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English Society

Chapter 10: Transcriber's Notes:
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About This Book

A series of illustrated sketches and short essays that observe and gently satirize late-Victorian social manners, domestic rituals, and types. The pieces present comic portraits of hosts, snobs, bores and vulnerable outsiders, blending witty observation with a tolerant, often sentimental eye. Scenes and vignettes alternate with concise commentary, and the tone shifts between playful mockery and compassionate pity, producing a cumulative portrait of a class-conscious social world where eccentricities are exposed more for human frailty than for condemnation.

ANTE-POSTHUMOUS JEALOUSY

"Isn't Emily Firkinson a darling, Reginald?"

"A—ahem—no doubt. I can't say much for her singing, you know!"

"Ah! but she's so good and true—a perfect angel! I've known her all my life. I want you to promise me something, Reginald."

"Certainly, my love!"

"If I should die young, and you should ever marry again, promise, oh! promise me that it shall be Emily Firkinson!"


DISTINGUISHED PROFESSIONALS

Hostess (to host, after dinner).—"George, dear, how about asking Signor Robsonio and Signora Smithorelli to sing? They'll be mortally offended if we do, and they'll be mortally offended if we don't!"


SOCIAL AGONIES

Mrs. Bloker.—"Oh, I'm sorry to disturb you at breakfast, but I wanted to make sure of you. Mr. and Mrs. Dedleigh Boreham are stopping with me for a few days, and I want you to come and dine to-morrow, or, if you are engaged, Wednesday; or Thursday will do, or Friday or Saturday; or any day next week!"

(Mrs. Brown feebly tries to invent that they have some thoughts of sailing to Honolulu this afternoon, and that they have just lost a relative, but breaks down ignominiously.)


TRUE BLUE

"But doesn't hearing those brilliant speeches sometimes make you change your mind?"

"My mind? Oh, often! But my vote, NEVER!!"


NOUS AVONS CHANGÉ TOUT CELA

The Old Marquis of Carabas.—"What, madam! There's your lovely but penniless daughter positively dying to marry me; and here I am, willing to settle £20,000 a year on her, and give her one of the oldest titles in England, and you refuse your consent!!!! By George, madam, in my young days it wasn't the mothers who objected to men of my sort. It was the daughters themselves!!"


SPEECHES ONE HAS TO LIVE DOWN

Hostess.—"So sorry to have kept you waiting, Mr. Green."

Visitor.—"Oh, don't mention it. The anticipation, you know, is always so much brighter than the reality."


TOO CONSIDERATE

Mrs. Brown.—"Oh, Mrs. Smith, do have that sweet baby of yours brought down to show my husband. He's never seen it."

Mr. Brown.—"Oh, pray, don't trouble on my account."


THINGS ONE WOULD HAVE EXPRESSED DIFFERENTLY

Genial Hostess.—"What, going already, Professor?... And must you take your wife away with you?"

The Professor (with grave politeness).—"Indeed, madam, I am sorry to say I MUST!"


HAPPY THOUGHT

FLUNKYANA
(A Visit to the Portrait-Gallery of Brabazon Towers.)

"Pardon me! But you have passed over that picture in the corner. An old Dutch master, I think."

"Oh, that! 'The Burgermaster' it's called By Rembrank, I b'lieve. It ain't nothing much. Only a work of hart. Not one of the family, you know!"


"OH, DON'T YOU REMEMBER SWEET ALICE, BEN BOLT?"

A WINDOW STUDY

The Maiden.—"Good-morning, Mr. Jones! How do you like my hyacinths?"

The Curate.—"Well, they prevent me from seeing you! I should prefer Lower cinths!"


SO ENGLISH, YOU KNOW!

The Miss Browns (of "a good" Bayswater family) playing "Buffalo Gals," with variations, on two American banjoes and an American parlor-grand.


SOCIAL TARRADIDDLES

Mrs. Gushington (aside to her husband).—"What a long, tiresome piece of music that was! Who's it by, I wonder?"

