Abercrummie has told you enough of the Tolbooth; but, as a bit of spelling, this inscription on the Tolbooth bell seems too delicious to withhold: ‘This bell is founded at Maiboll Bi Danel Geli, a Frenchman, the 6th November, 1696, Bi appointment of the heritors of the parish of Maiyboll.’ The Castle deserves more notice. It is a large and shapely tower, plain from the ground upwards, but with a zone of ornamentation running about the top. In a general way this adornment is perched on the very summit of the chimney-stacks; but there is one corner more elaborate than the rest. A very heavy string-course runs round the upper story, and just above this, facing up the street, the tower carries a small oriel window, fluted and corbelled and carved about with stone heads. It is so ornate it has somewhat the air of a shrine. And it was, indeed, the casket of a very precious jewel, for in the room to which it gives light lay, for long years, the heroine of the sweet old ballad of ‘Johnnie Faa’—she who, at the call of the gipsies’ songs, ‘came tripping down the stair, and all her maids before her.’ Some people say the ballad has no basis in fact, and have written, I believe, unanswerable papers to the proof. But in the face of all that, the very look of that high oriel window convinces the imagination, and we enter into all the sorrows of the imprisoned dame. We conceive the burthen of the long, lack-lustre days, when she leaned her sick head against the mullions, and saw the burghers loafing in Maybole High Street, and the children at play, and ruffling gallants riding by from hunt or foray. We conceive the passion of odd moments, when the wind threw up to her some snatch of song, and her heart grew hot within her, and her eyes overflowed at the memory of the past. And even if the tale be not true of this or that lady, or this or that old tower, it is true in the essence of all men and women: for all of us, some time or other, hear the gipsies singing; over all of us is the glamour cast. Some resist and sit resolutely by the fire. Most go and are brought back again, like Lady Cassilis. A few, of the tribe of Waring, go and are seen no more; only now and again, at springtime, when the gipsies’ song is afloat in the amethyst evening, we can catch their voices in the glee.
By night it was clearer, and Maybole more visible than during the day. Clouds coursed over the sky in great masses; the full moon battled the other way, and lit up the snow with gleams of flying silver; the town came down the hill in a cascade of brown gables, bestridden by smooth white roofs, and sprangled here and there with lighted windows. At either end the snow stood high up in the darkness, on the peak of the Tolbooth and among the chimneys of the Castle. As the moon flashed a bull’s-eye glitter across the town between the racing clouds, the white roofs leaped into relief over the gables and the chimney-stacks, and their shadows over the white roofs. In the town itself the lit face of the clock peered down the street; an hour was hammered out on Mr. Geli’s bell, and from behind the red curtains of a public-house some one trolled out—a compatriot of Burns, again!—‘The saut tear blin’s my e’e.’
Next morning there was sun and a flapping wind. From the street corners of Maybole I could catch breezy glimpses of green fields. The road underfoot was wet and heavy—part ice, part snow, part water, and any one I met greeted me, by way of salutation, with ‘A fine thowe’ (thaw). My way lay among rather bleak bills, and past bleak ponds and dilapidated castles and monasteries, to the Highland-looking village of Kirkoswald. It has little claim to notice, save that Burns came there to study surveying in the summer of 1777, and there also, in the kirkyard, the original of Tam o’ Shanter sleeps his last sleep. It is worth noticing, however, that this was the first place I thought ‘Highland-looking.’ Over the bill from Kirkoswald a farm-road leads to the coast. As I came down above Turnberry, the sea view was indeed strangely different from the day before. The cold fogs were all blown away; and there was Ailsa Craig, like a refraction, magnified and deformed, of the Bass Rock; and there were the chiselled mountain-tops of Arran, veined and tipped with snow; and behind, and fainter, the low, blue land of Cantyre. Cottony clouds stood in a great castle over the top of Arran, and blew out in long streamers to the south. The sea was bitten all over with white; little ships, tacking up and down the Firth, lay over at different angles in the wind. On Shanter they were ploughing lea; a cart foal, all in a field by himself, capered and whinnied as if the spring were in him.
The road from Turnberry to Girvan lies along the shore, among sand-hills and by wildernesses of tumbled bent. Every here and there a few cottages stood together beside a bridge. They had one odd feature, not easy to describe in words: a triangular porch projected from above the door, supported at the apex by a single upright post; a secondary door was hinged to the post, and could be hasped on either cheek of the real entrance; so, whether the wind was north or south, the cotter could make himself a triangular bight of shelter where to set his chair and finish a pipe with comfort. There is one objection to this device; for, as the post stands in the middle of the fairway, any one precipitately issuing from the cottage must run his chance of a broken head. So far as I am aware, it is peculiar to the little corner of country about Girvan. And that corner is noticeable for more reasons: it is certainly one of the most characteristic districts in Scotland, It has this movable porch by way of architecture; it has, as we shall see, a sort of remnant of provincial costume, and it has the handsomest population in the Lowlands. . . .
V.
FOREST NOTES 1875–6
ON THE PLAIN
Perhaps the reader knows already the aspect of the great levels of the Gâtinais, where they border with the wooded hills of Fontainebleau. Here and there a few grey rocks creep out of the forest as if to sun themselves. Here and there a few apple-trees stand together on a knoll. The quaint, undignified tartan of a myriad small fields dies out into the distance; the strips blend and disappear; and the dead flat lies forth open and empty, with no accident save perhaps a thin line of trees or faint church spire against the sky. Solemn and vast at all times, in spite of pettiness in the near details, the impression becomes more solemn and vast towards evening. The sun goes down, a swollen orange, as it were into the sea. A blue-clad peasant rides home, with a harrow smoking behind him among the dry clods. Another still works with his wife in their little strip. An immense shadow fills the plain; these people stand in it up to their shoulders; and their heads, as they stoop over their work and rise again, are relieved from time to time against the golden sky.
These peasant farmers are well off nowadays, and not by any means overworked; but somehow you always see in them the historical representative of the serf of yore, and think not so much of present times, which may be prosperous enough, as of the old days when the peasant was taxed beyond possibility of payment, and lived, in Michelet’s image, like a hare between two furrows. These very people now weeding their patch under the broad sunset, that very man and his wife, it seems to us, have suffered all the wrongs of France. It is they who have been their country’s scapegoat for long ages; they who, generation after generation, have sowed and not reaped, reaped and another has garnered; and who have now entered into their reward, and enjoy their good things in their turn. For the days are gone by when the Seigneur ruled and profited. ‘Le Seigneur,’ says the old formula, ‘enferme ses manants comme sous porte et gonds, du ciel à la terre. Tout est à lui, forêt chenue, oiseau dans l’air, poisson dans l’eau, bête an buisson, l’onde qui coule, la cloche dont le son au loin roule.’ Such was his old state of sovereignty, a local god rather than a mere king. And now you may ask yourself where he is, and look round for vestiges of my late lord, and in all the country-side there is no trace of him but his forlorn and fallen mansion. At the end of a long avenue, now sown with grain, in the midst of a close full of cypresses and lilacs, ducks and crowing chanticleers and droning bees, the old château lifts its red chimneys and peaked roofs and turning vanes into the wind and sun. There is a glad spring bustle in the air, perhaps, and the lilacs are all in flower, and the creepers green about the broken balustrade: but no spring shall revive the honour of the place. Old women of the people, little, children of the people, saunter and gambol in the walled court or feed the ducks in the neglected moat. Plough-horses, mighty of limb, browse in the long stables. The dial-hand on the clock waits for some better hour. Out on the plain, where hot sweat trickles into men’s eyes, and the spade goes in deep and comes up slowly, perhaps the peasant may feel a movement of joy at his heart when he thinks that these spacious chimneys are now cold, which have so often blazed and flickered upon gay folk at supper, while he and his hollow-eyed children watched through the night with empty bellies and cold feet. And perhaps, as he raises his head and sees the forest lying like a coast-line of low hills along the sea-level of the plain, perhaps forest and château hold no unsimilar place in his affections.
