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Fine prints

Chapter 2: ILLUSTRATIONS
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About This Book

A practical and historical guide for collectors of fine prints, offering principles of selection, storage, and valuation alongside illustrated surveys of schools and techniques. Chapters examine major figures and movements—Old Masters, Rembrandt, Dürer and the Little Masters, French eighteenth-century printmakers, the nineteenth-century etching revival including Whistler and Haden, Turner, mezzotints, lithography and woodcuts—while distinguishing original creative prints from reproductive engraving. The author blends practical collecting advice, aesthetic judgment, and concise technical descriptions, and includes a postscript updating market values and a bibliography to guide further study.

ILLUSTRATIONS

The Landscape with the Obelisk To face page 54
From Rembrandt’s Etching.  
Lutma: the Goldsmith To face page 60
From Rembrandt’s Etching.  
Clément de Jonghe To face page 62
From Rembrandt’s Etching.  
La Morgue To face page 82
From Méryon’s Etching.  
The Little White Horse To face page 140
From Dürer’s Engraving.  
Coat of Arms with the Cock To face page 146
From Dürer’s Engraving.  
Adam and Eve To face page 154
From Sebald Beham’s Engraving.  
Panel of Ornament To face page 156
From Engraving by Lucas van Leyden.  
Dance of Damsels To face page 164
From Zoan Andrea’s Print after Mantegna’s design.  
Saint Cecilia To face page 166
From Marc Antonio’s Engraving after Raphael.  
Le Jeu de l’Oye To face page 178
From the Engraving after Chardin.  
La Toilette To face page 184
From the Engraving after Baudouin.  
The Straw Yard To face page 192
From Turner’s “Liber Studiorum.”  
Spring To face page 210
From Lucas’s Mezzotint after Constable.  
Miss Oliver To face page 218
From Marchi’s Mezzotint after Reynolds.