fingers.
    **Pleasure.

And she was so tender hearted! She would cry if she saw a mouse caught in a trap, and she fed her little dog on the best of everything. In her dress she was very dainty and particular. And yet with all her fine ways we feel that she was no true lady, and that ever so gently Chaucer is making fun of her.

Besides the prioress and the nun there was only one other woman in the company. This was the vulgar, bouncing Wife of Bath. She dressed in rich and gaudy clothes, she liked to go about to see and be seen and have a good time. She had been married five times, and though she was getting old and rather deaf, she was quite ready to marry again, if the husband she had should die before her.

Chaucer describes nearly every one in the company, and last of all he pictures for us the host of the Tabard Inn.

    "A seemly man our host was withal
    For to have been a marshal in a hall.
    A large man he was with eyen stepe,*
    A fairer burgesse was there none in Chepe,**
    Bold was his speech, and wise and well y-taught,
    And of manhood him lacked right naught,
    Eke thereto he was right a merry man."

    *Bright.
    **Cheapside, a street in London.

The host's name was Harry Baily, a big man and jolly fellow who dearly loved a joke. After supper was over he spoke to all the company gathered there. He told them how glad he was to see them, and that he had not had so merry a company that year. Then he told them that he had thought of something to amuse them on the long way to Canterbury. It was this:—

    "That each of you to shorten of your way
    In this voyage shall tell tales tway*—
    To Canterbury-ward I mean it so,
    And homeward ye shall tellen other two;—
    Of adventures which whilom have befallen.
    And which of you the beareth you best of all,
    That is to say, that telleth in this case
    Tales of best sentence, and most solace,
    Shall have a supper at all our cost,
    Here in this place, sitting at this post,
    When that we come again fro Canterbury.
    And for to make you the more merry
    I will myself gladly with you ride,
    Right at mine own cost, and be your guide."

*Twain.

To this every one willingly agreed, and next morning they waked very early and set off. And having ridden a little way they cast lots as to who should tell the first tale. The lot fell upon the knight, who accordingly began.

All that I have told you so far forms the first part of the book and is called the prologue, which means really "before word" or explanation. It is perhaps the most interesting part of the book, for it is entirely Chaucer's own and it is truly English.

It is said that Chaucer borrowed the form of his famous tales from a book called The Decameron, written by an Italian poet named Boccaccio. Decameron comes from two Greek words deka, ten, and hemera, a day, the book being so called because the stories in it were supposed to be told in ten days. During a time of plague in Florence seven ladies and three gentlemen fled and took refuge in a house surrounded by a garden far from the town. There they remained for ten days, and to amuse themselves each told a tale every day, so that there are a hundred tales in all in The Decameron.

It is very likely that in one of his journeys to Italy Chaucer saw this book. Perhaps he even met Boccaccio, and it is more than likely that he met Petrarch, another great Italian poet who also retold one of the tales of The Decameron. Several of the tales which Chaucer makes his people tell are founded on these tales. Indeed, nearly all his poems are founded on old French, Italian, or Latin tales. But although Chaucer takes his material from others, he tells the stories in his own way, and so makes them his own; and he never wrote anything more truly English in spirit than the prologue to the Canterbury Tales.

Some of these stories you will like to read, but others are too coarse and rude to give you any pleasure. Even the roughness of these tales, however, helps us to picture the England of those far-off days. We see from them how hard and rough the life must have been when people found humor and fun in jokes in which we can feel only disgust.

But even in Chaucer's day there were those who found such stories coarse. "Precious fold," Chaucer calls them. He himself perhaps did not care for them, indeed he explains in the tales why he tells them. Here is a company of common, everyday people, he said, and if I am to make you see these people, if they are to be living and real to you, I must make them act and speak as such common people would act and speak. They are churls, and they must speak like churls and not like fine folk, and if you don't like the tale, turn over the leaf and choose another.

    "What should I more say but this miller
    He would his words for no man forbear,
    But told his churls tale in his manner.
    Me thinketh that I shall rehearse it here;
    And therefore every gently wight I pray,
    For Goddes love deem not that I say
    Of evil intent, but for I might rehearse
    Their tales all, be they better or worse,
    Or else falsen some of my matter:
    And therefore, who so listeth it not to hear,
    Turn over the leaf and choose another tale;
    For he shall find enow, both great and small,
    In storial thing that toucheth gentlesse,
    And eke morality and holiness,—
    Blame not me if that ye choose amiss.
    This miller is a churl ye know well,
    So was the Reeve, and many more,
    And wickedness they tolden both two.
    Advise you, put me out of blame;
    And eke men shall not make earnest of game."