If the château was my lord’s, the forest was my lord the king’s; neither of them for this poor Jacques. If he thought to eke out his meagre way of life by some petty theft of wood for the fire, or for a new roof-tree, he found himself face to face with a whole department, from the Grand Master of the Woods and Waters, who was a high-born lord, down to the common sergeant, who was a peasant like himself, and wore stripes or a bandoleer by way of uniform. For the first offence, by the Salic law, there was a fine of fifteen sols; and should a man be taken more than once in fault, or circumstances aggravate the colour of his guilt, he might be whipped, branded, or hanged. There was a hangman over at Melun, and, I doubt not, a fine tall gibbet hard by the town gate, where Jacques might see his fellows dangle against the sky as he went to market.
And then, if he lived near to a cover, there would be the more hares and rabbits to eat out his harvest, and the more hunters to trample it down. My lord has a new horn from England. He has laid out seven francs in decorating it with silver and gold, and fitting it with a silken leash to hang about his shoulder. The hounds have been on a pilgrimage to the shrine of Saint Mesmer, or Saint Hubert in the Ardennes, or some other holy intercessor who has made a speciality of the health of hunting-dogs. In the grey dawn the game was turned and the branch broken by our best piqueur. A rare day’s hunting lies before us. Wind a jolly flourish, sound the bien-aller with all your lungs. Jacques must stand by, hat in hand, while the quarry and hound and huntsman sweep across his field, and a year’s sparing and labouring is as though it had not been. If he can see the ruin with a good enough grace, who knows but he may fall in favour with my lord; who knows but his son may become the last and least among the servants at his lordship’s kennel—one of the two poor varlets who get no wages and sleep at night among the hounds? [147]
For all that, the forest has been of use to Jacques, not only warming him with fallen wood, but giving him shelter in days of sore trouble, when my lord of the château, with all his troopers and trumpets, had been beaten from field after field into some ultimate fastness, or lay over-seas in an English prison. In these dark days, when the watch on the church steeple saw the smoke of burning villages on the sky-line, or a clump of spears and fluttering pensions drawing nigh across the plain, these good folk gat them up, with all their household gods, into the wood, whence, from some high spur, their timid scouts might overlook the coming and going of the marauders, and see the harvest ridden down, and church and cottage go up to heaven all night in flame. It was but an unhomely refuge that the woods afforded, where they must abide all change of weather and keep house with wolves and vipers. Often there was none left alive, when they returned, to show the old divisions of field from field. And yet, as times went, when the wolves entered at night into depopulated Paris, and perhaps De Retz was passing by with a company of demons like himself, even in these caves and thickets there were glad hearts and grateful prayers.
Once or twice, as I say, in the course of the ages, the forest may have served the peasant well, but at heart it is a royal forest, and noble by old associations. These woods have rung to the horns of all the kings of France, from Philip Augustus downwards. They have seen Saint Louis exercise the dogs he brought with him from Egypt; Francis I. go a-hunting with ten thousand horses in his train; and Peter of Russia following his first stag. And so they are still haunted for the imagination by royal hunts and progresses, and peopled with the faces of memorable men of yore. And this distinction is not only in virtue of the pastime of dead monarchs. Great events, great revolutions, great cycles in the affairs of men, have here left their note, here taken shape in some significant and dramatic situation. It was hence that Gruise and his leaguers led Charles the Ninth a prisoner to Paris. Here, booted and spurred, and with all his dogs about him, Napoleon met the Pope beside a woodland cross. Here, on his way to Elba not so long after, he kissed the eagle of the Old Guard, and spoke words of passionate farewell to his soldiers. And here, after Waterloo, rather than yield its ensign to the new power, one of his faithful regiments burned that memorial of so much toil and glory on the Grand Master’s table, and drank its dust in brandy, as a devout priest consumes the remnants of the Host.
IN THE SEASON
Close into the edge of the forest, so close that the trees of the bornage stand pleasantly about the last houses, sits a certain small and very quiet village. There is but one street, and that, not long ago, was a green lane, where the cattle browsed between the doorsteps. As you go up this street, drawing ever nearer the beginning of the wood, you will arrive at last before an inn where artists lodge. To the door (for I imagine it to be six o’clock on some fine summer’s even), half a dozen, or maybe half a score, of people have brought out chairs, and now sit sunning themselves, and waiting the omnibus from Melun. If you go on into the court you will find as many more, some in billiard-room over absinthe and a match of corks some without over a last cigar and a vermouth. The doves coo and flutter from the dovecot; Hortense is drawing water from the well; and as all the rooms open into the court, you can see the white-capped cook over the furnace in the kitchen, and some idle painter, who has stored his canvases and washed his brushes, jangling a waltz on the crazy, tongue-tied piano in the salle-à-manger. ‘Edmond, encore un vermouth,’ cries a man in velveteen, adding in a tone of apologetic afterthought, ‘un double, s’il vous plaît.’ ‘Where are you working?’ asks one in pure white linen from top to toe. ‘At the Carrefour de l’Épine,’ returns the other in corduroy (they are all gaitered, by the way). ‘I couldn’t do a thing to it. I ran out of white. Where were you?’ ‘I wasn’t working. I was looking for motives.’ Here is an outbreak of jubilation, and a lot of men clustering together about some new-comer with outstretched hands; perhaps the ‘correspondence’ has come in and brought So-and-so from Paris, or perhaps it is only So-and-so who has walked over from Chailly to dinner.
‘À table, Messieurs!’ cries M. Siron, bearing through the court the first tureen of soup. And immediately the company begins to settle down about the long tables in the dining-room, framed all round with sketches of all degrees of merit and demerit. There’s the big picture of the huntsman winding a horn with a dead boar between his legs, and his legs—well, his legs in stockings. And here is the little picture of a raw mutton-chop, in which Such-a-one knocked a hole last summer with no worse a missile than a plum from the dessert. And under all these works of art so much eating goes forward, so much drinking, so much jabbering in French and English, that it would do your heart good merely to peep and listen at the door. One man is telling how they all went last year to the fête at Fleury, and another how well so-and-so would sing of an evening: and here are a third and fourth making plans for the whole future of their lives; and there is a fifth imitating a conjurer and making faces on his clenched fist, surely of all arts the most difficult and admirable! A sixth has eaten his fill, lights a cigarette, and resigns himself to digestion. A seventh has just dropped in, and calls for soup. Number eight, meanwhile, has left the table, and is once more trampling the poor piano under powerful and uncertain fingers.
Dinner over, people drop outside to smoke and chat. Perhaps we go along to visit our friends at the other end of the village, where there is always a good welcome and a good talk, and perhaps some pickled oysters and white wine to close the evening. Or a dance is organised in the dining-room, and the piano exhibits all its paces under manful jockeying, to the light of three or four candles and a lamp or two, while the waltzers move to and fro upon the wooden floor, and sober men, who are not given to such light pleasures, get up on the table or the sideboard, and sit there looking on approvingly over a pipe and a tumbler of wine. Or sometimes—suppose my lady moon looks forth, and the court from out the half-lit dining-room seems nearly as bright as by day, and the light picks out the window-panes, and makes a clear shadow under every vine-leaf on the wall—sometimes a picnic is proposed, and a basket made ready, and a good procession formed in front of the hotel. The two trumpeters in honour go before; and as we file down the long alley, and up through devious footpaths among rocks and pine-trees, with every here and there a dark passage of shadow, and every here and there a spacious outlook over moonlit woods, these two precede us and sound many a jolly flourish as they walk. We gather ferns and dry boughs into the cavern, and soon a good blaze flutters the shadows of the old bandits’ haunt, and shows shapely beards and comely faces and toilettes ranged about the wall. The bowl is lit, and the punch is burnt and sent round in scalding thimblefuls. So a good hour or two may pass with song and jest. And then we go home in the moonlit morning, straggling a good deal among the birch tufts and the boulders, but ever called together again, as one of our leaders winds his horn. Perhaps some one of the party will not heed the summons, but chooses out some by-way of his own. As he follows the winding sandy road, he hears the flourishes grow fainter and fainter in the distance, and die finally out, and still walks on in the strange coolness and silence and between the crisp lights and shadows of the moonlit woods, until suddenly the bell rings out the hour from far-away Chailly, and he starts to find himself alone. No surf-bell on forlorn and perilous shores, no passing knell over the busy market-place, can speak with a more heavy and disconsolate tongue to human ears. Each stroke calls up a host of ghostly reverberations in his mind. And as he stands rooted, it has grown once more so utterly silent that it seems to him he might hear the church bells ring the hour out all the world over, not at Chailly only, but in Paris, and away in outlandish cities, and in the village on the river, where his childhood passed between the sun and flowers.
