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Essays: Scientific, Political, & Speculative; Vol. 2 of 3 / Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions. cover

Essays: Scientific, Political, & Speculative; Vol. 2 of 3 / Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.

Chapter 36: ENDNOTE TO GRACEFULNESS.
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About This Book

The essays examine the origins and methods of scientific knowledge, arguing that science extends perception through reasoning and progresses from qualitative to quantitative prediction; present a scheme for classifying the sciences and a critique of Comte's philosophy; analyze the nature and discovery of laws and how to weigh evidence; offer a clear account of electricity and engage in methodological debates over tests of truth with replies to critics; and address aesthetics, considering style, beauty, architectural types, gracefulness, personal beauty, the origins and function of music, and the physiology of laughter.

ENDNOTE TO GRACEFULNESS.

55 A parallel fact, further elucidating this, is supplied by a locomotive engine. On looking at the driving wheel, there will be found, besides the boss to which the connecting rod is attached, a corresponding mass of metal on the opposite side of the wheel, and equidistant from the centre; or, if the engine be one having inside cylinders, then, on looking between the spokes of the driving-wheel, it will be seen that against each crank is a block of iron, similar to it in size, but projecting from the axle in the reverse direction. Evidently, being placed on opposite sides of the centre of motion, each crank and its counterbalance move in opposite directions relatively to the axle; and by so doing, neutralize each other’s perturbing effects, and permit a smooth rotation. This relationship which exists between the motions of the counterbalance and the crank, is analogous to that which exists between the motions of the arms and legs in walking; and in the early days of railway-locomotion, before these counterbalance weights were used, locomotive driving-wheels were subject to violent oscillations, analogous to those jerkings of the shoulders which arise when we walk fast without moving our arms.