Flamsted quarries

"What a picture she made leaning caressingly against the charmed and patient Bess"

The song ceased; the singer was giving her undivided attention to her self-imposed task. Octavius took a stool and began work with another cow. Champney, nothing loath to prolong the pleasure of looking at the improvised milkmaid, waited before making his presence known until she should have finished.

And watching her, he could but wonder at the ways of Chance that had cast this little piece of foreign flotsam upon the shores of America, only to sweep it inland to this village in Maine. He could not help comparing her with Alice Van Ostend—what a contrast! What an abyss between the circumstances of the two lives! Yet this one was decidedly charming, more so than the other; for he was at once aware that Aileen was already in possession of her womanhood's dower of command over all poor mortals of the opposite sex—her manner with Octavius showed him that; and Alice when he saw her last, now nearly six months ago, would have given any one the impression of something still unfledged—a tall, slim, overgrown girl of sixteen, and somewhat spoiled. This was indeed only natural, for her immediate world of father, aunt, and relations had circled ever since her birth in the orbit of her charming wilfulness. Champney acknowledged to himself that he had done her bidding a little too frequently ever since the first yachting trip, when as a little girl she attached herself to him, or rather him to her as a part of her special goods and chattels. At that time their common ground for conversation was Aileen; the child was never tired of his rehearsing for her delight the serenade scene. But in another year she lost this interest, for many others took its place; nor was it ever renewed.

The Van Ostends, together with Ruth and her husband, had been living the last three winters in Paris, Mr. Van Ostend crossing and recrossing as his business interests demanded or permitted. Champney was much with them, for their home was always open to him who proved an ever welcome guest. He acknowledged to himself, while participating in the intimacy of their home life, that if the child's partiality to his companionship, so undisguisedly expressed on every occasion, should, in the transition periods of girlhood and young womanhood, deepen into a real attachment, he would cultivate it with a view to asking her in marriage of her father when the time should show itself ripe. In his first youthful arrogance of self-assertion he had miscalculated with Ruth Van Ostend. He would make provision that this "undeveloped affair"—so he termed it—with her niece should not miscarry for want of caution. He intended while waiting for Alice to grow up—a feat which her aunt was always deploring as an impossibility except in a physical sense—to make himself necessary in this young life. Thus far he had been successful; her weekly girlish letters conclusively proved it.

While waiting for the milk to cease its vigorous flow, he was conscious of reviewing his attitude towards the "undeveloped affair" in some such train of thought, and finding in it nothing to condemn, rather to commend, in fact; for not for the fractional part of a second did he allow a thought of it to divert his mind from the constant end in view: the making for himself a recognized place of power in the financial world of affairs. He knew that Mr. Van Ostend was aware of this steadfast pursuit of a purpose. He knew, moreover, that the fact that the great financier was taking him into his New York office as treasurer of the Flamsted Quarries, was a tacit recognition not only of his six years' apprenticeship in some of the largest banking houses in Europe, but of his ability to acquire that special power which was his goal. In the near future he would handle and practically control millions both in receipt and disbursement. Many of the contracts, already signed, were to be filled within the next three years—the sound of the milking suddenly ceased.

"My, how my wrists ache! See, Tave, the pail is almost full; there must be twelve or fourteen quarts in all."

She began to rub her wrists vigorously. Octavius muttered: "I told you so. You might have known you couldn't milk steady like that without getting all tuckered out."

Champney stepped forward quickly. "Right you are, Tave, every time. How are you, dear old chap?" He held out his hand.

"Champ—Champney—why—" he stammered rather than spoke.

"It's I, Tave; the same old sixpence. Have I changed so much?"

"Changed? I should say so! I thought—I thought—" he was wringing Champney's hand; some strange emotion worked in his features—"I thought for a second it was Mr. Louis come to life." He turned to Aileen who had sprung from her stool. "Aileen, this is Mr. Champney Googe; you've forgotten him, I dare say, in all these years."

The rich red mantled her cheeks; the gray eyes smiled up frankly into his; she held out her hand. "Oh, no, I've not forgotten Mr. Champney Googe; how could I?"

"Indeed, I think it is the other way round; if I remember rightly you gave me the opportunity of never forgetting you." He held her hand just a trifle longer than was necessary. The girl smiled and withdrew it.

"Milky hands are not so sticky as spruce gum ones, Mr. Googe, but they are apt to be quite as unpleasant."

Champney was annoyed without in the least knowing why. He was wondering if he should address her as "Aileen" or "Miss Armagh," when Octavius spoke:

"Aileen, just go on ahead up to the house and tell Mrs. Champney Mr. Googe is here." Aileen went at once, and Octavius explained.

"You see, Champney—Mr. Googe—"

"Have I changed so much, Tave, that you can't use the old name?"

"You've changed a sight; it don't come easy to call you Champ, any more than it did to call Mr. Louis by his Christian name. You look a Champney every inch of you, and you act like one." He spoke emphatically; his small keen eyes dwelt admiringly on the face and figure of the tall man before him. "I thought 't was better to send Aileen on ahead, for Mrs. Champney's broken a good deal since you saw her; she can't stand much excitement—and you're the living image." He called for the boy who had taken Romanzo's place. "I'll go up as far as the house with you. How long are you going to stay?"

"It depends upon how long it takes me to investigate these quarries, learn the ropes. A week or two possibly. I am to be treasurer of the Company with my office in New York."

"So I heard, so I heard. I'm glad it's come at last—no thanks to her," he added, nodding in the direction of the house.

"Do you still hold a grudge, Tave?"

"Yes, and always shall. Right's right and wrong's wrong, and there ain't a carpenter in this world that can dovetail the two. You and your mother have been cheated out of your rights in what should be yours, and it's ten to one if you ever get a penny of it."

Champney smiled at the little man's indignation. "All the more reason to congratulate me on my job, Tave."

"Well, I do; only it don't set well, this other business. She ain't helped you any to it?" He asked half hesitatingly.

"Not a red cent, Tave. I don't owe her anything. Possibly she will leave some of it to this same Miss Aileen Armagh. Stranger things have happened." Octavius shook his head.

"Don't you believe it, Champney. She likes Aileen and well she may, but she don't like her well enough to give her a slice off of this estate; and what's more she don't like any living soul well enough to part with a dollar of it on their account."

"Is there any one Aunt Meda ever did love, Tave? From all I remember to have heard, when I was a boy, she was always bound up pretty thoroughly in herself."

"Did she ever love any one? Well she did; that was her husband, Louis Champney, who loved you as his own son. And it's my belief that's the reason you don't get your rights. She was jealous as the devil of every word he spoke to you."

"You're telling me news—and late in the day."

"Late is better than never, and I'd always meant to tell you when you come to man's estate—but you've been away so long, I've thought sometimes you was never coming home; but I hoped you would for your mother's sake, and for all our sakes."

"I'm going to do what I can, but you mustn't depend too much on me, Tave. I'm glad I'm at home for mother's sake although I always felt she had a good right hand in you, Tave; you've always been a good friend to her, she tells me."

Octavius Buzzby swallowed hard once, twice; but he gave him no reply. Champney wondered to see his face work again with some emotion he failed to explain satisfactorily to himself.