IDLE HOURS
The woods by night, in all their uncanny effect, are not rightly to be understood until you can compare them with the woods by day. The stillness of the medium, the floor of glittering sand, these trees that go streaming up like monstrous sea-weeds and waver in the moving winds like the weeds in submarine currents, all these set the mind working on the thought of what you may have seen off a foreland or over the side of a boat, and make you feel like a diver, down in the quiet water, fathoms below the tumbling, transitory surface of the sea. And yet in itself, as I say, the strangeness of these nocturnal solitudes is not to be felt fully without the sense of contrast. You must have risen in the morning and seen the woods as they are by day, kindled and coloured in the sun’s light; you must have felt the odour of innumerable trees at even, the unsparing heat along the forest roads, and the coolness of the groves.
And on the first morning you will doubtless rise betimes. If you have not been wakened before by the visit of some adventurous pigeon, you will be wakened as soon as the sun can reach your window—for there are no blind or shutters to keep him out—and the room, with its bare wood floor and bare whitewashed walls, shines all round you in a sort of glory of reflected lights. You may doze a while longer by snatches, or lie awake to study the charcoal men and dogs and horses with which former occupants have defiled the partitions: Thiers, with wily profile; local celebrities, pipe in hand; or, maybe, a romantic landscape splashed in oil. Meanwhile artist after artist drops into the salle-à-manger for coffee, and then shoulders easel, sunshade, stool, and paint-box, bound into a fagot, and sets of for what he calls his ‘motive.’ And artist after artist, as he goes out of the village, carries with him a little following of dogs. For the dogs, who belong only nominally to any special master, hang about the gate of the forest all day long, and whenever any one goes by who hits their fancy, profit by his escort, and go forth with him to play an hour or two at hunting. They would like to be under the trees all day. But they cannot go alone. They require a pretext. And so they take the passing artist as an excuse to go into the woods, as they might take a walking-stick as an excuse to bathe. With quick ears, long spines, and bandy legs, or perhaps as tall as a greyhound and with a bulldog’s head, this company of mongrels will trot by your side all day and come home with you at night, still showing white teeth and wagging stunted tail. Their good humour is not to be exhausted. You may pelt them with stones if you please, and all they will do is to give you a wider berth. If once they come out with you, to you they will remain faithful, and with you return; although if you meet them next morning in the street, it is as like as not they will cut you with a countenance of brass.
The forest—a strange thing for an Englishman—is very destitute of birds. This is no country where every patch of wood among the meadows gibes up an increase of song, and every valley wandered through by a streamlet rings and reverberates from side to with a profusion of clear notes. And this rarity of birds is not to be regretted on its own account only. For the insects prosper in their absence, and become as one of the plagues of Egypt. Ants swarm in the hot sand; mosquitos drone their nasal drone; wherever the sun finds a hole in the roof of the forest, you see a myriad transparent creatures coming and going in the shaft of light; and even between-whiles, even where there is no incursion of sun-rays into the dark arcade of the wood, you are conscious of a continual drift of insects, an ebb and flow of infinitesimal living things between the trees. Nor are insects the only evil creatures that haunt the forest. For you may plump into a cave among the rocks, and find yourself face to face with a wild boar, or see a crooked viper slither across the road.
Perhaps you may set yourself down in the bay between two spreading beech-roots with a book on your lap, and be awakened all of a sudden by a friend: ‘I say, just keep where you are, will you? You make the jolliest motive.’ And you reply: ‘Well, I don’t mind, if I may smoke.’ And thereafter the hours go idly by. Your friend at the easel labours doggedly a little way off, in the wide shadow of the tree; and yet farther, across a strait of glaring sunshine, you see another painter, encamped in the shadow of another tree, and up to his waist in the fern. You cannot watch your own effigy growing out of the white trunk, and the trunk beginning to stand forth from the rest of the wood, and the whole picture getting dappled over with the flecks of sun that slip through the leaves overhead, and, as a wind goes by and sets the trees a-talking, flicker hither and thither like butterflies of light. But you know it is going forward; and, out of emulation with the painter, get ready your own palette, and lay out the colour for a woodland scene in words.
Your tree stands in a hollow paved with fern and heather, set in a basin of low hills, and scattered over with rocks and junipers. All the open is steeped in pitiless sunlight. Everything stands out as though it were cut in cardboard, every colour is strained into its highest key. The boulders are some of them upright and dead like monolithic castles, some of them prone like sleeping cattle. The junipers—looking, in their soiled and ragged mourning, like some funeral procession that has gone seeking the place of sepulchre three hundred years and more in wind and rain—are daubed in forcibly against the glowing ferns and heather. Every tassel of their rusty foliage is defined with pre-Raphaelite minuteness. And a sorry figure they make out there in the sun, like misbegotten yew-trees! The scene is all pitched in a key of colour so peculiar, and lit up with such a discharge of violent sunlight, as a man might live fifty years in England and not see.
Meanwhile at your elbow some one tunes up a song, words of Ronsard to a pathetic tremulous air, of how the poet loved his mistress long ago, and pressed on her the flight of time, and told her how white and quiet the dead lay under the stones, and how the boat dipped and pitched as the shades embarked for the passionless land. Yet a little while, sang the poet, and there shall be no more love; only to sit and remember loves that might have been. There is a falling flourish in the air that remains in the memory and comes back in incongruous places, on the seat of hansoms or in the warm bed at night, with something of a forest savour.
‘You can get up now,’ says the painter; ‘I’m at the background.’
And so up you get, stretching yourself, and go your way into the wood, the daylight becoming richer and more golden, and the shadows stretching farther into the open. A cool air comes along the highways, and the scents awaken. The fir-trees breathe abroad their ozone. Out of unknown thickets comes forth the soft, secret, aromatic odour of the woods, not like a smell of the free heaven, but as though court ladies, who had known these paths in ages long gone by, still walked in the summer evenings, and shed from their brocades a breath of musk or bergamot upon the woodland winds. One side of the long avenues is still kindled with the sun, the other is plunged in transparent shadow. Over the trees the west begins to burn like a furnace; and the painters gather up their chattels, and go down, by avenue or footpath, to the plain.
