WeRead Powered by ReaderPub
Engraving: Its Origin, Processes, and History cover

Engraving: Its Origin, Processes, and History

Chapter 18: Transcriber's Notes:
Open in WeRead

Explore more books like this:

About This Book

A technical and historical survey tracing the development of printmaking from early relief methods through intaglio techniques, explaining tools and processes such as woodcut, metal engraving with the burin, dot manner, niello, mezzotint, stipple, crayon, aquatint, and etching. It follows the art's progress across Europe from medieval beginnings to nineteenth-century practice, examines the roles of painter-engravers and goldsmiths, and contrasts methods for producing tones and multiple impressions. An additional chapter addresses engraving in England and a chronological table lists prominent English practitioners, while illustrations and practical descriptions clarify workshop procedures, materials, and evolving stylistic and technical innovations.


Printed by Cassell & Company, Limited, La Belle Sauvage, London, E.C.

Transcriber's Notes:

Punctuation and spelling were made consistent when a predominant preference was found in this book; otherwise they were not changed.

Simple typographical errors were corrected.

Ambiguous hyphens at the ends of lines were retained.

When necessary, illustrations were moved so as to not interrupt the flow of text.

Footnotes were moved to the end of the book, just before the Index.

Table of Contents lists "A CHAPTER ON ENGLISH ENGRAVING" as being on page 278, but it is on page 287. Corrected here.