"There's Mrs. Champney on the terrace; I won't go any farther. Come in when you can, won't you?"

"I shall be pretty apt to run in for a chat almost anytime on my way to the village." He waved his hand in greeting to his aunt and sprang up the steps leading to the terrace.

He bent to kiss her and was shocked by the change in her that was only too apparent: the delicate features were sharpened; the temples sunken; her abundant light brown hair was streaked heavily with white; the hands had grown old, shrunken, the veins prominent.

"Kiss me again, Champney," she said in a low voice, closing her eyes when he bent again to fulfil her request. When she opened them he noticed that the lids were trembling and the corners of her mouth twitched. But she rallied in a moment and said sharply:

"Now, don't say you're sorry—I know all about how I look; but I'm better and expect to outlive a good many well ones yet."

She told Aileen to bring another chair. Champney hastened to forestall her; his aunt shook her finger at him.

"Don't begin by spoiling her," she said. Then she bade her make ready the little round tea-table on the terrace and serve tea.

"What do you think of her?" she asked him after Aileen had entered the house. She spoke with a directness of speech that warned Champney the question was a cloak to some other thought on her part.

"That she does you credit, Aunt Meda. I don't know that I can pay you or her a greater compliment."

"Very well said. You've learned all that over there—and a good deal more besides. There have been no folderols in her education. I've made her practical. Come, draw up your chair nearer and tell me something of the Van Ostends and that little Alice who was the means of Aileen's coming to me. I hear she is growing to be a beauty."

"Beauty—well, I shouldn't say she was that, not yet; but 'little.' She is fully five feet six inches with the prospect of an additional inch."

"I didn't realize it. When are they coming home?"

"Early in the autumn. Alice says she is going to come out next winter, not leak out as the other girls in her set have done; and what Alice wants she generally manages to have."

"Let me see—she must be sixteen; why that's too young!"

"Seventeen next month. She's very good fun though."

"Like her?" She looked towards the house where Aileen was visible with a tea-tray.

"Well, no; at least, not along her lines I should say. She seems to have Tave pretty well under her thumb."

Mrs. Champney smiled. "Octavius thought he couldn't get used to it at first, but he's reconciled now; he had to be.—Call her Aileen, Champney; you mustn't let her get the upper hand of you by making her think she's a woman grown," she added in a low tone, for the girl was approaching them, slowly on account of the loaded tray she was carrying.

Champney left his seat and taking the tea-things from her placed them on the table. Aileen busied herself with setting all in order and twirling the tea-ball in each cup of boiling water, as if she had been used to this ultra method of making tea all her life.

"By the way, Aileen—"

He checked himself, for such a look of amazement was in the quickly lifted gray eyes, such a surprised arch was visible in the dark brows, that he realized his mistake in hearing to his aunt's request. He felt he must make himself whole, and if possible without further delay.

"Oh, I see that it must still be Miss Aileen Armagh-and-don't-you-forget-it!" he exclaimed, laughing to cover his confusion.

She laughed in turn; she could not help it at the memories this title called to mind. "Well, it's best to be particular with strangers, isn't it?" Down went the eyes to search in the bottom of a teacup.

"I fancied we were not wholly that; I told Aunt Meda about our escapade six years ago; surely, that affair ought to establish a common ground for our continued acquaintance. But, if that's not sufficient, I can find another nearer at hand—where's my dog?"

This brought her to terms.

"Oh, I can't do anything with Rag, Mr. Googe; I'm so sorry. He's over in the coach house this very minute, and Tave was going to take him home to-night. Just think! That seven-year-old dog has to be carried home, old as he is!"

"If it's come to that, I'll take him home under my arm to-night—that is, if he won't follow; I'll try that first."

"But you're not going to punish him!—and simply because he likes me. That wouldn't be fair!"

She made her protest indignantly. Champney looked at his aunt with an amused smile. She nodded understandingly.

"Oh, no; not simply because he likes you, but because he is untrue to me, his master."

"But that isn't fair!" she exclaimed again, her cheeks flushing rose red; "you've been away so long that the dog has forgotten."

"Oh, no, he hasn't; or if he has I must jog his memory. He's Irish, and the supreme characteristic of that breed is fidelity."

"Well, so am I Irish," she retorted pouting; she began to make him a second cup of tea by twirling the silver tea-ball in the shallow cup until the hot water flew over the edge; "but I shouldn't consider it necessary to be faithful to any one who had forgotten and left me for six years."

"You wouldn't?" Champney's eyes challenged hers, but either she did not understand their message or she was too much in earnest to heed it.

"No I wouldn't; what for? I like Rag and he likes me, and we have been faithful to each other; it would be downright hypocrisy on his part to like you after all these years."

"How about you?" Champney grew bold because he knew his aunt was enjoying the girl's entanglement as much as he was. She was amused at his daring and Aileen's earnestness. "Didn't you tell me in Tave's presence only just now that you couldn't forget me? How is that for fidelity? And why excuse Rag on account of a six years' absence?"

"Well, of course, he's your dog," she said loftily, so evading the question and ignoring the laugh at her expense.

"Yes, he's my dog if he is a backslider, and that settles it." He turned to his aunt. "I'll run in again to-morrow, Aunt Meda, I mustn't wear my welcome out in the first two days of my return."

"Yes, do come in when you can. I suppose you will be here a month or two?"

"No; only a week or two at most; but I shall run up often; the business will require it." He looked at Aileen. "Will you be so kind as to come over with me to the coach house, Miss Armagh, and hand my property over to me? Good-bye, Aunt Meda."

Aileen rose. "I'll be back in a few minutes, Mrs. Champney, or will you go in now?"

"There's no dew, and the air is so fresh I'll sit here till you come."

The two went down the terrace steps side by side. Mrs. Champney watched them out of sight; there was a kindling light in her faded eyes.

"Now, we'll see," said Champney, as they neared the coach house and saw in the window the bundle of brown tow with black nose flattened on the pane and eyes filled with longing under the tangled topknot. The stub of a tail was marking time to the canine heartbeats. Champney opened the door; the dog scurried out and sprang yelping for joy upon Aileen.

"Rag, come here!" The dog's day of judgment was in that masculine command. The little terrier nosed Aileen's hand, hesitated, then pressed more closely to her side. The girl laughed out in merry triumph. Champney noted that she showed both sets of her strong white teeth when she laughed.

"Rag, dear old boy!" She parted with caressing fingers the skein of tow on the frowsled head.

"Come on, Rag." Champney whistled and started up the driveway. The terrier fawned on Aileen, slavered, snorted, sniffed, then crept almost on his belly, tail stiff, along the ground after Champney who turned and laid his hand on him. The dog crouched in the road. He gently pulled the stumps of ears—"Now come!"

He went whistling up the road, and the terrier, recognizing his master, trotted in a lively manner after him.

Champney turned at the gate and lifted his hat. "How about fidelity now, Miss Armagh?" He wanted to tease in payment for that amazed look she gave him for taking a liberty with her Christian name.

"Well, of course, he's your dog," she called merrily after him, "but I wouldn't have done it if I'd been Rag!"

Champney found himself wondering on the homeward way if she really meant what she said.