A PLEASURE-PARTY
As this excursion is a matter of some length, and, moreover, we go in force, we have set aside our usual vehicle, the pony-cart, and ordered a large wagonette from Lejosne’s. It has been waiting for near an hour, while one went to pack a knapsack, and t’other hurried over his toilette and coffee; but now it is filled from end to end with merry folk in summer attire, the coachman cracks his whip, and amid much applause from round the inn door off we rattle at a spanking trot. The way lies through the forest, up hill and down dale, and by beech and pine wood, in the cheerful morning sunshine. The English get down at all the ascents and walk on ahead for exercise; the French are mightily entertained at this, and keep coyly underneath the tilt. As we go we carry with us a pleasant noise of laughter and light speech, and some one will be always breaking out into a bar or two of opera bouffe. Before we get to the Route Ronde here comes Desprez, the colourman from Fontainebleau, trudging across on his weekly peddle with a case of merchandise; and it is ‘Desprez, leave me some malachite green’; ‘Desprez, leave me so much canvas’; ‘Desprez, leave me this, or leave me that’; M. Desprez standing the while in the sunlight with grave face and many salutations. The next interruption is more important. For some time back we have had the sound of cannon in our ears; and now, a little past Franchard, we find a mounted trooper holding a led horse, who brings the wagonette to a stand. The artillery is practising in the Quadrilateral, it appears; passage along the Route Ronde formally interdicted for the moment. There is nothing for it but to draw up at the glaring cross-roads and get down to make fun with the notorious Cocardon, the most ungainly and ill-bred dog of all the ungainly and ill-bred dogs of Barbizon, or clamber about the sandy banks. And meanwhile the doctor, with sun umbrella, wide Panama, and patriarchal beard, is busy wheedling and (for aught the rest of us know) bribing the too facile sentry. His speech is smooth and dulcet, his manner dignified and insinuating. It is not for nothing that the Doctor has voyaged all the world over, and speaks all languages from French to Patagonian. He has not come borne from perilous journeys to be thwarted by a corporal of horse. And so we soon see the soldier’s mouth relax, and his shoulders imitate a relenting heart. ‘En voiture, Messieurs, Mesdames,’ sings the Doctor; and on we go again at a good round pace, for black care follows hard after us, and discretion prevails not a little over valour in some timorous spirits of the party. At any moment we may meet the sergeant, who will send us back. At any moment we may encounter a flying shell, which will send us somewhere farther off than Grez.
Grez—for that is our destination—has been highly recommended for its beauty. ‘Il y a de l’eau,’ people have said, with an emphasis, as if that settled the question, which, for a French mind, I am rather led to think it does. And Grez, when we get there, is indeed a place worthy of some praise. It lies out of the forest, a cluster of houses, with an old bridge, an old castle in ruin, and a quaint old church. The inn garden descends in terraces to the river; stable-yard, kailyard, orchard, and a space of lawn, fringed with rushes and embellished with a green arbour. On the opposite bank there is a reach of English-looking plain, set thickly with willows and poplars. And between the two lies the river, clear and deep, and full of reeds and floating lilies. Water-plants cluster about the starlings of the long low bridge, and stand half-way up upon the piers in green luxuriance. They catch the dipped oar with long antennæ, and chequer the slimy bottom with the shadow of their leaves. And the river wanders and thither hither among the islets, and is smothered and broken up by the reeds, like an old building in the lithe, hardy arms of the climbing ivy. You may watch the box where the good man of the inn keeps fish alive for his kitchen, one oily ripple following another over the top of the yellow deal. And you can hear a splashing and a prattle of voices from the shed under the old kirk, where the village women wash and wash all day among the fish and water-lilies. It seems as if linen washed there should be specially cool and sweet.
We have come here for the river. And no sooner have we all bathed than we board the two shallops and push off gaily, and go gliding under the trees and gathering a great treasure of water-lilies. Some one sings; some trail their hands in the cool water; some lean over the gunwale to see the image of the tall poplars far below, and the shadow of the boat, with the balanced oars and their own head protruded, glide smoothly over the yellow floor of the stream. At last, the day declining—all silent and happy, and up to the knees in the wet lilies—we punt slowly back again to the landing-place beside the bridge. There is a wish for solitude on all. One hides himself in the arbour with a cigarette; another goes a walk in the country with Cocardon; a third inspects the church. And it is not till dinner is on the table, and the inn’s best wine goes round from glass to glass, that we begin to throw off the restraint and fuse once more into a jolly fellowship.
Half the party are to return to-night with the wagonette; and some of the others, loath to break up company, will go with them a bit of the way and drink a stirrup-cup at Marlotte. It is dark in the wagonette, and not so merry as it might have been. The coachman loses the road. So-and-so tries to light fireworks with the most indifferent success. Some sing, but the rest are too weary to applaud; and it seems as if the festival were fairly at an end—
‘Nous avons fait la noce,
Rentrons à nos foyers!’
And such is the burthen, even after we have come to Marlotte and taken our places in the court at Mother Antonine’s. There is punch on the long table out in the open air, where the guests dine in summer weather. The candles flare in the night wind, and the faces round the punch are lit up, with shifting emphasis, against a background of complete and solid darkness. It is all picturesque enough; but the fact is, we are aweary. We yawn; we are out of the vein; we have made the wedding, as the song says, and now, for pleasure’s sake, let’s make an end on’t. When here comes striding into the court, booted to mid-thigh, spurred and splashed, in a jacket of green cord, the great, famous, and redoubtable Blank; and in a moment the fire kindles again, and the night is witness of our laughter as he imitates Spaniards, Germans, Englishmen, picture-dealers, all eccentric ways of speaking and thinking, with a possession, a fury, a strain of mind and voice, that would rather suggest a nervous crisis than a desire to please. We are as merry as ever when the trap sets forth again, and say farewell noisily to all the good folk going farther. Then, as we are far enough from thoughts of sleep, we visit Blank in his quaint house, and sit an hour or so in a great tapestried chamber, laid with furs, littered with sleeping hounds, and lit up, in fantastic shadow and shine, by a wood fire in a mediæval chimney. And then we plod back through the darkness to the inn beside the river.
How quick bright things come to confusion! When we arise next morning, the grey showers fall steadily, the trees hang limp, and the face of the stream is spoiled with dimpling raindrops. Yesterday’s lilies encumber the garden walk, or begin, dismally enough, their voyage towards the Seine and the salt sea. A sickly shimmer lies upon the dripping house-roofs, and all the colour is washed out of the green and golden landscape of last night, as though an envious man had taken a water-colour sketch and blotted it together with a sponge. We go out a-walking in the wet roads. But the roads about Grez have a trick of their own. They go on for a while among clumps of willows and patches of vine, and then, suddenly and without any warning, cease and determine in some miry hollow or upon some bald knowe; and you have a short period of hope, then right-about face, and back the way you came! So we draw about the kitchen fire and play a round game of cards for ha’pence, or go to the billiard-room, for a match at corks and by one consent a messenger is sent over for the wagonette—Grez shall be left to-morrow.
To-morrow dawns so fair that two of the party agree to walk back for exercise, and let their kidnap-sacks follow by the trap. I need hardly say they are neither of them French; for, of all English phrases, the phrase ‘for exercise’ is the least comprehensible across the Straits of Dover. All goes well for a while with the pedestrians. The wet woods are full of scents in the noontide. At a certain cross, where there is a guardhouse, they make a halt, for the forester’s wife is the daughter of their good host at Barbizon. And so there they are hospitably received by the comely woman, with one child in her arms and another prattling and tottering at her gown, and drink some syrup of quince in the back parlour, with a map of the forest on the wall, and some prints of love-affairs and the great Napoleon hunting. As they draw near the Quadrilateral, and hear once more the report of the big guns, they take a by-road to avoid the sentries, and go on a while somewhat vaguely, with the sound of the cannon in their ears and the rain beginning to fall. The ways grow wider and sandier; here and there there are real sand-hills, as though by the sea-shore; the fir-wood is open and grows in clumps upon the hillocks, and the race of sign-posts is no more. One begins to look at the other doubtfully. ‘I am sure we should keep more to the right,’ says one; and the other is just as certain they should hold to the left. And now, suddenly, the heavens open, and the rain falls ‘sheer and strong and loud,’ as out of a shower-bath. In a moment they are as wet as shipwrecked sailors. They cannot see out of their eyes for the drift, and the water churns and gurgles in their boots. They leave the track and try across country with a gambler’s desperation, for it seems as if it were impossible to make the situation worse; and, for the next hour, go scrambling from boulder to boulder, or plod along paths that are now no more than rivulets, and across waste clearings where the scattered shells and broken fir-trees tell all too plainly of the cannon in the distance. And meantime the cannon grumble out responses to the grumbling thunder. There is such a mixture of melodrama and sheer discomfort about all this, it is at once so grey and so lurid, that it is far more agreeable to read and write about by the chimney-corner than to suffer in the person. At last they chance on the right path, and make Franchard in the early evening, the sorriest pair of wanderers that ever welcomed English ale. Thence, by the Bois d’Hyver, the Ventes-Alexandre, and the Pins Brulés, to the clean hostelry, dry clothes, and dinner.