Mr. Gushington.—"Beethoven, my love."

Mrs. Gushington (to hostess).—"My dear Mrs. Brown, what heavenly music! How in every bar one feels the stamp of the greatest genius the world has ever known!"


LOVE'S LABOR LOST

"Oh, papa, we've all quite made up our minds never to marry, now we've got this beautiful house and garden!" (Papa has taken this beautiful house and garden solely with the view of tempting eligible young men to come and play lawn-tennis, etc., etc.)


THE MARCH OF PROGRESS

She.—"After all, there's nothing better than the wing of a chicken! Is there, General?"

He.—"I never tasted the wing of a chicken. I only know the legs! When I was young, you know, my parents always ate the wings, and now, my children always do!"


AN INFELICITOUS QUESTION

Æsthetic Youth.—"I hope by degrees to have this room filled with nothing but the most perfectly beautiful things...."

Simple-Minded Guardsman.—"And what are you going to do with these, then?"


I MUST HAVE THIS TOOTH OUT!

"I must have this tooth out, it hurts so!"

"Oh, please don't, or I shall have to wear it, as I do all of your left-off things!"


NEMESIS

Mrs. Constantia (to old adorer, who has married for money).—"And these are your children, Ronald? Oh!... how like their mother!"


TOO LATE

He.—"What! You haven't got a dance left?"

She.—"No. It's past two o'clock! Why didn't you come earlier?"

He.—"Well, a feller must dine, you know!"


FEMININE PERVERSITY

She-Gossip (alluding to newly-wedded pair).—"There go 'Beauty and the Beast,' as they are called! She would marry him. Her parents strongly opposed the match, as you may imagine."

He-Gossip (who flatters himself that he understands the sex).—"By George! The parental opposition must have been strong to make her marry such a ruffian as that!"


CONSOLATION

De Snookke.—"There goes Mrs. Gatherum! She never asks me to her parties! I suppose I am not swell enough!"

Sympathetic Lady-Friend.—"Oh, it can't be that! One meets the most rowdy people in London there."


CAPTAIN LELONGBOW

Captain Lelongbow (a fascinating but most inveterate romancer about his own exploits).—"Who's your favorite hero in fiction, Miss Vera?"

Miss Vera.—"You are!"


ÆSTHETICS

Mrs. Van Tromp.—"Oh, Sir Charles! Modern English male attire is too hideous. Just look round ... there are only two decently dressed men in the room!"

Sir Charles.—"Indeed! And which are they, may I ask?"

Mrs. Van Tromp.—"Well, I don't know who they are, exactly; but just now one seems to be offering the other a cup of tea."


AN ACCOMMODATION

Vocalist (to fair Stranger).—"A—I'm going to sing 'Fain would I clasp thee closer, love!' May I look at you while I am singing?"

Fair Stranger.-"Oh, certainly! Or at my grandmother."


"SVENGALI!... SVENGALI!... SVENGALI!"

BOOKS WRITTEN AND ILLUSTRATED

BY

GEORGE DU MAURIER

PETER IBBETSON { Post 8vo, Cloth, Ornamental
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TRILBY { Post 8vo, Cloth, Ornamental
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THE MARTIAN (Mr. Du Maurier's last work, now running as a serial in "Harper's Magazine," began in the number for October, 1896).
 
TRILBY SOUVENIR. Photogravures in Portfolio 8vo 50
IN BOHEMIA WITH DU MAURIER. By Moscheles 8vo 2 50

Published by HARPER & BROTHERS, New York

For sale by all booksellers, or will be mailed by the publishers on receipt of price.


Back Cover

Transcriber's Notes:

Obvious punctuation errors repaired.

In the Foreword, word "indefinitely" changed to "infinitely" (infinitely less amazing)

Caption for illustration A DAUGHTER OF HETH, name "BENJAMIM" changed to "BENJAMIN"