IV

It was a careless question, carelessly put, and yet—Aileen Armagh, before she returned to the house, was also asking herself if she meant what she said, asking it with an unwonted timidity of feeling she could not explain. On coming in sight of the terrace, she saw that Mrs. Champney was still there. She hesitated a moment, then crossed the lawn to the boat house. She wanted to sit there a while in the shade, to think things out with herself if possible. What did this mean—this strange feeling of timidity?

The course of her life was not wholly smooth. It was inevitable that two natures like hers and Mrs. Champney's should clash at times, and the impact was apt to be none of the softest. Twice, Aileen, making a confidant of Octavius, threatened to run away, for the check rein was held too tightly, and the young life became restive under it. When the child first came to Champ-au-Haut, its mistress recognized at once that in her mischief, her wilfulness, her emphatic assertion of her right of way, there was nothing vicious, and to Octavius Buzzby's amazement, she dealt with her, on the whole, leniently.

"She amuses me," she would say when closing an eye to some of Aileen's escapades that gave a genuine shock to Octavius in the region of his local prejudices.

There had been, indeed, no "folderols" in her education. Sewing, cooking, housework she was taught root and branch in the time not spent at school, both grammar and high. During the last year Mrs. Champney permitted her to learn French and embroidery in a systematic manner at the school established by the gentle Frenchwomen in The Gore; but she steadily refused to permit the girl to cultivate her voice through the medium of proper instruction. This denial of the girl's strongest desire was always a common subject of dissension and irritation; however, after Aileen was seventeen a battle royal of words between the two was a rare occurrence.

At the same time she never objected to Aileen's exercising her talent in her own way. Father Honoré encouraged her to sing to the accompaniment of his violin, knowing well that the instrument would do its share in correcting faults. She sang, too, with Luigi Poggi, her "knothole boy" of the asylum days; and, as seven years before, Nonna Lisa often accompanied with her guitar. The old Italian, who had managed to keep in touch with her one-time protégée, and her grandson Luigi, made their appearance in the village one summer after Aileen had been two years in Flamsted. Luigi, now that his vaudeville days were over, was in search of work at the quarries; his grandmother was to keep house for him till he should be able to establish himself in trade—the goal of so many of his thrifty countrymen.

These two Italians were typical of thousands of their nationality who come to our shores; whom our national life, through naturalization and community of interests, is able in a marvellously short time to assimilate—and for the public good. Intelligent, business-like, keen at a bargain, but honest and graciously gentle and friendly in manner, Luigi Poggi soon established himself in the affections of Flamsted—in no one's more solidly than in Elmer Wiggins', strange to say, who capitulated to the "foreigner's" progressive business methods—and after three years of hard and satisfactory work at the quarries and in the sheds, by living frugally and saving thriftily he was able to open the first Italian fruit stall in the quarry town. The business was flourishing and already threatened to overrun its quarters. Luigi was in a fair way to become fruit capitalist; his first presidential vote had been cast, and he felt prepared to enjoy to the full his new Americanhood.

But with his young manhood and the fulfilment of its young aspirations, came other desires, other incentives for making his business a success and himself a respected and honored citizen of these United States. Luigi Poggi was ready to give into Aileen's keeping—whenever she might choose to indicate by a word or look that she was willing to accept the gift—his warm Italian heart that knew no subterfuge in love, but gave generously, joyfully, in the knowledge that there would be ever more and more to bestow. He had not as yet spoken, save with his dark eyes, his loving earnestness of voice, and the readiness with which, ever since his appearance in Flamsted he ran and fetched and carried for her.

Aileen enjoyed this devotion. The legitimate pleasure of knowing she is loved—even when no response can be given—is a girl's normal emotional nourishment. Through it the narrows in her nature widen and the shallows deepen to the dimensions that enable the woman's heart to give, at last, even as she has received,—ay, even more than she can ever hope to receive. This novitiate was now Aileen's.

As a foil, against which Luigi's silent devotion showed to the best advantage, Romanzo Caukins' dogged persistence in telling her on an average of once in two months that he loved her and was waiting for a satisfactory answer, served its end. For six years, while Romanzo remained at Champ-au-Haut, the girl teased, cajoled, tormented, amused, and worried the Colonel's eldest. Of late, since his twenty-first birthday, he had turned the tables on her, and was teasing and worrying her with his love-blind persistence. That she had given him a decided answer more than once made no impression on his determined spirit. In her despair Aileen went to Octavius; but he gave her cold comfort.

"What'd I tell you two years ago, Aileen? Didn't I say you couldn't play with even a slow-match like Roman, if you didn't want a fire later on? And you wouldn't hear a word to me."

"But I didn't know, Tave! How could I think that just because a boy tags round after you from morning till night for the sake of being amused, that when he gets to be twenty-one he is going to keep on tagging round after you for the rest of his days? I never saw such a leech! He simply won't accept the fact once for all that I won't have him; but he's got to—so now!"

Octavius smiled at the sudden little flurry; he was used to them.

"I take it Roman doesn't think you know your own mind."

"He doesn't! Well, he'll find out I do, then. Oh, dear, why couldn't he just go on being Romanzo Caukins with no nonsense about him, and not make such a goose of himself! Anyway, I'm thankful he's gone; it got so I couldn't so much as tell him to harness up for Mrs. Champney, that he didn't consider it a sign of 'yielding' on my part!" She laughed out. "Oh, Tavy dear, what should I do without you!—Now if I could make an impression on you, it might be worth while," she added mischievously.

Octavius would have failed to be the man he was had he not felt flattered; he smiled on her indulgently. "Well, I shouldn't tag round after you much if I was thirty year younger; 't ain't my way. But there's one thing, Aileen, I want to say to you, and if you've got any common sense you'll heed me this time: I want you to be mighty careful how you manage with Luigi. You've got no slow-match to play with this time, let me tell you; you've got a regular sleeping volcano like some of them he was born near; and it won't do, I warn you. He ain't Romanzo Caukins—Roman's home made; but t'other is a foreigner; they're different."

"Oh, don't preach, Octavius." She always called him by his unabbreviated name when she was irritated. "I like well enough to sing with Luigi, and go rowing with him, and play tennis, and have the good times, but it's nonsense for you to think he means anything serious. Why, he never spoke a word of love to me in his life!"

"Humph!—that silent kind's the worst; you don't give him a chance."

"And I don't mean to—does that satisfy you?" she demanded. "If it doesn't, I'll tell you something—but it's a secret; you won't tell?"

"Not if you don't want me to; I ain't that kind."

"I know you're not, Tave; that's why I'm going to tell you. Here, let me whisper—"; she bent to his ear; he was seated on a stool in the coach house mending a strap; "—I've waited all this time for that prince to come, and do you suppose for one moment I'd look at any one else?"

"Now that ain't fair to fool me like that, Aileen!"

Octavius was really vexed, but he spoke the last words to empty air, for the girl caught up her skirt and ran like a deer up the lane. He could hear her laughing at his discomfiture; the sound grew fainter and fainter; when it ceased he resumed his work, from time to time shaking his head ominously and talking to himself as a vent for his outraged feelings.