THE WOODS IN SPRING
I think you will like the forest best in the sharp early springtime, when it is just beginning to reawaken, and innumerable violets peep from among the fallen leaves; when two or three people at most sit down to dinner, and, at table, you will do well to keep a rug about your knees, for the nights are chill, and the salle-à-manger opens on the court. There is less to distract the attention, for one thing, and the forest is more itself. It is not bedotted with artists’ sunshades as with unknown mushrooms, nor bestrewn with the remains of English picnics. The hunting still goes on, and at any moment your heart may be brought into your mouth as you hear far-away horns; or you may be told by an agitated peasant that the Vicomte has gone up the avenue, not ten minutes since, ‘à fond de train, monsieur, et avec douze pipuers.’
If you go up to some coign of vantage in the system of low hills that permeates the forest, you will see many different tracts of country, each of its own cold and melancholy neutral tint, and all mixed together and mingled the one into the other at the seams. You will see tracts of leafless beeches of a faint yellowish grey, and leafless oaks a little ruddier in the hue. Then zones of pine of a solemn green; and, dotted among the pines, or standing by themselves in rocky clearings, the delicate, snow-white trunks of birches, spreading out into snow-white branches yet more delicate, and crowned and canopied with a purple haze of twigs. And then a long, bare ridge of tumbled boulders, with bright sand-breaks between them, and wavering sandy roads among the bracken and brown heather. It is all rather cold and unhomely. It has not the perfect beauty, nor the gem-like colouring, of the wood in the later year, when it is no more than one vast colonnade of verdant shadow, tremulous with insects, intersected here and there by lanes of sunlight set in purple heather. The loveliness of the woods in March is not, assuredly, of this blowzy rustic type. It is made sharp with a grain of salt, with a touch of ugliness. It has a sting like the sting of bitter ale; you acquire the love of it as men acquire a taste for olives. And the wonderful clear, pure air wells into your lungs the while by voluptuous inhalations, and makes the eyes bright, and sets the heart tinkling to a new tune—or, rather, to an old tune; for you remember in your boyhood something akin to this spirit of adventure, this thirst for exploration, that now takes you masterfully by the hand, plunges you into many a deep grove, and drags you over many a stony crest. It is as if the whole wood were full of friendly voice, calling you farther in, and you turn from one side to another, like Buridan’s donkey, in a maze of pleasure.
Comely beeches send up their white, straight, clustered branches, barred with green moss, like so many fingers from a half-clenched hand. Mighty oaks stand to the ankles in a fine tracery of underwood; thence the tall shaft climbs upwards, and the great forest of stalwart boughs spreads out into the golden evening sky, where the rooks are flying and calling. On the sward of the Bois d’Hyver the firs stand well asunder with outspread arms, like fencers saluting; and the air smells of resin all around, and the sound of the axe is rarely still. But strangest of all, and in appearance oldest of all, are the dim and wizard upland districts of young wood. The ground is carpeted with fir-tassel, and strewn with fir-apples and flakes of fallen bark. Rocks lie crouching in the thicket, guttered with rain, tufted with lichen, white with years and the rigours of the changeful seasons. Brown and yellow butterflies are sown and carried away again by the light air—like thistledown. The loneliness of these coverts is so excessive, that there are moments when pleasure draws to the verge of fear. You listen and listen for some noise to break the silence, till you grow half mesmerised by the intensity of the strain; your sense of your own identity is troubled; your brain reels, like that of some gymnosophist poring on his own nose in Asiatic jungles; and should you see your own outspread feet, you see them, not as anything of yours, but as a feature of the scene around you.
Still the forest is always, but the stillness is not always unbroken. You can hear the wind pass in the distance over the tree-tops; sometimes briefly, like the noise of a train; sometimes with a long steady rush, like the breaking of waves. And sometimes, close at band, the branches move, a moan goes through the thicket, and the wood thrills to its heart. Perhaps you may hear a carriage on the road to Fontainebleau, a bird gives a dry continual chirp, the dead leaves rustle underfoot, or you may time your steps to the steady recurrent strokes of the woodman’s axe. From time to time, over the low grounds, a flight of rooks goes by; and from time to time the cooing of wild doves falls upon the ear, not sweet and rich and near at hand as in England, but a sort of voice of the woods, thin and far away, as fits these solemn places. Or you hear suddenly the hollow, eager, violent barking of dogs; scared deer flit past you through the fringes of the wood; then a man or two running, in green blouse, with gun and game-bag on a bandoleer; and then, out of the thick of the trees, comes the jar of rifle-shots. Or perhaps the hounds are out, and horns are blown, and scarlet-coated huntsmen flash through the clearings, and the solid noise of horses galloping passes below you, where you sit perched among the rocks and heather. The boar is afoot, and all over the forest, and in all neighbouring villages, there is a vague excitement and a vague hope; for who knows whither the chase may lead? and even to have seen a single piqueur, or spoken to a single sportsman, is to be a man of consequence for the night.
Besides men who shoot and men who ride with the hounds, there are few people in the forest, in the early spring, save woodcutters plying their axes steadily, and old women and children gathering wood for the fire. You may meet such a party coming home in the twilight: the old woman laden with a fagot of chips, and the little ones hauling a long branch behind them in her wake. That is the worst of what there is to encounter; and if I tell you of what once happened to a friend of mine, it is by no means to tantalise you with false hopes; for the adventure was unique. It was on a very cold, still, sunless morning, with a flat grey sky and a frosty tingle in the air, that this friend (who shall here be nameless) heard the notes of a key-bugle played with much hesitation, and saw the smoke of a fire spread out along the green pine-tops, in a remote uncanny glen, hard by a hill of naked boulders. He drew near warily, and beheld a picnic party seated under a tree in an open. The old father knitted a sock, the mother sat staring at the fire. The eldest son, in the uniform of a private of dragoons, was choosing out notes on a key-bugle. Two or three daughters lay in the neighbourhood picking violets. And the whole party as grave and silent as the woods around them! My friend watched for a long time, he says; but all held their peace; not one spoke or smiled; only the dragoon kept choosing out single notes upon the bugle, and the father knitted away at his work and made strange movements the while with his flexible eyebrows. They took no notice whatever of my friend’s presence, which was disquieting in itself, and increased the resemblance of the whole party to mechanical waxworks. Certainly, he affirms, a wax figure might have played the bugle with more spirit than that strange dragoon. And as this hypothesis of his became more certain, the awful insolubility of why they should be left out there in the woods with nobody to wind them up again when they ran down, and a growing disquietude as to what might happen next, became too much for his courage, and he turned tail, and fairly took to his heels. It might have been a singing in his ears, but he fancies he was followed as he ran by a peal of Titanic laughter. Nothing has ever transpired to clear up the mystery; it may be they were automata; or it may be (and this is the theory to which I lean myself) that this is all another chapter of Heine’s ‘Gods in Exile’; that the upright old man with the eyebrows was no other than Father Jove, and the young dragoon with the taste for music either Apollo or Mars.
