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Essays towards the history of painting

Chapter 25: ERRATA.
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About This Book

A series of essays surveys the origins, techniques, and historical development of painting, tracing artistic remains from ancient civilizations through Greco-Roman and Italian traditions. It combines archaeological and literary evidence to discuss early materials and pigments, hieroglyphic and monumental practices, Etruscan and Roman legacies, and successive Greek schools and masters. The author proposes a practical classification of subjects, reflects on teaching and criticism, and offers guidance for both artists and informed admirers, balancing technical detail with broader aesthetic and moral reflections.

ERRATA.

Page19,line 6,for Trimuti read Trimurti
52,in the note,l. 3 from bottom, for Sira read Siva
107,l. 6, for cotemporary read contemporary
144,l. 11, for Nausictæa read Nausicaa
163, bottom line, for cotemporary read contemporary
167,l. 12, the same the same
209,l. 5, for Guileo read Giulio
225,l. 9, omit the full stop
253,in the second note, for terula read ferula