But Aileen spoke the truth. Her vivid imagination, a factor in the true Celtic temperament, provided her with another life, apart from the busy practical one which Mrs. Champney laid out for her. All her childish delights of day-dreaming and joyous romancing, fostered by that first novel which Luigi Poggi thrust through the knothole in the orphan asylum fence, was at once transferred to Alice Van Ostend and her surroundings so soon as the two children established their across-street acquaintance. Upon her arrival in Flamsted, the child's adaptability to changed circumstances and new environment was furthered by the play of this imagination that fed itself on what others, who lack it, might call the commonplace of life: the house at Champ-au-Haut became her lordly palace; the estate a park; she herself a princess guarded only too well by an aged duenna; Octavius Buzzby and Romanzo Caukins she looked upon as life-servitors.

Now and then the evidence of this unreal life, which she was leading, was made apparent to Octavius and Romanzo by some stilted mode of speech. At such times they humored her; it provided amusement of the richest sort. She also continued to invent "novels" for Romanzo's benefit, and many a half-hour the two spent in the carriage house—Aileen aglow with the enthusiasm of narration, and Romanzo intent upon listening, charmed both with the tale and the narrator. In these invented novels, there was always a faithful prince returning after long years of wandering to the faithful princess. This was her one theme with variations.

Sometimes she danced a minuet on the floor of the stable, with this prince as imaginary partner, and Romanzo grew jealous of the bewitching smiles and coquetries she bestowed upon the vacant air. At others she would induce the youth to enter a box stall, telling him to make believe he was at the theatre, and then, forgetting her rôle of princess, she was again the Aileen Armagh of old—the child on the vaudeville stage, dancing the coon dance with such vigor and abandonment that once, when Aileen was nearly sixteen, Octavius, being witness to this flaunting performance, took her severely to task for such untoward actions now that she was grown up. He told her frankly that if Romanzo Caukins was led astray in the future it would be through her carryings-on; at which Aileen looked so dumbfoundered that Octavius at once perceived his mistake, and retreated weakly from his position by telling her if she wanted to dance like that, she'd better dance before him who understood her and her intentions.

At this second speech Aileen stared harder than ever; then going up to him and throwing an arm around his neck, she whispered:

"Tave, dear, are you mad with me? What have I done?—Is it really anything so awful?"

Her distress was so unfeigned that Octavius, not being a woman, comforted her by telling her he was a great botcher. Inwardly he cursed himself for an A No. 1 fool. Aileen never danced the "coon" again, but thereafter gave herself such grown-up and stand-off airs in Romanzo's presence, that the youth proceeded in all earnest to lose both head and heart to the girl's gracious blossoming womanhood. Octavius, observing this, groaned in spirit, and henceforth held his tongue when he heard the girl carolling her Irish love songs in the presence of the ingenuous Caukins.

After this, the girl's exuberance of spirits and the sustaining inner life of the imagination helped her wonderfully during the three following years of patient waiting on a confirmed invalid. Of late, Mrs. Champney had come to depend more and more on the girl's strong youth; to demand more and more from her abundant vitality and lively spirits; and Aileen, although recognizing the anomalous position she held in the Champ-au-Haut household—neither servant nor child, neither companion nor friend—gave of herself; gave as her Irish inheritance prompted her to give: ungrudgingly, faithfully, without reward save the knowledge of a duty performed towards the woman who, in taking her into her household and maintaining her there, had placed her in a position to make friends—such friends!

When the soil is turned over carefully, enriched and prepared perfectly for the seed; when rain is abundant, sunshine plenteous and mother-earth's spring quickening is instinctive, is it to be wondered at that the rootlet delves, the plantlet lifts itself, the bud forms quickly, and unexpectedly spreads its petal-star to the sunlight which enhances its beauty and fructifies its work of reproduction? The natural laws, in this case, work to their prescribed end along lines of favoring circumstance—and Love is but the working out of the greatest of all Nature's laws. When conditions are adverse, there is only too often struggle, strife, wretchedness. The result is a dwarfing of the product, a lowering of the vital power, a recession from the type. But, on the contrary, when all conditions combine to further the working of this law, we have the rapid and perfect flowering, followed by the beneficent maturity of fruit and seed. Thus Life, the ever-new, becomes immortal.

Small wonder that Aileen Armagh, trying to explain that queer feeling of timidity, should suddenly press her hand hard over her heart! It was throbbing almost to the point of suffocating her, so possessed was it by the joy of a sudden and wonderful presence of love.

The knowledge brought with it a sense of bewildering unreality. She knew now that her day dreams had a substantial basis. She knew now that she had not meant what she said.

For years, ever since the night of the serenade, her vivid imagination had been dwelling on Champney Googe's home-coming; for years he was the central figure in her day dreams, and every dream was made half a reality to her by means of the praises in his behalf which she heard sounded by each man, woman, and child in the ever-increasing circle of her friends. It was always with old Joel Quimber: "When Champ gits back, we'll hev what ye might call the head of a fam'ly agin." Octavius Buzzby spent hours in telling her of the boy's comings and goings and doings at Champ-au-Haut, and the love Louis Champney bore him. Romanzo Caukins set him on the pedestal of his boyish enthusiasm. The Colonel himself was not less enthusiastic than his first born; he never failed to assure Aileen when she was a guest in his house—an event that became a weekly matter as she grew older—that her lot had fallen in pleasant places; that to his friend, Mrs. Googe, and her son, Champney, she was indebted for the new industrial life which brought with it such advantages to one and all in Flamsted.

To Aurora Googe, the mother of her imaginative ideal, Aileen, attracted from the first by her beauty and motherly kindness towards an orphan waif, gave a child's demonstrative love, afterwards a girl's adoration. In all this devotion she was abetted by Elvira Caukins to whom Aurora Googe had always been an ideal of womanhood. Moreover, Aileen came to know during these years of Champney Googe's absence that his mother worshipped in reality where she herself worshipped in imagination.

Thus the ground was made ready for the seed. Small wonder that the flowering of love in this warm Irish heart was immediate, when Champney Googe, on the second day after his home-coming, questioned her with that careless challenge in his eyes:

"You wouldn't?"

The sun set before she left the boat house. She ran up the steps to the terrace and, not finding Mrs. Champney there, sought her in the house. She found her in the library, seated in her easy chair which she had turned to face the portrait of her husband, over the fireplace.

"Why didn't you call me to help you in, Mrs. Champney? I blame myself for not coming sooner."

"I really feel stronger and thought I might as well try it; there is always a first time—and you were with Champney, weren't you?"

"I? Why no—what made you think that?" Mrs. Champney noticed the slight hesitation before the question was put so indifferently, and the quick red that mounted in the girl's cheeks. "Mr. Googe went off half an hour ago with Rag tagging on behind."

"Then he conquered as usual."

"I don't know whether I should call it 'conquering' or not; Rag didn't want to go, that was plain enough to see."

"What made him go then?"

Aileen laughed out. "That's just what I'd like to know myself."

"What do you think of him?"

"Who?—Rag or Mr. Googe?"

She was always herself with Mrs. Champney, and her daring spirit of mischief rarely gave offence to the mistress of Champ-au-Haut. But by the tone of voice in which she answered, Aileen knew that, without intention, she had irritated her.

"You know perfectly well whom I mean—my nephew, Mr. Googe."