MORALITY
Strange indeed is the attraction of the forest for the minds of men. Not one or two only, but a great chorus of grateful voices have arisen to spread abroad its fame. Half the famous writers of modern France have had their word to say about Fontainebleau. Chateaubriand, Michelet, Béranger, George Sand, de Senancour, Flaubert, Murger, the brothers Goncourt, Théodore de Banville, each of these has done something to the eternal praise and memory of these woods. Even at the very worst of times, even when the picturesque was anathema in the eyes of all Persons of Taste, the forest still preserved a certain reputation for beauty. It was in 1730 that the Abbé Guilbert published his Historical Description of the Palace, Town, and Forest of Fontainebleau. And very droll it is to see him, as he tries to set forth his admiration in terms of what was then permissible. The monstrous rocks, etc., says the Abbé ‘sont admirées avec surprise des voyageurs qui s’écrient aussitôt avec Horace: Ut mihi devio rupee et vacuum nemus mirari libet.’ The good man is not exactly lyrical in his praise; and you see how he sets his back against Horace as against a trusty oak. Horace, at any rate, was classical. For the rest, however, the Abbé likes places where many alleys meet; or which, like the Belle-Étoile, are kept up ‘by a special gardener,’ and admires at the Table du Roi the labours of the Grand Master of Woods and Waters, the Sieur de la Falure, ‘qui a fait faire ce magnifique endroit.’
But indeed, it is not so much for its beauty that the forest makes a claim upon men’s hearts, as for that subtle something, that quality of the air, that emanation from the old trees, that so wonderfully changes and renews a weary spirit. Disappointed men, sick Francis Firsts and vanquished Grand Monarchs, time out of mind have come here for consolation. Hither perplexed folk have retired out of the press of life, as into a deep bay-window on some night of masquerade, and here found quiet and silence, and rest, the mother of wisdom. It is the great moral spa; this forest without a fountain is itself the great fountain of Juventius. It is the best place in the world to bring an old sorrow that has been a long while your friend and enemy; and if, like Béranger’s your gaiety has run away from home and left open the door for sorrow to come in, of all covers in Europe, it is here you may expect to find the truant hid. With every hour you change. The air penetrates through your clothes, and nestles to your living body. You love exercise and slumber, long fasting and full meals. You forget all your scruples and live a while in peace and freedom, and for the moment only. For here, all is absent that can stimulate to moral feeling. Such people as you see may be old, or toil-worn, or sorry; but you see them framed in the forest, like figures on a painted canvas; and for you, they are not people in any living and kindly sense. You forget the grim contrariety of interests. You forget the narrow lane where all men jostle together in unchivalrous contention, and the kennel, deep and unclean, that gapes on either hand for the defeated. Life is simple enough, it seems, and the very idea of sacrifice becomes like a mad fancy out of a last night’s dream.
Your ideal is not perhaps high, but it is plain and possible. You become enamoured of a life of change and movement and the open air, where the muscles shall be more exercised than the affections. When you have had your will of the forest, you may visit the whole round world. You may buckle on your knapsack and take the road on foot. You may bestride a good nag, and ride forth, with a pair of saddle-bags, into the enchanted East. You may cross the Black Forest, and see Germany wide-spread before you, like a map, dotted with old cities, walled and spired, that dream all day on their own reflections in the Rhine or Danube. You may pass the spinal cord of Europe and go down from Alpine glaciers to where Italy extends her marble moles and glasses her marble palaces in the midland sea. You may sleep in flying trains or wayside taverns. You may be awakened at dawn by the scream of the express or the small pipe of the robin in the hedge. For you the rain should allay the dust of the beaten road; the wind dry your clothes upon you as you walked. Autumn should hang out russet pears and purple grapes along the lane; inn after inn proffer you their cups of raw wine; river by river receive your body in the sultry noon. Wherever you went warm valleys and high trees and pleasant villages should compass you about; and light fellowships should take you by the arm, and walk with you an hour upon your way. You may see from afar off what it will come to in the end—the weather-beaten red-nosed vagabond, consumed by a fever of the feet, cut off from all near touch of human sympathy, a waif, an Ishmael, and an outcast. And yet it will seem well—and yet, in the air of the forest, this will seem the best—to break all the network bound about your feet by birth and old companionship and loyal love, and bear your shovelful of phosphates to and fro, in town country, until the hour of the great dissolvent.
Or, perhaps, you will keep to the cover. For the forest is by itself, and forest life owns small kinship with life in the dismal land of labour. Men are so far sophisticated that they cannot take the world as it is given to them by the sight of their eyes. Not only what they see and hear, but what they know to be behind, enter into their notion of a place. If the sea, for instance, lie just across the hills, sea-thoughts will come to them at intervals, and the tenor of their dreams from time to time will suffer a sea-change. And so here, in this forest, a knowledge of its greatness is for much in the effect produced. You reckon up the miles that lie between you and intrusion. You may walk before you all day long, and not fear to touch the barrier of your Eden, or stumble out of fairyland into the land of gin and steam-hammers. And there is an old tale enhances for the imagination the grandeur of the woods of France, and secures you in the thought of your seclusion. When Charles VI. hunted in the time of his wild boyhood near Senlis, there was captured an old stag, having a collar of bronze about his neck, and these words engraved on the collar: ‘Cæsar mihi hoc donavit.’ It is no wonder if the minds of men were moved at this occurrence and they stood aghast to find themselves thus touching hands with forgotten ages, and following an antiquity with hound and horn. And even for you, it is scarcely in an idle curiosity that you ponder how many centuries this stag had carried its free antlers through the wood, and how many summers and winters had shone and snowed on the imperial badge. If the extent of solemn wood could thus safeguard a tall stag from the hunter’s hounds and houses, might not you also play hide-and-seek, in these groves, with all the pangs and trepidations of man’s life, and elude Death, the mighty hunter, for more than the span of human years? Here, also, crash his arrows; here, in the farthest glade, sounds the gallop of the pale horse. But he does not hunt this cover with all his hounds, for the game is thin and small: and if you were but alert and wary, if you lodged ever in the deepest thickets, you too might live on into later generations and astonish men by your stalwart age and the trophies of an immemorial success.
For the forest takes away from you all excuse to die. There is nothing here to cabin or thwart your free desires. Here all the impudencies of the brawling world reach you no more. You may count your hours, like Endymion, by the strokes of the lone woodcutter, or by the progression of the lights and shadows and the sun wheeling his wide circuit through the naked heavens. Here shall you see no enemies but winter and rough weather. And if a pang comes to you at all, it will be a pang of healthful hunger. All the puling sorrows, all the carking repentance, all this talk of duty that is no duty, in the great peace, in the pure daylight of these woods, fall away from you like a garment. And if perchance you come forth upon an eminence, where the wind blows upon you large and fresh, and the pines knock their long stems together, like an ungainly sort of puppets, and see far away over the plain a factory chimney defined against the pale horizon—it is for you, as for the staid and simple peasant when, with his plough, he upturns old arms and harness from the furrow of the glebe. Ay, sure enough, there was a battle there in the old times; and, sure enough, there is a world out yonder where men strive together with a noise of oaths and weeping and clamorous dispute. So much you apprehend by an athletic act of the imagination. A faint far-off rumour as of Merovingian wars; a legend as of some dead religion.
VI.
A MOUNTAIN TOWN IN FRANCE [175]
A FRAGMENT
1879
Originally intended to serve as the opening chapter of ‘Travels with a Donkey in the Cevennes.’