If Chaucer had written all the tales that he meant to write, there would have been one hundred and twenty-four in all. But the poet died long before his work was done, and as it is there are only twenty-four. Two of these are not finished; one, indeed, is only begun. Thus, you see, many of the pilgrims tell no story at all, and we do not know who got the prize, nor do we hear anything of the grand supper at the end of the journey.

Chaucer is the first of our poets who had a perfect sense of sound. He delights us not only with his stories, but with the beauty of the words he uses. We lose a great deal of that beauty when his poetry is put into modern English, as are all the quotations which I have given you. It is only when we can read the poems in the quaint English of Chaucer's time that we can see truly how fine it is. So, although you may begin to love Chaucer now, you must look forward to a time when you will be able to read his stories as he wrote them. Then you will love them much more.

Chaucer wrote many other books beside the Canterbury Tales, although not so many as was at one time thought. But the Canterbury Tales are the most famous, and I will not trouble you with the names even of the others. But when the grown-up time comes, I hope that you will want to read some of his other books as well as the Canterbury Tales.

And now, just to end this long chapter, I will give you a little poem by Chaucer, written as he wrote it, with modern English words underneath so that you may see the difference.

This poem was written when Chaucer was very poor. It was sent to
King Henry IV, who had just taken the throne from Richard II.
Henry's answer was a pension of twenty marks, so that once more
Chaucer lived in comfort. He died, however, a year later.

THE COMPLAYNT OF CHAUCER TO HYS PURSE

    To yow my purse, and to noon other wight
    To you my purse, and to no other wight
    Complayne I, for ye by my lady dere;
    Complain I, for ye be my lady dear;
    I am so sorry now that ye been lyght,
    I am so sorry now that ye be light,
    For certes, but yf ye make me hevy chere
    For certainly, but if ye make me heavy cheer
    Me were as leef be layde upon my bere;
    I would as soon be laid upon my bier;
    For which unto your mercy thus I crye,
    For which unto your mercy thus I cry,
    Beeth hevy ageyne, or elles mote I dye.
    Be heavy again, or else must I die.

    Now voucheth-sauf this day or hyt by nyght
    Now vouchsafe this day before it be night
    That I of you the blisful sovne may here,
    That I of you the blissful sound may hear,
    Or see your colour lyke the sonne bryght,
    Or see your colour like the sun bright,
    That of yelownesse hadde neuer pere.
    That of yellowness had never peer.
    Ye be my lyfe, ye be myn hertys stere,
    Ye be my life, ye be my heart's guide,
    Quene of comfort, and of good companye,
    Queen of comfort, and of good company,
    Beth heuy ageyne, or elles moote I dye.
    Be heavy again, or else must I die.

    Now purse that ben to me my lyves lyght
    Now purse that art to me my life's light
    And saveour as down in this worlde here,
    And saviour as down in this world here,
    Oute of this tovne helpe me thrugh your myght,
    Out of this town help me through your might,
    Syn that ye wole nat bene my tresorere,
    Since that ye will not be my treasurer,
    For I am shave as nye as is a ffrere;
    For I am shaven as close as is a friar;
    But yet I pray vnto your curtesye,
    But yet I pray unto your courtesy,
    Bethe hevy agen or elles moote I dye.
    Be heavy again or else must I die.

L'ENVOY* DE CHAUCER

    O conquerour of Brutes albyon,
    O conqueror of Brutus' Albion
    Whiche that by lygne and free leccion
    Who that by line and free election
    Been verray kynge, this song to yow I sende;
    Art very king, this song to you I send;
    And ye that mowen alle myn harme amende,
    And ye that art able all my harm amend,
    Haue mynde vpon my supplicacion.
    Have mind upon my supplication.

*This is from a French word, meaning "to send," and is still often used for the last verse of a poem. It is, as it were, a "sending off."

In reading this you must sound the final "e" in each word except when the next word begins with an "h" or with another vowel. You will then find it read easily and smoothly.

BOOKS TO READ

    Stories from Chaucer (prose), by J. H. Kelman. Tales from
Chaucer (prose), by C. L. Thomson. Prologue to the Canterbury
Tales and Minor Poems (poetry), done into Modern English by W. W.
Skeat. Canterbury Tales (poetry), edited by A. W. Pollard (in
Chaucer's English, suitable only for grown-up readers).

NOTE.— As there are so many books now published containing stories from Chaucer's Canterbury Tales, I feel it unnecessary to give any here in outline.