Aileen was silent for a moment. Her young secret was her own to guard from all eyes, and especially from all unfriendly ones. She was standing on the hearth, in front of Mrs. Champney. Turning her head slightly she looked up at the portrait of the man above her—looked upon almost the very lineaments of him whom at that very moment her young heart was adoring: the fine features, the blue eyes, the level brows, the firm curving lips, the abundant brown hair. It was as if Champney Googe himself were smiling down upon her. As she continued to look, the lovely light in the girl's face—a light reflected from no sunset fires over the Flamsted Hills, but from the sunrise of girlhood's first love—betrayed her to the faded watchful eyes beside her.

"He looks just like your husband;" she spoke slowly; her voice seemed to linger on the last word; "when Tave saw him he said he thought it was Mr. Champney come to life, and I think—"

Mrs. Champney interrupted her. "Octavius Buzzby is a fool." Sudden anger hardened her voice; a slight flush came into her wasted cheeks. "Tell Hannah I want my supper now, let Ann bring it in here to me. I don't need you; I'm tired."

Aileen turned without another word—she knew too well that tone of voice and what it portended; she was thankful to hear it rarely now—and left the room to do as she was bidden.

"Little fool!" Almeda Champney muttered between set teeth when the door closed upon the girl. She placed both hands on the arms of her chair to raise herself; walked feebly to the hearth where a moment before Aileen had stood, and raising her eyes to the smiling ones looking down into hers, confessed her woman's weakness in bitter words that mingled with a half-sob:

"And I, too, was a fool—all women are with such as you."

V

Although Mrs. Champney remained the only one who read Aileen Armagh's secret, yet even she asked herself as the summer sped if she read aright.

During the three weeks in which her nephew was making himself familiar with all the inner and outer workings of the business at The Gore and in the sheds, she came to anticipate his daily coming to Champ-au-Haut, for he brought with him the ozone of success. His laugh was so unaffectedly hearty; his interest in the future of Flamsted and of himself as a factor in its prosperity so unfeigned; his enjoyment of his own importance so infectious, his account of the people and things he had seen during his absence from home so entertaining that, in his presence, his aunt breathed a new atmosphere, the life-giving qualities of which were felt as beneficial to every member of the household at The Bow.

Mrs. Champney took note that he never asked for Aileen. If the girl were there when he ran in for afternoon tea on the terrace or an hour's chat in the evening,—sometimes it happened that the day saw him three times at Champ-au-Haut—her presence to all appearance afforded him only an opportunity to tease her goodnaturedly; he delighted in her repartee. Mrs. Champney, keenly observant, failed to detect in the girl's frank joyousness the least self-consciousness; she was just her own merry self with him, and the "give and take" between them afforded Mrs. Champney a fund of amusement.

On the evening of his departure for New York, she was witness to their merry leave-taking. Afterwards she summoned Octavius to the library.

"You may bring all the mail for the house hereafter to me, Octavius; now that I am feeling so much stronger, I shall gradually resume my customary duties in the household. You need not give any of the mail to Aileen to distribute—I'll do it after to-night."

"What the devil is she up to now!" Octavius said to himself as he left the room.

But no letter from New York came for Aileen. Mrs. Champney tried another tack: the next time her nephew came to Flamsted, later on in the autumn, she asked him to write her in detail concerning his intimacy with her cousins, the Van Ostends, and of their courtesies to him. Champney, nothing loath—always keeping in mind the fact that it was well to keep on the right side of Aunt Meda—wrote her all she desired to know. What he wrote was retailed faithfully to Aileen; but the frequent dinners at the Van Ostends', and the prospective coming-out reception and ball to be given for Alice and scheduled for the late winter, called forth from the eagerly listening girl only ejaculations of delight and pleasant reminiscence of the first time she had seen the little girl dressed for a party. If, inwardly she asked herself the question why Alice Van Ostend had dropped all her childish interest in her whom she had been the means of sending to Flamsted, why she no longer inquired for her, her common sense was apt to answer the question satisfactorily. Aileen Armagh was keen-eyed and quick-witted, possessing, without actual experience in the so-called other world of society, a wonderful intuition as to the relative value of people and circumstances in this ordinary world which already, during her short life, had presented various interesting phases for her inspection; consequently she recognized the abyss of circumstance between her and the heiress of Henry Van Ostend. But, with an intensity proportioned to her open-minded recognition of the first material differences, her innate womanliness and pride refused to acknowledge any abyss as to their respective personalities. Hence she kept silence in regard to certain things; laughed and made merry over the letters filled with the Van Ostends' doings—and held on her own way, sure of her own status with herself.

Aileen kept her secret, and all the more closely because she was realizing that Champney Googe was far from indifferent to her. At first, the knowledge of the miracle of love, that was wrought so suddenly as she thought, sufficed to fill her heart with continual joy. But, shortly, that was modified by the awakening longing that Champney should return her love. She felt she charmed him; she knew that he timed his coming and going that he might encounter her in the house or about the grounds, whenever and wherever he could—sometimes alone in her boat on the long arm of the lake, that makes up to the west and is known as "lily-pad reach"; and afterwards, during the autumn, in the quarry woods above The Gore where with her satellites, Dulcie and Doosie Caukins, she went to pick checkerberries.

Mrs. Champney was baffled; she determined to await developments, taking refuge from her defeat in the old saying "Love and a cough can't be hidden." Still, she could but wonder when four months of the late spring and early summer passed, and Champney made no further appearance in Flamsted. This hiatus was noticeable, and she would have found it inexplicable, had not Mr. Van Ostend written her a letter which satisfied her in regard to many things of which she had previously been in doubt; it decided her once for all to speak to Aileen and warn her against any passing infatuation for her nephew. For this she determined to bide her time, especially as Champney's unusual length of absence from Flamsted seemed to have no effect on the girl's joyous spirits. In July, however, she had again an opportunity to see the two together at Champ-au-Haut. Champney was in Flamsted on business for two days only, and so far as she knew there was no opportunity for Aileen to see her nephew more than once and in her presence. She managed matters in such a way that Aileen's services were in continual demand during Champney's two days' stay in his native town.

But after that visit in July, the singing voice was heard ringing joyfully at all times of the day in the house and about the grounds of The Bow. Sometimes the breeze brought it to Octavius from across the lake waters—Luigi's was no longer with it—and he pitied the girl sincerely because the desire of her heart, the cultivation of such a voice, was denied her. Mrs. Champney, also, heard the clear voice, which, in this the girl's twentieth year, was increasing in volume and sweetness, carolling the many songs in Irish, English, French and Italian. She marvelled at the light-heartedness and, at the same time, wondered if, now that Romanzo Caukins could no longer hope, Aileen would show enough common sense to accept Luigi Poggi in due time, and through him make for herself an established place in Flamsted. Not that she was yet ready to part with her—far from it. She was too useful a member of the Champ-au-Haut household. Still, if it were to be Poggi in the end, she felt she could control matters to the benefit of all concerned, herself primarily. She was pleasing herself with the idea of such prospective control of Aileen's matrimonial interests one afternoon, just after Champney's flying visit in July, when she rose from her chair beneath the awning and, to try her strength, made her way slowly along the terrace to the library windows; they were French casements and one of them had swung outwards noiselessly in the breeze. She was about to step through, when she saw Aileen standing on the hearth before the portrait of Louis Champney. She was gazing up at it, her face illumined by the same lovely light that, a year before, had betrayed her secret to the faded but observant eyes of Louis Champney's widow.