Le Monastier is the chief place of a hilly canton in Haute Loire, the ancient Velay. As the name betokens, the town is of monastic origin; and it still contains a towered bulk of monastery and a church of some architectural pretensions, the seat of an arch-priest and several vicars. It stands on the side of hill above the river Gazeille, about fifteen miles from Le Puy, up a steep road where the wolves sometime pursue the diligence in winter. The road, which is bound for Vivarais, passes through the town from end to end in a single narrow street; there you may see the fountain where women fill their pitchers; there also some old houses with carved doors and pediment and ornamental work in iron. For Monastier, like Maybole in Ayrshire, was a sort of country capital, where the local aristocracy had their town mansions for the winter; and there is a certain baron still alive and, I am told, extremely penitent, who found means to ruin himself by high living in this village on the hills. He certainly has claims to be considered the most remarkable spendthrift on record. How he set about it, in a place where there are no luxuries for sale, and where the board at the best inn comes to little more than a shilling a day, is a problem for the wise. His son, ruined as the family was, went as far as Paris to sow his wild oats; and so the cases of father and son mark an epoch in the history of centralisation in France. Not until the latter had got into the train was the work of Richelieu complete.
It is a people of lace-makers. The women sit in the streets by groups of five or six; and the noise of the bobbins is audible from one group to another. Now and then you will hear one woman clattering off prayers for the edification of the others at their work. They wear gaudy shawls, white caps with a gay ribbon about the head, and sometimes a black felt brigand hat above the cap; and so they give the street colour and brightness and a foreign air. A while ago, when England largely supplied herself from this district with the lace called torchon, it was not unusual to earn five francs a day; and five francs in Monastier is worth a pound in London. Now, from a change in the market, it takes a clever and industrious work-woman to earn from three to four in the week, or less than an eighth of what she made easily a few years ago. The tide of prosperity came and went, as with our northern pitmen, and left nobody the richer. The women bravely squandered their gains, kept the men in idleness, and gave themselves up, as I was told, to sweethearting and a merry life. From week’s end to week’s end it was one continuous gala in Monastier; people spent the day in the wine-shops, and the drum or the bagpipes led on the bourrées up to ten at night. Now these dancing days are over. ‘Il n’y a plus de jeunesse,’ said Victor the garçon. I hear of no great advance in what are thought the essentials of morality; but the bourrée, with its rambling, sweet, interminable music, and alert and rustic figures, has fallen into disuse, and is mostly remembered as a custom of the past. Only on the occasion of the fair shall you hear a drum discreetly in a wine-shop or perhaps one of the company singing the measure while the others dance. I am sorry at the change, and marvel once more at the complicated scheme of things upon this earth, and how a turn of fashion in England can silence so much mountain merriment in France. The lace-makers themselves have not entirely forgiven our country-women; and I think they take a special pleasure in the legend of the northern quarter of the town, called L’Anglade, because there the English free-lances were arrested and driven back by the potency of a little Virgin Mary on the wall.
From time to time a market is held, and the town has a season of revival; cattle and pigs are stabled in the streets; and pickpockets have been known to come all the way from Lyons for the occasion. Every Sunday the country folk throng in with daylight to buy apples, to attend mass, and to visit one of the wine-shops, of which there are no fewer than fifty in this little town. Sunday wear for the men is a green tailcoat of some coarse sort of drugget, and usually a complete suit to match. I have never set eyes on such degrading raiment. Here it clings, there bulges; and the human body, with its agreeable and lively lines, is turned into a mockery and laughing-stock. Another piece of Sunday business with the peasants is to take their ailments to the chemist for advice. It is as much a matter for Sunday as church-going. I have seen a woman who had been unable to speak since the Monday before, wheezing, catching her breath, endlessly and painfully coughing; and yet she had waited upwards of a hundred hours before coming to seek help, and had the week been twice as long, she would have waited still. There was a canonical day for consultation; such was the ancestral habit, to which a respectable lady must study to conform.
Two conveyances go daily to Le Puy, but they rival each other in polite concessions rather than in speed. Each will wait an hour or two hours cheerfully while an old lady does her marketing or a gentleman finishes the papers in a café. The Courrier (such is the name of one) should leave Le Puy by two in the afternoon and arrive at Monastier in good on the return voyage, and arrive at Monastier in good time for a six-o’clock dinner. But the driver dares not disoblige his customers. He will postpone his departure again and again, hour after hour; and I have known the sun to go down on his delay. These purely personal favours, this consideration of men’s fancies, rather than the hands of a mechanical clock, as marking the advance of the abstraction, time, makes a more humorous business of stage-coaching than we are used to see it.
As far as the eye can reach, one swelling line of hill top rises and falls behind another; and if you climb an eminence, it is only to see new and father ranges behind these. Many little rivers run from all sides in cliffy valleys; and one of them, a few miles from Monastier, bears the great name of Loire. The mean level of the country is a little more than three thousand feet above the sea, which makes the atmosphere proportionally brisk and wholesome. There is little timber except pines, and the greater part of the country lies in moorland pasture. The country is wild and tumbled rather than commanding; an upland rather than a mountain district; and the most striking as well as the most agreeable scenery lies low beside the rivers. There, indeed, you will find many corners that take the fancy; such as made the English noble choose his grave by a Swiss streamlet, where nature is at her freshest, and looks as young as on the seventh morning. Such a place is the course of the Gazeille, where it waters the common of Monastier and thence downwards till it joins the Loire; a place to hear birds singing; a place for lovers to frequent. The name of the river was perhaps suggested by the sound of its passage over the stones; for it is a great warbler, and at night, after I was in bed at Monastier, I could hear it go singing down the valley till I fell asleep.
On the whole, this is a Scottish landscape, although not so noble as the best in Scotland; and by an odd coincidence, the population is, in its way, as Scottish as the country. They have abrupt, uncouth, Fifeshire manners, and accost you, as if you were trespassing, an ‘Où’st-ce que vous allez?’ only translatable into the Lowland ‘Whaur ye gaun?’ They keep the Scottish Sabbath. There is no labour done on that day but to drive in and out the various pigs and sheep and cattle that make so pleasant a tinkling in the meadows. The lace-makers have disappeared from the street. Not to attend mass would involve social degradation; and you may find people reading Sunday books, in particular a sort of Catholic Monthly Visitor on the doings of Our Lady of Lourdes. I remember one Sunday, when I was walking in the country, that I fell on a hamlet and found all the inhabitants, from the patriarch to the baby, gathered in the shadow of a gable at prayer. One strapping lass stood with her back to the wall and did the solo part, the rest chiming in devoutly. Not far off, a lad lay flat on his face asleep among some straw, to represent the worldly element.
Again, this people is eager to proselytise; and the postmaster’s daughter used to argue with me by the half-hour about my heresy, until she grew quite flushed. I have heard the reverse process going on between a Scotswoman and a French girl; and the arguments in the two cases were identical. Each apostle based her claim on the superior virtue and attainments of her clergy, and clenched the business with a threat of hell-fire. ‘Pas bong prêtres ici,’ said the Presbyterian, ‘bong prêtres en Ecosse.’ And the postmaster’s daughter, taking up the same weapon, plied me, so to speak, with the butt of it instead of the bayonet. We are a hopeful race, it seems, and easily persuaded for our good. One cheerful circumstance I note in these guerilla missions, that each side relies on hell, and Protestant and Catholic alike address themselves to a supposed misgiving in their adversary’s heart. And I call it cheerful, for faith is a more supporting quality than imagination.
Here, as in Scotland, many peasant families boast a son in holy orders. And here also, the young men have a tendency to emigrate. It is certainly not poverty that drives them to the great cities or across the seas, for many peasant families, I was told, have a fortune of at least 40,000 francs. The lads go forth pricked with the spirit of adventure and the desire to rise in life, and leave their homespun elders grumbling and wondering over the event. Once, at a village called Laussonne, I met one of these disappointed parents: a drake who had fathered a wild swan and seen it take wing and disappear. The wild swan in question was now an apothecary in Brazil. He had flown by way of Bordeaux, and first landed in America, bareheaded and barefoot, and with a single halfpenny in his pocket. And now he was an apothecary! Such a wonderful thing is an adventurous life! I thought he might as well have stayed at home; but you never can tell wherein a man’s life consists, nor in what he sets his pleasure: one to drink, another to marry, a third to write scurrilous articles and be repeatedly caned in public, and now this fourth, perhaps, to be an apothecary in Brazil. As for his old father, he could conceive no reason for the lad’s behaviour. ‘I had always bread for him,’ he said; ‘he ran away to annoy me. He loved to annoy me. He had no gratitude.’ But at heart he was swelling with pride over his travelled offspring, and he produced a letter out of his pocket, where, as he said, it was rotting, a mere lump of paper rags, and waved it gloriously in the air. ‘This comes from America,’ he cried, ‘six thousand leagues away!’ And the wine-shop audience looked upon it with a certain thrill.
I soon became a popular figure, and was known for miles in the country. Où’st que vous allez? was changed for me into Quoi, vous rentrez au Monastier and in the town itself every urchin seemed to know my name, although no living creature could pronounce it. There was one particular group of lace-makers who brought out a chair for me whenever I went by, and detained me from my walk to gossip. They were filled with curiosity about England, its language, its religion, the dress of the women, and were never weary of seeing the Queen’s head on English postage-stamps, or seeking for French words in English Journals. The language, in particular, filled them with surprise.
‘Do they speak patois in England?’ I was once asked; and when I told them not, ‘Ah, then, French?’ said they.
‘No, no,’ I said, ‘not French.’
‘Then,’ they concluded, ‘they speak patois.’
You must obviously either speak French or patios. Talk of the force of logic—here it was in all its weakness. I gave up the point, but proceeding to give illustrations of my native jargon, I was met with a new mortification. Of all patios they declared that mine was the most preposterous and the most jocose in sound. At each new word there was a new explosion of laughter, and some of the younger ones were glad to rise from their chairs and stamp about the street in ecstasy; and I looked on upon their mirth in a faint and slightly disagreeable bewilderment. ‘Bread,’ which sounds a commonplace, plain-sailing monosyllable in England, was the word that most delighted these good ladies of Monastier; it seemed to them frolicsome and racy, like a page of Pickwick; and they all got it carefully by heart, as a stand-by, I presume, for winter evenings. I have tried it since then with every sort of accent and inflection, but I seem to lack the sense of humour.
They were of all ages: children at their first web of lace, a stripling girl with a bashful but encouraging play of eyes, solid married women, and grandmothers, some on the top of their age and some falling towards decrepitude. One and all were pleasant and natural, ready to laugh and ready with a certain quiet solemnity when that was called for by the subject of our talk. Life, since the fall in wages, had begun to appear to them with a more serious air. The stripling girl would sometimes laugh at me in a provocative and not unadmiring manner, if I judge aright; and one of the grandmothers, who was my great friend of the party, gave me many a sharp word of judgment on my sketches, my heresy, or even my arguments, and gave them with a wry mouth and a humorous twinkle in her eye that were eminently Scottish. But the rest used me with a certain reverence, as something come from afar and not entirely human. Nothing would put them at their ease but the irresistible gaiety of my native tongue. Between the old lady and myself I think there was a real attachment. She was never weary of sitting to me for her portrait, in her best cap and brigand hat, and with all her wrinkles tidily composed, and though she never failed to repudiate the result, she would always insist upon another trial. It was as good as a play to see her sitting in judgment over the last. ‘No, no,’ she would say, ‘that is not it. I am old, to be sure, but I am better-looking than that. We must try again.’ When I was about to leave she bade me good-bye for this life in a somewhat touching manner. We should not meet again, she said; it was a long farewell, and she was sorry. But life is so full of crooks, old lady, that who knows? I have said good-bye to people for greater distances and times, and, please God, I mean to see them yet again.
One thing was notable about these women, from the youngest to the oldest, and with hardly an exception. In spite of their piety, they could twang off an oath with Sir Toby Belch in person. There was nothing so high or so low, in heaven or earth or in the human body, but a woman of this neighbourhood would whip out the name of it, fair and square, by way of conversational adornment. My landlady, who was pretty and young, dressed like a lady and avoided patois like a weakness, commonly addressed her child in the language of a drunken bully. And of all the swearers that I ever heard, commend me to an old lady in Gondet, a village of the Loire. I was making a sketch, and her curse was not yet ended when I had finished it and took my departure. It is true she had a right to be angry; for here was her son, a hulking fellow, visibly the worse for drink before the day was well begun. But it was strange to hear her unwearying flow of oaths and obscenities, endless like a river, and now and then rising to a passionate shrillness, in the clear and silent air of the morning. In city slums, the thing might have passed unnoticed; but in a country valley, and from a plain and honest countrywoman, this beastliness of speech surprised the ear.
The Conductor, as he is called, of Roads and Bridges was my principal companion. He was generally intelligent, and could have spoken more or less falsetto on any of the trite topics; but it was his specially to have a generous taste in eating. This was what was most indigenous in the man; it was here he was an artist; and I found in his company what I had long suspected, that enthusiasm and special knowledge are the great social qualities, and what they are about, whether white sauce or Shakespeare’s plays, an altogether secondary question.
I used to accompany the Conductor on his professional rounds, and grew to believe myself an expert in the business. I thought I could make an entry in a stone-breaker’s time-book, or order manure off the wayside with any living engineer in France. Gondet was one of the places we visited together; and Laussonne, where I met the apothecary’s father, was another. There, at Laussonne, George Sand spent a day while she was gathering materials for the Marquis de Villemer; and I have spoken with an old man, who was then a child running about the inn kitchen, and who still remembers her with a sort of reverence. It appears that he spoke French imperfectly; for this reason George Sand chose him for companion, and whenever he let slip a broad and picturesque phrase in patois, she would make him repeat it again and again till it was graven in her memory. The word for a frog particularly pleased her fancy; and it would be curious to know if she afterwards employed it in her works. The peasants, who knew nothing of betters and had never so much as heard of local colour, could not explain her chattering with this backward child; and to them she seemed a very homely lady and far from beautiful: the most famous man-killer of the age appealed so little to Velaisian swine-herds!
On my first engineering excursion, which lay up by Crouzials towards Mount Mezenc and the borders of Ardèche, I began an improving acquaintance with the foreman road-mender. He was in great glee at having me with him, passed me off among his subalterns as the supervising engineer, and insisted on what he called ‘the gallantry’ of paying for my breakfast in a roadside wine-shop. On the whole, he was a man of great weather-wisdom, some spirits, and a social temper. But I am afraid he was superstitious. When he was nine years old, he had seen one night a company of bourgeois et dames qui faisaient la manège avec des chaises, and concluded that he was in the presence of a witches’ Sabbath. I suppose, but venture with timidity on the suggestion, that this may have been a romantic and nocturnal picnic party. Again, coming from Pradelles with his brother, they saw a great empty cart drawn by six enormous horses before them on the road. The driver cried aloud and filled the mountains with the cracking of his whip. He never seemed to go faster than a walk, yet it was impossible to overtake him; and at length, at the comer of a hill, the whole equipage disappeared bodily into the night. At the time, people said it was the devil qui s’amusait à faire ca.
I suggested there was nothing more likely, as he must have some amusement.
The foreman said it was odd, but there was less of that sort of thing than formerly. ‘C’est difficile,’ he added, ‘à expliquer.’
When we were well up on the moors and the Conductor was trying some road-metal with the gauge—
‘Hark!’ said the foreman, ‘do you hear nothing?’
We listened, and the wind, which was blowing chilly out of the east, brought a faint, tangled jangling to our ears.
‘It is the flocks of Vivarais,’ said he.
For every summer, the flocks out of all Ardèche are brought up to pasture on these grassy plateaux.