This was enough; the mistress of Champ-au-Haut was again on her guard—and well she might be, for Aileen Armagh was in possession of the knowledge that Champney Googe loved her. In joyful anticipation she was waiting for the word which, spoken by him when he should be again in Flamsted, was to make her future both fair and blest.

VI

In entering on his business life in New York, Champney Googe, like many another man, failed to take into account the "minus quantities" in his personal equation. These he possessed in common with other men because he, too, was human: passions in common, ambitions in common, weaknesses in common, and last, but not least, the pursuance of a common end—the accumulation of riches.

The sum of these minus quantities added to the total of temperamental characteristics and inherited traits left, unfortunately, in balancing the personal equation a minus quantity. Not that he had any realization of such a result—what man has? On the contrary, he firmly believed that his inherited obstinate perseverance, his buoyant temperament, his fortunate business connection with the great financier, his position as the meeting-point of the hitherto divided family interests in Flamsted, his intimacy with the Van Ostends—the distant tie of blood confirming this at all points—plus his college education and cosmopolitan business training in the financial capitals of Europe, were potent factors in finding the value of x—this representing to him an, as yet, unknown quantity of accumulated wealth.

He had not yet asked himself how large a sum he wished to amass, but he said to himself almost daily, "I have shown my power along certain lines to-day," these lines converging in his consciousness always to monetary increment.

He worked with a will. His energy was tireless. He learned constantly and much from other men powerful in the world of affairs—of their methods of speculation, some legitimate, others quite the contrary; of their manipulation of stocks, weak and strong; of their strengthening the market when the strengthening was necessary to fill a threatened deficit in their treasury and of their weakening a line of investment to prevent over-loading and consequent depletion of the same. He was thoroughly interested in all he heard and saw of the development of mines and industries for the benefit of certain banking cliques and land syndicates. If now and then a mine proved to have no bottom and the small investor's insignificant sums dropped out of sight in this bottomless pit, that did not concern him—it was all in the game, and the game was an enticing one to be played to the end. The two facts that nothing is certain at all times, and that everything is uncertain at some time, added the excitement of chance to his business interest.

At times, for instance when walking up the Avenue on a bracing October day, he felt as if he owned all in sight—a condition of mind which those who know from experience the powerful electro-magnetic current generated by the rushing life of the New York metropolis can well understand. He struck out into the stream with the rest, and with overweening confidence in himself—in himself as master of circumstances which he intended to control in his own interests, in himself as the pivotal point of Flamsted affairs. The rapidity of the current acted as a continual stimulus to exertion. Like all bold swimmers, he knew in a general way that the channel might prove tortuous, the current threaten at times to overpower him; but, carried rapidly out into mid-stream with that gigantic propulsive force that is the resultant of the diverse onward-pressure of the metropolitan millions, he suddenly found himself one day in that mid-stream without its ever having occurred to him that he might not be able to breast it. Even had he thought enough about the matter to admit that certain untoward conditions might have to be met, he would have failed to realize that the shore towards which he was struggling might prove in the end a quicksand.

Another thing: he failed to take into account the influence of any cross current, until he was made to realize the necessity of stemming his strength against it. This influence was Aileen Armagh.

Whenever in walking up lower Broadway from the office he found himself passing Grace Church, he realized that, despite every effort of will, he was obliged to relive in thought the experience of that night seven years ago at the Vaudeville. Then for the first time he saw the little match girl crouching on the steps of the stage reproduction of this same marble church. The child's singing of her last song had induced in him then—wholly unawares, wholly unaccountably—a sudden mental nausea and a physical disgust at the course of his young life, the result being that the woman "who lay in wait for him at the corner" by appointment, watched that night in vain for his coming.

In reliving this experience, there was always present in his thought the Aileen Armagh as he knew her now—pure, loyal, high-spirited, helpful, womanly in all her household ways, entertaining in her originality, endowed with the gift of song. She was charming; this was patent to all who knew her. It was a pleasure to dwell on this thought of her, and, dwelling upon it too often at off-times in his business life, the desire grew irresistible to be with her again; to chat with her; to see the blue-gray eyes lifted to his; to find in them something he found in no others. At such times a telegram sped over the wires, to Aurora Googe, and her heart was rejoiced by a two days' visit from her son.

Champney Googe knew perfectly well that this cross current of influence was diametrically opposed to his own course of life as he had marked it out for himself; knew that this was a species of self-gratification in which he had no business to indulge; he knew, moreover, that from the moment he should make an earnest effort to win Alice Van Ostend and her accompanying millions, this self-gratification must cease. He told himself this over and over again; meanwhile he made excuse—a talk with the manager of the quarries, a new order of weekly payments to introduce and regulate with Romanzo Caukins, the satisfactory pay-master in the Flamsted office, a week-end with his mother, the consideration of contracts and the erection of a new shed on the lake shore—to visit Flamsted several times during the autumn, winter, and early spring.

At last, however, he called a halt.

Alice Van Ostend, young, immature, amusing in her girlish abandon to the delight of at last "coming out", was, nevertheless, rapidly growing up, a condition of affairs that Champney was forced rather unwillingly to admit just before her first large ball. As usual he made himself useful to Alice, who looked upon him as a part of her goods and chattels. It was in the selection of the favors for the german to be given in the stone house on the occasion of the coming-out reception for its heiress, that his eyes were suddenly opened to the value of time, so to say; for Alice was beginning to patronize him. By this sign he recognized that she was putting the ten years' difference in their ages at something like a generation. It was not pleasing to contemplate, because the winning of Alice Van Ostend was, to use his own expression, in a line coincident with his own life lines. Till now he believed he was the favored one; but certain signs of the times began to be provocative of distrust in this direction.

He asked boldly for the first dance, for the cotillon, and the privilege of giving her the flowers she was to wear that night. He assumed these favors to be within his rights; she was by no means of his way of thinking. It developed during their scrapping—Champney had often to scrap with Alice to keep on a level with her immaturity—that there was another rival for the cotillon, another, a younger man, who desired to give her the special flowers for this special affair. The final division of the young lady's favors was not wholly reassuring to Mr. Googe. As a result of this awakening, he decided to remain in New York without farther visits to Flamsted until the Van Ostends should have left the city for the summer.

But in the course of the spring and summer he found it one thing to call a halt and quite another to make one. The cross current of influence, which had its source in Flamsted, was proving, against his will and judgment, too strong for him. He knew this and deplored it, for it threatened to carry him away from the shore towards which he was pushing, unawares that this apparently firm ground of attainment might prove treacherous in the end.

"Every man has his weakness, and she's mine," he told himself more than once; yet in making this statement he was half aware that the word "weakness" was in no sense applicable to Aileen. It remained for the development of his growing passion for her to show him that he was wholly in the wrong—she was his strength, but he failed to realize this.

Champney Googe was not a man to mince matters with himself. He told himself that he was not infatuated; infatuation was a thing to which he had yielded but few times in his selfish life. He was ready to acknowledge that his interest in Aileen Armagh was something deeper, more lasting; something that, had he been willing to look the whole matter squarely in the face instead of glancing askance at its profile, he would have seen to be perilously like real love—that love which first binds through passionate attachment, then holds through congenial companionship to bless a man's life to its close.

"She suits me—suits me to a T;" such was his admission in what he called his weak moments. Then he called himself a fool; he cursed himself for yielding to the influence of her charming personality in so far as to encourage what he perceived to be on her part a deep and absorbing love for him. In yielding to his weakness, he knew he was deviating from the life lines he had laid with such forethought for his following. A rich marriage was the natural corollary of his determination to advance his own interests in his chosen career. This marriage he still intended to make, if possible with Alice Van Ostend; and the fact that young Ben Falkenburg, an old playmate of Alice's, just graduated from college, the "other man" of the cotillon favors, was the first invited guest for the prospective cruise on Mr. Van Ostend's yacht, did not dovetail with his intentions. It angered him to think of being thwarted at this point.

"Why must such a girl cross my path just as I was getting on my feet with Alice?" he asked himself, manlike illogically impatient with Aileen when he should have lost patience with himself. But in the next moment he found himself dwelling in thought on the lovely light in the eyes raised so frankly to his, on the promises of loyalty those same eyes would hold for him if only he were to speak the one word which she was waiting to hear—which she had a right to hear after his last visit in July to Flamsted.

If he had not kissed her that once! With a girl like Aileen there could be no trifling—what then?

He cursed himself for his heedless folly, yet—he knew well enough that he would not have denied himself that moment of bliss when the girl in response to his whispered words of love gave him her first kiss, and with it the unspoken pledge of her loving heart.

"I'm making another ass of myself!" he spoke aloud and continued to chew the end of a cold cigar.

The New York office was deserted in these last days of August except for two clerks who had just left to take an early train to the beach for a breath of air. The treasurer of the Flamsted Quarries Company was sitting idle at his desk. It was an off-time in business and he had leisure to assure himself that he was without doubt the quadruped alluded to above—"An ass that this time is in danger of choosing thistles for fodder when he can get something better."

Only the day before he had concluded on his own account a deal, that cost him much thought and required an extra amount of a certain kind of courage, with a Wall Street firm. Now that this was off his hands and there was nothing to do between Friday and Monday, when he was to start for Bar Harbor to join the Van Ostends and a large party of invited guests for a three weeks' cruise on the Labrador coast, he had plenty of time to convince himself that he possessed certain asinine qualities which did not redound to his credit as a man of sense. In his idle moments the thought of Aileen had a curious way of coming to the surface of consciousness. It came now. He whirled suddenly to face his desk squarely; tossed aside the cold cigar in disgust; touched the electric button to summon the office boy.

"I'll put an end to it—it's got to be done sometime or other—just as well now." He wrote a note to the head clerk to say that he was leaving two days earlier for his vacation than he intended; left his address for the next four days in case anything should turn up that might demand his presence before starting on the cruise; sent the office boy off with a telegram to his mother that she might expect him Saturday morning for two days in Flamsted; went to his apartment, packed grip and steamer trunk for the yacht, and left on the night express for the Maine coast.

VII

"I just saw Mr. Googe driving down from The Gore, Aileen, so he's in town again."

Octavius was passing the open library window where Aileen was sitting at her work, and stopped to tell her the news.

"Is he?"

The tone was indifferent, but had she not risen quickly to shake some threads of embroidery linen into the scrap-basket beneath the library table, Octavius might have seen the quick blood mount into her cheeks, the red lips quiver. It was welcome news for which she had been waiting already six weeks.

Octavius spoke again but in a low voice:

"You might mention it to Mrs. Champney when she comes down; it don't set well, you know, if she ain't told everything that's going on." He passed on without waiting for an answer.

The girl took her seat again by the window. Her work lay in her lap; her hands were folded above it; her face was turned to the Flamsted Hills. "Would he come soon? When and where could she see him again, and alone?" Her thoughts were busy with conjecture.

Octavius recrossing the terrace called out to her:

"You going up to Mrs. Caukins' later on this afternoon?"

"Yes; Mrs. Champney said she didn't need me."

"I'll take you up."

"Thank you, Tave, not to-day. I'm going to row up as far as the upper shed. I promised the twins to meet them there; they want to see the new travelling crane at work. We'll go up afterwards to The Gore together."

"It's pretty hot, but I guess you're all three seasoned by this time."

"Through and through, Tave; and I'm not coming home till after supper—it's lovely then—there's Mrs. Champney coming!"

She heard her step in the upper hall and ran upstairs to assist her in coming down.

"Will you go out on the terrace now?" she asked her on entering the library.

"I'll wait a while; it's too warm at this hour."

Aileen drew Mrs. Champney's arm chair to the other casement window. She resumed her seat and work.

"How are you getting on with the napkins?" the mistress of Champ-au-Haut inquired after a quarter of an hour's silence in which she was busied with some letters.

"Fine—see?" She held up a corner for her inspection. "This is the tenth; I shall soon be ready for the big table cloth."

"Bring them to me."

Aileen obeyed, and showed her the monogram, A C, wrought by her own deft fingers in the finest linen.

"There's no one like a Frenchwoman to teach embroidery; you've done them credit." Aileen dropped a mock courtesy. "Which one taught you?"

"Sister Ste. Croix."

"Is she the little wrinkled one?"

"Yes, but I've fallen in love with every wrinkle, she's a perfect dear—"

"I didn't imply she wasn't." Mrs. Champney was apt to snap out at Aileen when, according to her idea, she was "gushing" too much. The girl had ceased to mind this; she was used to it, especially during her three years of attendance on this invalid. "Who designed this monogram?"

"She did; she can draw beautifully."

Mrs. Champney put on her glasses to examine in detail the exquisite lettering, A C.

Aileen leaned above her, smiling to herself. How many loving thoughts were wrought into those same initials! How many times, while her fingers were busy fashioning them, she had planned to make just such for her very own! How often, as she wrought, she had laid her lips to the A C, murmuring to herself over and over again, "Aileen—Champney, Champney—Aileen," so filling and satisfying with the sound of this pleasing combination her every loving anticipation!

She was only waiting for the "word", schooling herself in these last six weeks to wait patiently for it—the "word" which should make these special letters her legitimate own!

The singing thoughts that ring in the consciousness of a girl who gives for the first time her whole heart to her lover; the chanted prayers to her Maker, that rise with every muted throb of the young wife's heart which is beating for two in anticipation of her first motherhood—who shall dare enumerate them?

The varied loving thoughts in this girl's quick brain, which was fed by her young pulsing heart—a heart single in its loyalty to one during all the years since her orphan childhood, were intensified and illumined by the inherent quickening power of a vivid imagination, and inwrought with these two letters that stood, at present, for their owner, Almeda Champney. Aileen's smile grew wonderfully tender, almost tremulous as she continued to lean above her work. Mrs. Champney looking up suddenly caught it and, in part, interpreted it. It angered her both unreasonably and unaccountably. This girl must be taught her place. She aspiring to Champney Googe! She handed her back the work.

"Ann said just now she heard Octavius telling you that my nephew, Champney Googe, is in town—when did he come?"

"I don't know—Tave didn't say."

"I wonder Alice Van Ostend didn't mention that he was coming here before going on the yachting cruise they've planned. I had a letter from her yesterday—I know you'd like to hear it."

"Of course I should! It's the first one she has written you, isn't it?—Where is it?" She spoke with her usual animated interest.

"I have it here."

She took up one of several letters in her lap, opened it, turned it over, adjusted her glasses and began to read a paragraph here and there. Aileen listened eagerly.

"I suppose I may as well read it all—Alice wouldn't mind you," said Mrs. Champney, and proceeded to give the full contents. It was filled with anticipations of the yachting cruise, of a later visit to Flamsted, of Champney and her friends. Champney's name occurred many times,—Alice's attitude towards the possessor of it seemed to be that of private ownership,—but everything was written with the frankness of an accepted publicity of the fact that Mr. Googe was one of her social appendages. Aileen was amused at the whole tone of the rather lengthy epistle; it gave her no uneasiness.

Mrs. Champney laid aside her glasses; she wanted to note the effect of the reading on the girl.

"You can see for yourself from this how matters stand between these two; it needn't be spoken of in Flamsted outside the family, but it's just as well for you to know of it—don't you think so?"

Aileen parried; she enjoyed a little bout with Champney Googe's aunt.

"Of course, it's plain enough to see that they're the best of friends—"

"Friends!" Mrs. Champney interrupted her; there was a scornful note in her voice which insensibly sharpened; "you haven't your usual common sense, Aileen, if you can't read between these lines well enough to see that Miss Van Ostend and my nephew are as good as engaged."

Aileen smiled, but made no reply.

"What are you laughing at?" The tone was peremptory and denoted extreme irritation. Aileen put down her work and looked across to her interrogator.

"I was only smiling at my thoughts."

"Will you be so good as to state what they are? They may prove decidedly interesting to me—at this juncture," she added emphatically.

Aileen's look of amusement changed swiftly to one of surprise.

"To be honest, I was thinking that what she writes about Mr. Googe doesn't sound much like love, that was all—"

"That was all!" Mrs. Champney echoed sarcastically; "well, what more do you need to convince you of facts I should like to know?"

Aileen laughed outright at this. "Oh, Mrs. Champney, what's the use of being a girl, if you can't know what other girls mean?"

"Please explain yourself."

"Won't you please read that part again where she mentions the people invited for the cruise."

Mrs. Champney found the paragraph and re-read it aloud.

"Falkenburg—that's the name—Ben Falkenburg."

"How did you ever hear of this Ben Falkenburg?"

"Oh, I heard of him years ago!" The mischief was in her voice and Mrs. Champney recognized it.

"Where?"

"When I was in New York—in the asylum; he's the one that danced the minuet with the Marchioness; I told you about it years ago."

"How do you know he was the boy?"

"Because Alice told me his name then, and showed me the valentine and May-basket he sent her—just read the postscript again; if you want to crack a letter for its kernel, you'll generally find it in a postscript, that is with girls of Alice's age."

She spoke as if there were years of seniority on her part. Mrs. Champney turned to the postscript again.

"I see nothing in this—you're romancing again, Aileen; you'd better put it aside; it will get you into trouble sometime."

"Oh, never fear for me, Mrs. Champney; I'll take care of all the romancing as well as the romances—but can't you see by those few words that it's Mr. Ben Falkenburg who is going to make the yachting trip for Miss Van Ostend, and not your nephew?"

"No, I can't," Mrs. Champney answered shortly, "and neither could you if your eyes weren't blinded by your infatuation for him."

Aileen rolled up her work deliberately. If the time had come for open war to be declared between the two on Champney Googe's account, it was best to fight the decisive battle now, before seeing him again. She rose and stood by the window.

"What do you mean, Mrs. Champney?" Her temper was rising quickly as it always did when Mrs. Champney went too far. She had spoken but once of her nephew in a personal way to Aileen since she asked that question a year ago, "What do you think of him?"

"I mean what I say." Her voice took on an added shrillness. "Your infatuation for my nephew has been patent for a year now—and it's time you should be brought to your senses; I can't suppose you're fool enough to think he'll marry you."

Aileen set her lips close. After all, it was not best to answer this woman as she deserved to be answered. She controlled the increasing anger so far as to be able to smile frankly and answer lightly:

"You've no need to worry, Mrs. Champney; your nephew has never asked me to be his wife."

"His wife!" she echoed scornfully; "I should say not; and let me tell you for your own benefit—sometime you'll thank me for it—and mark my words, Aileen Armagh, he never will ask you to be his wife, and the sooner you accept this unvarnished truth the better it will be for you. I suppose you think because you've led Romanzo Caukins and young Poggi a chase, you can do the same with Champney Googe—but you'll find out your mistake; such men aren't led—they lead. He is going to marry Alice Van Ostend."

"Do you know this for a fact, Mrs. Champney?" She turned upon her sharply. She was, at last, at bay; her eyes were dark with anger; her lips and cheeks white.

"It's like you to fly off at a tangent, Aileen, and doubt a person's word simply because it happens to contain an unpleasant truth for you—here is the proof," she held up a letter; "it's from my cousin, Henry Van Ostend; he has written it out in black and white that my nephew has already asked for his daughter's hand. Now disabuse your mind of any notion you may have in regard to Champney Googe—I hope you won't disgrace yourself by crying for the moon after this."

The girl's eyes fairly blazed upon her.

"Mrs. Champney, after this I'll thank you to keep your advice and your family affairs to yourself—I didn't ask for either. And you've no need to tell me I'm only Aileen Armagh—for I know it perfectly well. I'm only an orphan you took into your home seven years ago and have kept, so far, for her service. But if I am only this, I am old enough to do and act as I please—and now you may mark my words: it's not I who will disgrace you and yours—not I, remember that!" Her anger threatened to choke her; but her voice although husky remained low, never rising above its level inflection. "And let me tell you another thing: I'm as good any day as Alice Van Ostend, and I should despise myself if I thought myself less; and if it's the millions that make the difference in the number of your friends—may God keep me poor till I die!" She spoke with passionate earnestness.

Mrs. Champney smiled to herself; she felt her purpose was accomplished.

"Are you going up to Mrs. Caukins'?" she asked in a matter-of-fact voice that struck like cold iron on the girl's burning intensity of feeling.

"Yes, I'm going."

"Well, be back by seven."

The girl made no reply. She left the library at once, closing the door behind her with a force that made the hall ring. Mrs. Champney smiled again, and proceeded to re-read Alice Van Ostend's letter.

Aileen went out through the kitchen and across the vegetable garden to the boat house. She cast loose one of the boats in the float, took her seat and rowed out into the lake—rowed with a strength and swiftness that accurately gauged her condition of mind. She rounded the peninsula of The Bow and headed her boat, not to the sheds on the north shore, but towards the west, to "lily-pad reach". To get away from that woman's presence, to be alone with herself—that was all she craved at the moment. The oars caught among the lily-pads; this gave her an excuse for pulling and wrenching at them. Her anger was still at white heat—not a particle of color as yet tinged her cheeks—and the physical exertion necessary to overcome such an obstacle as the long tough stems she felt to be a relief.